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1-37 of 37
- A forbidden romance between a nun and King D. João V, which takes place in the eighteenth century. For this love, the King ignores common sense and takes the nun as a lover, a confidant, and a counselor. Based on Patrícia Muller's novel.
- We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
- A day at the beach, just before the summer holidays. A recently arrived girl who causes some curiosity. A whisper. A disruption - power goes out, a general blackout - maybe it was an accident, maybe it's only a pretext for a night together.
- The Portuguese colonial empire as it is seen and shown through photography, from the end of the 19th century until the 1974 revolution that put an end to the political regime that ruled Portugal.
- Generation Orchestra is a portrait of the impact of an initiative by the same name students from the Miguel Torga School, in Amadora. The initiative was inspired by the international project Orquestra Simon Bolivar, the apex of the National Network of Youth and Children's Orchestras of Venezuela. Ana, Daniel, Diogo and Monica take part in Generation Orchestra and devote themselves to a project that breaks with the formatted context of public schooling and becomes an indispensable part of their lives. From the onset, starting with Drama classes, we discover their dreams, their relationship with music and their sense of truly belonging to a group.
- Lives being lived, words, gestures, gazes cross our paths, amidst a chaos en framed by a rectangular grid of windows and balconies. Rows of buildings interconnected by corridors perched over courtyards. Each ones property off their private slice of the view. The geometry of the life of a neighborhood: Bela Vista.
- It's a possible portrait of Portugal in 2015. A time when there is no longer work for some and no leisure time for others.
- The story of Miguel Moreira and Ruben Furtado, two Cape Verdean immigrant descendants who live in Portugal but have no legal documents. They are torn between the desire to be a full Portuguese citizen and the obstacles they find in their day to day. Proud of being who they are they keep on dreaming of their future reflecting their wishes for a better life. Above all, Michael and Ruben lead us to one question: What kind of identity has a stateless person?
- About the difficulty of a children to say the word "Otorrinolaringologista".
- While observing others, Paula is also, herself, observed. ' Know the difference between an old maid and a spinster? The old maid does not have a choice. '
- Three researchers embark on a study, "10 Years of Social Reintegration in the Casal of Boba neighborhood". A film camera used for their research is stolen and, as it is passed from hand to hand, records a crime. Nada Fazi (Creole for "It's inevitable") is a shared and fragmented view of the day-to-day life of a neighborhood. An outside view that morphs into an intimate journey through the lives of a group of youths.
- Using the author's personal estate, current images of places where she lived or were dear to her, and archival images of television and film; using parts of her prose and poetry always with first-person testimonies; from Porto to Lisbon, from Granja to Lagos, from the Atlantic Sea to the Mediterranean, from Greece to 25 April: the passions and disappointments of a life and work dedicated to the search for the real, freedom and justice.