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The film delves into an almost forgotten event that took place in Kfar Qasim in October 1956, when 47 innocent civilians were shot and killed by Israeli Border Police soldiers. Through a gripping narrative structure, like a suspenseful legal drama, the film unfolds the historical, political, and psychological reality that had shaped and triggered the event. A cinematic montage created by the intertwined plotlines, emphasizes immense gaps, conflicting narrative, and deep divides between Jews and Arabs who are destined to live together on the same land. If we begin to recognize these gaps, will there be hope for reconciliation?

Juliano Mer Khamis' documentary on his mother, Arna, an activist against the Israeli occupation who founded an alternative education system for Palestinian children.

Series involving 2 smart brothers solving crimes.

A journey from the harbor town of Jaffa to the Jaffa orange, a fruit through which the Israeli filmmaker examines the Israeli-Palestinian conflict.

Swedish-Eritrean radio host Meron Estefanos produces her weekly program at home in Stockholm where she broadcast, devoted entirely to the hundreds of Eritrean refugees held hostage in the Egyptian Sinai Desert. The Bedouins kidnap Eritreans making their way to Israel and demand large ransoms from their families. We follow Meron in her attempts to turn the tide by calling the hostages and kidnappers alike during her radio show. The film focuses on the stories of two hostages: A) Hiriyti was pregnant when she got kidnapped. We hear the young woman talking with her husband Amaniel in Tel Aviv, who is doing everything he can to free his wife and their baby from the torture camp. B) The ransom for 20-year-old Timnit has been paid, but her brother haven't heard anything from her since her flight to the Egyptian-Israeli border. The battle for Hiriyti's release and the search for Timnit takes Meron to Sinai. There, she stumbles on the marks left by the many atrocities.

Three decades after she arrived in Israel from the city of Derbent in the Caucasus, Sarah debates whether she should immigrate again, this time to America. She hopes to find happiness there, but more importantly, she is seeking to escape from her complicated, abusive relationship with her husband, and the suffocating, Sisyphean routine her life has taken in Israel. Arthur, the director, accompanies his mother on a journey to the landscapes and memories of his childhood, set against the clashing cultures of a family shaped by immigration and violence. Dreams of a better life in America lead to a journey that offers a glimmer of hope and the promise that Sarah's shattered past can be mended. But will that promise really be kept?

Daniela (16) and Ohad (17) are determined to make their dream come true - win the World Kickboxing Youth Championship. Along with the demanding lifestyle required in professional sports, their studies and matriculation that require dedication and time, they also have to face strong opposition and pressure from their traditional Caucasian families, who disagree with their pursuit of a violent and dangerous sport. Ohad, who fainted and lost consciousness in the arena, causes his mother great anxiety and she and his father pressure him to stop training and competing. Daniela has to deal with fears expressed by her female relatives that the sport will harm not only her studies and exams but also put her future chances of getting pregnant at risk.

Danny Chanoch (74), survivor of several concentration camps, convinces his reluctant children to retrace his steps through the holocaust, eventually spending a night in Auschwitz-Birkenau.

Fadhumo and Helen are two refugees seeking sanctuary, one in Tel Aviv and one in Berlin, each coping with discrimination, otherness and a life away from home. The two close friends become social activists determined to assist women like themselves and to provide a better future for next generations. Efrat Shalom Danon and Gili Danon's documentary displays the contrasts between Israeli and German immigration policies, while shedding light on the two women's mutual fate: an unstable life controlled by government policy, always depending on human kindness, guided by the belief that despite everything, their dreams may still have a chance.

Throughout the years, women have been a minority in the Israeli Parliament (Knesset). Their right to vote or be elected was never a given, and remains a struggle to this day. Through interviews with MKs, experts and journalists, combined with rare archive footage, this series documents their struggle for representation and a seat at the decision-making table, women's legislation, the harassment they underwent, gender inequality and the possibility of heading a political party and even becoming Prime Minister. With rare candor, past and current female MKs from various political parties share their journey to the Knesset.

The only product the Gaza strip exported - as of 2006 - were strawberries. This film shows the daily struggle of Gazan strawberry farmers who try to grow, export and sell their product against all odds.

