News

Blood, gore and the smell of gunpowder! Sam Peckinpah’s booze-soaked Odyssey sends Warren Oates on a grisly fool’s errand to retrieve a rotting, fly-bitten… oh, just read the title will ya? Resolutely sordid and debased, and soaked in ugly exploitation values, the tale of ‘Machete Bennie’ nevertheless scores as Peckinpah’s last successful movie — if Edgar Allan Poe went crazy locked in a room with rotting corpses, he might have come up with this idea.

Bring Me the Head of Alfredo García

Blu-ray

Kl Studio Classics

1974 / Color / 1:85 widescreen / 112 min. / Street Date , 2021 / available through Kino Lorber / 24.95

Starring: Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson, Chano Urueta, Jorge Russek, Enrique Lucero, Janine Maldonado, Richard Bright, Sharon Peckinpah, Garner Simmons.

Cinematography: Álex Phillips Jr.

Film Editors: Garth Craven, Dennis E. Dolan, Sergio Ortega, Robbe Roberts

Original Music: Jerry Fielding

Written by Sam Peckinpah,...

Gonzalo “Chalo” Gonzalez-Rubio died March 20 at Verdugo Hospital in Glendale of complications from a bacterial infection. He was 95.

The close associate of Sam Peckinpah worked as a prop master and graduated to film roles, including in 2006’s Sundance award-winning “Quinceanera.”

Producer Katy Haber, a Peckinpah associate from 1970 to 1977 used a military term to say: “Wherever Sam was, so was Chalo. Chalo had Sam’s 6 as they say.”

David Weddle, author of “If They Move… Kill ‘Em! The Life and Times of Sam Peckinpah,” writes: “Chalo Gonzalez played a pivotal role in the making of an American masterpiece, ‘The Wild Bunch.’ He was involved in all aspects of the production and was trusted implicitly by the film’s director, Sam Peckinpah. It was Chalo who advocated that the movie should be shot in Parras, Mexico, near the sites of several pivotal battles of the Mexican Revolution. This was one of the...

Sam Peckinpah was a fine director of actors when the material was right, and his first collaboration with Steve McQueen is an shaded character study about a rodeo family dealing with changing times. Joe Don Baker and Ben Johnson shine, but the movie belongs to Ida Lupino and Robert Preston.

Junior Bonner

Blu-ray

Kl Studio Classics

1972 / Color / 2:35 widescreen / 100 min. / Special Edition / Street Date October 31, 2017 / available through Kino Lorber / 29.95

Starring: Steve McQueen, Robert Preston, Ida Lupino, Joe Don Baker, Ben Johnson, Mary Murphy, Dub Taylor, Don ‘Red’ Barry, Bill McKinney.

Cinematography: Lucien Ballard

Film Editors: Frank Santillo, Robert L. Wolfe

Second Unit Director: Frank Kowalski

Bud Hurlbud: Special Effects

Original Music: Jerry Fielding

Written by Jeb Rosebrook

Produced by Joe Wizan

Directed by Sam Peckinpah

I suppose there were plenty of successful rodeo-themed westerns back in the day, perhaps the kind interrupted by a cowboy song every ten minutes or so.

By Darren Allison

Attending a film festival in the mid-seventies, Sam Peckinpah was once questioned about how the studios regularly bastardised his vision, his intension and more specifically, if he would ever be able to make a ''pure Peckinpah'' picture. He replied, '’I did 'Alfredo Garcia' and I did it exactly the way I wanted to. Good or bad, like it or not, that was my film.''

The overall narrative for Alfredo Garcia is neither complicated nor convoluted. Warren Oates plays Bennie, a simple pianist residing in a squalid barroom in Mexico. He is approached by two no-nonsense Americans (Robert Webber and Gig Young) who are attempting to track down Alfredo Garcia. The womanising Garcia is the man responsible for the pregnancy of Theresa (Janine Maldonado) the teenage daughter of a powerful Mexican boss El Jefe (Emilio Fernández). In a display of power, El Jefe offers...

To celebrate the release of Bring Me the Head of Alfredo Garcia – out 23rd January on Blu-ray – we are giving away a copy courtesy of Arrow Video!

Sam Peckinpah’s most personal movie, Bring Me the Head of Alfredo Garcia is often regarded as his last great masterpiece, concluding the period in which he also made The Wild Bunch and Straw Dogs.

Bring Me the Head of Alfredo Garcia is a beautiful and heartbreaking film with astonishing performances from its two leads, Warren Oates and Isela Vega. Their love story plays out against Peckinpah’s trademark violence as they embark on a manhunt in order to make their fortune. Their commitment to their roles never wavers and they bring their characters to life extraordinarily, giving us a glimpse of the underbelly of humanity.

