Hell Is A City 1960 [British Crime Thriller] Stanley Baker

Classic Queen

Transcript

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00:01:46 Have they caught him yet, sir?

00:01:48 Hello, Deverly.

00:01:49 No, they haven't caught him.

00:01:51 I think it'll break your heart when someone else calls Don Starling.

00:01:54 What makes you think I'm so interested in Don Starling?

00:01:56 They can't bring out additions fast enough for you. The last three days must have cost you a fortune.

00:02:00 When you put a man inside, you're interested in when he gets himself out.

00:02:02 Of course, sir. I didn't mean to be...

00:02:04 All right, all right. You are not off duty.

00:02:06 I'm just going off.

00:02:07 Come on, I'll buy you a drink.

00:02:08 It's very nice of you, but I'm afraid...

00:02:10 Teach her to wait. That's one thing a policeman's girl must always learn.

00:02:14 It's nothing special, sir. I haven't found a girl yet who'll put up with my hours.

00:02:17 When you do, make sure she stays that way. Sometimes when they get married, they start making timetables, you know.

00:02:22 The lacy arms, all right?

00:02:23 Yeah, the lacy arms are fine. He's been seen all over, of course.

00:02:26 Nearest to us is Bradford.

00:02:28 That one, I'll believe.

00:02:30 The county police have put out a general warning for all women to stay off the moors unless escorted.

00:02:34 You won't find Don Starling on the moors.

00:02:36 You think he'll come back to Manchester?

00:02:37 There's still 5,000 pounds worth of jewellery in this town. He might come back for that.

00:02:41 Or to take a pot shot at you.

00:02:43 That's crime book stuff. A man doesn't break out of jail to kill a cop. He breaks out to get away.

00:02:47 That's not what he swore at his trial.

00:02:48 We all swear violence at times. How often have you said to yourself, "I'd like to kill that man"?

00:02:53 And don't tell me who it is.

00:02:55 Evening, Mr. Martineau.

00:02:56 Hello, Doug. What'll you have?

00:02:58 A beer, please.

00:02:59 A beer?

00:03:00 And a scotch.

00:03:01 And a scotch for you. Let this be my pleasure.

00:03:04 Let it be your pleasure that we're off duty.

00:03:07 It wasn't a bribe, you know.

00:03:09 Well, look who's here, my gorgeous detective.

00:03:13 Hello, Lackey. Like a drink?

00:03:14 I'd like you, darling, but you always bring a bodyguard.

00:03:17 Cut it out, Lackey. I know you're kidding, but other people don't.

00:03:20 Kidding? I'm not kidding, darling. I've been mad about you for years.

00:03:24 You know Detective Devery?

00:03:26 Yes, but not intimately.

00:03:27 Hello.

00:03:28 Well, what nice juicy crimes have we got tonight?

00:03:31 Oh, very dull. Except for Don Starling.

00:03:34 Starling? You mean he's a Manchester?

00:03:37 He could be. I don't know. You might know more than I do.

00:03:39 Me? Why me?

00:03:41 You were very thick with him at one time, weren't you?

00:03:43 Oh, that was years ago, before I was married.

00:03:45 Oh, I quite liked Don. He used to save reform for me.

00:03:49 That night he went and did a break-in. Dropped him like a hot cinder.

00:03:52 Did he write to you from jail?

00:03:53 Listen, darling, when I've finished with someone, they're finished.

00:03:57 He slugged a warder getting out, you know.

00:03:58 I read.

00:03:59 Hands on the danger list. If he died, that's murder.

00:04:02 Anyone helping Starling then would be an accessory.

00:04:05 Serves him right.

00:04:06 I just thought I'd point it out, Lackey. Just in case he contacted you.

00:04:10 Why me?

00:04:11 Well, a man on the run needs friends.

00:04:13 Well, it's better that he contact me.

00:04:15 But you, you could contact me any time.

00:04:19 Well, let's have another drink on that, shall we?

00:04:21 I'll look, sir, if you don't mind.

00:04:22 Yeah, yeah, all right. On your way.

00:04:25 Good night. Thanks for the drink.

00:04:26 Yeah, give him my love.

00:04:27 Oh, well.

00:04:28 Policeman on a date.

00:04:30 Well, it's nice to know some of you are human.

00:04:32 Some of us are even married.

00:04:34 Take care of yourself, Lackey.

