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Let's begin by talking about the numbers of the Far East Film Festival 26. This year the Feff community will be able to watch 75 films from 11 countries. More precisely, 15 world premieres (including those of restored classics), 24 international premieres, 19 European premieres and 13 Italian premieres. Expected in Udine from 24 April to 2 May, in the historic headquarters of the Teatro Nuovo and in the spaces of the Visionario, the Far East Film Festival 26 will give life to a 9-day long full immersion and it will colour the heart of the city with Asia (there are over 100 thematic events scheduled). A real feast of cinema.

The Opening Night on Wednesday 24 April will travel between China and South Korea with two international premieres. The task of opening the curtain will fall to “Yolo”, the blockbuster that bears the signature of famous comedy star Jia Ling (here in the double role of director and protagonist). It is...

The Far East Film Festival (Feff) in Italy’s Udine has unveiled the full line-up for its 26th edition, which will honour Chinese filmmaker Zhang Yimou with an honorary award and world premiere restored versions of his Raise The Red Lantern and To Live.

Running April 24 to May 2, the festival will open with a double bill: Chinese box office hit Yolo and South Korean action-comedy Citizen Of A Kind.

Yolo dominated this year’s Lunar New Year releases, grossing $484m in China, and is directed by Jia Ling, who stars as an unemployed woman in her 30s whose life is...

Hong Kong’s One Cool Film group has announced five new movies, revealed through exclusive teasers and posters on the opening day of FilMart.

Upcoming films include “Love Lies,” starring Sandra Ng and M.C. Cheung Tinfu; “The Trier of Fact,” directed by Calvin Tong and featuring Louis Koo and Eddie Peng; “The Way We Talk,” produced, written and directed by Adam Wong, with Neo Yau, Chung Suet Ying and Ng Tsz Ho Marco in leading roles; “Good Game,” helmed by Dickson Leung, written by Lily He Xin and Sheng Ling Xiu Zhong, and starring Andrew Lam, Will Or and Yanny Chan; and “Behind the Shadows,” produced by Soi Cheang, directed by Jonathan Li and Chou Man Yu, and starring Koo, Chrissie Chou and Liu Kuan Ting.

“Love Lies,” which will premiere at the 48th Hong Kong Intl. Film Festival, tells the tale of an internet romance scam. Ng recommended Cheung,...

On Wednesday, Hunter Biden appeared on Capitol Hill for deposition in the GOP’s impeachment inquiry into his father, President Joe Biden, and to deny the claim that the president had any involvement in his business dealings.

House Oversight and Judiciary Committees members interviewed Hunter during a closed-door session on Capitol Hill.

The president’s son came for the deposition before 10:00 a.m. while being flanked by his attorney Abbe Lowell. He did not give statements or speak to reporters.

“I am here today to provide the Committees with the one uncontestable fact that should end the false premise of this inquiry: I did not involve my father in my business,” Hunter told lawmakers in his testimony. “Not while I was a practicing lawyer, not in my investments or transactions domestic or international, not as a board member, and not as an artist. Never.”

Hunter accused Republicans of hunting...

The crime thriller topped the box office in China.

Hong Kong’s One Cool Pictures is bringing Chinese crime thriller Dust To Dust to the Asian Contents & Film Market, returning to the Busan market as an exhibitor for the first time since the Covid pandemic.

The company has picked up international sales rights to feature excluding mainland China, where it topped the box office for 18 days and has grossed more than $60.5m (RMB473m), following its release on September 9.

The film received its world premiere at the Shanghai International Film Festival in June, where it won a best actor award...

Christopher Nolan’s Oppenheimer nudged near the $60 million mark in China during a somewhat downbeat weekend for moviegoing in the world’s second-largest theatrical territory.

The Universal Pictures-backed historical blockbuster added $2.5 million from Friday to Sunday, taking its total to $58.1 million, according to data from box office tracker Artisan Gateway. Oppenheimer came in fourth place for the frame behind local crime thriller Dust to Dust, Millennium Pictures’ action franchise misfire Expend4bles and Chinese comedy blockbuster No More Bets.

Oppenheimer has been huge on Imax in China. The film earned $740,000 this past weekend for a $17 million total in the format, which is a whopping 30 percent of its nationwide cume to date.

