The girls and their pet monkey create havoc on board a train carrying a traveling Broadway troupe.The girls and their pet monkey create havoc on board a train carrying a traveling Broadway troupe.The girls and their pet monkey create havoc on board a train carrying a traveling Broadway troupe.
Photos
Bobby Burns
- Train Passenger in Lower Berth
- (uncredited)
Otto Fries
- Policeman
- (uncredited)
Paulette Goddard
- Blonde Train Passenger
- (uncredited)
Carlton Griffin
- Train Passenger
- (uncredited)
Charlie Hall
- Train Passenger
- (uncredited)
Lois January
- Showgirl on Train
- (uncredited)
Hayes E. Robertson
- Train Porter
- (uncredited)
Lyle Tayo
- Woman on Stairs
- (uncredited)
Dorothy Vernon
- Mrs. Finn - Landlady
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
Collins: Oh, Miss Garvin, I've something to show to you. Just look at that beautiful ad!
Anita Garvin: It's terrible! Look at the size of that print. Why you can't even read my name. That sort of thing is alright for Ethel Barrymore or Gloria Swanson. But not for Garvin!
- ConnectionsFollowed by Alum and Eve (1932)
Featured review
Here is a rare combination: Jules White and Hal Roach. White, of course, produced and directed comedy shorts for Columbia from 1934 to 1958. Leading Moe Howard, Larry Fine, Curly Howard, Shemp Howard, and Joe Besser through over 100 shorts, White's films moved fast and were loaded with violent sight gags. Roach's films were slower paced, relied heavily on sight gags, but were generally warmer and more creative than the Columbia product. This short contains many of White's trademark gags, but misses its mark because of gender. ZaSu Pitts is in Stan Laurel's role and Oliver Hardy's is played by Thelma Todd. With Stan and Oliver, this film could have been hilarious. However, White's gags are less effective when played by women. White's Columbia films with Vera Vague suffer from the same problem. Monte Collins, a favorite of White, has a small supporting role in the film. Here he is before his nose job. It is disconcerting, but still fascinating to see White gags performed on the familiar Roach sets, with Leroy Shield's background music and the darker lighting of the Roach product.
White did not work for Roach. He was, at this time, under contract to MGM, where he made the dreadful Dogville comedies, some droll Pete Smith sports shorts and the Keaton feature, "Sidewalks of New York". Roach, who distributed his product through MGM, must have borrowed White. White was about a year away from his long tenure at Columbia.
White did not work for Roach. He was, at this time, under contract to MGM, where he made the dreadful Dogville comedies, some droll Pete Smith sports shorts and the Keaton feature, "Sidewalks of New York". Roach, who distributed his product through MGM, must have borrowed White. White was about a year away from his long tenure at Columbia.
Details
- Runtime20 minutes
- Color
- Aspect ratio
- 1.37 : 1
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