00:04:36 I could even take care of you, if you'd let me.

00:04:38 There's a lot of love up there. Everything all right, Inspector?

00:04:41 It turns on your conscience, doesn't it?

00:04:43 Lorry, tomorrow. Better pick me up at 8.30.

00:04:49 We'll get there before all the traffic.

00:04:50 8.30? You'll be there before the horses.

00:04:53 Okay, okay, 8.30.

00:04:55 Doug Savage, wants to leave at dawn. You better fill up the taxes tonight.

00:05:02 Yeah, right.

00:05:03 You made me botch that stroke.

00:05:05 Oh, why don't you learn to be a good loser?

00:05:08 Talking when a man's concentrating.

00:05:09 You're quiet. Watch this.

00:05:11 What a shot!

00:05:13 Clean the whistle.

00:05:14 Ten?

00:05:15 Ten.

00:05:16 You might brush this table once in a while, Bert.

00:05:19 What do you want for two, Bob? Leopard skin?

00:05:21 Supposedly no soap.

00:05:22 Yes, there's soap.

00:05:23 But it's a free sample.

00:05:25 Know what I saw today, Bert?

00:05:28 What?

00:05:29 A little hand vacuum cleaner.

00:05:30 Good for cleaning out my taxi.

00:05:33 Buy, buy one, Bert.

00:05:36 You couldn't lend it for the tables. Two bob an hour.

00:05:38 That way I get a free table and a clean one.

00:05:42 How about it? Want to make a deal?

00:05:45 Not always. Keep washing.

00:05:47 Don?

00:05:48 Tell them to go on. You'll catch them up.

00:05:50 Okay, Don. You don't have to go on me.

00:05:53 I hope not.

00:05:54 Tell them.

00:05:55 Okay.

00:05:57 Hey, you two go on.

00:06:00 I'll meet you at the Lacey Arms. I've still got things to do.

00:06:03 It's all that beer you pour down your gullet.

00:06:05 See you.

00:06:06 Don't look at me.

00:06:07 Tell Bert to go down and lock up.

00:06:11 Okay, Don.

00:06:12 Bert, go down and bolt the door.

00:06:15 I'd be bolting it if you'd gone.

00:06:17 Bolt it. Do it, I tell you.

00:06:19 All right, Laurie. All right.

00:06:21 Get that blind out.

00:06:28 Good to see you, Don.

00:06:30 Yeah. I need money, Laurie.

00:06:32 What about a fiver?

00:06:34 What about a fiver?

00:06:36 I need two or three hundred.

00:06:37 Two or three hundred?

00:06:39 Hello, Bert.

00:06:58 Don, I never saw you come in.

00:07:02 Neither did anyone else.

00:07:04 And what's more, I haven't been here.

00:07:06 Do you understand, Bert?

00:07:07 Of course, Don.

00:07:08 You're going to have a nice, quiet sit-down in your office.

00:07:12 Bert, you can listen to music.

00:07:15 Take this out so you won't be disturbed.

00:07:17 Have a heart, Don.

00:07:20 Where am I going to get two hundred?

00:07:21 Gus Hawkins.

00:07:22 Gus Hawkins?

00:07:23 You kidding?

00:07:24 I'm not kidding.

00:07:25 You ever heard of a bookmaker lending money?

00:07:26 He said, "Lend. We're going to take it."

00:07:28 Still send a clerk to the bank for his race money every morning?

00:07:30 I suppose so.

00:07:31 Make sure.

00:07:32 They used to cut through Higgetts Passage.

00:07:33 Check that as well.

00:07:34 We'll need three cars, including one of your cabs.

00:07:36 Why three?

00:07:37 I want a car parked downstairs in Higgetts Passage for me to wait in.

00:07:40 Second car follows the park, sees off the passage.

00:07:42 I'll make the grab.

00:07:43 We'll drive on to the moors, ditch the car in the quarry,

00:07:45 and your cab picks us up from there.

00:07:47 Okay.

00:07:52 When?

00:07:53 Tomorrow morning.

00:07:54 Tomorrow?

00:07:55 How can I organize that fast?

00:07:56 Besides, tomorrow is Donkester races.

00:07:58 That's why tomorrow, so we can get good and lost in race traffic.

00:08:01 Now, leave me cigarettes and a light.

00:08:02 I'm supposed to drive Doug Savage.