This gripping film is released with a brand new 4K restoration created exclusively for this limited edition Blu-ray,...

An Encore Edition. Peckinpah's macabre South of the border shoot 'em up is back for a second limited edition, with a new commentary. It's still a picture sure to separate the Peckinpah lovers from the auteur tourists - it's grisly, grim and resolutely exploitative, but also has about it a streak of grimy honesty. Bring Me the Head of Alfredo Garcia Blu-ray Twilight Time Encore Edition 1974 / Color / 1:85 widescreen / 112 min. / Street Date September, 2016 / available through Screen Archives Entertainment / 29.95 Starring Warren Oates, Isela Vega, Robert Webber, Gig Young, Helmut Dantine, Emilio Fernández, Kris Kristofferson, Chano Urueta, Jorge Russek, Enrique Lucero, Janine Maldonado, Richard Bright, Sharon Peckinpah, Garner Simmons. Cinematography Álex Phillips Jr. Art Direction Agustín Ituarte Film Editors Garth Craven, Dennis E. Dolan, Sergio Ortega, Robbe Roberts Original Music Jerry Fielding Written by Sam Peckinpah, Gordon T. Dawson, Frank Kowalski Produced by Martin Baum, Helmut Dantine, Gordon T. Dawson Directed by...

Countries around the world have slowly begun announcing their official submissions for the Best Foreign Language Film Academy Award or shortlists of films that are being considered for the distinction. In the case of Mexico there is no clear candidate for the Mexican Academy to select this year, which leaves an open field of diverse films from the art house and commercial realms.

Undoubtedly, the best Mexican film audiences around the world, and in Mexico itself, have had the chance to see in 2015 is Alonso Ruiz Palacios “Güeros,” and some have even speculated that the black-and-white love letter to Mexico City could become the country’s Oscar candidate and even be among the favorites. Unfortunately, the film doesn’t qualify because it was considered to become the official entry last year, when it lost the opportunity to represent Mexico to the financially successful biopic “Cantinflas.” Ruiz Palacios' film would go on to win five Ariel Awards (Mexican Academy Awards) including Best Film and Best Director. It’s in fact the best choice, yet it simply can’t be anymore.

Each year the Mexican Academy sends out a call for entries for filmmakers and producers to submit their films. The organization will only consider those films that are entered by their respective creators, which means that even if a film qualifies if it’s not submitted it won’t be considered. The submission period is over now and the Mexican Academy will announce a list of films competing to represent the nation at the Oscars and the Spanish Goya’s in the upcoming days. Even without a gem like “Güeros” there are still other likely choices and many others that don’t stand a chance against the world-class works that will be send from across the globe. Commercial successes like “A la Mala,” “Tiempos Felices” or “Visitantes” will have a hard time finding support, but I wouldn’t be surprised if they are entered to be in the running anyway.

After looking carefully at release dates, festivals, last year’s films in competition, and having seen several of them, here is a list of 15 films that look like reasonable choices to represent the Mexican film industry at Hollywood’s most prestigious award show. Let’s see how many of these are actually on the official list.

"600 Millas" (600 Miles)

Dir. Gabriel Ripstein

Winner of the Best First Feature at this year’s Berlinale and starring Tim Roth, Gabriel Ripstein’s gun trafficking drama is a gritty and powerful statement about one of the numerous complex issues afflicting both Mexico and the U.S. However, giving the duality it deals with, the film is partially in English, which could become a tricky problem when deciding if it can compete as a foreign language work or not. Furthermore, “600 Miles” hasn’t had a theatrical release in Mexico yet, something that AMPAS requires for a film to qualify. If selected a one-week qualifying run would be mandatory.

"Alicia en el País de Maria" (Alice in Marialand)

Dir. Jesús Magaña Vázquez

Starring Stephanie Sigman ("Spectre") and Uruguayan-born actress Barbara Mori, this highly stylized romantic fantasy follows a love triangle between reality and a strange dreamland. This is Magaña Vázquez highest profile film to date and premiered at the Guadalajara International Film Festival earlier this year. It’s non-linear narrative and the fact that it hasn’t screen much outside its homeland might play against it, but it’s still appears to be an interesting choice. The film opens August 28 in Mexico.

"Carmín Tropical"

Dir. Rigoberto Pérezcano

A personal favorite from what I’ve seen and one of the strongest candidates on this list, “Carmin Tropical” tells the story of Mabel, a “muxe” or physical male who lives as a woman, who returns to her hometown to investigate the death of her estranged best friend, also a "muxe." After winning the highest award at the Morelia International Film Festival, the film has gone to screen in festivals around the world including Outfest Los Angeles and the Sarajevo Film Festival. Added to this, Pérezcano’s work earned him the Ariel Award for Best Original Screenplay at this year’s ceremony. Its relevant ideas regarding gender identity and hate crimes could give it some traction.

