Painter Man: Mitta’s Return to Filmmaking a Lofty, Honeycombed History Lesson
Ungainly and distractingly saccharine, Russian auteur Aleksandr Mitta returns with Chagall-Malevich, a whimsical biopic of politically opposed painters Marc Chagall and Kazimir Malevich. Considering the filmmaker is now in his eighties, there’s potential to be impressed with this technically proficient undertaking. However, as evidenced by a recent trend in sanctioned Russian cinema, this feels like the kind of watered down inconsequentiality resulting from interference of the Ministry of Culture. Perhaps more meaningful as a patriotic reenactment for those within its native climes, the film feels like a bright eyed and bushy tailed bit of propaganda, its political rhetoric washed down with an easy elixir of colorful hues.
Narrating his own birth near Vitebsk, Belarus, amidst a chaotic, fiery backdrop we come to understand as taking place during a pogrom, Marc Chagall (Leonid Bichevin) spends the next three...
Ungainly and distractingly saccharine, Russian auteur Aleksandr Mitta returns with Chagall-Malevich, a whimsical biopic of politically opposed painters Marc Chagall and Kazimir Malevich. Considering the filmmaker is now in his eighties, there’s potential to be impressed with this technically proficient undertaking. However, as evidenced by a recent trend in sanctioned Russian cinema, this feels like the kind of watered down inconsequentiality resulting from interference of the Ministry of Culture. Perhaps more meaningful as a patriotic reenactment for those within its native climes, the film feels like a bright eyed and bushy tailed bit of propaganda, its political rhetoric washed down with an easy elixir of colorful hues.
Narrating his own birth near Vitebsk, Belarus, amidst a chaotic, fiery backdrop we come to understand as taking place during a pogrom, Marc Chagall (Leonid Bichevin) spends the next three...
- 6/11/2015
- by Nicholas Bell
- IONCINEMA.com
ShiM-Film, LLC will be in charge of the U.S. Theatrical release of "Chagall-Malevich," a film by Alexander Mitta. After having screened at numerous international film festivals including Palm Springs, Montreal, Haifa, Moscow, Busan, and the L.A. Jewish Film Festival, the film will open at Cinema Village in New York on June 12 and at Laemmle Music Hall in Beverly Hills and at Town Center 5 in Encino, CA on June 19.
The artistic and political revolution of early 20th century Russia is mythologized in "Chagall-Malevich," a magical period drama about the uneasy relationship between two artistic geniuses. Inspired by the memoirs of Marc Chagall and those of his contemporaries, the film blends fact and folklore to evoke the return of the iconic Jewish artist (portrayed by Leonid Bichevin "Cargo 200") to his childhood home of Vitebsk.
Having left behind immense success in Paris, Chagall returns to the Russian empire in 1917 in hope to marry the love of his life Bella Rosenfeld (Kristina Schneidermann); he produces copious paintings and establishes the Academy of Modern Art. A rivalry develops with abstract painter Kazimir Malevich (Anatoliy Belyy), invited to teach at the art school. As Bella rekindles a childhood friendship with military Red Commissar Naum (Semyon Shkalikov), Chagall competes for the affections of his muse and future wife.
As the October Revolution sweeps across Russia, historical events intrude on personal struggles and upend the quiet provincial life in Vitebsk. Brimming with surrealistic imagery from the paintings of Chagall and Malevich (over 140 paintings were used in the film), this sumptuous melodrama marks veteran Russian filmmaker Alexander Mitta’s return after a decade-long hiatus.
The artistic and political revolution of early 20th century Russia is mythologized in "Chagall-Malevich," a magical period drama about the uneasy relationship between two artistic geniuses. Inspired by the memoirs of Marc Chagall and those of his contemporaries, the film blends fact and folklore to evoke the return of the iconic Jewish artist (portrayed by Leonid Bichevin "Cargo 200") to his childhood home of Vitebsk.
Having left behind immense success in Paris, Chagall returns to the Russian empire in 1917 in hope to marry the love of his life Bella Rosenfeld (Kristina Schneidermann); he produces copious paintings and establishes the Academy of Modern Art. A rivalry develops with abstract painter Kazimir Malevich (Anatoliy Belyy), invited to teach at the art school. As Bella rekindles a childhood friendship with military Red Commissar Naum (Semyon Shkalikov), Chagall competes for the affections of his muse and future wife.
As the October Revolution sweeps across Russia, historical events intrude on personal struggles and upend the quiet provincial life in Vitebsk. Brimming with surrealistic imagery from the paintings of Chagall and Malevich (over 140 paintings were used in the film), this sumptuous melodrama marks veteran Russian filmmaker Alexander Mitta’s return after a decade-long hiatus.
- 6/8/2015
- by Sydney Levine
- Sydney's Buzz
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