00:08:04 Dance with me.

00:08:05 Don't give me arguments, Laurie.

00:08:06 You need a new passport and enough dough to get me out of the country.

00:08:12 Okay, Don.

00:08:15 What should I tell them about the jewelry?

00:08:23 They're still in Manchester.

00:08:25 And nobody but me knows where.

00:08:27 Oh, I'm not worrying, Don.

00:08:28 It's just that...

00:08:29 Well, you know, if the boys hear you wanting a passport and some dough...

00:08:32 You'll all get your share out.

00:08:34 But it was me that got the 14 years, remember?

00:08:36 Sure, Don.

00:08:37 I never gave you a lot away, did I?

00:08:38 No, you didn't.

00:08:39 So, all right. Everybody does what I say.

00:08:40 We spent even all the way down.

00:08:41 Pull me back on this line tonight.

00:08:42 Now, get on track.

00:08:43 Where are you hiding, Don?

00:08:46 Here and there.

00:08:47 Keep moving, that's my motto.

00:08:48 You don't give much away, do you?

00:08:50 Anything you want in particular?

00:08:51 Yeah, a woman.

00:08:52 But I'll fix my own.

00:08:54 For God's sake, don't say that again.

00:08:55 You'll find yourself...

00:08:56 Shut up and get moving.

00:08:57 All right, Larry.

00:09:07 The concert's over.

00:09:08 You can go home now.

00:09:09 Just lock the place up nice and safe,

00:09:10 and I'll stay here as quiet as a mouse.

00:09:12 I can't let you stay here.

00:09:13 You can and you will.

00:09:15 Just leave me a key, and I'll let myself out.

00:09:17 No one has to know I was here.

00:09:18 Of course, I'll be careful.

00:09:20 Listen, by the time the law finds out I was here,

00:09:21 I'll be in five other places.

00:09:23 Put the lights out, just like usual.

00:09:25 All right.

00:09:26 Good night, Bert.

00:09:27 Eh?

00:09:28 Good night.

00:09:29 Oh, good night, Don.

00:09:30 Oh, and Bert,

00:09:33 don't get any fancy ideas in connection with cops, will you?

00:09:36 Oh, no, Don.

00:09:38 Sure, I don't like you being here,

00:09:39 but that doesn't mean there's nothing I can do to run to the cop office.

00:09:41 What do you think, Larry?

00:09:42 I don't think anything.

00:09:43 I just want you to remember,

00:09:44 if the law finds me here tonight, you've gone, finished.

00:09:47 You'll be seen to, get it?

00:09:49 Of course, Don.

00:09:50 Of course.

00:09:52 (ENGINE STARTS)

00:09:53 Good night.

00:09:59 Well.

00:10:10 Hello, Julia.

00:10:11 What time do you call this?

00:10:14 11.25.

00:10:16 What time did you book off?

00:10:18 10 o'clock.

00:10:20 And since then, you've been in some pub.

00:10:22 Correct.

00:10:24 Anything for supper?

00:10:25 There was, if you want to warm it up.

00:10:28 You know, other men can ring up their wives

00:10:38 and tell them when they'll be home.

00:10:39 Of course, I couldn't expect you to do that.

00:10:41 You couldn't even phone and tell them you'd be working late.

00:10:44 And I'm supposed to make a meal, whether you come back or not.

00:10:46 Yeah, I'm sorry, Julia.

00:10:47 I meant to phone you,

00:10:48 but I got switched to a stolen car job.

00:10:50 Of course, a stolen car is more important than I am.

00:10:53 I don't know about that, Julia. It is my job.

00:10:55 Well, at least one could think you could come home at 10

00:10:57 when you went off duty.

00:10:58 You've been out of this house since half past seven this morning.

00:11:00 I'm sorry, I was weary. I needed a drink.

00:11:02 There's plenty of beer here.

00:11:03 Yeah, but it's not the same somehow, is it?

00:11:05 No, I'm aware of that.

00:11:06 I'd sooner be in some pub than at home,

00:11:09 with low women sitting around the bar,

00:11:10 ready to go with you.

00:11:11 Now, wait a minute.

00:11:12 That's all I ever do, wait.

00:11:14 Wait for you to go out or come in or go to bed.

00:11:16 Julia.

00:11:17 It's a pretty empty life for me.

00:11:18 You know, we never go out together,

00:11:19 and you're never at home.

