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Photographic sequences painted with gold and grey animate the guilt of a childhood incident of killing an ant while washing hands in the sink. The Zen-like visuals sweep into one another with whispering monologues and glitching noises reflecting the realms of cosmos, power, guilt, prayers, and existence.

Through diaristic entries, a pair of Burmese and French filmmakers negotiate their changing relationship with Myanmar amidst the country's military coup in 2021