One of Hollywood’s greatest living actors, Michael Caine, is sending his fans into a tizzy over a photo posted to his personal Twitter account. The image depicts an impressive stack of Caine’s films on DVD and Blu-ray, encapsulating the highs and lows of his storied career as an entertainer. While gems like Get Carter, The Last Valley, and Harry Brown adorn the pile, cinematic blights like On Deadly Ground, Jaws: The Revenge, and The Island sit among the crowd.
The variety of films in Caine’s collection speaks volumes about the actor’s sense of humor and accomplishment. While some actors tend to want to cast their cinematic sins to the fiery depths, Caine proudly displays several of his biggest box office bombs and critically panned misfires. For example, Peter Benchley’s The Island is an insane bit of cinema featuring Caine as a kidnap victim of inbred pirates.
The variety of films in Caine’s collection speaks volumes about the actor’s sense of humor and accomplishment. While some actors tend to want to cast their cinematic sins to the fiery depths, Caine proudly displays several of his biggest box office bombs and critically panned misfires. For example, Peter Benchley’s The Island is an insane bit of cinema featuring Caine as a kidnap victim of inbred pirates.
- 5/1/2024
- by Steve Seigh
- JoBlo.com
This thinking man’s epic got left behind with the demise of Road Show movies, which is a shame. A beautifully made, uncompromised story of warring 17th century Germany, it plays like a fine epic, with great performances. Audiences didn’t want to see Michael Caine playing this kind of character in a costume drama that wasn’t glorious escapism. Everybody’s good — it’s a great picture for Omar Sharif and the underappreciated Florinda Bolkan. The (originally) 70mm cinematography looked incredibly good in 1971.
The Last Valley
Blu-ray
Kl Studio Classics
1971 / Color / 2:35 widescreen (in release) / 125 min. / Street Date June 23, 2020 / available through Kino Lorber / 24.95
Starring: Michael Caine, Omar Sharif, Florinda Bolkan, Nigel Davenport, Per Oscarsson, Madeline Hinde, Michael Gothard, Brian Blessed, Miguel Alejandro, Christian Roberts, Yorgo Voyagis, Ian Hogg, Vladek Sheybal.
Cinematography: Norman Warwick, John Wilcox
Film Editor: John Bloom
Original Music: John Barry
Visual Effects: Wally Veevers
From the...
The Last Valley
Blu-ray
Kl Studio Classics
1971 / Color / 2:35 widescreen (in release) / 125 min. / Street Date June 23, 2020 / available through Kino Lorber / 24.95
Starring: Michael Caine, Omar Sharif, Florinda Bolkan, Nigel Davenport, Per Oscarsson, Madeline Hinde, Michael Gothard, Brian Blessed, Miguel Alejandro, Christian Roberts, Yorgo Voyagis, Ian Hogg, Vladek Sheybal.
Cinematography: Norman Warwick, John Wilcox
Film Editor: John Bloom
Original Music: John Barry
Visual Effects: Wally Veevers
From the...
- 6/9/2020
- by Glenn Erickson
- Trailers from Hell
We have a relatively quiet week of home media releases ahead of us this week, but the titles that are coming out are a rad bunch of films nonetheless. Scream Factory is doing the Dark Lord’s work with both the Collector’s Edition of April Fool’s Day and the HD release of Frankenstein: The True Story. If you missed it in theaters back in January, Nicolas Pesce’s The Grudge (2020) is headed to various platforms this Tuesday, and Arrow Video has put together a stellar Special Edition release of Philip Ridley’s The Passion of Darkly Noon as well.
Other Blu-ray and DVD releases for March 24th include Endless Night, Cabal, Hunter’s Moon, The Zombinator, and The Wizard: Collector’s Edition.
April Fool’s Day: Collector’s Edition
Good friends...with some time to kill. When Muffy St. John invited her college friends up to her parents' secluded...
Other Blu-ray and DVD releases for March 24th include Endless Night, Cabal, Hunter’s Moon, The Zombinator, and The Wizard: Collector’s Edition.