00:11:21 I try to keep this place nice,

00:11:22 and you treat it like a rooming house.

00:11:25 You haven't got enough to do. That's your trouble.

00:11:28 You're not suggesting I should take a job, are you?

00:11:30 No, I'm not.

00:11:31 I'd look nice,

00:11:32 the great Inspector Martineau's wife hunting for a job.

00:11:34 You're very worried about the way things look, aren't you?

00:11:36 Yes, I am. Is that wrong?

00:11:38 Well, it would look all right if you justified your existence

00:11:40 by having a baby or two.

00:11:45 Harry.

00:11:46 What's happened to us?

00:11:48 I don't know, Julia.

00:11:51 I suppose it's what hasn't happened to us.

00:11:54 Do you know how long it is since you made love to me?

00:12:04 A long time.

00:12:07 Don't you want me anymore?

00:12:10 I want children, Julia.

00:12:13 Oh, don't start all that again.

00:12:15 Look, Julia, we're both still plenty young enough.

00:12:17 We could have some fine kids.

00:12:18 Your life wouldn't be so empty.

00:12:20 You never used to mind.

00:12:21 Times change, Julia.

00:12:23 We're married. We ought to behave as if we're married.

00:12:25 We can't afford kids, Harry.

00:12:28 Perhaps if you thought of me and your responsibilities...

00:12:31 Responsibilities, singular.

00:12:32 If it were plural, there'd be a different atmosphere in the house.

00:12:34 Isn't it necessary to inform the neighbors of our...

00:12:36 To hell with the neighbors!

00:12:37 That's all you worry about, the neighbors,

00:12:39 what people think, your social standing.

00:12:42 I don't know how long you expect me to stand all this.

00:12:44 Me neither!

00:12:47 I don't know how long I can stand it myself!

00:12:49 I don't know how long I can stand it myself!

00:12:51 (car engine starting)

00:12:54 (car engine roaring)

00:12:56 (car engine roaring)

00:12:58 (car engine roaring)

00:13:00 (car engine roaring)

00:13:02 (car engine roaring)

00:13:05 (car engine roaring)

00:13:33 - That you, Don? - You're late.

00:13:35 Plenty of time. How have you been, Don?

00:13:37 We're sure they come down this passage.

00:13:39 Sure, about 10 o'clock.

00:13:40 Laurie's waiting opposite Gus Hawkins now.

00:13:43 He follows the money and signals us just before they turn into the passage.

00:13:46 What about the switch car?

00:13:47 Laurie's taxi.

00:13:48 Clogger drives it and meets us at the sand pits, 1025.

00:13:51 (car engine roaring)

00:13:56 (car engine roaring)

00:13:58 Chloe, for Pete's sake, hurry up!

00:14:05 Do you want to hit all the traffic?

00:14:06 All right, all right.

00:14:08 Bet you wouldn't wish a girl like that, would you, Colin, eh?

00:14:10 I think the guv just wants to miss the crowds, Mrs. Hawkins.

00:14:13 Chloe, if you're not ready in two minutes, I'm going at you.

00:14:15 Oh, now, he mustn't shout at her. She's only fixing her face.

00:14:17 You're fixing two hours already. Get in the car.

00:14:19 Colin, get that money off.

00:14:21 Oh, don't lie so much hanging around. Get it in as soon as the bank opens.

00:14:24 Yes, guv.

00:14:25 Oh, don't worry, Mr. Hawkins. It'll be in like it always is.

00:14:27 And no more credit to anyone on that list if they want to put a bet cash.

00:14:30 Right, guv.

00:14:31 Good luck, guv.

00:14:32 Have you got everything in?

00:14:34 Yes, it's all in, guv.

00:14:35 All right, well, step on it.

00:14:53 Here we go.

00:14:54 All right, stand by.

00:15:22 Run for it, sis!

00:15:23 Hey!

00:15:50 Stand up for God's sake!

00:15:52 Stroke him!

00:15:56 Okay, work on it.

00:16:01 This is going to ruin my razor edge.

00:16:04 Cripes! There's a fortune here!

00:16:11 Yeah, sure is.

00:16:12 This job is better than the other one.

00:16:14 Keep her rolling. We don't want to lose this little lot.

00:16:16 Come on.

00:16:18 (ENGINE ROARING)

00:16:19 Thirty barrels of hotted and those fivers.

