Tl;Dr:
John Lennon wrote a book in 1964.During an event to honor him for his writing, the crowd booed John Lennon.John Lennon said he could never have made a speech. John Lennon | Evening Standard/Getty Images
John Lennon published the book In His Own Write in 1964. Though some believed his collection of poetry and short stories would be a disaster, it was a commercial and critical success. A bookstore hosted an event and made Lennon the guest of honor. When he broke with tradition by not giving a speech, the crowd turned against him, however.
The Beatle published the book ‘In His Own Write’ in 1964
Not long after The Beatles became internationally successful, Lennon decided to try his hand at a different medium.
“Three weeks after the Beatles began filming A Hard Day’s Night, John’s book In His Own Write was published,” Lennon’s first wife, Cynthia,...
John Lennon wrote a book in 1964.During an event to honor him for his writing, the crowd booed John Lennon.John Lennon said he could never have made a speech. John Lennon | Evening Standard/Getty Images
John Lennon published the book In His Own Write in 1964. Though some believed his collection of poetry and short stories would be a disaster, it was a commercial and critical success. A bookstore hosted an event and made Lennon the guest of honor. When he broke with tradition by not giving a speech, the crowd turned against him, however.
The Beatle published the book ‘In His Own Write’ in 1964
Not long after The Beatles became internationally successful, Lennon decided to try his hand at a different medium.
“Three weeks after the Beatles began filming A Hard Day’s Night, John’s book In His Own Write was published,” Lennon’s first wife, Cynthia,...
- 1/30/2023
- by Emma McKee
- Showbiz Cheat Sheet
Monty Norman, the composer behind the iconic James Bond theme, has died at the age of 94.
A statement posted on his official website said, “It is with sadness we share the news that Monty Norman died on 11th July 2022 after a short illness.”
Norman most famously composed the score for “Dr. No,” the 1962 James Bond film starring Sean Connery. His theme for James Bond, as arranged by fellow Englishman John Barry, would go on to become the theme for the entire franchise.
As Norman said on his site, “We recognized we needed a fresh, contemporary sound for the main theme, and in the up-and-coming young John Barry we found a wonderful arranger, so the whole thing worked very well.”
But controversy erupted decades later when Barry claimed authorship of the theme, resulting in Norman suing the Times of London for libel over a 1997 story (“Theme Tune Wrangle Has 007 Shaken and...
A statement posted on his official website said, “It is with sadness we share the news that Monty Norman died on 11th July 2022 after a short illness.”
Norman most famously composed the score for “Dr. No,” the 1962 James Bond film starring Sean Connery. His theme for James Bond, as arranged by fellow Englishman John Barry, would go on to become the theme for the entire franchise.
As Norman said on his site, “We recognized we needed a fresh, contemporary sound for the main theme, and in the up-and-coming young John Barry we found a wonderful arranger, so the whole thing worked very well.”
But controversy erupted decades later when Barry claimed authorship of the theme, resulting in Norman suing the Times of London for libel over a 1997 story (“Theme Tune Wrangle Has 007 Shaken and...
- 7/11/2022
- by Jon Burlingame and Jazz Tangcay
- Variety Film + TV
Andrew Blair Oct 15, 2019
From fanzines to forums, Doctor Who fan opinion has evolved over the years
This article comes from Den of Geek UK.
Whenever an episode of Doctor Who is broadcast now it’s quite easy to get a sense of how it’s been received within online communities. Websites review the episodes and people comment on those, folk post on social media and forums, and podcasts offer dissection and discussion in the aftermath.
Prior to the internet, the main outlet for review and opinion pieces were the printed fanzines that sprang up in the late seventies and eighties. Prior to that the main source we have for viewers’ responses were the BBC Audience Research reports, which weren’t carried out for every story and mostly only looked at one episode per story. What’s interesting to see is how contemporary opinion doesn’t always match up with current...
From fanzines to forums, Doctor Who fan opinion has evolved over the years
This article comes from Den of Geek UK.
Whenever an episode of Doctor Who is broadcast now it’s quite easy to get a sense of how it’s been received within online communities. Websites review the episodes and people comment on those, folk post on social media and forums, and podcasts offer dissection and discussion in the aftermath.
Prior to the internet, the main outlet for review and opinion pieces were the printed fanzines that sprang up in the late seventies and eighties. Prior to that the main source we have for viewers’ responses were the BBC Audience Research reports, which weren’t carried out for every story and mostly only looked at one episode per story. What’s interesting to see is how contemporary opinion doesn’t always match up with current...