"Club Sandwich"

Dir. Fernando Eimbcke

While Fernando Eimbcke’s most recent indie has been around since 2013 in the festival circuit, the film was not considered last year to become the country’s entry as it only open theatrically in Mexico last November. Given these facts this delightful comedy technically qualifies, though it’s hard to say if the filmmaker will pursue the candidacy. “Club Sandwich” uses deadpan charm to explore the relationship between a teenage boy and his mother while on vacation yo a beachside town. The film screened during last year’s Los Angeles Film Festival.

"Las Elegidas" (The Chosen Ones)

Dir. David Pablos

This is the obvious heavyweight at least on paper. In recent years Mexican films that were selected to participate in the Cannes Film Festival have become ideal selections for Oscar consideration. Carlos Reygadas “Silent Light,” Gerardo Naranjo’s “Miss Bala,” Michel Franco’s “After Lucia,” and Amat Escalante’s “Heli,” represented the country in their respective years. Despite being highly regarded internationally, these type of hyperrealist art house films have failed to garner a nomination from AMPAS, which could mean the Mexican Academy might want to look towards more commercial projects like they did last year. Pablos' film is similar to some of the aforementioned titles in terms of the crude realities they depict. Reviews were mostly positive and the film could definitely continue with the Cannes-to-Oscar pattern, but might prove another hard sale for Academy voters. “Las Elegidas” still hasn’t open theatrically in Mexico.

"Elvira, Te Dariá Mi Vida Pero La Estoy Usando" (Elvira, I'd Give You My Life But I'm Using It)

Dir. Manolo Caro

A sophisticated romantic dramedy starring two of Mexico’s most prolific actors Cecilia Suarez and Luis Gerardo Mendez (Netflix’ “Club de Cuervos”), the film represents a departure for filmmaker Manolo Caro from the more conventional romantic comedies he’s done in the past. When Elvira’s husband goes missing she embarks on a search to find him, even if the outcome of her quest is not what she expects her devotion is unwavering. The film had its U.S. premiere at the Los Angeles Film Festival in June and it’s opening in Mexico this weekend.

"Estrellas Solitarias" (Lonely Stars)

Dir. Fernando Urdapilleta

By far the most unconventional choice, this irreverent comedy about dreams of stardom focuses on a pair of transvestites hoping to get their big break while working in a dingy and unglamorous bar. Music plays a big role in Fernando Urdapilleta’s sophomore feature, which shines a light on characters rarely seen in Mexican cinema. Produced by the Centro de Capacitación Cinematográfica the film has screened around the country and competed for the Maguey Award to Lgbt films at the 30th edition of Guadalajara International Film Festival (Ficg).

"Gloria"

Dir. Christian Keller

Working from a screenplay by Sabina Berman, Swiss filmmaker Christian Keller crafted a searing biopic about one of Mexico’s most iconic pop stars, Gloria Trevi, and her tumultuous career. The film took audiences and critics by surprise mainly because of the authenticity brought to it by the young actress Sofia Espinosa, who truly embodied Trevi’s outrageous personality and commanding stage presence. “Gloria” opened in Mexico back in February and it screened at SXSW in Austin last March. It’s also the only film in the list that has already had a U.S. theatrical release, which has handled by Picturehouse. This would definitely be a divisive selection given that Gloria is not widely known in the English-speaking world.

"La Guerra de Manuela Jankovic" (Manuela Jankovic's War)

Dir. Diana Cardozo

Nominated for 3 Ariel Awards including Best Actress and Best Supporting Actress this year, this peculiar drama opened late last year and hasn’t travel much internationally. Set in the early 90s the film deals with Manuela, a middle-aged woman who must take care of her bitter Serbian grandmother who escaped to Mexico during World War II. Beautifully executed and acted the film is a sleeper that could actually be an ideal choice given its unique premise and approach. Stories about the Eastern European community in Mexico have rarely been explored in film.

"Hilda"

Dir. Andres Clariond

Dealing with classicism within Mexican society, this Audience Award-winning film at the last Morelia Film Festival paints a disturbing picture about the divide between the elite and the working class. Starring Veronica Langer as Mrs. Le Marchand, a wealthy woman depressed due to her unfulfilled ambitions, the film is a psychological drama with darkly comedic undertones. When Hilda (Adriana Paz) a new housemaid is hired, Le Marchand’s obsessive behavior unravels. Andres Clariond’s debut feature is based on a French play by Marie Ndiaye, the filmmaker certainly found parallels between the playwright’s work and his homeland. “Hilda” will open in Mexico in early September.

