- Data di nascita
- Nome alla nascitaDuncan Peter Regehr
- Altezza1,93 m
- Duncan Regehr è nato il 5 ottobre 1952. Luogo di nascita: Canada. È conosciuto come attore. È celebre per aver partecipato a Scuola di mostri (1987), Swarm - Minaccia dalla giungla (2001) e Storie di maghi e di guerrieri (1983). È sposato con Catherine Campion dal 1977. È stata sposato con Francine Wurster.
- ConiugiCatherine Campion(1977 - presente) (separato)Francine Wurster(1974 - 1976)
- His performance as Dracula in Scuola di mostri (1987) is considered by many to be one the best interpretations of the character. In fact, in 2006 when "Wizard" magazine did a list of the 100 Greatest Villains of All Time, and Dracula was ranked at #30, it was Regehr's version that appeared on the list.
- His boxing and fencing abilities were Olympic Games level.
- His Russian-Mennonite father, Peter Regehr, was a microbiologist whose lifelong passion for painting had an influence on Duncan.
- Had his own cable talk show at age 14.
- Has an astonishing track record of successful professional art exhibits, beginning in 1974. His art work hangs in significant private collections and is exhibited internationally.
- Speaking about acting: I enjoy working in film and will continue to give as much as I can through both media. As long as you can give something valuable, you should continue to work. If your work isn't valuable, you should get off the stage. I believe mine is. At least, I have fun with everything that comes my way.
- Speaking about his art: I have always worked to express in a direct, intimate way what it means to be human. Exploring below the surface continues to reveal intensely personal content that invites reciprocal identification by the viewer. The business of scumbling and scraping applications of paint, in order to bring forth an image, can be likened to the process of therapeutically peeling back layers of the psyche and the imagination in order to expose truth. The difference is that the search is actually a physical operation whereby the unknown can be realized. Figurative mysteries initially presented as raw expression, resolve into allegorical paintings that hold their form, line, colour and subject matter with equal importance.
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