April Fool’s Day: Collector’s Edition
Good friends...with some time to kill. When Muffy St. John invited her college friends up to her parents' secluded...
- 3/23/2020
- by Heather Wixson
- DailyDead
The Shangri-La of war movies, James Clavell’s epic set during the 30 Years War stars Michael Caine as a mercenary and Omar Sharif as a teacher who take haven in an idyllic valley still untouched by bloodshed. The last movie produced in 70mm Todd A-o is gorgeously shot on fabulous locations but despite fine performances and one of John Barry’s most emotional music scores, it was a box office disaster and the movie has remained as neglected as the war it was based on. Like most ABC Pictures productions, it has been poorly served on home video, the 2004 MGM DVD lacking even an anamorphic transfer. This one is ripe for rediscovery.
The post The Last Valley appeared first on Trailers From Hell.
The post The Last Valley appeared first on Trailers From Hell.
- 9/3/2018
- by Charlie Largent
- Trailers from Hell
In a war film, what’s the difference between nasty exploitation and just plain honest reportage? André De Toth made tough-minded action films with the best of them, and this nail-biting commando mission with Michael Caine and Nigel Davenport is simply superb, one of those great action pictures that’s not widely screened. To its credit it’s not ‘feel good’ enough to be suitable for Memorial Day TV marathons.
Play Dirty
Blu-ray
Twilight Time
1968 / Color / 2:35 widescreen / 118 min. / Street Date October 17, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Michael Caine, Nigel Davenport, Nigel Green, Harry Andrews.
Cinematography: Edward Scaife
Film Editor: Jack Slade
Art Direction: Tom Morahan, Maurice Pelling
Original Music: Michel Legrand
Written by Lotte Colin, Melvyn Bragg, from a story by George Marton
Produced by Harry Saltzman
Directed by André De Toth
Some movies that were ignored when new now seem far more important, perhaps due to the tenor of times.
Play Dirty
Blu-ray
Twilight Time
1968 / Color / 2:35 widescreen / 118 min. / Street Date October 17, 2017 / Available from the Twilight Time Movies Store 29.95
Starring: Michael Caine, Nigel Davenport, Nigel Green, Harry Andrews.
Cinematography: Edward Scaife
Film Editor: Jack Slade
Art Direction: Tom Morahan, Maurice Pelling
Original Music: Michel Legrand
Written by Lotte Colin, Melvyn Bragg, from a story by George Marton
Produced by Harry Saltzman
Directed by André De Toth
Some movies that were ignored when new now seem far more important, perhaps due to the tenor of times.
- 10/24/2017
- by Glenn Erickson
- Trailers from Hell
Julie Andrews, Max von Sydow and Richard Harris bring James Michener's true saga to life -- but it's the story of the destruction of paradise. A huge success just the same, producer Walter Mirisch's film testifies to the skill with which he brought together big talent for a show that doesn't compromise with a happy-happy historical revision. Hawaii Blu-ray Twilight Time Limited Edition 1966 / Color / 2:35 widescreen / 161 min. / Ship Date January 19, 2016 / available through Twilight Time Movies / 29.95 Starring Julie Andrews, Max von Sydow, Richard Harris, Gene Hackman, Carroll O'Connor, Jocelyne Lagarde, Manu Tupou, Ted Nobriga, Elizabeth Logue. Cinematography Russell Harlan Production Designer Cary Odell Art Direction James W. Sullivan Film Editor Stuart Gilmore Original Music Elmer Bernstein Written by Dalton Trumbo, Daniel Taradash from the novel by James Michener Produced by Walter Mirisch Directed by George Roy Hill
Reviewed by Glenn Erickson
Well, fans of James Michener that missed the...
Reviewed by Glenn Erickson
Well, fans of James Michener that missed the...
- 1/26/2016
- by Glenn Erickson
- Trailers from Hell
Michael Giacchino took Film Composer of the Year, while Antonio Sanchez took Film Score of the Year for Birdman.