While preparing for their wedding, Sivan Mor Goldman, a 29-year-old film director, and her fiance Ronen discover that Sivan has a cancerous mass in her breast.

Three funerals, three generations, two wars and one boyfriend waiting in Tel Aviv. A troubling portrait of the filmmaker, a son to one of the founding families of Metula (a town on the northernmost Israeli border). Against the backdrop of a family dealing with illness and death, the film's protagonist is repeatedly called for reserve duty as a Tank Commander in the Israeli army. Through use of archive footage of events filmed over the course of a decade, the tragic-comic clash between the filmmaker and the habit of obedience unfolds.

No Jewish divorce is complete without the man literally giving the woman her freedom back. Divorce Denied follows several 'chained' women together with Batya Kahana Dror, a religious lawyer, who embarks on a struggle against the rabbinical courts. She believes the laws must be changed according to our time.

Ishaq Omar is a 13-year-old Palestinian boy who just wants to play a game of soccer with his friends. However, the Israeli separation wall built around his house turns a simple trip to the village square into a rather difficult endeavor. Will he make it on time? Offside takes the absurdity of the Israeli occupation and filters it through the apolitical perspective of a young boy.

Nizar is an introverted alter boy and a social outcast. During this years' Easter, Nizar decides to compete with the village children in the 'breaking eggs' games. His goal is to collect as many eggs as possible in order to sacrifice them in the village church for the sake of his beloved Jesus. Nizar's egg is 'Mashmaa' (a fake egg that is hardened by wax). Only he and Jesus know this fact. The danger of getting caught is very much imminent. Nizar manages to collect many eggs and to gain respect from the village children, until finally he is caught. It would be the first time Nizar questions his faith.

This project reported on life as experienced by men, women and children in Gaza (Palestine) and Sderot (Israel): their lives and their survival on a daily basis. Under difficult living conditions and the threat of air attacks and bombings, people do keep on working, loving and dreaming-life in spite of everything. In order to document this will to live, short chronicles (two minutes each) were shot by both Israeli and Palestinian teams, day after day for two months. These short stories followed seven characters from Gaza and seven from Sderot.

This Web series documents human resilience by capturing stories from neighboring cities Gaza and Sderot, each on different sides of the Israeli-Palestinian conflict.

Ashkenazim-Jews of European origin-are Israel's "white folks." And like most white folks in a multicultural society, they see themselves as the social norm and don't think of themselves in racial or ethnic terms because by now, "aren't we all Israeli?" Yiddish has been replaced with Hebrew, exile with occupation, the shtetl with the kibbutz and old-fashioned irony with post-modern cynicism. But the paradox of whiteness in Israel is that Ashkenazim aren't exactly "white folks" historically - A story that begins in the Rhineland and ends in the holy land (or is it the other way around?), ASHKENAZ looks at whiteness in Israel and wonders: How did the "Others" of Europe become the "Europe" of the others.

What motivates a youngster to become a trafficker? Do they represent a young Israeli generation who lost faith in what its country offers? This is the story of three young Israelis who made life-altering decisions.

Filmmaker Ronen Amar documents two protagonists whose only common denominator is the sleepy southern town they come from. Amar follows his cousin Eyal, a successful architect-contractor who decides to run for mayor and kick up dust. He also follows his friend Koko, a stoner on an eternal soul search. With municipal elections raging in the background, Amar's protagonists stand at critical junctures in their lives. How will their s[elections] shape the director's future as well?

Queen Khantarisha presents two Yemenite writers in their sixties. A songwriter and lyricist of love, is also behind some of the hottest hits that resonated in Yemeni clubs and weddings. The work of the other woman, a Jerusalem-born, religious, poet and writer, touches on demons, madness, rape, and rebellion and has garnered her community's denunciation. The film explores the personal costs of straddling the ambitions of creative expression and the restraints of conservative communities requiring subservience. One writes and composes love songs in Yemenite that are being sung in clubs, weddings and other events but only few knows that she is writing them. The other writes provocative poetry and prose, she revolt in her past and her parents who oppressed her sexually and mentally. The film exposes the tension between the daily, personal struggle of these women. The struggle between the tradition they live and respect and that of their internal passion.