- 10/15/2019
- Den of Geek
Previously unseen correspondence between the two comedians and musician Alan Clare is to be sold at auction
They were never known for their sense of decorum and linguistic restraint, but a cache of previously unpublished letters by Spike Milligan and Peter Sellers proves – if there were ever any doubt – their humour was not for the fainthearted.
The comic geniuses, who along with Harry Secombe and Michael Bentine made up the cast of the wildly popular Goon Show, deployed their anarchic wit and eccentric punctuation to wincing effect in the letters, which were written to their friend, the jazz pianist Alan Clare.
They were never known for their sense of decorum and linguistic restraint, but a cache of previously unpublished letters by Spike Milligan and Peter Sellers proves – if there were ever any doubt – their humour was not for the fainthearted.
The comic geniuses, who along with Harry Secombe and Michael Bentine made up the cast of the wildly popular Goon Show, deployed their anarchic wit and eccentric punctuation to wincing effect in the letters, which were written to their friend, the jazz pianist Alan Clare.
- 4/20/2019
- by Dalya Alberge
- The Guardian - Film News
Ron Moody as Fagin in 'Oliver!' based on Charles Dickens' 'Oliver Twist.' Ron Moody as Fagin in Dickens musical 'Oliver!': Box office and critical hit (See previous post: "Ron Moody: 'Oliver!' Actor, Academy Award Nominee Dead at 91.") Although British made, Oliver! turned out to be an elephantine release along the lines of – exclamation point or no – Gypsy, Star!, Hello Dolly!, and other Hollywood mega-musicals from the mid'-50s to the early '70s.[1] But however bloated and conventional the final result, and a cast whose best-known name was that of director Carol Reed's nephew, Oliver Reed, Oliver! found countless fans.[2] The mostly British production became a huge financial and critical success in the U.S. at a time when star-studded mega-musicals had become perilous – at times downright disastrous – ventures.[3] Upon the American release of Oliver! in Dec. 1968, frequently acerbic The...
- 6/19/2015
- by Andre Soares
- Alt Film Guide
Ron Moody in 'Oliver!' movie. Ron Moody: 'Oliver!' actor nominated for an Oscar dead at 91 (Note: This Ron Moody article is currently being revised.) Two well-regarded, nonagenarian British performers have died in the last few days: 93-year-old Christopher Lee (June 7, '15), best known for his many portrayals of Dracula and assorted movie villains and weirdos, from the title role in The Mummy to Dr. Catheter in Gremlins 2: The New Batch. 91-year-old Ron Moody (yesterday, June 11), among whose infrequent film appearances was the role of Fagin, the grotesque adult leader of a gang of boy petty thieves, in the 1968 Best Picture Academy Award-winning musical Oliver!, which also earned him a Best Actor nomination. Having been featured in nearly 200 movies and, most importantly, having had his mainstream appeal resurrected by way of the villainous Saruman in Peter Jackson's The Lord of the Rings and The Hobbit movies (and various associated merchandising,...
- 6/12/2015
- by Andre Soares
- Alt Film Guide
Richard Lester’s directing career has had a rather tortured epilogue. His last completed film was the dreadful, unloved Return of The Musketeers (1989), during the making of which his long-time friend and troupe-member Roy Kinnear died after a freak accident. To add insult to injury, the Comic-Con crowd has been burning Lester in effigy ever since Richard Donner’s cut of Superman II was released in 2006. Donner had been fired as director of the 1980 sequel half way through filming and Lester was hired to finish the job. Since the release of the Donner cut, expressing a preference for the original, jokier version is rather like suggesting that Cesar Romero was a better Joker than Heath Ledger.
I do wonder sometimes whether the fanboys realise what an important, highly influential and iconoclastic director they’re dismissing when they’re kicking sand into Lester’s face. Martin Scorsese would certainly correct them (sternly,...
I do wonder sometimes whether the fanboys realise what an important, highly influential and iconoclastic director they’re dismissing when they’re kicking sand into Lester’s face. Martin Scorsese would certainly correct them (sternly,...
- 7/8/2014
- by Cai Ross
- HeyUGuys.co.uk
They Bought Us Love
By Raymond Benson
Released in the summer of 1964, A Hard Day’s Night, starring The Beatles and directed by Richard Lester, is arguably the second most influential British film of that decade (the first being Goldfinger, coincidentally released the same year.). Why? For one thing, it brought The Beatles to a worldwide audience that was just getting to know them through their music. Secondly, it spawned imitations and knock-offs (The Monkees, anyone?) and is arguably the genesis of music videos—where would MTV have been without it? Thirdly, the film itself was innovative, fresh, and surprisingly funny (those long-haired boys from Liverpool could actually act!).