Sitting alongside the 42nd annual Gent Film Festival in Belgium (October 13-24), the 15th edition of the World Soundtrack Awards doled out its musical honours with a coinciding orchestral concert featuring the works of leading composers Alan Silvestri, Patrick Doyle and Daniel Pemberton.
Michael Giacchino was awarded with top honours as Film Composer of the Year for Dawn Of The Planet Of The Apes, Inside Out and Jurassic World. He was previously the World Soundtrack Award’s Discovery of the Year in 2005 for his work on The Incredibles.
Antonio Sanchez was also a big winner, beating out Bruno Calais (Song Of The Sea), Alexandre Desplat (The Imitation Game), Hans Zimmer (Interstellar) and Johann Johansson (The Theory Of Everything) for Best Original Film Score of the Year (Birdman).
Sanchez also nabbed the Discovery of the Year Award.
“I remember...
Sitting alongside the 42nd annual Gent Film Festival in Belgium (October 13-24), the 15th edition of the World Soundtrack Awards doled out its musical honours with a coinciding orchestral concert featuring the works of leading composers Alan Silvestri, Patrick Doyle and Daniel Pemberton.
Michael Giacchino was awarded with top honours as Film Composer of the Year for Dawn Of The Planet Of The Apes, Inside Out and Jurassic World. He was previously the World Soundtrack Award’s Discovery of the Year in 2005 for his work on The Incredibles.
Antonio Sanchez was also a big winner, beating out Bruno Calais (Song Of The Sea), Alexandre Desplat (The Imitation Game), Hans Zimmer (Interstellar) and Johann Johansson (The Theory Of Everything) for Best Original Film Score of the Year (Birdman).
Sanchez also nabbed the Discovery of the Year Award.
“I remember...
- 10/28/2015
- ScreenDaily
Omar Sharif, the Egyptian actor who broke through barriers to become a major international star, has died in Cairo from a heart attack at age 83. In recent months, he had been battling the onset of Alzheimer's Disease. Sharif and Peter O'Toole were virtual unknowns when they were cast as the leads by director David Lean in his 1962 masterpiece "Lawrence of Arabia". Both received Oscar nominations for the film and went on to become two of the biggest stars to emerge in the 1960s. Sharif reunited with Lean for another blockbuster, the 1965 production of "Doctor Zhivago" in which Sharif played the title role. He also co-starred with Barbra Streisand in her Oscar-winning 1968 film "Funny Girl" and appeared with her in the 1975 sequel "Funny Lady". Other prominent films Sharif appeared in during the 1960s include Samuel Bronston's ill-fated but underrated "The Fall of the Roman Empire", "Behold a Pale Horse", the...
- 7/10/2015
- by [email protected] (Cinema Retro)
- Cinemaretro.com
Omar Sharif, star of Doctor Zhivago and Lawrence of Arabia, has passed away at the age of 83.
The Egyptian-born actor rose to fame in the '60s thanks to his roles in director David Lean's sweeping epics and continued to work across TV and film for a further five decades. Digital Spy takes a look back at some of Sharif's greatest roles below.
David Lean cast Sharif as Arab revolutionary Sherif Ali in 1962's Lawrence of Arabia - the film was his English language debut and earned him an Oscar nomination.
Sharif reunited with Lawrence director David Lean to take on the lead role in Doctor Zhivago in 1965.
World War II drama The Night of the Generals (1967) saw Sharif star alongside Peter O'Toole once more, with Donald Pleasence, Tom Courtenay and Christopher Plummer in the supporting cast."
Sharif starred opposite Barbra Streisand in 1968's Funny Girl, playing a smooth gambler to her Vaudeville performer.
The Egyptian-born actor rose to fame in the '60s thanks to his roles in director David Lean's sweeping epics and continued to work across TV and film for a further five decades. Digital Spy takes a look back at some of Sharif's greatest roles below.
David Lean cast Sharif as Arab revolutionary Sherif Ali in 1962's Lawrence of Arabia - the film was his English language debut and earned him an Oscar nomination.
Sharif reunited with Lawrence director David Lean to take on the lead role in Doctor Zhivago in 1965.
