User reviews

An office boy is turned into the great new sensation - a 'patsy' of a committee of old timers. Jerry Lewis is Stanley Belt, a clumsy, dumb kind of a man who seems the perfect fall guy to generate income for those pulling the strings.

A strong supporting cast - Everett Sloane, Peter Lorre, Keenan Wynn, Phil Harris, John Carradine - shine in support of Lewis; while Ina Balin provides decoration and a love interest.

'The Patsy' is slightly self-indulgent and presents both the best and the worst of Jerry Lewis, although when it is funny, it is well worth watching - the piece where Lewis sings on television is hilarious.

If you're a Lewis fan, don't miss. If you're not, perhaps this isn't the one to start with. If you have no feelings either way, it is a pleasant way to spend an afternoon, with some general interest for film buffs.

The Prolific, Near-Genius, Self-Indulgent, and as Always Self-Referential Jerry Lewis is at it Again. Pushing Film Conventions just a Nudge, not Over the Edge, Never Wanting to be Totally Dismissed and Forever Seeking Approval, He Managed to be Creative as well as, Like Most Comedians, Inconsistent.

Jerry's Fans Rate this One Pretty HIgh, some Considering it His Best along with The Nutty Professor (1963). It is Deeper than His Other Movies and Lewis, who was a Constant Thinker, seemed to be Thinking Overtime on this One.

Like All Jerry Lewis Movies this has some Very Funny Bits and His Comic Timing is in Evident Here with a Scene Involving Voice Lessons and Antiques. The Sight Gags in Jerry's Movies are Consistently Innovative and Succeed without Fail, One after Another.

Armed with an All-Star Supporting Cast and a Number of Cameos, the Perennial Clown just might have Reached too Far on this One because in this Film when it is Embarrassing (most Jerry Lewis Films include cringe-inducements) it is Really Embarrassing, like in the Nightclub Scene.

Overall, this is One of Jerry's more Ambitious Movies and Probably One of HIs Best, although that's Debatable. Still if You are one of those that can Only take a Smattering of the Jerry Lewis Charm, this is Probably one You should Check Out. It's got it All.

This Jerry Lewis comedy, which he also co-wrote and directed, begins with an unusual premise: a movie star has died and his staff of handlers (Keenan Wynn, Everett Sloane, John Carradine, Phil Harris, Ina Balin, and Peter Lorre who died before this was released) are discussing if they should split up. That would become "no" when Jerry, as bellhop Stanley Belt, shows up and clumsily drops his ice and glasses which makes the team try to make him a star. I'll stop there and just say that while I know that Lewis tends to overdo his shtick, I usually find it funny maybe both because and despite him doing so. I mean, when he mouths in the wrong places his recorded lyrics to his hit song (which I personally don't think would have been a hit even as a novelty tune) or has a disastrous encounter with music teacher Hans Conried (a veteran player of Lewis' movies), I'm so there laughing my head off! And a couple of silent sequences are pretty amusing if not as funny. But when we see Stanley at his night club debut, his accident-prone and mixed-words performance is painful to watch not only to the characters watching but to the actual film audience as well though it's possible Lewis meant it that way. There's also some entertaining tap dancing by The Four Step Brothers and some cool shoe shine-bopping by Scatman Crothers even though his character borders on an African-American stereotype though even there you get something of an edge in modern humor at the end of that bit. After the aforementioned night club bit, it loses some steam but the ending more than makes up for it. Oh, and cameos by the likes of Hedda Hopper and Ed Sullivan are also fine for the good sports they show up as. So on that note, The Patsy is well worth a look for any Lewis fan out there. P.S. This is one of the few movies that both Keenan and his father, Ed Wynn, both show up in though in this case, they have no scenes together. Oh, and Sullivan mentions both Martin & Lewis and The Beatles as among those that made their TV debut on his show, having filmed his scene not long after The Fab Four's first appearance with him on February 9, 1964.

This is another Jerry Lewis film I could not finish.

