The Big Lebowski
- 1998
- Tous publics
- 1h 57min
Le Duc Lebowski, pris pour un millionnaire répondant également au nom de Lebowski, cherche à obtenir la restitution de son tapis détruit et demande à ses amis de jouer au bowling.Le Duc Lebowski, pris pour un millionnaire répondant également au nom de Lebowski, cherche à obtenir la restitution de son tapis détruit et demande à ses amis de jouer au bowling.Le Duc Lebowski, pris pour un millionnaire répondant également au nom de Lebowski, cherche à obtenir la restitution de son tapis détruit et demande à ses amis de jouer au bowling.
- Récompenses
- 5 victoires et 18 nominations au total
Terrence Burton
- Maude's Thug #2
- (as Terrance Burton)
Histoire
Le saviez-vous
- AnecdotesIn an interview with Rolling Stone Magazine, John Goodman stated that The Dude referring to The Big Lebowski as a "human paraquat" was one of the only improvised lines to make it into the final film. Virtually every other line, including every "man" and "dude," was scripted.
- GaffesWhen the Dude is at Jackie Treehorn's and he rubs the pad of paper with a pencil revealing Treehorn's drawing of a naked man, the Dude tears the page off the pad and quickly crumples and shoves the paper into his pocket. Later, while in the office of the Malibu Chief of Police, the Chief goes through the Dude's wallet and the same piece of paper is neatly folded in the wallet with no sign of the previous crumpling.
- Crédits fousBaby Wranglers: Howls/Giggles/Marmots
- Versions alternativesThe version which premiered on USA Network in September, 2000 has been severely cut (aside from the usual edits for content). Among the story lines excised are virtually all the scenes involving Jesus Quintana (John Turturro), the private eye from Minnesota (Jon Polito) looking for Bunny Lebowski and the scene where Maud is trying to conceive The Dude's child.
- ConnexionsEdited into The Making of 'The Big Lebowski' (1998)
- Bandes originalesTumbling Tumbleweeds
Written by Bob Nolan
Performed by Sons of the Pioneers
Published by Williamson Music Company / Music of the West c/o The Songwriters Guild of America (ASCAP)
Courtesy of the RCA Records Label of BMG Entertainment
Commentaire à la une
Those Coen brothers have an ear for language. You feel it in the sing-songy banalities of Fargo, and in the noiresque machine-gun dialogue of Miller's Crossing, but neither of these can prepare you for the feast for the ears that is The Big Lebowski.
Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).
As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?
This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.
Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).
As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?
This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El gran Lebowski: Identidad peligrosa
- Lieux de tournage
- South Pasadena, Californie, États-Unis(opening sequence at grocery store)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 488 923 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 533 844 $US
- 8 mars 1998
- Montant brut mondial
- 48 254 463 $US
- Durée1 heure 57 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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