Inside Amelia Gray's Final Fitting With Carine Roitfeld for Vogue World: Paris
Iconic fashion maven and former Vogue Paris editor-in-chief Carine Roitfeld talks through the final fitting for model Amelia Gray in Carine's hometown of Paris, for Vogue World. While Carine talks through her creative process, Amelia is a picture of excitement at the prospect of wearing 1920's Chanel couture; "Two dreams that I almost never dreamt, because they were too big to come true, that's how it feels, just pinch me all over my body."
Director: Hugo Tordjman
Director of Photography: Oscar Dubois
Editor: Shandor Garrison
Producer: Amaury Delcambre
Camera Operators: Lucas Durand Fontugne, Basile Roche
Audio: Aurélien Ung
Production Coordinator, France: Meryl Marciano
Production Assistants: Pauline Sarlande, Alban Giraudon
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editor: Andy Morell
Post Production Coordinator: Ian Bryant
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Global Talent Casting Director: Ignacio Murillo
Director of Content, Production: Rahel Gebreyes
Senior Director, Programming, Vogue: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Filmed on Location: The Westin Paris Vendôme
Director: Hugo Tordjman
Director of Photography: Oscar Dubois
Editor: Shandor Garrison
Producer: Amaury Delcambre
Camera Operators: Lucas Durand Fontugne, Basile Roche
Audio: Aurélien Ung
Production Coordinator, France: Meryl Marciano
Production Assistants: Pauline Sarlande, Alban Giraudon
Production Coordinators: Ava Kashar, Tanía Jones
Production Manager: Natasha Soto-Albors
Line Producer: Romeeka Powell
Senior Director, Production Management: Jessica Schier
Assistant Editor: Andy Morell
Post Production Coordinator: Ian Bryant
Supervising Editor: Erica DeLeo
Post Production Supervisor: Alexa Deutsch
Associate Director, Post Production: Nicholas Ascanio
Global Talent Casting Director: Ignacio Murillo
Director of Content, Production: Rahel Gebreyes
Senior Director, Programming, Vogue: Linda Gittleson
VP, Video Programming: Thespena Guatieri
Filmed on Location: The Westin Paris Vendôme
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PeopleTranscript
00:00I'm gonna need a couple days to process what's just happened to me two dreams that I almost never dreamt because they were too
00:06Big of dreams to ever come true. That's how it feels like just pinch me all over my body
00:20Hello vogue
00:22Welcome to the last fitting of the world
00:25If you follow me you bring some behind-the-scenes some little tricks some memo about looks and amazing girls
00:37I'm very happy in a fun way to go back to work after more than 10 years and to
00:42Participate to an event like this one in my city because I'm a real Parisian. I think it's means a lot
00:47I want it perfect and I want that people can feel the Parisian vibes in the show
00:54I hope I will be successful
00:59Alexandre Sanson with that of curator FZ genius ID to share
01:05120 years of fashion and
01:09anniversary of
01:10100 years of Olympics and Paralympics in 10 decades
01:15So from the 20s to the 2010 so there is a lot of fashion
01:20Maybe a lot of people don't know about or never seen the vintage pieces. So we're going to have a lot of dancers
01:27We're going to have a lot of athletes. We're going to have a singer's more than
01:32150 models a lot of look so it's going to be a huge huge show
01:39And I love Amelia
01:41She was a part of the team. She's not like a diva on she's like life and she give a lot give love
01:46What am I gonna wear?
01:48Channel vintage one. Am I yes, really
01:55Stop it. Yeah, we just need to fit this shape and then we will have some free
02:03To you from the 20s
02:07It's not a long time that Amelia is working is a fashion model. It's quite new
02:11I think maybe two years not more and you see the energy so positive. So it's a generous person
02:18I like you
02:22For her black and the white here because it's like a degrade a will be perfect with her, you know
02:27Sometimes you imagine a girl in the dress and I think will be the perfect one
02:40Green is everything Vogue is everything. This is all everything. So I'm just extremely honored. I like it a bit higher
02:49For you
02:53This is insane from the 20s to 24 24 your mom is going to fly again. Oh my god
02:59I just got off the phone with her. She's like better give Karine the biggest hug for me. Yeah, she's gonna cry
03:05I don't think I'm gonna tell her that I'm wearing Chanel. I'm not gonna tell anyone anything
03:08This is something that goes above and beyond dreams not just because Vogue world
03:14Of course is the most insane dream of my life
03:17But Chanel
03:18Vogue world is like two dreams that I almost never dreamt because there were two
03:24Big of dreams to ever come true. That's how it feels like just pinch me all over my body
03:33The other day I just watched midnight in Paris
03:36which is like all about the different eras in Paris and and one of the biggest eras that they
03:41Highlight is the 20s and the flapper dresses and I think that's one of my favorite eras and if I could go back
03:47To an era it would be Paris in the 20s in
03:51Chanel as Pablo Picasso's muse and I feel like that. So that's how this dress makes me feel
04:08One and what a surprise I had no idea you guys
04:1320s Chanel
04:15Sorry, when you see the Amelia Gray dresses people understand totally the shape and the work of the 20s
04:23So it was no waste
04:24It was quite a and a lot of beads as you're going to add some more beads for Amelia
04:30Everything is to tell you is handmade. This was we call in Frenchly petite ma in all could use a very very important
04:37And I like the people that making this dress come here to make the fitting to because usually that sort of dresses
04:44we take them with white gloves because it's so
04:48Fragile this time people of Chanel were there people have put you were there so they can make alteration in the put your way
04:55and I learned something quite
04:58Interesting this morning. I say but there is not the logo Chanel inside the dress
05:02I see no, this is bad luck to put the logo before the dress is totally finished
05:08So I'm a very superstitious person. So it means a lot for me
05:15And
05:18It's fun to work with Anna
05:20It's the first time I'm working with her and I'm happy for finally after all these years at Vogue
05:24We can be doing something together
05:26Actually, so told you because people always say that we have we're fighting. I never fight with Anna. I respect her a lot
05:33I work for and I have fun with her. I'm almost like Polo's now after meeting Anna dressing in black, but almost love colors
05:40I
05:44Never met Gabrielle Chanel, but I heard a lot from film and from Karl
05:48So I know she was a very free spirit with a tough character and I think she will love someone like Amelia. I
05:56Think it's very easy sense of what Coco is herself. I
06:03Feel amazing and beautiful and like a real Parisian
06:11After the success of the previous event
06:15This has to be even better. So we want it spectacular. We want to be
06:22Enjoyable and cross-finger is super not winning
06:40You