Once again he plays the same character--a bumbling idiot whose sole purpose in life, it seems, is to make mistakes. The plot of this film was bad enough, but the silliness is compounded when it asks us to invest time in a character that is clownish. I can enjoy watching a simpleton if the act has some subtlety, but not when the act is transparently stupid. That we expect of circus clowns. For example, when Jerry drops a tray of ice and glasses, and he pretends to try to pick them up, we see him squeeze each ice cube he picks up so that it shoots out of his hand. That is not physical comedy at its best. That is insulting.

There are other Lewis films that are worth seeing. This is not one. For example, try The King of Comedy. Some of Jerry's movies with Dean are actually good, perhaps because someone else had control of the production and could keep Jerry in check.

This is Jerry Lewis at his best.Sure I could say the same thing about him in many other movies.The master clown plays this time a bellboy named Stanley Belt.A star comedian dies, so they want to train a nobody, in this case Stan the bellboy, to be the new star.But hiring Stan to fill the shoes of the comedian really isn't such a good idea.He can't do anything right and there are so many things he has to do.So many things he has to learn, and there's not too much time to learn it all.The Patsy (1964): directed by Jerry Lewis, writing credits Jerry Lewis and Bill Richmond.This is a funny comedy with a deeper meaning.Jerry does his comic act with his own unique style, that many have tried to imitate.But let's face it; nobody is better than the original.Ina Balin is a terrific leading lady.She plays Ellen Betz and is really sweet in her part.Everett Sloane is Caryl Fergusson and he's marvelous.Phil Harris is great as Chic Wymore.Keenan Wynn is wonderful as Harry Silver.Also his father, Ed Wynn can be seen in the movie.And so can Keenan's son Ned Wynn.Peter Lorre does his final movie role in The Patsy.He was a great, great actor in both comedies and more serious roles.Scatman Crothers is there to give shine to the shoes.Then there are people you may recognize from other Lewis movies, like Del Moore, Buddy Lester and Nancy Kulp.Some people are there as themselves, like Hedda Hopper, Rhonda Fleming, George Raft, Mel Tormé and Ed Sullivan.Not too many movies have a cast like that! Two of my favorite scenes are where Jerry paints a tuxedo on himself and the flashback sequence showing Jerry as a youngster in a dance where the girls don't want to dance with him.Those scenes show what a great mime Jerry really is.Here in Finland they have been showing Jerry Lewis movies on Sundays this summer.The last time they showed his movies successively was in 1998.Now I can see the tragedy in Jerry's characters better than I did back then.Then I saw only the crazy and zany and funny man.Now I can see his characters are often tragic figures who also happen to be very funny.Jerry Lewis can still make me laugh like crazy.Jerry is a fool with heart.Nobody can do it like Jerry Lewis.

If your a big Jerry Lewis fan, and I am, you will enjoy The Patsy. It's not his funniest, at least on a consistent basis, but it does have it's share of big laughs. The premise is that a big music star perishes in a plane crash and his associates, including Claude Raines and John Carradine, need to find a replacement. In steps bumbling Jerry as a hotel employee who must be turned into the next big music star. Some hilarious scenes such as Jerry being groomed in a beauty salon, being "taught" how to sing by the always dependable Hans Conried and Jerry's attempt at lip-synching his hit song on TV. again, not his best but enjoyable and funny enough for me!

The Patsy boasts a fantastic cast but falls incredibly short. Lewis is rather cringeworthy in a handful of sequences here with the exception of about three skits (the ice in the beginning, the chair/seat sketch somewhere in the middle) and the finale). It's also worth mentioning Lewis was fantastic at breaking the 4th wall and using scene set-up and prop set-up rather masterfully. He just doesn't keep it consistent enough in this. It would also help if he didn't babble nonsense so much. Worth watching if your a fan of Lewis. Definitely doesn't crack his best work though.

It was pretty much annoying like many of his other movies. He takes forever on his kits. Do the scene and move on and he just drags and drags it out. Loved it that Conried was in it. He's so cute. Liked the Stepbrothers in it. Loved Lorre & Scatman. Honestly though i don't know how Lewis got to be famous.

There isn't a big star that you can name who doesn't have an entourage. These folks have their careers rise and fall with the stars that time and circumstance has attached them to. But what does happen to these people if the star is taken out of the picture. Frank Sinatra and Elvis Presley were known for their large entourages and I daresay right at this moment there any number of people trying to figure out what the future holds for them with Michael Jackson's demise.