One of the best things about the Criterion Collection’s new deluxe box set of the film (dual Blu-ray and DVD, three discs) is the short extra, On the Road to “A Hard Day’s Night,” an interview with author Mark Lewisohn,...
By Raymond Benson
Released in the summer of 1964, A Hard Day’s Night, starring The Beatles and directed by Richard Lester, is arguably the second most influential British film of that decade (the first being Goldfinger, coincidentally released the same year.). Why? For one thing, it brought The Beatles to a worldwide audience that was just getting to know them through their music. Secondly, it spawned imitations and knock-offs (The Monkees, anyone?) and is arguably the genesis of music videos—where would MTV have been without it? Thirdly, the film itself was innovative, fresh, and surprisingly funny (those long-haired boys from Liverpool could actually act!).
One of the best things about the Criterion Collection’s new deluxe box set of the film (dual Blu-ray and DVD, three discs) is the short extra, On the Road to “A Hard Day’s Night,” an interview with author Mark Lewisohn,...
- 6/16/2014
- by [email protected] (Cinema Retro)
- Cinemaretro.com
Prolific comedy actor who worked with Peter Sellers, Tony Hancock, Spike Milligan and Hattie Jacques
The stony-faced, beaky comedy actor Graham Stark, who has died aged 91, is best remembered for his appearances alongside Peter Sellers, notably in the Pink Panther movies. His familiar face and voice, on television and radio, were part of the essential furniture in the sitting room of our popular culture for more than half a century. A stalwart in the national postwar comedy boom led by Sellers, Tony Hancock, Spike Milligan, Dick Emery, Eric Sykes and Benny Hill, he worked with them all in a sort of unofficial supporting repertory company that also included Hattie Jacques, Deryck Guyler, Patricia Hayes and Arthur Mullard. He was also a man of surprising and various parts: child actor, trained dancer, film-maker, occasional writer, and dedicated and critically acclaimed photographer.
Like Gypsy Rose Lee, he had a resourceful and determined...
The stony-faced, beaky comedy actor Graham Stark, who has died aged 91, is best remembered for his appearances alongside Peter Sellers, notably in the Pink Panther movies. His familiar face and voice, on television and radio, were part of the essential furniture in the sitting room of our popular culture for more than half a century. A stalwart in the national postwar comedy boom led by Sellers, Tony Hancock, Spike Milligan, Dick Emery, Eric Sykes and Benny Hill, he worked with them all in a sort of unofficial supporting repertory company that also included Hattie Jacques, Deryck Guyler, Patricia Hayes and Arthur Mullard. He was also a man of surprising and various parts: child actor, trained dancer, film-maker, occasional writer, and dedicated and critically acclaimed photographer.
Like Gypsy Rose Lee, he had a resourceful and determined...
- 11/1/2013
- by Michael Coveney
- The Guardian - Film News
Graceful stage actor who stood out in Doctor Who on TV and the film Willy Wonka and the Chocolate Factory
In a long and distinguished career, the actor Aubrey Woods, who has died aged 85, covered the waterfront, from West End revues and musicals to TV series and films, most notably, perhaps, singing The Candy Man in Willy Wonka and the Chocolate Factory (1971), starring Gene Wilder, and playing the Controller in the Day of the Daleks storyline in Doctor Who (1972).
Tall and well-favoured in grace and authority on the stage, he played Fagin in the musical Oliver! for three years, succeeding Ron Moody in the original 1960 production. He was equally in demand on BBC radio, writing and appearing in many plays, including his own adaptations of the Mapp and Lucia novels by Ef Benson (he was a vice-president of the Ef Benson society).
In the early part of his career he...
In a long and distinguished career, the actor Aubrey Woods, who has died aged 85, covered the waterfront, from West End revues and musicals to TV series and films, most notably, perhaps, singing The Candy Man in Willy Wonka and the Chocolate Factory (1971), starring Gene Wilder, and playing the Controller in the Day of the Daleks storyline in Doctor Who (1972).
Tall and well-favoured in grace and authority on the stage, he played Fagin in the musical Oliver! for three years, succeeding Ron Moody in the original 1960 production. He was equally in demand on BBC radio, writing and appearing in many plays, including his own adaptations of the Mapp and Lucia novels by Ef Benson (he was a vice-president of the Ef Benson society).
In the early part of his career he...
