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Two family fathers, who had lost their jobs and all their money decided that the solution to their problems would be to rob a post office, with a Wartburg.

A man lives and works in an abandoned bunker in a deserted post-Soviet interzone of industrial ruin. When he's not drinking, bailing floodwater or making techno beats, he's playing a game that mirrors his post-apocalyptic surroundings.

The Csepel works, which lived, operated as Weiss Manfréd Steel and Metalworks, WM Steel and Metalworks National Company then Rákosi Mátyás Iron and Metalworks and retired as Csepel Iron and Metalworks, has become a symbol of an era. Today it is contrast, ambiguity,the past and the present, as well as a home. A home of a family for whom one of the rundown factory buildings in the middle of the site is not a nostalgic visual experience, rather a place where they find shelter until the demolition of the old plant, while barely making a living from collecting scrap metal. Visiting that place feels like time has stopped decades ago, as if we stepped into another dimension. Everything is permeated by the Lack: that of education and of all the tools and resources that could bring them closer to the world we know.

With little time to react, Steven is thrust into a war of the gods as a mysterious partner arrives.

A former IRA soldier, now a US citizen, is murdered on a family trip to London.

From the world of Jason Bourne, agents across the globe are "awakening" to resume deadly missions.