Oppenheimer opened in China nearly a month ago and its staying power has been considerable. Nolan has a strong following in China — a fact that Universal leveraged with a very well-received prerelease promotional visit to Beijing by the director in late August.

’Oppenheimer’ crosses $900m, whilst ’Expend4bles’ leads the way in China.

Worldwide box office September 15-17, 2023 Rank Film (distributor) 3-day (world) Cume (world) 3-day (int’l) Cume (int’l) Territories 1. The Nun II (Warner Bros) $44.8m $158.8m $30.1m $102.3m 73 2. A Haunting In Venice (Disney/Fox) $37.2m $37.2m $22.7m $22.7m 52 3. Jawan (Yash Raj) $17.7m $101.3m $15.2m $89.1m 79 4. The Equalizer 3 (Sony) $15.5m $132.4m $8.3m $58.7m 55 5. Oppenheimer (Universal) $12.9m $912.7m $10.8m $594.1m 84 6. Expend4bles (Millennium Media) $10.9m $10.9m $10.9m $10.9m 1 7. Dust To Dust (Hgse) $10.7m $43.6m $10.7m $43.6m 1 8. Barbie (Warner Bros) $7.4m $1.42bn $3.4m $790.6m 74 9. My Big Fat Greek Wedding 3 (Universal) $6.3m...

“Dust to Dust,” a low-key crime thriller, topped the mainland Chinese box office over the weekend, despite only being released on Saturday.

The film, directed by Jonathan Li, recounts how 21 years after a major armed robbery, a video of the crime resurfaces and causes the police to reopen their investigation. It had its world premiere in June, in competition at the Shanghai International Film Festival.

With Da Peng, a former talk show host, required to age significantly for the lead role, the film earned $22.2 million (RMB160 million) in just two days, according to consultancy Artisan Gateway. The film replaced “Oppenheimer” which had led the chart for the previous two (Friday-Sunday) weekends.

“Oppenheimer,” which has been an unusual hit in China, earned $9.6 million (RMB68.8 million) over the latest weekend, to achieve a cumulative of $47.2 million.

Giant screen provider, Imax reported that some $3 million of “Oppenheimer’s” weekend total came from its venues,...

Christopher Nolan’s Oppenheimer climbed to $47.2 million in China over the weekend, continuing a better-than-expected run in the world’s second-biggest box office territory. But the blockbuster biopic ceded first place to Chinese crime thriller Dust to Dust, which came on strong with a $22.2 million two-day opening starting Saturday, topping Oppenheimer‘s $9.6 million Friday-to-Sunday total, according to data from box office tracker Artisan Gateway.

Chinese ticketing app Maoyan forecasts Oppenheimer will finish its local run with approximately $57 million, which will make it the fourth-biggest U.S. film release in China in 2023 behind Fast X ($139.5 million), Meg 2: The Trench ($116.5 million, but a China co-production) and Guardians of the Galaxy Vol. 3 ($86.9 million).

Despite its long runtime and weighty historical subject matter — which many analysts expected would be a drag in China — Oppenheimer has been boosted by a rave local reception. On the influential fan platform Douban, it has received nearly...

Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide.

Let’s start with the newest studio entry, The Nun II, which came in ahead of expectations with an $85.3M worldwide launch. Of that, $52.7M is from 69 international box office markets. The overseas start makes this the 2nd biggest opening for the Conjuring Universe, behind only The Nun in like-for-like markets and using today’s exchange rates. On a similar basis, the bow is 195% bigger than M3GAN and 200% above Evil Dead Rise.

Horror-leaning Latin America was the leader regionally, with a 68% share and ranking No. 1 in all markets. The results are roughly on par with Annabelle: Creation,...

Going simply by the awards handed out, the 25th Shanghai International Film Festival delivered on its promise to celebrate the emerging stars of both Asian and Chinese cinema.

There were Golden Goblet wins for established markets Japan and China, and those less known, including Uzbekistan. And there were some scene-stealing emotions shared up on stage at the Shanghai Grand Theater, including the moments when two of China’s biggest stars, Hu Ge and Da Peng, were jointly awarded the festival’s best actor prize and then shared memories of their long-lasting friendship.

Japanese director Kazuyoshi Kumakiri was certainly swept up by the occasion, as China’s major festival event marked a return to normalcy — and a return of international guests — after the travel restrictions and assorted uncertainties of the global pandemic.