The Patsy examines one such entourage who when its star, a popular comedian is killed in a plane crash, they will not just disperse. They function as a team and all they need is another star. Where to find one however.

And that's where Jerry Lewis comes in, an innocent schlep of a bellboy who comes in with an ice tray wreaking havoc in the typical Lewis manner. The rest of the film is devoted to how well they succeed in their objective.

As one of the last players under studio contract, Paramount kept in the black pretty much during the Fifties and Sixties because of Jerry Lewis. Either with Dino or later as a solo, Jerry's films made money and gradually he got creative control over them. In this one he directs as well.

It's not his best work, but it's still pretty good with some really hilarious performances. Jerry Lewis has a reputation as an egotist, but you would not know it in The Patsy, he was quite generous in giving time to the fine cast he assembled. The entourage consists of Everett Sloane, Phil Harris, Ina Balin, John Carradine, Keenan Wynn, and in his last film Peter Lorre. You're not going to hold too tight a rein on this group of scene stealers and Lewis doesn't even try.

Best scene in the film however is with Hans Conreid as a voice teacher the entourage hires for Lewis. It involves Jerry with a snooty Hans who is also an antique collector. Let's just say the laughs are equally for Hans as they are for Jerry.

And the ending is something that Mel Brooks could have used. In fact I'm not sure Brooks didn't appropriate an idea or two for some of his films.

The Patsy is a great introduction to Jerry Lewis and I know his fans count it among his best.

Jerry Lewis directing Jerry Lewis, shouldn't that go wrong? No not really. The Lewis-films nearly always rely on his physical acting, which must be seen as his strongest asset. This is also true in "The Patsy" and it's actually going very well. At least for the first hour of the film. Perhaps it should have been a little shorter.

Jerry plays the bellhop Stanley, who serves at a hotel. Now in that hotel a group of employees of a newly dead comedian are talking about their future. One of them Morgan Heywood (played by Peter Lorre) gets the idea to find a man that they first of all can control, and secondly teach the trade of entertainment. After Stanley have tried to serve the team champagne (with ice, wet ice!) They find that he well be the perfect new man. Now this starts the most fun part of the film, he tries his luck at singing recording and what else he needs to know. Along the way the secretary of the team Ellen (Ina Balin) and Stanley falls in love. All that takes about an hour, sadly the last 40 minutes doesn't live up to the good start. The solution to, if Stanley will be successful and if he and Ellen will be a pair. Guess yourselves our even better see the film.

A famous celebrity dies in the opening scene. His group of handlers are sad--not just at his death but because they're out of jobs. Then one gets a brainstorm--pool their talents and create a new star. Then, they can keep their jobs. They're a cocky group and decide it doesn't matter if they guy they pick has talent and they pick the first schmuck they meet--a loud and clumsy bellboy (Lewis). They then proceed to make him a star--singing one of the most annoying ditties I've ever heard. There's more to it than that, but frankly I couldn't make myself finish the movie--it was THAT annoying.

This film began with the worst possible job of mugging for the camera I have ever seen--with Jerry Lewis WAY overdoing EVERYTHING. He drops glasses and each time he picks up ice, it slips out of his hands--again and again. And the way he talks....uggh!! He never finishes a single sentence and this is what is supposed to be comedy?! I was so annoyed but decided to keep watching...it couldn't get worse. And I was right, it didn't get any worse...but it didn't get any better. It's a shame, as I have watched a bunch of his movies lately and enjoyed most of them. This one, however, just seemed VERY self-indulgent, loud, poorly timed and unfunny. It's a shame, as he could be funny and likable--here he's just obnoxious and lacks humanity. A clear misfire and I don't seem to see what some others loved about this film--it's just no enjoyable in the least.

