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In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.

A man faces a trial for murder. The court is biased because of his personal qualities.

A gunman teams up with his long-lost brothers--a French hypnotist and a Japanese kung-fu expert--to fight a villain who is obsessed with Roman emperor Julius Caesar, to the point of having built a palace, complete with slave girls, a huge sunken bath and his own "Praetorian Guard", and who is trying to cheat them out of a gold mine left to them by their father.

In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.

a documentary reconstructing the Algerian experience of the battle for independence.