Kumakiri’s Yoko picked up the festival’s best feature film, best actress and best screenplay awards in the...

Further winners included Spanish documentary ‘Muyeres’.

Kazuyoshi Kumakiri’s Japanese drama Yoko scored a hat-trick of prizes at the Shanghai International Film Festival’s (Siff) Golden Goblet Awards including best film.

The film’s Japanese lead Rinko Kikuchi was named best actress for her performance of Yoko, a 42-year-old single woman who embarks on long journey to her hometown after the death of her estranged father. The film also won the best screenplay prize.

Scroll down for full list of winners

Kikuchi previously received an Oscar nomination for 2006’s Babel and worked with director Kumakiri on Hole In The Sky...

Further winners included Spanish documentary ‘Muyeres’.

Kazuyoshi Kumakiri’s Japanese drama Yoko scored a hat-trick of prizes at the Shanghai International Film Festival’s (Siff) Golden Goblet Awards including best film.

The film’s Japanese lead Rinko Kikuchi was named best actress for her performance of Yoko, a 42-year-old single woman who embarks on long journey to her hometown after the death of her estranged father. The film also won the best screenplay prize.

Scroll down for full list of winners

Kikuchi previously received an Oscar nomination for 2006’s Babel and worked with director Kumakiri on Hole In The Sky...

Japanese drama feature “Yoko” won the Golden Goblet best picture award at the Shanghai International Film Festival.

The jury Grand Prix was awarded to Spain’s “Muyeres” with China’s Liu Jin winning the best director prize. The trio also collected additional prizes making them the only multiple winners in a ceremony that sprinkled its awards widely.

“Yoko,” directed by Kumakiri Kazuyoshi, who earlier this year saw melodramatic “#Manhole” play in Berlin, takes the structure of a road-movie and is a journey of self-discovery of a woman who had been socially isolated in her apartment for many years. Portrayed by global star Rinko Kikuchi, the woman is forced to confront the real world, and herself, when she takes a 658 kilometre cross-country journey to her father’s funeral. Without a cell phone or the money for public transport, she finds herself having to hitch hike. Kikuchi also earned the best actress award.

The Shanghai International Film Festival, China’s most prestigious movie industry event, kicks off its 30th-anniversary edition Friday night. It will be the first version of the festival that’s easily accessible to the global film community since 2019, after the past three editions were either canceled or rendered difficult to attend by strict Covid-19 travel restrictions at the time.

This year, film stars from at home and afar will descend on China’s commercial capital to celebrate the ongoing comeback of China’s movie business. Jason Statham will lend some Hollywood star power to the proceedings when he walks the red carpet for the festival’s opening ceremony Friday night in promotion of his upcoming Warner Bros. blockbuster sequel, Meg 2: The Trench, which opens Aug. 4 and co-stars Chinese leading man Wu Jing. European film legend, Jerzy Skolimowski of Poland — who wrote Roman Polansky’s landmark Knife in the Water...

The 25th edition marks a return in-person after being cancelled last year.

Han Yan’s Love Never Ends is set to open the 25th Shanghai International Film Festival (Siff), which has also revealed the nominations for its Golden Goblet Awards.

The romance drama is adapted from a cartoon of the same name created by Kang Full. Ni Dahong, Kara Wai, Tony Leung Ka-Fai and Cecilia Yip play two elderly couples who show it is never too late to love.

Director Han previously directed 2015’s Go Away Mr. Tumor and 2020’s A Little Red Flower. Love Never Ends is set for...

The Shanghai International Film Festival unveiled the competition selection for its 25th-anniversary edition Monday, featuring a lineup heavy on local Chinese titles, as well as substantial inclusion from Iran and Japan. Notably, though, festival organizers chose not to include a single film from the U.S. movie industry in their 2023 competition lineup.

The 2023 Shanghai festival, running June 9-18, will be the first version of the event that’s easily accessible to the global film industry since the Covid-19 pandemic began in early 2020. Last year, the festival was canceled in the wake of Shanghai’s monthlong Covid-19 lockdown and the government’s strict travel restrictions at the time. The festival was held the previous two years, but it became an almost entirely domestic Chinese affair, as flights in and out of China were hard to come by at the time (and all travelers had to endure lengthy and expensive hotel quarantines...

