Regie:
Neil JordanDrehbuch:
Neil JordanKamera:
Chris MengesMusik:
Elliot GoldenthalBesetzung:
Ian Hart, Julia Roberts, Liam Neeson, Aidan Quinn, Alan Rickman, Sean McGinley, Stephen Rea, Brendan Gleeson, Gerard McSorley, Tom Murphy, Gary Lydon (mehr)Inhalte(1)
Geschichtsdrama über Michael Collins, den Begründer der Irisch Republikanischen Armee. Jahrelang wollte niemand dieses brisante Thema verfilmen, weil man befürchtete, daß der Film ein Loblied auf die IRA werden würde. Regie führte Neil Jordan, bekannt durch “Interview mit einem Vampir”. (Verleiher-Text)
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Bloody Sunday. And also Monday, Tuesday, Wednesday, and the remaining days of the week. The spiral of violence behind the transformation of the Emerald Isle is presented by Neil Jordan in the same spirit as the protagonist’s methods, meaning chaos and energy (notice how Neeson is practically in motion in every scene), while also attempting to cater to viewers who have no idea about the struggle for Irish independence. The decision between three and four stars was ultimately made easier by reliable names even in minor roles, the moving musical score (Goldenthal, Irish folk songs), and Chris Menges's cinematography in the night scenes. The "Big Fella" Collins faced a dilemma when contemplating whether to send more people to kill, but he probably always remembered the third American president Thomas Jefferson and his quote: "The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants." ()
There have been several films about the IRA, its issues, and history, from modern interpretations dealing with the situation from a few years ago to older ones describing its formation and the personalities that directly influenced its history and events. Michael Collins falls into the second category, but thankfully, it lacks the excessive starchiness and arrogance that often appear in movies of this kind (the great hero type). Liam Neeson plays a significantly younger character, but he is charismatic and believable enough, his performance is quite impressive (of course, thanks to the work of director and screenwriter). The costumes and production design are excellent (as expected from the great Neil Jordan), and the almost complete absence of pathos is surprising. The large war sequences are relatively believable within the possibilities, and I would have been more satisfied if there was a bit more emotion (...pathos...), but that's simply a matter of personal taste. ()
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