00:16:27 -Two hundred fivers? -Hills, hills!

00:16:29 -This is 4,000 smackers! -A thousand apiece and one for clogger.

00:16:32 Quiet.

00:16:33 But you know names. The filly's listening.

00:16:35 Keep looking front.

00:16:36 We don't want her memorizing your ugly mug.

00:16:38 When are we going to dump her?

00:16:39 It's been a quiet road.

00:16:41 We won't take her too far. After all, she's got to walk back.

00:16:43 She's done all the walking she'll ever do.

00:16:46 Cripes! She hasn't croaked!

00:16:48 -You didn't have to do that! -You think I meant to?

00:16:50 -Thank God I never laid a hand on her! -We're all in this like a...

00:16:52 Pull yourselves together!

00:16:53 You thought of getting away with robbery?

00:16:54 -Why not this as well? When would this mess... -You're a murderer!

00:16:57 -Shut up! Shut up! -You never give up, you know what you're...

00:17:00 Keep your heads!

00:17:02 Pull over and we'll get rid of her.

00:17:05 -Drop her behind that hammock. -Me? Not likely.

00:17:11 -You would, I tell you. -Why not you?

00:17:12 You'd get her in.

00:17:13 All right, I'd get her in. One or two, what's the difference?

00:17:15 -Where'd you get that? -Never mind! Get this thing out of my sight!

00:17:17 Help me!

00:17:20 There's a car coming!

00:17:41 Get moving!

00:17:42 -What do we do with this fella? -Cover your faces.

00:17:48 You think he saw me carrying the girl?

00:17:58 -He did, he stopped with the first phone. -It makes no difference.

00:18:00 Keep moving past, that's all. Another mile or two to go and we'll be through with this car.

00:18:03 Give me the money.

00:18:05 -He's got a gun. -He's got a gun.

00:18:08 (car engine starts)

00:18:10 (car door slams)

00:18:12 (car door slams)

00:18:40 (car horn honks)

00:18:41 Hey! He's a thief!

00:19:08 Police, and quick. I think there's been a murder.

00:19:10 Your name, please.

00:19:12 Right.

00:19:14 Which phone box?

00:19:16 Three miles beyond.

00:19:19 Right. Will you stay where you are, please?

00:19:22 M2CK calling all patrols.

00:19:27 Body of a girl reported three miles beyond crossways phone box on Doncaster Road.

00:19:32 Informant John Hartley waiting at phone. Over.

00:19:36 This is K51 calling M2CK. We are in the immediate vicinity.

00:19:39 Proceed to the telephone box and advise an arrival. Over.

00:19:42 What a morning, isn't it?

00:19:44 -Probably violence and abduction in Hickey's Passage. -No, it isn't.

00:19:46 -Think there's any connection. -Could be. They said a girl.

00:19:48 -Mr. John Hartley. -Right.

00:19:53 -Cue police. -Where is it?

00:19:55 -Up the road about three miles. -Right. Hop in. You show us where and tell us what happened.

00:19:58 Shh.

00:19:59 -It's over here. -Hold it.

00:20:11 Don't go jumping your footprints about there.

00:20:14 It's the girl from Gus Hawkins' office.

00:20:24 See if you can reach headquarters from here. If not, get back to the phone box.

00:20:27 Look, I'm not going to get too involved in all this.

00:20:29 I'm a commercial traveler. I was. I'm away from Sheffield.

00:20:32 Well, don't worry about that, Mr. Hartley. We already know what's behind this.

00:20:35 We'll have to take a statement from you at headquarters. After that, you'll be free to go.

00:20:37 -Thank you. -You say it was a Buick?

00:20:40 Yes, it was an old pre-war one. Sort of dirty green color.

00:20:43 Looked a bit shabby and neglected.

00:20:45 -Did you get the registration number? -I'm afraid not.

00:20:48 I was more concerned with seeing the driver didn't run me into the ditch.

00:20:50 -Would you know him again? -Doubt it.

00:20:52 When I got close, he put his hands over his face. The all three of them did.

00:20:56 -What about the man who carried the body? -No, he got back in the car by the time I got close enough.

00:21:00 -He seemed a well-set man. -Tall?

00:21:02 -Well, not as tall as you. -About what age?

00:21:04 30, 40. Hard to say. Had on a dark suit or a sweater.