The 25th Shanghai International Film Festival, June 9 to 18, has unveiled the titles in contention for awards in its four main feature-length sections: main competition, Asian New Talent, Animation film and documentary. These are eligible for the festival’s prestigious Golden Goblet Awards, winners of which will be announced at the Shanghai Grand Theater on the evening of June 17.

While Siff remains the only mainland China festival to be accredited as a so-called A-list event by the International Federation of Film Producers (Fiapf), its selections are largely separate and distinct from those at other major international festivals.

While the lineup includes nine mainland Chinese titles, two from Hong Kong and five from Iran, there are, for instance, no films that hail from the U.S., Canada, Australia, New Zealand or South Korea.

Feature Film Competition

“All Ears” Dir. Liu Jiayin (China)

“Dust To Dust” Dir. Jonathan Li (China)

“Good Autumn, Mommy” Dir.

Shanghai International Film Festival (Siff) has unveiled the major competition selections for its 25th edition (June 9-18), which will be the first to be held in a fully physical format with international guests since before the pandemic.

The festival’s Golden Goblet Awards comprises five sections – Main Competition, Asian New Talent, Animation Film, Documentary Film and Short Film. Winners will be announced at a ceremony in the Shanghai Grand Theater on June 17.

Siff’s main competition will screen 12 films, including Mom, Is That You?!, from Japanese veteran filmmaker Yoji Yamada; European titles including Muyeres, from Spanish director Marta Lallana, and The Chapel, from Belgium’s Dominique Deruddere; Indian director Haobam Paban Kumar’s Joseph’s Son; and three Chinese titles – Liu Jiayin’s All Ears, Johnathan Li’s Dust To Dust and Chen Shizhong’s Good Autumn, Mommy.

Poland’s Jerzy Skolimowski is heading the jury for the main competition,...

Exclusive: MakerVille, the recently launched entertainment subsidiary of Hong Kong media group Pccw, is set to make a splash at Filmart, unveiling an ambitious slate of movies and premium series, following its debut feature Mad Fate, which had its world premiere at Berlin film festival.

Lofai Lo, MakerVille’s CEO and former General Manager of Pccw’s free-to-air channel ViuTV, sat down with Deadline to talk through the slate and outline the company’s production strategy. In addition to movies with international appeal, which Hong Kong has long been known for, he aims to put local creators on the map with a slate of high-end Cantonese and Mandarin-language TV series that can travel beyond Hong Kong.

“We produce around 2,000 hours of programming a year for ViuTV, and while most is targeted at the local market, it’s allowed us to create an incubator structure where we can experiment with new ideas,...

A North American rights deal for mainland Chinese fantasy action film ‘God of War II, was one of several film sales deals struck by Hong Kong’s Media Asia at the recent European Film Market and the ongoing FilMart.

Directed by Cai Cong, and starring Charles Lin, Liu Yuxi and David Wu, the film was completed in 2020. The buyer was WellGo USA, a regular distributor of Chinese and other Asian movies.

Media Asia also hatched a package of deals for films including “Septet,” “Fagara” and “The Calling of a Bus Driver” with Japanese distributor Musahino. It licensef “Septet” and “Tales From the Occult” to Singapore-based Clover Films for both Singapore and Malaysia.

“Septet: The Story of Hong Kong” is an anthology of seven short films by seven of the city’s most revered directors – Tsui Hark, Ann Hui, Sammo Hung, Patrick Tam, Yuen Woo-ping, Ringo Lam, and Johnnie To, who...

The new project is titled ’Septette: More Stories Of Hong Kong’.

Hong Kong-based Media Asia is lining up a second omnibus project looking back at the history of Hong Kong, entitled Septette: More Stories Of Hong Kong, with the focus on emerging rather than veteran filmmakers.

Last year, Media Asia’s Septet: The Story Of Hong Kong, which was selected for the Cannes 2020 Label, featured seven short films from directors such as Ann Hui, Johnnie To, Tsui Hark and Patrick Tam. The film, which To produced, also screened as the opening film of Busan International Film Festival and played in the Limelight section of Rotterdam.