- 5/14/2013
- by Michael Coveney
- The Guardian - Film News
'Playing Fagin was one of the happiest times of my life. I loved the boys' mischievous minds – I wanted to make them laugh'
Mark Lester, actor (Oliver Twist)
The auditions had narrowed down to two other boys and me. We were put in a room in a London hotel and Carol Reed, the director, ordered the dismayed hotel barber to cut our hair badly to resemble a workhouse style. Then he just looked and looked at us, and we were sent home with this awful hair. When I heard I'd got the part, my reaction was that it was a chance to miss a lot of school. Actually, I spent most of the time in my dressing room reading Sherlock Holmes.
Ron Moody, who played Fagin, was very jolly and used to play cards with us boys between shoots. But we were all terrified of Oliver Reed. He was one...
Mark Lester, actor (Oliver Twist)
The auditions had narrowed down to two other boys and me. We were put in a room in a London hotel and Carol Reed, the director, ordered the dismayed hotel barber to cut our hair badly to resemble a workhouse style. Then he just looked and looked at us, and we were sent home with this awful hair. When I heard I'd got the part, my reaction was that it was a chance to miss a lot of school. Actually, I spent most of the time in my dressing room reading Sherlock Holmes.
Ron Moody, who played Fagin, was very jolly and used to play cards with us boys between shoots. But we were all terrified of Oliver Reed. He was one...
- 12/4/2012
- by Anna Tims
- The Guardian - Film News
Script for fourth episode of 1955 show catalogued along with those for and by the likes of Spike Milligan and Peter Sellers
When Tony Hancock failed to turn up for three episodes of his radio show in 1955, producers simply replaced him with Harry Secombe as if nothing had happened. The fourth episode followed Hancock and Sid James as they travelled to Swansea to thank him – where they found him singing down a coalmine.
The recorded episode was wiped and continues to be lost, but the script – along with a host of others – has now emerged. They have been catalogued by the actor turned rare books dealer, Neil Pearson.
It is a true treasure trove, featuring scripts by and for comedy stars such as Spike Milligan, Peter Sellers, Frankie Howerd and Kenneth Williams. "It is a rather extraordinary and rather moving collection of material that reminds us of how we used to...
When Tony Hancock failed to turn up for three episodes of his radio show in 1955, producers simply replaced him with Harry Secombe as if nothing had happened. The fourth episode followed Hancock and Sid James as they travelled to Swansea to thank him – where they found him singing down a coalmine.
The recorded episode was wiped and continues to be lost, but the script – along with a host of others – has now emerged. They have been catalogued by the actor turned rare books dealer, Neil Pearson.
It is a true treasure trove, featuring scripts by and for comedy stars such as Spike Milligan, Peter Sellers, Frankie Howerd and Kenneth Williams. "It is a rather extraordinary and rather moving collection of material that reminds us of how we used to...
- 12/3/2012
- by Mark Brown
- The Guardian - Film News
'The worst thing anyone's ever said to me? "Are you Michael Palin?"'
John Cleese, 72, was born in Weston-super-Mare. At Cambridge University, he studied law and joined the Footlights, where he met Graham Chapman. In the late 60s, he formed the Monty Python troupe with Chapman, Eric Idle, Michael Palin, Terry Jones and Terry Gilliam. Cleese went on to further success as Basil Fawlty in Fawlty Towers, which he wrote with his then wife, Connie Booth. In 1988, Cleese wrote and starred in the hit movie, A Fish Called Wanda. His latest film, Spud, is out on DVD. Cleese recently married for the fourth time and lives in Monaco.
When were you happiest?
There are different kinds of happiness, but the simplest was when I was 13 because what one had to do was so obvious.
What is your greatest fear?
Lack of meaning.
Which living person do you most admire, and why?...
John Cleese, 72, was born in Weston-super-Mare. At Cambridge University, he studied law and joined the Footlights, where he met Graham Chapman. In the late 60s, he formed the Monty Python troupe with Chapman, Eric Idle, Michael Palin, Terry Jones and Terry Gilliam. Cleese went on to further success as Basil Fawlty in Fawlty Towers, which he wrote with his then wife, Connie Booth. In 1988, Cleese wrote and starred in the hit movie, A Fish Called Wanda. His latest film, Spud, is out on DVD. Cleese recently married for the fourth time and lives in Monaco.
When were you happiest?
There are different kinds of happiness, but the simplest was when I was 13 because what one had to do was so obvious.
What is your greatest fear?
Lack of meaning.
Which living person do you most admire, and why?...
- 10/19/2012
- The Guardian - Film News
Comedy writer and actor who starred in 70s sitcom Sykes and Harry Potter and the Goblet of Fire has died after a short illness
From writing a film where the only word uttered is "rhubarb" to creating one of TV's most popular sitcom partnerships, Eric Sykes – who died on Wednesday aged 89 – will be remembered as one of Britain's finest comedy actors and writers.