00:21:08 -Remember anything about the others? -No, just eyes. Staring eyes over their hands.

00:21:13 -They'll all know me again. -I wouldn't worry about that either.

00:21:16 They'll be too busy to bother about you again.

00:21:17 -What did you find out? -It's a hideous passage job.

00:21:19 They snatched her because she was chained to the handbag. The boy had the keys in his pocket.

00:21:24 (SPLASHING)

00:21:25 -See this on her fingers? -Those marks?

00:21:36 -It's malachite green. -What's that?

00:21:40 It's a powder they dust notes with. Stains the hands of anyone who touches it.

00:21:43 Get on to the super. Ask him to put out a special to all districts.

00:21:47 Has any officer in any force recently dusted bank notes with malachite green?

00:21:50 Right. This is a break. K51 calling M2.

00:21:53 If it is malachite green, all the men in that car will have it.

00:21:56 (ENGINE STARTING)

00:21:58 (ENGINE REVVING)

00:22:25 -So where the hell's Clogger? -He'll be here.

00:22:28 -He'll be here waiting for us. -There's a lot of traffic, Don.

00:22:30 There's a lot of police too. Now wipe every sponge off that car.

00:22:33 Share this out now and you can drop me off in Barnesley.

00:22:36 -Don't be bossy. -Go on to the races like nothing happened.

00:22:38 -But Don... -Go on to the races.

00:22:40 If you're questioned, you got a track full of alibis, right?

00:22:42 -Right. -And if they find this on you, you won it, right?

00:22:45 (ENGINE REVVING)

00:22:46 He's here!

00:22:56 Come on! Come on!

00:22:59 -Where the hell have you been? -I'm sorry, Don. The traffic was muddled.

00:23:04 A lot of things are muddled. Take it out and turn it around.

00:23:06 -I don't have my share. -You want it here or in jail?

00:23:12 Get in! Get in!

00:23:14 Back on that main road and get lost in the traffic.

00:23:17 Come on, let's move it now!

00:23:18 -The vultures are here already. -Let's hope they haven't picked everything clean.

00:23:36 They intercepted Chris Hawkins an hour ago, sir.

00:23:38 -He's on his way back. -Good.

00:23:39 Get across to his office. As soon as he arrives, get him over to headquarters.

00:23:41 By bluff, order or warrant.

00:23:43 By charm.

00:23:45 All right, come on, bring it up, please. There's nothing to see.

00:23:47 Move him along. Bring it up, please.

00:23:49 Any developments?

00:23:52 We found this. It's been stolen.

00:23:54 -Think it was used on the job? -We're guessing.

00:23:56 -Where was the Buick? -Right there, as far as we can tell.

00:23:59 There's a new patch of oil, and a woman in one of those back rooms heard a scrape.

00:24:03 -Did she see anything? -A car full of men driving towards the main road.

00:24:06 Anything else?

00:24:07 Nothing. She didn't even tell us that till we asked her.

00:24:09 Silly woman.

00:24:10 What about Doug Savage?

00:24:12 He's at the races, but his mother and the cleaning woman heard and saw nothing.

00:24:16 -Naturally. Unlucky, Lusk. -She wasn't there.

00:24:18 The snatch occurred around 10.30. They weren't open.

00:24:21 How's the lad who was cussed?

00:24:23 Well, he hasn't spoken yet. We've got custody with him at the hospital.

00:24:26 Message from the superintendent, sir.

00:24:29 Halifax are holding a man with dyed fingers. Will you go back?

00:24:32 Right. You have a go at Doug Savage.

00:24:34 -As soon as he gets back. -Right.

00:24:35 -Oh, good morning, Harry. -Morning, sir.

00:24:40 -I hear we've got a green man. -Well, Halifax have.

00:24:43 He's a janitor in one of the city hall departments.

00:24:45 He'd been doing some petty pilfering, but he'd avoided all traps.

00:24:48 So they dusted 201 pound notes, and he swiped the lot.

00:24:50 -When did they pick him up? -This morning.

00:24:52 He showed up to work with malachite all over his hands.

00:24:54 -How much did they get back? -Nothing.

00:24:56 He says he took it to Donkester and blew it on the races.

00:24:58 Well, that would tie up. You'd pass the dye on.

00:25:00 I tried to get a hold of him, but he's not here.

00:25:02 If we want to see him, we can jolly well go there.