One of the most celebrated recent Hong Kong action films, Cheang Poi-sou’s ‘S.P.L.’ series has been at the forefront of a wave of old-school, hard-hitting action films emerging from the country that once provided the finest examples of the genre ever. While not nearly as groundbreaking or purely enjoyable as those films are, first-time director Jonathan Li, who served an apprenticeship under numerous directors in the scene including Cheang, is clearly indebted to the series with his debut feature ‘Kuang shou,’ or as it is also known as ‘The Brink.’

“The Brink” is part of the Asian selection at Fantasia International Film Festival

Burdened by a troublesome past, detective Sai Gau is determined to put it behind him in order to catch Sheng, a ruthless gangster. Learning from his partner A-de that the trail of destruction he has left behind is due to his quest to retrieve...

“The Brink” is directed by newcomer director Jonathan Li, and is starring some known faces such as Jin Zhang, Gordon Lam and Shawn Lue among others, and co-starring Ka Tung Lam, Tai-Bo, Janice Man, Yue Wu and Yasuaki Kurata.

The movie introduces us to Sai Gau, played by Jin Zhang, who is a purely dedicated cop chasing this gold trafficking gang that has recently stepped on the coast. This gang owns a big casino boat filled with goods in order to be delivered, but it happens that the ones in charge of this specific operation are suffering from an inner conflict of leadership, mainly caused by Shing, played by Shawn Lue. The methods brought by this decided cop Sai Gau is not well liked by his superiors, especially for his direct boss played by Gordon Lam, who is always lecturing him and blaming him of losing fellow colleagues. But the thing is that,...

“The Brink” is directed by newcomer director Jonathan Li, and is starring some known faces such as Jin Zhang, Gordon Lam and Shawn Lue among others, and co-starring Ka Tung Lam, Tai-Bo, Janice Man, Yue Wu and Yasuaki Kurata.

The movie introduces us to Sai Gau, played by Jin Zhang, who is a purely dedicated cop chasing this gold trafficking gang that has recently stepped on the coast. This gang owns a big casino boat filled with goods in order to be delivered, but it happens that the ones in charge of this specific operation are suffering from an inner conflict of leadership, mainly caused by Shing, played by Shawn Lue. The methods brought by this decided cop Sai Gau is not well liked by his superiors, especially for his direct boss played by Gordon Lam, who is always lecturing him and blaming him of losing fellow colleagues. But the thing is that,...

It's hard to recall a Hong Kong cops and robbers thriller that used a raging typhoon as a set piece, so that's precisely where the final throwdown unfolds in The Brink. The force’s worst cop goes on a quest to destroy a gold-smuggling ring disguised as a fishing operation while miraculously avoiding internal affairs in director Jonathan Li’s water-logged and fitfully inspired debut. Making good use of the decaying and decrepit side of Hong Kong the tourism board prefer no one see, and naturally the weather, The Brink is clever and creative with its fisticuffs but lacking the propulsive plot...

After a string of scene-stealing supporting roles, a bleach blond Zhang Jin takes the lead in Jonathan Li's The Brink, as a renegade Hong Kong cop on the trail of Shawn Yue’s villainous gold smuggler. Featuring a string of impressively staged action sequences that often stretch the bounds of plausibility, The Brink remains entertaining despite some glaring narrative flaws and wildly inconsistent performances. After hurling a suspect out of a building, only to unwittingly kill a fellow officer in the process, Hong Kong police detective Chang (Zhang Jin) narrowly avoids a manslaughter charge. Instead, he takes legal guardianship of his dead suspect’s daughter (Cecilia So), convinces his partner A-de (Wu Yue) not to retire, and goes on the warpath for a gang of gold...

[Read the whole post on screenanarchy.com...]...

Production and distribution outfit reveals strong slate of titles at Hong Kong market.

Hong Kong-based Sun Entertainment Culture (Sunec) has unveiled a string of titles at Filmart, including crime suspense thriller Schemer from filmmaker Sunny Luk (who won best director at the 2012 Hong Kong Film Awards for Cold War [pictured]); the big-screen adaptation of Louis Cha’s wuxia novel The Book And The Sword from veteran director Jacob Cheung and writer James Yuen; and Chinese New Year action comedy Keep Calm And Be A Superstar by director Vincent Kok.

Also on Sun’s slate are The Neighbour, a remake of German horror The Good Neighbour that will be directed by Stanley Liu and produced by Pang Ho Cheung.

