Today’s noir forecast is vice, kidnapping, murder, suicide, narcotics and a sleazy stolen baby racket! Kino’s third volume of Universal-International pix contains two seldom-screened quality urban noirs. Expect genuine dark themes in these sizable-budget location noirs filmed before Universal pulled most production back onto its one-size-fits-all backlot sets. Barbara Stanwyck dominates one show, while noir stalwarts Richard Conte and Dennis O’Keefe anchor the other two dramas, with dynamic showings by Coleen Gray, Edith Barrett, Peggy Dow, Jeanette Nolan, Meg Randall and especially Gale Storm.
Film Noir the Dark Side of Cinema III
Abandoned, The Lady Gambles, The Sleeping City
Blu-ray
Kl Studio Classics
1949-50 / B&w / 1:37 Academy / 79,99,86 min. / Street Date June 9, 2020 / available through Kino Lorber / 34.99
Starring: Dennis O’Keefe, Gale Storm, Jeff Chandler, Meg Randall, Raymond Burr, Marjorie Rambeau, Jeanette Nolan, Mike Mazurki, Will Kuluva, David Clarke; Barbara Stanwyck, Robert Preston, Stephen McNally, Edith Barrett, John Hoyt,...
Film Noir the Dark Side of Cinema III
Abandoned, The Lady Gambles, The Sleeping City
Blu-ray
Kl Studio Classics
1949-50 / B&w / 1:37 Academy / 79,99,86 min. / Street Date June 9, 2020 / available through Kino Lorber / 34.99
Starring: Dennis O’Keefe, Gale Storm, Jeff Chandler, Meg Randall, Raymond Burr, Marjorie Rambeau, Jeanette Nolan, Mike Mazurki, Will Kuluva, David Clarke; Barbara Stanwyck, Robert Preston, Stephen McNally, Edith Barrett, John Hoyt,...
- 6/13/2020
- by Glenn Erickson
- Trailers from Hell
Witness the ‘fifties transformation of the femme fatale, from scheming murderess to self-deluding social climber. Barbara Stanwyck redefines herself once again in Gerd Oswald’s best-directed picture, a searing portrayal of needs and anxieties in the nervous decade. With fine support from Raymond Burr, Virginia Grey and Royal Dano.
Crime of Passion
Blu-ray
ClassicFlix
1957 / B&W / 1:85 widescreen / 84 min. / Street Date September 5, 2017 /
Starring: Barbara Stanwyck, Sterling Hayden, Raymond Burr, Fay Wray, Virginia Grey, Royal Dano.
Cinematography: Joseph Lashelle
Art Direction: Leslie Thomas
Original Music: Paul Dunlap
Original Story and Screenplay by Jo Eisinger
Produced by Herman Cohen, Robert Goldstein
Directed by Gerd Oswald
A key title in the development of the Film Noir, 1957’s Crime of Passion shows how much the style had departed from the dark romanticism and expressive visuals of the previous decade. The best mid-’50s noirs strike a marvelously cynical and existentially bleak attitude regarding crime and society.
Crime of Passion
Blu-ray
ClassicFlix
1957 / B&W / 1:85 widescreen / 84 min. / Street Date September 5, 2017 /
Starring: Barbara Stanwyck, Sterling Hayden, Raymond Burr, Fay Wray, Virginia Grey, Royal Dano.
Cinematography: Joseph Lashelle
Art Direction: Leslie Thomas
Original Music: Paul Dunlap
Original Story and Screenplay by Jo Eisinger
Produced by Herman Cohen, Robert Goldstein
Directed by Gerd Oswald
A key title in the development of the Film Noir, 1957’s Crime of Passion shows how much the style had departed from the dark romanticism and expressive visuals of the previous decade. The best mid-’50s noirs strike a marvelously cynical and existentially bleak attitude regarding crime and society.
- 9/16/2017
- by Glenn Erickson
- Trailers from Hell
This adult film noir masterpiece showcases the most glamorous pin-up dream girl of the 1940s. Rita Hayworth, a young Glenn Ford and a sinister George Macready form a sophisticated, poisonous love triangle. Criminal intrigues and killer striptease fill out the bill. Gilda Blu-ray The Criterion Collection 795 1946 / B&W / 1:37 flat Academy / 110 min. / available through The Criterion Collection / Street Date January 19, 2016 / 39.95 Starring Rita Hayworth, Glenn Ford, George Macready, Joseph Calleia, Steven Geray, Joe Sawyer, Gerald Mohr, Ludwig Donath, Argentina Brunetti, Eduardo Ciannelli, Ruth Roman. Cinematography Rudolph Maté Film Editor Charles Nelson Music underscore Hugo Friedhofer Written by Marion Parsonnet, Jo Eisinger, E.A. Ellington Produced by Virginia Van Upp Directed by Charles Vidor
Reviewed by Glenn Erickson
Some of the best 'movie' times I remember were seeing classic pictures cold, with no knowledge beforehand. Back at film school they'd show us things we'd never heard of, often in prints of incredible good quality.
