IMDb RATING
7.0/10
3.1K
YOUR RATING
Danny is despised by his schoolmates because his father was accused of killing another man and sentenced to death.Danny is despised by his schoolmates because his father was accused of killing another man and sentenced to death.Danny is despised by his schoolmates because his father was accused of killing another man and sentenced to death.
- Nominated for 1 Oscar
- 1 nomination total
Harry Morgan
- Billy Scripture
- (as Henry Morgan)
Harry Cheshire
- J.B. Sykes
- (as Harry V. Cheshire)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaA scene in which a group of children tar-and-feather another child was excluded from the final print at the request of the PCA.
- GoofsThe doctor said he had a corpus delicti in his office, meaning a dead body. Corpus delicti are the elements that make up a crime. The dead body of a victim could be the corpus delicti, but a doctor would never say "I have a corpus delicti down there..." implying that "corpus delicti" is synonymous to a victim's corpse.
- Quotes
Sheriff Clem Otis: Sure is remarkable how dying can make a saint of a man.
- ConnectionsReferenced in Moving Pictures (2016)
- SoundtracksThe Moonrise Song (It Just Dawned On Me)
Lyrics by Harry Tobias
Music by William Lava
Performed by David Street
Featured review
Danny Hawkins is still suffering from a traumatic childhood where he was teased and bullied relentlessly because his father had killed a man and been executed. Decades after leaving school Danny is throw into a state of temporary rage when another man (Jerry Sykes) makes fun of him for this very reason and from the resulting struggle he kills Jerry. Instantly regretting it, he is placed under suspicion and tries to escape but only finds himself trapped in more than one way by his crime and that of his father.
From the title alone I had no specific hopes for this film other than just using it to fill a bit of time while I did some ironing. However, once it opens with a well-directed and atmospheric moment of madness crossed with flashbacks I was taken by it and held with it even if it never consistently reached that height again. The plot is straightforward but has some surprisingly dark elements within it that make it worth seeing. The haunted character of Danny is the main reason that it is interesting, whether it be in the dialogue or in the visual touches (such as Danny and the raccoon coming face to face with much shared emotion).
Of course a big part of this working was a great performance from Clark who really gets into his character and dominates the film in an impressive manner. His performance is also helped by the good direction that frames interesting shots throughout the film, is imaginative when it needs to be and uses shadows really well; only in the final few minutes did I feel it lost this tone and delivered a morally satisfying that was required by the period. Support playing from Russell, Barrymore and others is OK but nobody really gets close to Clark; that said, it is amusing to see early appearances from Bridges and Morgan in small roles.
Overall this is an enjoyable film that feels quite imaginative despite its rather straightforward narrative on the surface. The direction produces a good atmosphere and clever shots while the material has a moral darkness and complexity to it that works well even if it does tend to chicken out near the end. All this is delivered really well by Clark who eats up the scenery in some scenes while also being able to internalise a lot of stuff surprisingly well for what came across as a rather low budget affair. Worth seeing for what it does well.
From the title alone I had no specific hopes for this film other than just using it to fill a bit of time while I did some ironing. However, once it opens with a well-directed and atmospheric moment of madness crossed with flashbacks I was taken by it and held with it even if it never consistently reached that height again. The plot is straightforward but has some surprisingly dark elements within it that make it worth seeing. The haunted character of Danny is the main reason that it is interesting, whether it be in the dialogue or in the visual touches (such as Danny and the raccoon coming face to face with much shared emotion).
Of course a big part of this working was a great performance from Clark who really gets into his character and dominates the film in an impressive manner. His performance is also helped by the good direction that frames interesting shots throughout the film, is imaginative when it needs to be and uses shadows really well; only in the final few minutes did I feel it lost this tone and delivered a morally satisfying that was required by the period. Support playing from Russell, Barrymore and others is OK but nobody really gets close to Clark; that said, it is amusing to see early appearances from Bridges and Morgan in small roles.
Overall this is an enjoyable film that feels quite imaginative despite its rather straightforward narrative on the surface. The direction produces a good atmosphere and clever shots while the material has a moral darkness and complexity to it that works well even if it does tend to chicken out near the end. All this is delivered really well by Clark who eats up the scenery in some scenes while also being able to internalise a lot of stuff surprisingly well for what came across as a rather low budget affair. Worth seeing for what it does well.
- bob the moo
- Mar 26, 2005
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Details
- Release date
- Country of origin
- Language
- Also known as
- Frank Borzage's Moonrise
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $849,452 (estimated)
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.33 : 1
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