Two couples face challenges in their romances: Joan Mason's relationship with Jack Evans is opposed by his sister Clarabelle, while Jill Martin and Tom McGrath have a tumultuous love-hate dy... Read allTwo couples face challenges in their romances: Joan Mason's relationship with Jack Evans is opposed by his sister Clarabelle, while Jill Martin and Tom McGrath have a tumultuous love-hate dynamic.Two couples face challenges in their romances: Joan Mason's relationship with Jack Evans is opposed by his sister Clarabelle, while Jill Martin and Tom McGrath have a tumultuous love-hate dynamic.
- Billie Randall
- (as Bettejane Greer)
- Gene Krupa and His Band
- (as Gene Krupa and His Band)
- Showgirl
- (as Wesley Brent)
- Scrubwoman
- (scenes deleted)
- Mother
- (scenes deleted)
- Scrubwoman
- (scenes deleted)
- Hotel Clerk
- (scenes deleted)
Storyline
Did you know
- TriviaBeverly Wills, who plays Joan Davis as a child, is Davis' daughter, according to the opening credits. Her singing sounds dubbed by her mother.
- GoofsJoan Mason is seated in her dressing room, holding a cup and saucer. She tosses away the cup, which shatters on a door, but in the next shot it is back in the saucer.
- Quotes
Clarabelle Evans: Jack's too young. Why he hasn't even sown his wild oats.
Joan Mason: Sown his wild oats? Why, at his age he should have sown 'em, grown 'em, reaped 'em, and sold 'em.
- Crazy creditsOpening credits are shown on curtains pulled on stage by ladies, as the ladies walk across stage.
- ConnectionsFeatured in Gauchos of El Dorado (1941)
- SoundtracksLiza (All the Clouds'll Roll Away)
(uncredited)
Music by George Gershwin
Lyrics by Ira Gershwin and Gus Kahn
Performed on the Hammond B3 Organ by Ethel Smith
Copyright 1929 by New World Music Corporation
Originally from the Broadway show "Show Girl"
Then there is an interesting scene of former White Scadals performers leading to a very fun scene of, Joan Davis' daughter, Beverly Wills performing 'Life is Just a Bowl of Cherries'. There's a useless dance scene included. What becomes apparent is this is a broad comedy that someone shoved rather dull dance numbers into. That is what unfolded.
The comedy is not just a few scenes here and there. There is a loosy goosey story that lays the set for a lot of funny scenes and lots of bits often within the comedy bits. These smaller bits are also set within musical numbers. This is a film that has to be watched and listened to.
Aiding the viewing is some excellent camera work making the comedy and music work. The shooting of especially some physical gags is impressively clever.
This film also must've had a bit of trouble with the censors. There is a lot in here not seen otherwise in the decades around this film. I wonder if that might explain the amount of writers involved. I have to imagine the original version went further than seen here and just skated by after rewriting.
The biggest problem is what seems to have been the original main focus of the film, Martha Holliday. She just doesn't have enough "Umph", as they call it, to carry the main role. Joan Davis is, then, clearly the lead.
I believe this is also the most film and screen time Gene Krupa ever had. If you like Krupa, as I do, there is a lot to see here. His last number has some mighty provocative musical instruments attached.
Overall, my main focus of plot is set aside to focus on the successful comedy and fun throughout.
I'd write here that this is the first film with Jack Haley, I liked. Even in Oz, I wish Buddy Ebsen hadn't had allergic issues. Must've been his growing up in Florida.
Bottom line; I recommend this film. 7 out of 10 points.
- robsmithjr
- Jan 3, 2020
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- George White's Scandals of 1945
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.37 : 1