IMDb RATING
6.7/10
2.1K
YOUR RATING
A sharecropper decides to become a preacher after falling for a vamp from the city.A sharecropper decides to become a preacher after falling for a vamp from the city.A sharecropper decides to become a preacher after falling for a vamp from the city.
- Nominated for 1 Oscar
- 3 wins & 1 nomination total
Matthew 'Stymie' Beard
- Child
- (uncredited)
Evelyn Pope Burwell
- Singer
- (uncredited)
Eddie Conners
- Singer
- (uncredited)
William Allen Garrison
- Heavy
- (uncredited)
Eva Jessye
- Singer
- (uncredited)
Sam McDaniel
- Adam
- (uncredited)
Clarence Muse
- Church Member
- (uncredited)
Storyline
Did you know
- TriviaKing Vidor had been hoping to make the film for several years, and jumped at the chance to make it with the advent of sound. He so wanted to produce the picture that he offered to give up his salary.
- GoofsWhen Zeke confronts Chick and Hot Shot and strong-arms them in front of the crowd, the shadow of the microphone falls across Hot Shot as he is pushed to the background of the scene and tries to regain his composure. The shadow of the boom is also visible falling across the extras behind him.
- Alternate versionsMGM also issued this movie in a silent version, with Marian Ainslee writing the titles.
- SoundtracksSometimes I Feel Like a Motherless Child
(uncredited)
Traditional Spiritual
Sung offscreen during the opening credits
Featured review
"Hallelujah!" is fascinating from a film history perspective. King Vidor created the first Hollywood film with an all-black cast, and depicted in almost documentary fashion what life was like for poor blacks living in America's deep South. Alas, any interest the film held for me was purely academic -- as a film, it's otherwise rather boring.
The nominal plot focuses on Zeke, who lives with his large family and helps with their cotton-picking business. We watch him struggle with the demons that plague mortal man -- like gambling and horniness -- give into them, repent, give into them again, repent, and so on, until he comes back at the end to the family who loves him. Indeed, family and religion are the two dominant pillars around which these poor folk anchor themselves, much as they are in any culture. Much of the film consists of long scenes depicting a sermon, a baptism, a local dance. There are countless scenes of characters lifting their hands to heaven, praying to Jesus to guide them. It's all rather dramatically inert, and the film is too long. If you are religious yourself, I imagine these scenes might have a certain power to them. I found all of the weeping and wailing tiresome after a while.
Credit must go to Vidor, though, for even bothering to make this film at a time when much of America didn't care all that much about the black people. The movie is a memento of the role film can play in leading cultural progress.
Grade: C+
The nominal plot focuses on Zeke, who lives with his large family and helps with their cotton-picking business. We watch him struggle with the demons that plague mortal man -- like gambling and horniness -- give into them, repent, give into them again, repent, and so on, until he comes back at the end to the family who loves him. Indeed, family and religion are the two dominant pillars around which these poor folk anchor themselves, much as they are in any culture. Much of the film consists of long scenes depicting a sermon, a baptism, a local dance. There are countless scenes of characters lifting their hands to heaven, praying to Jesus to guide them. It's all rather dramatically inert, and the film is too long. If you are religious yourself, I imagine these scenes might have a certain power to them. I found all of the weeping and wailing tiresome after a while.
Credit must go to Vidor, though, for even bothering to make this film at a time when much of America didn't care all that much about the black people. The movie is a memento of the role film can play in leading cultural progress.
Grade: C+
- evanston_dad
- Jun 30, 2008
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Details
- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 1.20 : 1
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