Pang is also the producer of new TV series Women Who Flirt, based on his big-screen romantic comedy of the same name and directed by TV drama director Sammy Ko, and DoP Jason Kwan’s directorial debut A Nail Clipper...

Exclusive: Streaming giant is fully-financing the debut feature as a director from actor Lu Yulai.

Aggressively expanding online platform iQiyi has moved into fully financing its own productions, starting with Lu Yulai’s My Town, which was selected as a Hong Kong-Asia Film Financing Forum (Haf) project in 2015.

Currently in production, the film stars Geng Le (Beijing Love Story) and Qi Xi (Mystery) in a story about a love triangle.

Lu, who is making his feature directorial debut with the film, is best known as an actor with credits including Gu Changwei’s Peacock. His short Brother screened at Busan in 2013.

iQiyi is also fully financing Jiang Kaiyang’s crime action film Even Stronger (working title) and Zhang Xiao’s comedy I Am Your Mom.

Even Stronger is currently shooting, while I Am Your Mom, starring Yan Ni (The Wasted Times) as a single mother raising a rebellious child, is in post-production.

Since launching...

Soi Cheang and Paco Wong - the creative team behind Spl 2 - take up the producers' mantle for Jonathan Li's upcoming action thriller The Brink. And with the Hk Filmart underay right now the first sales trailer for the film has arrived online promising big time stunts and action both by land and sea. Police Inspector Tung tracks criminal Shing to a deserted fisherfolk village and catches Shing and his thugs in the act of smuggling gold from the black market. At the end of a heavy shootout, Tung is severely wounded and Shing takes off with the gold in a car. The car explodes and Shing makes a narrow escape and vows to catch the mastermind behind this sabotage. Tung comes out of...

[Read the whole post on screenanarchy.com...]...

Exclusive: Hong Kong-based Sun Entertainment Culture is debuting The Brink, a new action thriller co-produced with Chinese streaming platform iQiyi, Yl Pictures and Sil-Metropole Organisation.

Produced by Soi Cheang and Paco Wong for first-time director Jonathan Li, the new film follows an ex-cop who gets caught in the line of fire when a smuggler launches a revenge attack on his godfather.

The cast features Zhang Jin [pictured], Janice Man and Wu Yue.

Also on Sun’s slate are Herman Yau’s Nessum Dorma and Fire Lee’s Robbery, both of which will be screened at Hong Kong International Film Festival next week.

A collective of Hong Kong companies, under the banner One Cool Group, launched their debut slate of productions at Filmart yesterday, which includes as as-yet-untitled crime thriller to be produced by Soi Cheang.

Jonathan Li Chi-jun will direct the project which interweaves the world of the internet and reality. Soi Cheang’s credits include The Monkey King and upcoming action drama SPL2: A Time For Consequences.

One Cool Group’s debut slate also includes an untitled youth love story to be produced by Sam Lee and directed by Sam Leong Tak-sam; an untitled crime mystery to be directed by Cash Chin Man-kei; and an untitled drama about a soccer coach inspiring his team to be directed by Lam Chi-chung.

Sam Lee and Lam Chi-chung are both well-known Hong Kong actors – Lee regularly works with Fruit Chan, while Lam starred in Stephen Chow’s Kung-fu Hustle and Shaolin Soccer.

The slate also includes two horror movies – Get Outta...

Hong Kong’s Mei Ah Entertainment is producing new projects from Soi Cheang, director of Chinese New Year hit The Monkey King, and veteran filmmaker Joe Ma.

Soi is directing futuristic thriller Unforgotten (working title) about two police officers working in the Memory Investigation Department (Mid) who read victims’ memories to reveal details of the suspects.

The $12m film is currently in pre-production.

Ma’s On Fallen Wings is a 3D fantasy thriller set on a campus where a student is investigating the disappearance of his girlfriend. The $8m project is also in pre-production.

Mei Ah is also selling Jonathan Li’s $2m crime drama Black And White (working title), also in pre-production, and Shi Chang’s $2.5m comedy mystery Live@Love (working title), which is currently shooting.

Produced by Yuan Fang Film Production, Live@Love stars Yang Chin-hua and Liu Yi-hao in the story of a female private detective who uses fortune-telling techniques.

Black and White, produced...