World War II drama The Night of the Generals (1967) saw Sharif star alongside Peter O'Toole once more, with Donald Pleasence, Tom Courtenay and Christopher Plummer in the supporting cast."
Sharif starred opposite Barbra Streisand in 1968's Funny Girl, playing a smooth gambler to her Vaudeville performer.
- 7/10/2015
- Digital Spy
Legendary Egyptian-born, British trained actor Omar Sharif has died at the age of 83.
Though studying maths and physics at University, and working in the family business of precious woods, Sharif felt the lure of performing and ended up appearing in more than twenty productions in Egypt from 1953.
His big international break came in 1962 when he joined David Lean's "Lawrence of Arabia" and scored both a Golden Globe award and an Oscar nomination for his work as Sherif Ali Ben El Kharish. He went on to roles in various major movies including "Doctor Zhivago," "Funny Girl," "Behold a Pale Horse," "Che!," "Top Secret," "Hidalgo," "The Fall of the Roman Empire ," "The Pink Panther Strikes Again," "The Mysterious Island," "The Last Valley," "The Baltimore Bullet," "Mayerling," "The Night of the Generals," "Genghis Khan," "Anastasia: The Mystery of Anna," "One Night with the King " and "Monsieur Ibrahim".
Surprisingly he also became famous...
Though studying maths and physics at University, and working in the family business of precious woods, Sharif felt the lure of performing and ended up appearing in more than twenty productions in Egypt from 1953.
His big international break came in 1962 when he joined David Lean's "Lawrence of Arabia" and scored both a Golden Globe award and an Oscar nomination for his work as Sherif Ali Ben El Kharish. He went on to roles in various major movies including "Doctor Zhivago," "Funny Girl," "Behold a Pale Horse," "Che!," "Top Secret," "Hidalgo," "The Fall of the Roman Empire ," "The Pink Panther Strikes Again," "The Mysterious Island," "The Last Valley," "The Baltimore Bullet," "Mayerling," "The Night of the Generals," "Genghis Khan," "Anastasia: The Mystery of Anna," "One Night with the King " and "Monsieur Ibrahim".
Surprisingly he also became famous...
- 7/10/2015
- by Garth Franklin
- Dark Horizons
Woody Allen's Take the Money and Run was pivotal in launching his career as a credible actor and leading man. Although considered a comedy classic today, the 1969 film actually lost money at the time of its release.
By Brian Hannan
All you need is top stars and top directors and making movies is easy. Surely you couldn’t miss with a line-up that included Sean Connery, Steve McQueen, Michael Caine, Dustin Hoffman, Lee Marvin, Omar Sharif, and directors of the calibre of Robert Aldrich (hot after The Dirty Dozen), John Boorman (Point Blank) and Woody Allen. Or so ABC must have thought when it set up a movie division in the late 1960s. Delving into the archives recently, I discovered that Sam Peckinpah’s rodeo picture Junior Bonner (1972) starring Steve McQueen was a box office stinkeroo. The picture lost $2.8m (about $15m in today’s money). Not just on domestic release,...
By Brian Hannan
All you need is top stars and top directors and making movies is easy. Surely you couldn’t miss with a line-up that included Sean Connery, Steve McQueen, Michael Caine, Dustin Hoffman, Lee Marvin, Omar Sharif, and directors of the calibre of Robert Aldrich (hot after The Dirty Dozen), John Boorman (Point Blank) and Woody Allen. Or so ABC must have thought when it set up a movie division in the late 1960s. Delving into the archives recently, I discovered that Sam Peckinpah’s rodeo picture Junior Bonner (1972) starring Steve McQueen was a box office stinkeroo. The picture lost $2.8m (about $15m in today’s money). Not just on domestic release,...
- 7/21/2014
- by [email protected] (Cinema Retro)
- Cinemaretro.com
Our round-up of John Barry’s non-Bond movie scores continues with a look at some romantic compositions from the disco decade…
As we embark on the fourth part of our appreciation of John Barry’s career beyond Bond, we move into a decade renowned for its glitter balls, bell-bottoms and jiggle television. However, this phase of Barry’s career is representative of a burgeoning interest in more emotionally charged, fractured and complex ideas, viewed through the filter of a maturing, mellowing artist.