Reviewed by Glenn Erickson
Some of the best 'movie' times I remember were seeing classic pictures cold, with no knowledge beforehand. Back at film school they'd show us things we'd never heard of, often in prints of incredible good quality.
- 1/30/2016
- by Glenn Erickson
- Trailers from Hell
Night and the City
Written by Jo Eisinger
Directed by Jules Dassin
UK, 1950
Harry Fabian is probably the best at what he does, even if he is never very successful. Richard Widmark’s character in Night and the City, out now on a gorgeous new Criterion Collection Blu-ray, is a low-level con who works wherever he can, however he can, doing whatever he can to make a buck. He enters Jules Dassin’s 1950 film noir classic on the run; he will always be on the run: always hustling, always running. Sincere though his half-baked plans may be, he is perpetually—pathetically—down on his luck. He has the ambition, there’s no doubt about that, and as he shrewdly stumbles past one obstacle after another, it becomes almost humorous in the way he manages to charm his way through life, always just by the skin of his teeth. He cooks...
Written by Jo Eisinger
Directed by Jules Dassin
UK, 1950
Harry Fabian is probably the best at what he does, even if he is never very successful. Richard Widmark’s character in Night and the City, out now on a gorgeous new Criterion Collection Blu-ray, is a low-level con who works wherever he can, however he can, doing whatever he can to make a buck. He enters Jules Dassin’s 1950 film noir classic on the run; he will always be on the run: always hustling, always running. Sincere though his half-baked plans may be, he is perpetually—pathetically—down on his luck. He has the ambition, there’s no doubt about that, and as he shrewdly stumbles past one obstacle after another, it becomes almost humorous in the way he manages to charm his way through life, always just by the skin of his teeth. He cooks...
- 8/12/2015
- by Jeremy Carr
- SoundOnSight
Night and the City
Written by Joe Eisinger
Directed by Jules Dassin
United Kingdom, 1950
In the heart of the London night Harry Fabian (Richard Widmark) runs wild in the streets and alleyways of this most famous of English cities. Harry, a con artist, owes someone a hefty sum and his only recourse is to plead his lover Mary Bristol (Gene Tierney) to lend him some pounds to call off the hounds. Such is the life the protagonist has led for some years now, much to Mary’s consternation and chagrin. What once was a happy companionship has turned more more strenuous. A get rich scheme here, another there but always the same result: Harry gets nowhere fast. His latest attempt to make it big arrives in form of an aging wrestler, Gregorius the Great (Stanislaus Zbyszko) whom he encounters by happenstance at a wrestling event a few nights later. The...
Written by Joe Eisinger
Directed by Jules Dassin
United Kingdom, 1950
In the heart of the London night Harry Fabian (Richard Widmark) runs wild in the streets and alleyways of this most famous of English cities. Harry, a con artist, owes someone a hefty sum and his only recourse is to plead his lover Mary Bristol (Gene Tierney) to lend him some pounds to call off the hounds. Such is the life the protagonist has led for some years now, much to Mary’s consternation and chagrin. What once was a happy companionship has turned more more strenuous. A get rich scheme here, another there but always the same result: Harry gets nowhere fast. His latest attempt to make it big arrives in form of an aging wrestler, Gregorius the Great (Stanislaus Zbyszko) whom he encounters by happenstance at a wrestling event a few nights later. The...
- 6/6/2014
- by Edgar Chaput
- SoundOnSight
Practically all the s.a. habiliments of the femme fatale have been mustered for Gilda, and when things get trite and frequently far-fetched, somehow, at the drop of a shoulder strap, there is always Rita Hayworth to excite the filmgoer.
The story [by E. A. Ellington, adapted by Jo Eisinger] is a confusion of gambling, international intrigue and a triangle that links two gamblers and the wife of one of them. The setting is Buenos Aires. Sneaking in somehow is the subplot of a tungsten cartel operated by the husband, who also runs a swank gambling casino. A couple of Nazis are thrown in also.
Hayworth is photographed most beguilingly. The producers have created nothing subtle in the projection of her s.a., and that’s probably been wise. Glenn Ford is the vis-a-vis, in his first picture part in several years.
There are a couple of songs ostensibly sung by Hayworth,...
The story [by E. A. Ellington, adapted by Jo Eisinger] is a confusion of gambling, international intrigue and a triangle that links two gamblers and the wife of one of them. The setting is Buenos Aires. Sneaking in somehow is the subplot of a tungsten cartel operated by the husband, who also runs a swank gambling casino. A couple of Nazis are thrown in also.
Hayworth is photographed most beguilingly. The producers have created nothing subtle in the projection of her s.a., and that’s probably been wise. Glenn Ford is the vis-a-vis, in his first picture part in several years.
There are a couple of songs ostensibly sung by Hayworth,...
- 1/1/1946
- by Variety Staff
- Variety Film + TV
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