On a recent Spring day, in the back room at lower Manhattan’s Astor Club, Conway The Machine’s team is busy gearing up for the release of Side A of his third studio album, Won’t He Do It. Two of his people are conferring on the side about his album release party, set to take place at Ludlow House. His creative director Jannique and others are in another corner looking over some visuals, likely for Won’t He Do It singles. Conway’s reclined on a couch in...
- 5/5/2023
- by Andre Gee
- Rollingstone.com
After years of trying to funk his way to stardom, Rick James finally broke through in 1978 on the back of a pair of dynamite singles: “You and I,” an eight-minute dance-floor workout that includes a lovely, soaring falsetto kiss-off (“they all can go to hell”), and “Mary Jane,” the most hummable ode to weed this side of D’Angelo’s “Brown Sugar.”
The man behind “Mary Jane” and other urgent funk hits like “Give It To Me” is the subject of Bitchin: The Sound and Fury of Rick James, a...
The man behind “Mary Jane” and other urgent funk hits like “Give It To Me” is the subject of Bitchin: The Sound and Fury of Rick James, a...
- 9/7/2021
- by Elias Leight
- Rollingstone.com
Method Man has hopped on a new track with Massachusetts rap duo Jones Ink titled “Day Ones.”
The track is a punchy, at times poignant ode to the power of life-long friendships: “I gotta know who’s gonna ride with me?” goes the hook, “I’m taking off, who’s tryna fly with me?/No time for fake ones, I roll with my day ones.”
“Day Ones” arrives with an accompanying video, directed by Viso of Secret Society Films, that pairs footage of Method Man and Jones Ink performing the...
The track is a punchy, at times poignant ode to the power of life-long friendships: “I gotta know who’s gonna ride with me?” goes the hook, “I’m taking off, who’s tryna fly with me?/No time for fake ones, I roll with my day ones.”
“Day Ones” arrives with an accompanying video, directed by Viso of Secret Society Films, that pairs footage of Method Man and Jones Ink performing the...
- 6/21/2021
- by Jon Blistein
- Rollingstone.com
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