Even the most vibrant, exotic scores could not disguise the introspection and sensitivity of the man himself. He continued to chase universal themes – and he was still capable of conjuring up worlds of intrigue and drama – but the projects he gravitated towards more in the wake of Midnight Cowboy were those that allowed him to explore more intimate musical textures.
Barry still accepted a range of eclectic assignments,...
As we embark on the fourth part of our appreciation of John Barry’s career beyond Bond, we move into a decade renowned for its glitter balls, bell-bottoms and jiggle television. However, this phase of Barry’s career is representative of a burgeoning interest in more emotionally charged, fractured and complex ideas, viewed through the filter of a maturing, mellowing artist.
Even the most vibrant, exotic scores could not disguise the introspection and sensitivity of the man himself. He continued to chase universal themes – and he was still capable of conjuring up worlds of intrigue and drama – but the projects he gravitated towards more in the wake of Midnight Cowboy were those that allowed him to explore more intimate musical textures.
Barry still accepted a range of eclectic assignments,...
- 8/15/2011
- Den of Geek
Our detailed look back over the non-Bond scores of John Barry continues with a look at his work between the years 1968 to 1979…
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
- 8/8/2011
- Den of Geek
Our detailed look back over the non-Bond scores of John Barry continues with a look at his work between the years 1968 to 1979…
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
In the third part of our John Barry retrospective, we enter the late 60s and a surge of activity that would typify the composer’s output for nearly two decades. Despite the exacting nature of his commissions, he continued to build on his reputation with a succession of quality scores that stockpiled brilliant and unexpected surprises on top of unprecedented new ground. But all the while, he continued to strive for authenticity of arrangement and sincerity of expression. This phase demonstrates his broadening outlook but also reflects, in a profound way, the diversity of his musical influences.
His early output took inspiration from both the rhythm and blues of The Barry Seven and the popular rhythms of the time, such as Gene Vincent and American guitarist Duane Eddy,...
- 8/8/2011
- Den of Geek
Swedish actor best known for the 1966 film Hunger
Per Oscarsson, who has died aged 83, was perhaps the only leading Swedish actor who never worked with Ingmar Bergman. This might have been by accident rather than design, although Oscarsson was known for his manic performances, whereas Bergman's men were usually placid. In other words, Oscarsson was more Klaus Kinski than Max Von Sydow.
Oscarsson's most memorable role was in Sult (Hunger, 1966) as Pontus, a bespectacled, penniless and starving young writer in Norway at the end of the 19th century. His complex, agonisingly convincing portrait of a man, ravaged by hunger, whose mind is on the verge of disintegration, split between moments of lucidity and despair, won Oscarsson the best actor award at Cannes and worldwide acclaim.
Hunger was the first all-Scandinavian co-production. Shot in Oslo, it was based on the famous psychological novel by the Norwegian author Knut Hamsun, with a...
Per Oscarsson, who has died aged 83, was perhaps the only leading Swedish actor who never worked with Ingmar Bergman. This might have been by accident rather than design, although Oscarsson was known for his manic performances, whereas Bergman's men were usually placid. In other words, Oscarsson was more Klaus Kinski than Max Von Sydow.
Oscarsson's most memorable role was in Sult (Hunger, 1966) as Pontus, a bespectacled, penniless and starving young writer in Norway at the end of the 19th century. His complex, agonisingly convincing portrait of a man, ravaged by hunger, whose mind is on the verge of disintegration, split between moments of lucidity and despair, won Oscarsson the best actor award at Cannes and worldwide acclaim.
Hunger was the first all-Scandinavian co-production. Shot in Oslo, it was based on the famous psychological novel by the Norwegian author Knut Hamsun, with a...
