Una giovane donna che si è reinventata come esponente dell'alta società di New York City deve tornare a casa in Alabama per ottenere il divorzio dal marito, dopo sette anni di separazione.Una giovane donna che si è reinventata come esponente dell'alta società di New York City deve tornare a casa in Alabama per ottenere il divorzio dal marito, dopo sette anni di separazione.Una giovane donna che si è reinventata come esponente dell'alta società di New York City deve tornare a casa in Alabama per ottenere il divorzio dal marito, dopo sette anni di separazione.
- Premi
- 3 vittorie e 6 candidature totali
Trama
Lo sapevi?
- QuizThis was first film to shoot in New York City after the September 11, 2001 attack on the World Trade Center.
- BlooperAt the reception at the end of the movie, Mel's dress is clean and dry. On the beach just before, it was dirty and wet from the storm and sand.
- Citazioni
Melanie Carmichael: The truth is I gave my heart away a long time ago, my whole heart, and I never really got it back.
- Curiosità sui creditiDuring the end credits some photos are shown with the cast. In a sequence of them Melanie's parents are "scared" by a punk with a pierced tongue, Mel's co-worker from the beginning of the movie, who comments on her accent when she dreams.
- ConnessioniEdited into Sweet Home Alabama: Deleted Scenes (2003)
- Colonne sonoreBring on the Day
Written by Amy Powers and CJ Vanston
Produced by CJ Vanston
Performed by Charlotte Martin
Courtesy of The RCA Records Label
Recensione in evidenza
"Sweet Home Alabama" is about a young woman, Melanie Carmichael (Reese Witherspoon), who is learning who she is. She must choice between her new life in New York City and the one she left behind in Pigeon Creek, Alabama. The theme of the film is that you can't be two different people; you have to be who you are. You have to face your life and your past and not pretend that you are someone you're not.
The city versus country motif is brought to life throughout the entire film in such actions as a civil war re-enactment, shooting anvils across the plantation yard, and a diverse, yet, predictable group of characters residing in Melanie's hometown. This is far from her world in New York City where she is a fashion designer, engaged to the mayor's son, Andrew Hennings (Patrick Dempsey), and lives life in the fast lane.
The city versus country conflict begins when Melanie returns home to finalize her divorce from her lovable, redneck husband Jake Perry (Josh Lucas). The laughs continue when, much to Mayor Kate Hennings (Candice Bergen) dismay, Melanie and Andrew decide to have their wedding in Alabama. Mayor Hennings is a stiff, conservative ice queen. This makes the first meeting of the happy couples' parents, Mayor Hennings and Pearl and Earl Smooter (Mary Kay Place and Fred Ward), incredibly predictable, yet, still hilarious when you see it play out.
As she was in "Legally Blonde" and "Just Like Heaven", Witherspoon is sweet, smart, and sassy. She pulls you into the film, and you want to see her happy. She has great chemistry with both Jake and Andrew, which makes it difficult for viewers to decide which she should be with. Melanie, herself, can't decide who is for her until she decides who she is.
Director Andy Tennant masterfully uses music to contribute to the theme. With the use of songs such as "Sweet Home Alabama," "What This World Needs Is a Few More Rednecks," and "Marry Me," he transports you into the south. This music prompts you to root for the south and the southern girl who has just returned home. Tennant, also, impressively did not over use the song "Sweet Home Alabama." He used the song only in the situations were it would make the largest impact.
Tennant shows in "Sweet Home Alabama", as he did in "Ever After", that love just happens and we can't control love any more than we can control who we really are. In "Sweet Home Alabama", all of Melanie's problems seem to stem from the fact that she cannot face who she really is. Her father sum's up the theme of the movie in one statement, "You can't ride two horses with one ass, sugar bean."
The city versus country motif is brought to life throughout the entire film in such actions as a civil war re-enactment, shooting anvils across the plantation yard, and a diverse, yet, predictable group of characters residing in Melanie's hometown. This is far from her world in New York City where she is a fashion designer, engaged to the mayor's son, Andrew Hennings (Patrick Dempsey), and lives life in the fast lane.
The city versus country conflict begins when Melanie returns home to finalize her divorce from her lovable, redneck husband Jake Perry (Josh Lucas). The laughs continue when, much to Mayor Kate Hennings (Candice Bergen) dismay, Melanie and Andrew decide to have their wedding in Alabama. Mayor Hennings is a stiff, conservative ice queen. This makes the first meeting of the happy couples' parents, Mayor Hennings and Pearl and Earl Smooter (Mary Kay Place and Fred Ward), incredibly predictable, yet, still hilarious when you see it play out.
As she was in "Legally Blonde" and "Just Like Heaven", Witherspoon is sweet, smart, and sassy. She pulls you into the film, and you want to see her happy. She has great chemistry with both Jake and Andrew, which makes it difficult for viewers to decide which she should be with. Melanie, herself, can't decide who is for her until she decides who she is.
Director Andy Tennant masterfully uses music to contribute to the theme. With the use of songs such as "Sweet Home Alabama," "What This World Needs Is a Few More Rednecks," and "Marry Me," he transports you into the south. This music prompts you to root for the south and the southern girl who has just returned home. Tennant, also, impressively did not over use the song "Sweet Home Alabama." He used the song only in the situations were it would make the largest impact.
Tennant shows in "Sweet Home Alabama", as he did in "Ever After", that love just happens and we can't control love any more than we can control who we really are. In "Sweet Home Alabama", all of Melanie's problems seem to stem from the fact that she cannot face who she really is. Her father sum's up the theme of the movie in one statement, "You can't ride two horses with one ass, sugar bean."
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Dettagli
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 127.223.418 USD
- Fine settimana di apertura Stati Uniti e Canada
- 35.648.740 USD
- 29 set 2002
- Lordo in tutto il mondo
- 180.622.424 USD
- Tempo di esecuzione1 ora 48 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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