And Hates the Proletariat: Greek Costume Drama Stinks to High Heaven
Greek director Yannis Smaragdis began his career in the mid 1970’s as a writer/director, making only a handful of feature films since. Some of these have been more celebrated than others and you’d be hard pressed to find a copy of any of his titles stateside. This is usually unfortunate for the avid cinephile, but not always. If you’re ever in a desperate search for his latest title, God Loves Caviar, you might be in for a resounding disappointment. Turgid, awkward, and as insincere as they come, this historical melodrama is one painfully orchestrated scene after the other.
This is based on the true story of Ionnis Varvakis (Sebastian Koch), a Greek pirate, turned successful businessman and finally, national benefactor. We first see Varvakis as an aged man suffering from a contagious disease, about to be delivered to a sanatorium.
Greek director Yannis Smaragdis began his career in the mid 1970’s as a writer/director, making only a handful of feature films since. Some of these have been more celebrated than others and you’d be hard pressed to find a copy of any of his titles stateside. This is usually unfortunate for the avid cinephile, but not always. If you’re ever in a desperate search for his latest title, God Loves Caviar, you might be in for a resounding disappointment. Turgid, awkward, and as insincere as they come, this historical melodrama is one painfully orchestrated scene after the other.
This is based on the true story of Ionnis Varvakis (Sebastian Koch), a Greek pirate, turned successful businessman and finally, national benefactor. We first see Varvakis as an aged man suffering from a contagious disease, about to be delivered to a sanatorium.
- 9/27/2012
- by Nicholas Bell
- IONCINEMA.com
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