- 2/9/2011
- by Ronald Bergan
- The Guardian - Film News
Marty Baum, who helped forge CAA into a powerhouse agency when he joined the fledgling firm in 1976, died Friday. He was 86.
No cause or place of death was immediately reported.
Formed by ex-William Morris agents Mike Rosenfeld, Michael Ovitz, Ron Meyer, William Haber and Rowland Perkins in 1975, CAA started out by focusing on TV deals and needed the movie business to enter the agency big leagues.
So they hired Baum, a former Broadway talent agent who had moved to ABC to produced feature films for the network's ABC Motion Pictures arm.
Baum represented Joanne Woodward, giving CAA an in to sign her husband, Paul Newman. Dustin Hoffman, Robert Redford and others soon followed, giving CAA big-time influence in the film business.
Baum's other clients over the years included Sidney Poitier, Richard Attenborough, Blake Edwards and Julie Andrews, Gene Wilder, Bette Davis, Rock Hudson, John Cassavetes, Carol O'Connor, Richard Harris, Harry Belafonte,...
No cause or place of death was immediately reported.
Formed by ex-William Morris agents Mike Rosenfeld, Michael Ovitz, Ron Meyer, William Haber and Rowland Perkins in 1975, CAA started out by focusing on TV deals and needed the movie business to enter the agency big leagues.
So they hired Baum, a former Broadway talent agent who had moved to ABC to produced feature films for the network's ABC Motion Pictures arm.
Baum represented Joanne Woodward, giving CAA an in to sign her husband, Paul Newman. Dustin Hoffman, Robert Redford and others soon followed, giving CAA big-time influence in the film business.
Baum's other clients over the years included Sidney Poitier, Richard Attenborough, Blake Edwards and Julie Andrews, Gene Wilder, Bette Davis, Rock Hudson, John Cassavetes, Carol O'Connor, Richard Harris, Harry Belafonte,...
- 11/5/2010
- The Hollywood Reporter - Movie News
Westwood Guilty Of Harassment
British actor Patrick Westwood has been found guilty of harassment after "bullying" a gay neighbour in a series of arguments.
The 85 year old, who starred with Sir Michael Caine in The Last Valley, avoided jail time after a judge at Kingston Crown Court handed him a two-year supervision order.
Westwood is said to have provoked and humiliated homosexual Barrie Boxell, the manager of his apartment building in Wandsworth, south London.
The judge found him guilty of harassment and breaching restraining orders, telling him: "You made this man's life an absolute misery. It was premeditated bullying."...
The 85 year old, who starred with Sir Michael Caine in The Last Valley, avoided jail time after a judge at Kingston Crown Court handed him a two-year supervision order.
Westwood is said to have provoked and humiliated homosexual Barrie Boxell, the manager of his apartment building in Wandsworth, south London.
The judge found him guilty of harassment and breaching restraining orders, telling him: "You made this man's life an absolute misery. It was premeditated bullying."...
- 10/25/2010
- WENN
The off-beat 1967 comedy The President's Analyst is among the films being screened by Joe Dante. Director Joe Dante has sent us this press release regarding an exciting classic and cult movie festival he is hosting at the New Beverly Cinema in L.A. Don't miss his appearance on August 5 when he and Bruce Dern will be screening The Burbs and Smile.
I had so much fun hosting last year's film series that we're doing it again at The New Beverly Cinema, one of La's last bastion of movie worship! Remember, Movies Are Your Best Entertainment! Down With Pay TV! Aug. 5-6 The Burbs/Smile - It's cheeky of me to pair my own behavioral neighborhood comedy with Michael Ritchie's brilliantly observed social satire (American Beauty eat your heart out!), but both feature one of the movies' best, most underappreciated actors, Bruce Dern. From countless tv western bad guys through...
I had so much fun hosting last year's film series that we're doing it again at The New Beverly Cinema, one of La's last bastion of movie worship! Remember, Movies Are Your Best Entertainment! Down With Pay TV! Aug. 5-6 The Burbs/Smile - It's cheeky of me to pair my own behavioral neighborhood comedy with Michael Ritchie's brilliantly observed social satire (American Beauty eat your heart out!), but both feature one of the movies' best, most underappreciated actors, Bruce Dern. From countless tv western bad guys through...