00:25:04 -I'll take an excursion. -It's all, then.

00:25:06 Right, sir.

00:25:07 Well, the kid had a fracture of thyroid cartilage.

00:25:15 Looks like someone chopped her. She was only 19.

00:25:18 They send out old men with factory payrolls, office boys with handful of fivers,

00:25:21 and young girls with money chained to their wrists.

00:25:23 You can see it any day near any bank in any town.

00:25:25 They're asking for murder.

00:25:31 Oh, any news of that Dewick?

00:25:33 57 different varieties, but not the one we want.

00:25:36 -What the hell are you doing here? -Got Gus Hawkins in the waiting room.

00:25:42 -Already? -I called the patrol to bring him right here.

00:25:44 There'll be a superintendent yet.

00:25:46 His wife's called to Fitzley. Dr. Holmes first.

00:25:49 Let Mr. Hawkins in, will you?

00:25:51 -How much money was in the girl's bag? -Gus says 4,000 pounds.

00:25:54 -Four grand. -You want to know something else?

00:25:57 He's got green on his fingers.

00:25:59 It wasn't much of a long shot, was it?

00:26:01 Now get out a call to every chemist shop in Manchester.

00:26:03 Anybody trying to buy a solvent for stained hands should be held until we get there.

00:26:07 -Right. -And don't tell them any more than they need now.

00:26:09 Say there's been a simple last knee or something. Come in!

00:26:11 -Information room. -Hello, Inspector. Is it a nice mess?

00:26:14 -It's not very pretty, is it? Take it outside. -Right.

00:26:16 Poor kids. Poor little Cecily. I should never have sent her with all that money.

00:26:19 -It's a lesson learned. -Any clues or anything? Any idea of...

00:26:21 We're working on it.

00:26:23 How's the money made up?

00:26:25 3,000 in ones and 250 in pennies.

00:26:27 3,000 in ones and 250 pennies. I hope it chokes them.

00:26:30 Maybe it will. Who counted it?

00:26:32 Oh, it was 4,000, all right.

00:26:34 I counted it first, then Cecily counted it and put it in the bank bag.

00:26:38 Then I went off to Doncaster. Can I phone the wife?

00:26:41 Yeah, of course. Get Mrs. Hawkins on the phone, will you?

00:26:44 -Rushom 6203. -You get that? -Yes, sir.

00:26:46 You sure you got all that money at the races?

00:26:48 I want a serious answer, Gus. It's important.

00:26:50 So help me.

00:26:52 It came out of the satchel all crumpled up, anyhow, just the way I'd stuffed it in.

00:26:56 I never used my own money at all.

00:26:58 See, here it is. It's still in bundles. Why?

00:27:01 Because I've got a hunch that some of that money you won belonged to the Halifax Town Hall.

00:27:04 -Here, I don't want to be involved in... -You are involved, Gus.

00:27:07 But not with the borough treasurer. Now sit down, have a cigarette.

00:27:10 Thanks. I keep thinking that poor kid Cecily.

00:27:13 Have her parents been told?

00:27:15 I suppose I...

00:27:19 I ought to go around and see them.

00:27:21 I can't face them, sir.

00:27:24 Gus.

00:27:26 -How long have your hands been like that? -My hands?

00:27:28 Oh, I see.

00:27:30 That's funny, you should mention that.

00:27:32 I noticed it when I got out of the bath this morning.

00:27:34 I thought maybe I'd handled that many pound notes in Doncaster yesterday.

00:27:38 Hey.

00:27:40 Has some bastard been passing me snide money?

00:27:43 Hello, Martin. Oh, yes.

00:27:46 Yeah. Well, they're still trying to get your number. There's no reply.

00:27:50 -Well, we only just dropped her round there. -You want them to keep on trying?

00:27:53 -Oh, forget it. -All right, forget that number.

00:27:55 I needn't keep you any longer, Gus.

00:27:57 Sorry I botched up your racing.

00:27:59 Think a wife would stay in to be with a husband who'd just been robbed of 4,000

00:28:02 and had a valued and trusted girl clerk murdered?

00:28:05 You can never tell about wives, Gus.

00:28:07 I'd a damn good mind not to go home at all tonight.

00:28:09 -How did it get out of him? -Right at the bottom.

00:28:11 -Thank you. -I thought you might like to know, sir. He's now wanted for murder.