"Las Horas Contigo" (The Hours With You)

Dir. Catalina Aguilar Mastretta

This endearing dram about a young woman coming to terms with her grandmother’s imminent death has been a quiet success since it’s premiere at the 2014 Ficg where it won the Best Director award for debutant Catalina Aguilar Mastretta. “Las Horas Contigo” was nominated for three Ariel Awards winning the Best Supporting Actress statuette for veteran thespian Isela Vega. The film’s U.S. premiere took place during the 4th edition of Ficg in La and was also part of the Latin Cinema section at the Palm Springs International Film Festival. It’s a well-made film that offers a handful of moving moments that could resonate with voters, though in my opinion it’s a bit slight.

"Manto Acuífero" ( The Well)

Dir. Michael Rowe

Australian filmmaker Michael Rowe, who has made a career working in Mexico, received great acclaim and accolades for his debut feature “Año Bisiesto,” including the Camera d’Or prize at the Cannes Film Festival. “Manto Acuífero,” his sophomore effort, premiered at the Rome Film Festival in 2013 and was produced by Gael Garcia Bernal and Diego Luna’s Canana. Centered on a young girl dealing with troubling situations at home, the film also screened at the Morelia Film Festival. Its theatrical release didn’t happen until November of last year, which based on AMPAS rules qualifies it for consideration. “Manto Acuífero” was not considered last year.

"El Más Buscasdo" (Mexican Gangster)

Dir. José Manuel Cravioto

By far the most commercial and most expensive-looking film on the list, this action tale revolves around a bank robber whose alter ego is a mysterious masked singer. Jose Manuel Cravioto’s narrative debut stars Tenoch Huerta (“Güeros”) as skillful criminal Alfredo Rios Galeana and as al El Charro Misterioso, the elusive and talented performer. Set in the 1980s “El Más Buscado” showcases costumes, production design, and music from that period in a Robin Hood-like story of a unique antihero. The film screened in L.A. as part of the Hola Mexico Film Festival back in May but other than that lacks noticeable international presence.

"Las Oscuras Primaveras" (The Obscure Spring)

Dir. Ernesto Contreras

Moody and darkly sensual, this intense drama from director Ernesto Contreras won the Knight Competition Grand Jury Prize as well as the Best Performance Grand Jury Prize and the Miami International Film Festival. Cecilia Suarez and Jose Maria Yazpik star as a childless married couple whose relationship is threaten when he starts having a steamy affair with a lonely single mother in need of companionship. “Las Oscuras Primaveras” also received three Ariel Awards at the most recent ceremony for Best Editing, Best Sound, and Best Original Score.

"La Tirisia" (Perpetual Sadness)

Dir. Jorge Pérez Solano

Last but definitely not least, the one film that, in this writer’s opinion, is the best opinion from the pack. Jose Perez Solano’s poetic feature follows two women in a remote community who have to choose between their children and their partner in a chauvinist society. The beauty and authenticity of “La Tirisia” have connected with audiences and juries from diverse backgrounds. Karlovy Vary, Palm Springs, Thessaloniki, Chicago, and Guadalajara were a few of the festivals that screened the film where it often was awarded prizes for its director and cast. Actress Adriana Paz (“Hilda”) won the Ariel Award for Best Actress for her work in the film, while Noé Hernandez took home the award for Best Supporting Actor. It’s art house roots and segmented narrative might work against it, but if voters at the Mexican Academy can look past that, this might be the one to bet on.

Dramas from Jayro Bustamante and Gabriel Ripstein take top prizes in Mexico.

Fresh from its won at the Berlinale last month, Ixcanul (Ixcanul Volcano), the feature debut of Guatemalan writer-director Jayro Bustamente, won best Ibero-American picture and best director at the 30th Guadalajara International Film Festival on Saturday (March 14).

The docu-drama, which won the Alfred Bauer Prize in Berlin, features mainly non-actors and centes on the poor residents who live on the slopes of an active volcano in Guatemala

Gabriel Ripstein’s arms trafficking drama 600 Miles, starring Tim as an Atf agent who is kidnapped by a Mexican gun runner, won best Mexican film in Guadalajara. It also picked up a prize at Berlin in February, winning best first feature for Ripstein.

Mexican debutant Celso Garcia’s drama-comedy road movie The Yellow Thin Line (La delgada linea amarilla) won the special jury prize, screenplay and audience awards). The film was executive produced by Guillermo del Toro.