Tributes came in thick and fast for a man who was seldom off radios, stages or screens in a career spanning 60 years that will spark different memories for different generations.
Some will know him best for writing and directing the silly slapstick film The Plank while others will remember his sitcom partnership with Hattie Jacques, who played his perpetually exasperated sister.
More recently, in the face of near total deafness and blindness, Sykes appeared in the fourth Harry Potter film and, in 2007, the British comedy Son of Rambow.
From writing a film where the only word uttered is "rhubarb" to creating one of TV's most popular sitcom partnerships, Eric Sykes – who died on Wednesday aged 89 – will be remembered as one of Britain's finest comedy actors and writers.
Tributes came in thick and fast for a man who was seldom off radios, stages or screens in a career spanning 60 years that will spark different memories for different generations.
Some will know him best for writing and directing the silly slapstick film The Plank while others will remember his sitcom partnership with Hattie Jacques, who played his perpetually exasperated sister.
More recently, in the face of near total deafness and blindness, Sykes appeared in the fourth Harry Potter film and, in 2007, the British comedy Son of Rambow.
- 7/4/2012
- by Mark Brown
- The Guardian - Film News
Directed by Richard Lester
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
- 4/10/2012
- by Chris McMillan
- Planet Fury
Directed by Richard Lester
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
Written by John Antrobus, Adapted by Charles Wood, based on the play by Spike Milligan and John Antrobus
Featuring (in order of height) Rita Tushingham, Dudley Moore, Harry Secombe, Arthur Lowe, Roy Kinnear, Spick Milligan, Ronald Fraser, Jimmy Edwards, Michael Hordern, Peter Cook, Ralph Richardson
If listing cast members by order of height seems rather absurd, welcome to The Bed Sitting Room. That’s how the film opens and it just gets stranger from there. It’s possibly the oddest post apocalyptic tale ever filmed, short of Six String Samurai, though not as much fun.
After the credits roll, the film opens on a BBC anchorman (Thornton), dressed in a suit from mid-chest up, (Thornton) knocking at a makeshift door in the middle of a field of mud. Invited in by the inhabitant, the anchorman squats behind a hollowed out television and announces the third (or...
- 4/10/2012
- by Chris McMillan
- Planet Fury
Ah, transport of delight. You can't beat a bit of British transport. Whether the slow-moving train breaks down or is held up because of a stray crisp packet on the line or whether the plane's been delayed because the pilot's too busy having a crafty fag, it seems that time waits for every man and woman who are just trying to get from A to B.
And then there are the roads. The average road always seems to be one long line of cars, lorries, buses, taxis and juggernauts, a depressing vista of never-ending metal and rubber. Still, while you're at the wheel, at least you can ponder on some of life's big questions. Why does it always rain at weekends after sunny weekdays? Is it really possible to touch your elbow with your tongue? Could The Only Way Is Essex be the most depressing thing shown in the history of television?...
And then there are the roads. The average road always seems to be one long line of cars, lorries, buses, taxis and juggernauts, a depressing vista of never-ending metal and rubber. Still, while you're at the wheel, at least you can ponder on some of life's big questions. Why does it always rain at weekends after sunny weekdays? Is it really possible to touch your elbow with your tongue? Could The Only Way Is Essex be the most depressing thing shown in the history of television?...
- 6/29/2011
- Shadowlocked
British Comic Spike Milligan Dies
British comedy legend Sir Spike Milligan, one of the founding fathers of 20th century comedy, has died at the age of 83. Along with fellow Goon stars Peter Sellers and Harry Secombe, Milligan influenced a whole generation of comedians, including the likes of the Monty Python team, with his surreal antics. He was the last of the comic trio, who delighted millions with their cult fifties radio show, to die. Milligan's agent, Norma Farnes, says, "He died this morning (February 27th). I believe it was from kidney failure." In addition to his television and radio projects, Milligan starred in several movies, including one based on the first volume of his autobiography, Adolf Hitler - My Part In His Downfall, in which he played his own father. His greatest fan was heir-to-the-British-throne Prince Charles, once famously labelled "a grovelling little bastard" on live television by Milligan. Milligan made it up with Charles after his remark by sending him a telegram saying, "I suppose a knighthood is out of the question now?" But it wasn't - Milligan was given an honorary knighthood two years ago. Charles was among the first to react after Milligan's death. A spokesman says, "The Prince of Wales is deeply saddened to hear the news. He knew Spike Milligan over many years and had a great affection for him."...
- 2/28/2002
- WENN
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