- 8/3/2009
- by [email protected] (Cinema Retro)
- Cinemaretro.com
Caine: 'I Can Out-Rant Bale'
Michael Caine has defended his Dark Knight co-star Christian Bale's infamous rant on the set of Terminator: Salvation - insisting he has behaved far worse during movie shoots.
In February, Bale was shamed when an audio tape of him shouting and swearing at cinematographer Shane Hurlbut leaked online. The incident took place last year during filming for the upcoming Terminator movie.
The actor, who was angry Hurlbut had distracted him during a scene, has since apologised for the incident.
Caine, who stars alongside Bale in director Christopher Nolan's Batman movies, admits he was surprised by Bale's behaviour - but insists his temper is much worse.
The Oscar-winning veteran tells People.com, "That stunned me, because he's not like that at all. I would never have imagined Christian doing that. It's completely out of character.
"I'm more like that than he is. You're liable to get a volley off of me if you walk around during my takes."
And he recalls one particular rant, on the set of 1970 movie The Last Valley, adding, "I outdid Christian by about 30 minutes and with more language than he knew."...
In February, Bale was shamed when an audio tape of him shouting and swearing at cinematographer Shane Hurlbut leaked online. The incident took place last year during filming for the upcoming Terminator movie.
The actor, who was angry Hurlbut had distracted him during a scene, has since apologised for the incident.
Caine, who stars alongside Bale in director Christopher Nolan's Batman movies, admits he was surprised by Bale's behaviour - but insists his temper is much worse.
The Oscar-winning veteran tells People.com, "That stunned me, because he's not like that at all. I would never have imagined Christian doing that. It's completely out of character.
"I'm more like that than he is. You're liable to get a volley off of me if you walk around during my takes."
And he recalls one particular rant, on the set of 1970 movie The Last Valley, adding, "I outdid Christian by about 30 minutes and with more language than he knew."...
- 4/1/2009
- WENN
Sir Michael Caine, who played Batman's faithful butler in The Dark Knight, is thrilled by the late Heath Ledger's Oscar win for playing The Joker, "stunned" by Christian Bale's infamous on-set outburst and - has hopes for another sequel. "I'm so pleased," the Englishman, 76 - himself a double Oscar winner - tells People of the posthumous Academy Award presented Ledger in February. "I thought that it was very important for his family as well. I was a big fan of his from the first time that I met him." Caine - whose latest film, Is Anybody There?, opens...
- 4/1/2009
- by Scott Huver
- PEOPLE.com
Caine Boycotts Horse Scenes After Reeve's Accident
Sir Michael Caine vowed never to ride a horse again, after pal Christopher Reeve was left paralysed following an equestrian accident.
The Italian Job star confesses he was a terrible rider anyway, and was lucky to escape unharmed during a horse-riding scene in 1970 film The Last Valley.
But he instructed his agent to reject all horse-based movies after Reeve's tragic fall in 1995, which left the Superman severely paralysed and wheelchair-bound for the rest of his life. He died in 2004.
Caine says, "I am absolutely useless. I act as though I can ride. In The Last Valley, I led a charge. If I'd have come off, they'd have all run over me.
"But since Chris Reeve, I say, 'If there's a horse in the script, don't even send it to me'. I'm never getting on a horse again."...
The Italian Job star confesses he was a terrible rider anyway, and was lucky to escape unharmed during a horse-riding scene in 1970 film The Last Valley.
But he instructed his agent to reject all horse-based movies after Reeve's tragic fall in 1995, which left the Superman severely paralysed and wheelchair-bound for the rest of his life. He died in 2004.
Caine says, "I am absolutely useless. I act as though I can ride. In The Last Valley, I led a charge. If I'd have come off, they'd have all run over me.
"But since Chris Reeve, I say, 'If there's a horse in the script, don't even send it to me'. I'm never getting on a horse again."...
- 6/25/2008
- WENN
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.