Competing...

Mandingo, a 1975 movie based on the best-selling period potboiler by Kyle Onstott about sexual shenanigans between masters and slaves on the Falconhurst slave-breeding plantation, was savaged by critics who saw it as nothing but degrading, big-budget exploitation. Roger Ebert called it “racist trash”, a “piece of manure”, and “excruciating to sit through”. Mandingo certainly had it all; brutal violence, interracial sex, rape, infanticide, lynchings, and abundant nudity including full-frontal shots of it’s male star, boxer Ken Norton. But of course it was a huge hit and inspired a brief run of “slaverysploitation” films such as Passion Plantation (1975 aka Black Emmanuelle, White Emmanuelle ) and the cleverly titled Mandiga (1976). Mandingo was overwrought melodrama to be sure, but it’s a model of subtlety compared to its official sequel, the more lascivious Drum, a mean-spirited trash epic from 1976 that would never fly in today’s politically correct climate. Despite its spaghetti western trappings,...

The Guadalajara International Film Festival in Los Angeles - Ficg in La - presented by the University of Guadalajara Foundation in USA and Conaculta, with Principal Sponsors University of Guadalajara, the Guadalajara International Film Festival, the Institute of Cinema Mexico (Imcine) and Univision, announced the celebrities who will attend the opening night gala on Friday, September 5.

Ficg in La previously announced that Academy Award nominee Demian Bichir ("A Better Life," FX’s The Bridge), Rubén Luengas (Univision Radio), anchorwoman Gabriela Teissier (Univision TV) and Nalip (National Association of Latino Independent Producers) will be honored. Joining them at the festival will be the cast and filmmakers of the opening night film "Las horas contigo" ("The Hours with You"), Isela Vega (lead actress), María Rojo (lead actress), Cassandra Ciangherotti (lead actress), Julio Bracho (supporting actor), Arcelia Ramírez (supporting actor), Catalina Aguilar Mastretta (director), Roberto Sneider(producer), Bérénice Eveno (director of photography). The festival also announced the addition of the short film "Solidarity" starring Elpidia Carrillo, who will be in attendance with the director Dustin Brown.

Cast members and filmmakers of the Closing night film "En el último trago" ("One for the Road") are also confirmed to attend, including Eduardo Manzano (supporting actor), Jack Zagha Kababie (director), Yossy Zagha Kababie (producer).

Directors of several other films in the festival will also attend. Nicolás Echevarría (director, "Eco de la Montaña"), Ignasi Millet (subject,"Ignasi M"), Mariana Chenillo (director, "Paraíso"), Damian John Harper (director, "Los Angeles"), Horacio Alcala (director, "Grazing the Sky"), Sara Seligman (director, live-action short, "Diego"), Bernardo Britto (director, Animation Short, "Yearbook") will also be in attendance.

Ficg in La is presented by the University of Guadalajara Foundation in the United States of America and Conaculta, and Principal Sponsors, the University of Guadalajara, the Guadalajara International Film Festival, the Institute of Cinema Mexico (Imcine) and Univision, and Supporting Sponsors Cultura Udg, University of Guadalajara Foundation in Los Angeles, LeaLa, Channel 31.2 and the General Consulate of Mexico in Los Angeles.

For tickets and more information visit Here

About Ficg

Ficg was founded in 1986 by the Mexican filmmaker Jaime Humberto Hermosillo, with the tremendous help from young film students like Guillermo del Toro, and support from the University of Guadalajara. It will celebrate its 30th edition next March 6-15, 2015.

Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.

About the University of Guadalajara – Mexico

The University of Guadalajara is a network formed by three educational systems and 15 campuses distributed in all the regions of the State of Jalisco, and it is the second most important and eldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means through social development and dissemination of knowledge.

About the Foundation of the University of Guadalajara in the U.S.

The University of Guadalajara Foundation in the United States of America is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles.

It seeks to improve the quality of life and social integration of migrants and hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.

Yesterday the Guadalajara International Film Festival in Los Angeles - Ficg in La - presented by the University of Guadalajara Foundation in USA and Conaculta, with Principal Sponsors University of Guadalajara, the Guadalajara International Film Festival, the Institute of Cinema Mexico (Imcine) and Univision, announced its lineup. "The Hours with You" (Las Horas Contigo) directed by Catalina Aguilar Mastretta, will be the Opening Night film for the 2014 Festival. The film stars Cassandra Ciangherotti, María Rojo, Isela Vega, Arcelia Ramírez and Julio Bracho.