After lucrative comedian "Wally Brandford" dies in a plane crash, his management team decides to make bumbling bellhop Jerry Lewis (as Stanley Belt) a replacement. Mr. Lewis manages to have a hit record with "I Lost My Heart in a Drive-In Movie", but his nightclub appearance bombs big time. The film's premise seems to suggest you should laugh at Lewis being unfunny. Eventually, he finds success with secretary Ina Balin (as Ellen Betz). Although you can see it coming a mile away, the segment with antique collector Hans Conried is nicely done. And, the enjoyable "Spring Hop" flashback shows Lewis in his element.

**** The Patsy (7/8/64) Jerry Lewis ~ Jerry Lewis, Ina Balin, Everett Sloane, Peter Lorre

Jerry Lewis is a great talent and has given plenty of laughs for millions of people, however, this picture is just plain CRAZY and way out. Jerry Lewis needed the support of all time Classic greats as Everett Sloane, Phil Harris, John Carradine(Dracula 1940's), George Raft, Hans Conried, Hedda Hopper, Ed Wynn along with many other greats. I noticed that even Peter Lorre("Beast with Five Fingers") with all his great acting talent made this his final swan song. If you like to see some of the truly great classic actors, who sometimes just briefly appear, please view this picture and also everyone who loves JERRY LEWIS !

Accident-prone bellhop at the Beverly Hilton is groomed for stardom by a group of show biz people eager to keep their cushy jobs after their star-client perishes in a plane crash (oh, the hilarity!). Jerry Lewis in another plush Paramount comedy, which he also directed and co-wrote with Bill Richmond, but one that doesn't have any central interest in its own plot. Lewis' klutz is supposed to be replacing a TV comedy star, but first he has to cut a hit record and lip-synch it on a teenage dance show. One isn't sure if the project got away from Lewis or if he just lost interest in seeing the picture through. He's assembled a colorful cast of old pros, and there's a hilarious bit involving music teacher Hans Conried, but after the first 30 minutes it's just frittered away. The worst line is given to Ina Balin, describing Jerry's bellboy: "He's really very shy." Who were they kidding? *1/2 from ****

In this celluloid atrocity Jerry Lewis moviestar/filmmaker/screenwriter/egomaniac at large rips off his former director Frank Tashlin's "The Girl Can't Help It," substituting himself for Jayne Mansfield and surrounding himself with a phalanx of veteran performers (Peter Lorre, John Carradine, Phil Harris, Keenan Wynn, and for that extra touch of "Citizen Kane," Everett Sloane) in an apparent attempt to make himself look classier, or funnier, or something. Whatever he was trying to do with this picture, it didn't work.

Jerry's best work, he is hilarious in this one, and he plays the character that made me a Jerry fan, the guy who says, "Hey laaady", not the freak he played in Nutty Professor... Anyone who doesn't like this movie is not a fan of comedy, they're fans of Paulie Shore... Love Jerry, Love the Patsy, thats what it's all about, home alone!

Woody Allen has even commented on how Jerry's direction in this film is Superb...

The whole ice dropping bellboy scene near the beginning, still makes me laugh like a wild man!

Jerry is the King of Comedy and this is his crown jewel!

It isn't often a great talent is properly packaged in the guise of a man, most people would not give a second look. Yet, when the popular comedy duo of Martin and Lewis broke up, the worry centered on Dean Martin. Jerry Lewis on the other hand was so multi-talented, no one gave much though that he would succeed. This exceptional comedian assembled his talent and created movies like this one. It's called " The Patsy " and tells the story of Standley Belt (Jerry Lewis) a virtual no-body who is selected by a group of agents, trainers and talent specialists to replace their lost meal ticket. The problem which is central to the group is that Standley possesses little or no natural talent and despite the best trainers,seems doomed to failure. Jerry Lewis wrote, directed and starred in this grand production which includes top name actors. Ina Balin, plays Ellen Betz, the one person in the group who does care for Standley's success. Of course there are others like Everett Sloane, Phil Harris, Keenan Wynn, Peter Lorre, John Carradine, Richard Deacon and of course the late great Hans Conried. Together, under the auspices of Jerry, this film become one of a dozen triumphs. With Lewis as the Patsy, it has becomes a Classic. ****

THE PATSY (1964) ** Jerry again a bell-hop, again mistakenly hired - this time as a new star-to-be who has no talent whatsoever.