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A true character actor in the best sense of the word, offbeat British thespian Peter Vaughan's hefty frame could appear intimidating or benevolent; his mere presence menacing or avuncular. Adept at playing both sides of the law, his characters usually possessed a strange, somewhat wary countenance that seemed to keep his audience slightly off balance. This veteran actor has been a stalwart presence for nearly fifty years. Born Peter Ohm in 1923, he began on the stage and didn't enter films until 1959, well into his thirties.
Married in 1952 to rising actress Billie Whitelaw, Peter was primarily in the background at first, offering a cheapjack gallery of thugs, unsmiling cops, and foreign agents in movies. An easily unsympathetic bloke, he played unbilled policemen in his first two films, then slowly gravitated up the credits list. He appeared as the chief of police in the spy drama The Devil's Agent (1962), which also featured his wife, and then gained a bit more attention in a prime part as an offbeat insurance investigator in the B movie Smokescreen (1964), a role that propelled him into the higher ranks. Noticeably shady roles came with playing Tallulah Bankhead's seedy handyman who meets a fatal end in the Gothic horror Die! Die! My Darling! (1965) [aka Die! Die! My Darling!]; his villainous roles in the spy thrillers The Naked Runner (1967) opposite Frank Sinatra and The Man Outside (1967); a German thug in A Twist of Sand (1968); and Sgt. Walker in The Bofors Gun (1968).
Divorced from Whitelaw in 1966, he later married actress Lillias Walker, who had roles in a couple of his pictures: Malachi's Cove (1973) and Intimate Reflections (1975). TV became a large source of income for Vaughan in the 1970s, particularly in his role of Grouty in Porridge (1974) on both the large and small screen, and his quirky demeanor fitted like a glove for bizarre director Terry Gilliam, who cast him as the Ogre in Time Bandits (1981) and then as Mr. Helpman in Brazil (1985). For the past few decades he has maintained a healthy balance between film (including standout roles in Zulu Dawn (1979), The Remains of the Day (1993) and The Life and Death of Peter Sellers (2004)) and TV mini-movies, both contemporary and period. He was still performing into his 90s: his final role was Maester Aemon Targaryen in HBO's Game of Thrones (2011).
He died at age 93 on December 6, 2016, in Sussex, England.- Actor
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Actor, playwright and game show panellist, the son of an antiques dealer. Jones was educated at Ellesmere College where he first performed in school plays. At age sixteen he made an unsuccessful stab at acting on the professional stage at the Wolverhampton Grand but was fired after just one performance. Putting in the hard yards to improve on his acting skills he subsequently worked for BBC radio and then in regional repertory theatre, prior to making his debut at London's West End Haymarket Theatre in a 1942 production of George Bernard Shaws 'The Doctor's Dilemma'. During the 1950's and 60's, Jones also contributed scripts for BBC radio, as well as writing and directing plays, though none of the latter met with more than moderate success. There were also a handful of film appearances, invariably in small parts. A tendency for understating his performances possibly limited his chances for a more substantial career in this medium. Just prior to playing a barman in Dead of Night (1945), Jones suffered a bout of pneumonia and was told by a doctor at Brompton hospital, that he'd have to give up acting altogether. Luckily, he ignored that advice...
His breakthrough finally arrived in the shape of a highbrow radio comedy -- "In All Directions" -- which he co-wrote and acted in alongside Peter Ustinov. This witty, much improvised program (1952-55) foreshadowed the future Jones screen personae and, over the years, acquired a cult status akin to 'The Goon Show'. His penchant for unhesitating delivery and cultivated banter also made him a popular long-running contestant on the BBC game show "Just a Minute". His fame on radio effectively flowed on to television, where, from the 1960's, he appeared in a variety of droll, frustrated or mildly befuddled roles.
Jones's characters were often avuncular or affable. This applied even to his would-be criminal mastermind Eddie of BBC 1's sitcom Mr. Big (1974), in which he co-starred with Prunella Scales. One of his most memorable parts was that of clothing manufacturer Harold Fenner, perpetually pinned on the defensive by his combative shop steward Miriam Karlin in The Rag Trade (1961). He appeared to good effect in several other comedy series, which have fared rather less well in re-runs, but are little gems, nonetheless: as junior executive Gerald Garvey, earning rather less (much to his chagrin) than working class neighbour Harry Butt (Reg Varney) in a comedy of class distinction and jealousy, Beggar My Neighbour (1966); as pompous Gatling-Fenn in a very British comedy of manners, doing One-Upmanship (1974) with Richard Briers; and as Kevin Pork, the fruity ultra-left British Prime Minister of Whoops Apocalypse (1982) who thinks he is Superman. Back on the 'cult' side of things, Peter Jones was the smooth, matter-of-fact voice of 'The Book' in both radio and TV versions of The Hitch Hiker's Guide to the Galaxy (1981). The resulting popularity of the show led to further voice-over and radio work, notably a series of comic monologues 'by an ex-theatrical thespian', detailed in 'J. Kingston Platt's Showbiz Handbook'.
During the 1990's, Jones made only sporadic TV appearances, often in non-comedic parts. His last recurring character was that of Inspector Bradley in a little-seen, idiosyncratic crime series called The Mixer (1992), set in 1930's London. A truly genuine original in British TV comedy, Peter Jones died in St Mary's Hospital, Westminster, London, in April 2000 at the age of 79 after contracting septicaemia following surgery. At the time of his death, he was also suffering from lymphatic leukaemia and heart disease.