The 2014 Ficg in La, which returns to the Egyptian Theatre in Hollywood for its fourth year and runs from Thursday, September 4 to Sunday, September 7, brings the best of contemporary Mexican and Latin American cinema to Los Angeles, and is an extension of the Guadalajara International Film Festival.

Featuring outstanding and award-winning titles from FICG29, which ran from March 21-29, 2014 in Guadalajara, Ficg in La will offer the premiere of other titles that have emerged in the world of cinema throughout the year to great critical acclaim.

The aim of the festival is to increase access and visibility of Mexican and Latin American cinema in the U.S., facilitating the exchange of ideas through stories and issues of cultural and social relevance, create a space for collaboration between filmmakers, and strengthen relations between the film industry in Mexico and the U.S.

Ficg in La includes film screenings followed by Q&As with filmmakers and talent, as well as galas and special award recognitions to Latin American and U.S. Latino artists.

“This year, we are truly proud to bring two artistic programs to Ficg in La that supports emerging independent filmmakers, in effect, fulfilling part of our mission to nourish and sustain emerging talent across international film industries. Many of the films in this year's showcase reveal the cross-cultural collaborations currently taking place between film industries in Latin America, the Us, and Canada. These collaborations have resulted in the creation of groundbreaking, authentic, multicultural stories that move seamlessly across national and cultural boundaries." said Hebe Tabachnik, Director and Producer of Ficg in La.

“We are constantly finding ways for Ibero-American filmmakers to promote their films and share their experiences with moviemakers from all over the world. Now that we have reached our fourth year, we realized that we have become one of the leading platforms for Latino cinematography to enter the United States market,” said Iván Trujillo, Festival Director of Ficg.

Among the celebrities that have accompanied us in previous editions are: Carlos Cuarón, Edward James Olmos, Sergio Arau, Diana Bracho, Alfonso Arau, Kate del Castillo, Martha Higareda, Beto Cuevas, Irene Azuela, Dulce Maria, Carmen Salinas and Jay Hernandez.

Oscar nominee Demian Bichir , Nalip (The National Association of Latino Independent Producers), Ruben Luengas (journalist) and Gabriela Teissier (anchor woman) from Univision Radio and TV will receive the festival’s Tree of Life Award for their contributions to Mexican, Latino and Ibero American culture. Previous recipients include Ambulante, Juan Carlos Arciniegas (CNN en Espanol), Fernando Luján (actor), Gabriel Beristain (Director of Photography) and Emilio Kauderer (Music Composer).

Ficg in La continues to support Latino and Ibero-American films with Guadalajara Construye in Los Angeles 1 and DocuLab.1 Los Angeles by selecting six projects from filmmakers seeking post-production funds. The films will be screened for jury members, sponsors and film industry professionals. The winners will be announced on Opening Night.

In addition, the winning projects in each competition will automatically qualify to be considered for Guadalajara Construye 9 or DocuLab.7 Guadalajara, or for the Ibero-American Competitions of the next edition of the Guadalajara International Film Festival (FICG30) – March 6 - 15, 2015.

To reaffirm the social mission of Ficg and the University of Guadalajara Foundation in USA, Ficg in La will donate again all of its proceeds to a charitable cause. We will announce soon the recipient of this year’s fundraising effort.

10 Feature and documentary films and six short films will be showcased in this year’s festival

Opening Night Gala – September 5, 2014

• "The Hours with You" (Las Horas Contigo), Dir. Catalina Aguilar Mastretta, Mexico. Us Premiere

Closing Night Gala – September 7, 2014

• "One for the Road" (En el Ultimo Trago), Dir. Jack Zagha Kababie, Mexico. Us Premiere

Feature Films

• "Echo of the Mountain" (Eco de la Montaña), Dir. Nicolás Echevarría, Mexico. Us Premiere (documentary)

• "Grazing the Sky" (A Ras del Cielo), Dir. Horacio Alcala, Spain/ Mexico/ Portugal. L.A. Premiere (documentary)

• "Ignasi M.," Dir. Ventura Pons, Spain. L.A. Premiere (documentary)

• "Los Ángeles," Dir. Damian John Harper USA/Mexico.

• "The Mute" (El Mudo), Dir. Daniel Vega Vidal & Diego Vega Vidal, Peru. L.A. Premiere

• "Natural Sciences" (Ciencias naturales), Dir. Matías Lucchesi, Argentina.

• "Paraíso," Dir. Mariana Chenillo. Mexico. L.A Premiere

• "A Wolf at the Door" (O Lobo atras da Porta), Dir. Fernando Coimbra, Brazil. L.A. Premiere

Short Films

• "Diego," Dir. Sara Seligman, Mexico/Germany. (live action Drama)

• "A Family Day" (Un día en Familia), Dir. Pedro Zulu González, Mexico. (animation)

• "Minerita," Dir. Raúl de la Fuente, Spain (documentary)

• "Pickman's Model" (El modelo de Pickman), Dir. Pablo Ángeles Zuman, Mexico. Us Premiere (animation)

• "The Queen" (La Reina), Dir. Manuel Abramovich, Argentina (documentary)

• "Yearbook," Dir. Bernardo Britto, USA. (animation)

The screening of the selected work-in-progress films will be for industry accredited to the festival. These screenings are not open to the general public or member of the press.

Guadalajara Construye in Los Angeles 1

• "Blue Lips," Dir. Daniela De Carlo, Julieta Lima, Gustavo Lipsztein, Antonello Novellino, Nacho Ruipérez and Nobu Shima USA/Argentina/ Brazil/ Spain

• "Whisper of the Forest" (Gritos del Bosque), Dir. Jorge Olguín, Chile/USA

• Pocha, Dir. Michael Dwyer, Mexico/USA

DocuLab.1 Los Angeles

• "Gaucho del Norte," Dir. Andres Caballero, Sofia Khan Argentina/USA

• "Hotel de Paso," Dir. Paulina Sánchez Mexico/USA

• "Juanicas," Dir. Karina Garcia Casanova, Mexico/Canada

Ficg in La is presented by the University of Guadalajara Foundation in the United States and Conaculta, and Principal Sponsors, the University of Guadalajara, the Guadalajara International Film Festival, the Institute of Cinema Mexico (Imcine) and Univision, and Supporting Sponsors Cultura Udg, University of Guadalajara Foundation in Los Angeles, LeaLa, Channel 31.2 and the Consulate General of Mexico in Los Angeles.

About Ficg

The Guadalajara International Film Festival was founded by Guillermo del Toro and other Mexican filmmakers in 1986, and will celebrate its 30th edition March 6-15, 2015.

Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.

About the University of Guadalajara – Mexico

The University of Guadalajara is a member of the University Network in the State of Jalisco, and it is the second oldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means of social development and dissemination of knowledge.

About the Foundation of the University of Guadalajara in the U.S.

The University of Guadalajara Foundation in the United States of America (Udg Foundation-usa) is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles.

U.S. Udg Foundation seeks to improve the quality of life and social integration of migrants and Hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.

To recall the cinema of Charles Bronson, one can’t get far without referencing his sterling epoch in 1970s era American film, a period eclipsed mightily by the star’s work with director Michael Winner. Kino Lorber resurrects one of the star’s lesser remembered titles, Mr. Majestyk, a 1974 action flick written by the great Elmore Leonard and directed by the illustrious Richard Fleischer, known for a varied career that included a penchant for true crime related titles (Compulsion; The Boston Strangler; 10 Rillington Place), and famed adaptations of pulpy novels, like Soylent Green and the infamous Mandingo. Unfortunately, Fleisher’s title opened one week prior to the juggernaut known as Death Wish back in July of 1974, and has perhaps been unfairly overshadowed ever since.

Bronson stars as Vince Majestyk, a humble melon farmer whose only desire is to harvest his crop of watermelons. A Vietnam veteran, Majestyk steps to in...

Blu-ray Release Date: March 11, 2014

Price: Blu-ray $29.95

Studio: Twilight Time

Warren Oates goes for broke in Bring Me the Head of Alfredo Garcia.

Reviled on its release in 1974, Sam Peckinpah’s (The Wild Bunch) nihilistic yet poetic action-accented crime drama Bring Me the Head of Alfredo Garcia is today considered to be a masterwork of the filmmaker and leading man Warren Oates (Badlands).

Oates portrays Bennie, a wastrel sometime piano player lost in the wilds of Mexico. He and his beautiful, tragic lover Elita (Isela Vega) stumble across one last, perilous chance at happiness: in order to claim more money than they’ve ever dreamed of, all they have to do is retrieve the head of a wanted man. But the path to their ultimate escape is littered with dangers—some, of course, of the fatal variety.

Special features on the Blu-ray release of this cult favorite include an isolated soundtrack...

The French gave us the word “demimonde” – literally, half the world. But what it has come to mean in English, or so says Webster, is “a distinct circle or world that is often an isolated part of a larger world.”

Storytellers have always held a fascination with the dark side of human nature; that part of the psyche which is normally restrained and leashed, taught to be obedient, held in check – as Conrad wrote in Heart of Darkness – by the reproving looks of our neighbors. After all, what was Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde but a probing of that other, id-driven half and the entrancing appeal of doing what one wants instead of what one should.

Film is no different than literature, and from its beginning the movies have produced a rich vein of stories about society’s fringe dwellers, those who operate by necessity,...

Director: Luis Estrada Writers: Luis Estrada, Jaime Sampietro Starring: Damián Alcázar, Joaquín Cosio, Ernesto Gómez Cruz, Mauricio Isaac, María Rojo, Elizabeth Cervantes, Salvador Sánchez, Daniel Giménez Cacho, Jorge Zárate, Isela Vega, Kristyan Ferrer, Tenoch Huerta Benny Garcia (Damián Alcázar) moved to greener pastures -- the United States -- back when he was a teenager with hopes of becoming a successful Capitalist. Twenty years later he is deported back to Mexico -- presumably due to the increasingly xenophobic immigration policies in the U.S. Upon his return to his hometown, Bennie quickly discovers that a pair of feuding drug lords have taken over the region; his younger brother (Tenoch Huerta) and several of his closest friends have died as a result. Determined to remain on the straight and narrow, Benny begins working at his godfather's garage; but as soon as Benny falls for a gorgeous prostitute (Elizabeth Cervantes) -- the mother...

Miguel Rodarte, producer Wally von Borstel, Saving Private Perez Neil Patrick Harris-Katy Perry's The Smurfs Tops International Box Office, John Lasseter's Cars 2 vs. Cars Comparison Featuring Academy Award winners Robert Duvall and Melissa Leo, in addition to Lucas Black, Brian Geraghty, and Deborah Ann Woll, first-time filmmaker Matt Russell's Golf & God drama Seven Days in Utopia opened with a highly uninspiring $1.23m at 561 locations. Seven Days in Utopia averaged an ungodly $2,203 per site according to studio estimates found at Box Office Mojo. Not faring any better, Beto Gómez's Mexican comedy Salvando al Soldado Perez / Saving Private Perez drew $670k at 161 locations, averaging $4,161 per site. Remember, all things being equal, the smaller the number of theaters, the higher the per-theater average should be. Now, a clarification: as a non-English-language film clearly targeting Mexicans and Spanish-speakers living in the Us, Saving Private Perez couldn't really...

Formerly named the devilish El Infierno or The Hell, Lightning Entertainment has renamed this crime thriller to El Narco, aka The Drug Dealer. Recently completed, El Narco is a real heartwarming story of Benny (Damian Alcazar) and returning to his home town, in Mexico. In reality, his welcome involves gunfire, violence and his partially forced entry into the illicit drug export business. Here, events go from bad to worse and shortly, Benny is on the run from local authorities and into the deep pockets of the local crime lords.

El Narco was recently shown in Cannes 2011 (Lightning) and hopefully, good news will return from this locale, as a North American release date has not been announced so far. For now, watch the comedic, yet sinister hijinks of Benny and his criminal underlings in the exciting reel below.

The synopsis for El Narco is here:

"Drugs, guns, violence, death: Mexico today...

Mandingo, a 1975 movie based on the best-selling period potboiler by Kyle Onstott about sexual shenanigans between masters and slaves on the Falconhurst slave-breeding plantation, was savaged by critics who saw it as nothing but degrading, big-budget exploitation. Roger Ebert called it “racist trash”, a “piece of manure”, and “excruciating to sit through” and Mandingo certainly had it all; brutal violence, interracial sex, rape, infanticide, lynchings, and abundant nudity including full-frontal shots of it’s male star, boxer Ken Norton. But of course it was a huge hit and inspired a brief run of “slaverysploitation” films such as Passion Plantation (1975 aka Black Emmanuelle, White Emmanuelle ) and the cleverly titled Mandiga (1976). Mandingo was overwrought melodrama to be sure, but it’s a model of subtlety compared to its official sequel, the more lascivious Drum, a mean-spirited trash epic from 1976 that would never fly in today’s politically correct climate. Despite it’s...

The British Film Institute's South Bank Theatre will host an exciting tribute to the films and career of Sam Peckinpah, commencing in January. The following is from the official press release:

Recoil: The Films of Sam Peckinpah

We mark the 25th anniversary of the death of Sam Peckinpah (1925 - 1984) with a complete season of his films, including an extended run of Bring Me the Head of Alfredo Garcia (1974). Peckinpah was the West’s great elegist, a screen poet whose name became synonymous with violence. But there was much more to him than slow-motion carnage.

We’re perilously numb to the word ‘violence’ these days – and that’s the very last thing Sam Peckinpah was after. When he started shooting pictures in 1961 with The Deadly Companions (rarely screened since the ‘70s in the UK), Hollywood still had qualms about showing blood. The Wild Bunch (1969) changed everything; it was probably changing anyway...