00:28:13 -Who? -Starling. The warder died. He's in the stock press.

00:28:17 (SIREN WAILING)

00:28:18 -What's the latest report on Starling? -Latest report? Barnsley.

00:28:26 -Barnsley? Who reported? -Bus conductor.

00:28:29 Just before they stopped at the checkpoint, a man jumped off and disappeared into a fairground.

00:28:32 -So he is coming home. -He's also been seen in London, Brighton, Southampton and Ostand.

00:28:37 -Yeah, I'm more inclined to believe Barnsley. -The soup is buzzing for you, sir.

00:28:40 Yeah.

00:28:44 -Do you want a diet today, sir? -No.

00:28:47 Don't do me a favor, call my wife. She'll have been home for lunch.

00:28:51 Teach her to wait. That's something a policeman's girl has to learn.

00:28:53 -Just phone her. -Yes, sir.

00:28:55 Yes?

00:28:59 -You wanted me, sir? -What did you get from Gus Hawkins?

00:29:03 Only there was 4,000 pounds in that bag and the janitor's money was with it.

00:29:06 So far, I only link with the Wainwright killers as green fingers.

00:29:08 -We've circulated all chemists. -We've got to do more than that.

00:29:11 Somewhere, there are four men walking around flush with money.

00:29:14 And when those types are flush, they gamble.

00:29:16 Find the gamblers and you'll probably find more green fingers.

00:29:18 -Well, there's no racing till Saturday. -I'm not talking about that.

00:29:21 I'm thinking about those gambling schools up in the moors.

00:29:24 -Have any experience of them? -Not much. It's out of our area.

00:29:27 Well, they tossed coins for pretty large stakes.

00:29:29 Especially after a big race like today.

00:29:31 It would take 50 men to raid one of those. They use lookouts with field glasses.

00:29:34 -Nevertheless, we've got to raid. -Do we know where it is tonight?

00:29:37 We did, but they must have got wind of it because they cancelled it.

00:29:40 County police say it's been switched to tomorrow.

00:29:42 They've got their informers trying to pinpoint the locality.

00:29:44 -Who decides that, sir? -The organiser.

00:29:46 He gets a commission for keeping the ring and paying the lookouts.

00:29:49 -Do we know who he is? -County police think it's a man called Savage.

00:29:52 -In Manchester? -They think.

00:29:54 I might be able to find out quicker than County.

00:29:56 I don't care who finds out.

00:29:58 But I want cooperation between you and County.

00:30:00 There's been a murder, Harry.

00:30:01 And if I find any area feuding, I'll throw the book at you.

00:30:04 -Of course, sir. -Inspector Vanvers is working on this from County.

00:30:07 -And you can contact him. -Yes, sir.

00:30:09 Oh, I suppose you read that Starling is first-degree murderer, no?

00:30:13 You'd better stop thinking of Starling as your own personal property, Harry.

00:30:16 He's everybody's problem.

00:30:18 I think he's about to become Manchester's problem.

00:30:20 So is Cicely Wainwright, and that's the job you're on.

00:30:22 I realise that, sir, but whatever he is, Starling would have read about the water.

00:30:25 Now, we know his past record, violence, assault, rape, and now murder.

00:30:28 He's got nothing to lose now. He'll be more dangerous than ever.

00:30:30 We don't even know if he's within 100 miles of Manchester.

00:30:32 I know. Don't ask me how.

00:30:34 A hundred, six cents, anything, but I know. I know how his mind works.

00:30:37 -Now, look, Harry... -I grew up with a man, sir.

00:30:39 We went to the same school, fought the same war together. I know how his mind works.

00:30:41 Are you trying to sell me this extra-sensory perception?

00:30:43 I'm not trying to sell you anything, sir.

00:30:45 Now, look, his only hope now is to skip the country.

00:30:47 To do that, he needs money. Now, where does he go for that money?

00:30:49 The town where his contacts are, the city where he hid the jewellery, Manchester...

00:30:52 -I'm not taking him off the Wainwright job. -I'm not asking that, sir.

00:30:55 I want your permission to let Devery cover every main contact that Starling had before he was jailed.

00:30:59 He's a desperate man now. He could show up at any minute at any of them.

00:31:05 You ought to run for mayor sometime.

00:31:07 Thank you, sir.

00:31:09 I want Devery. And bring in the Don Starling file.

00:31:15 Devery's coming right up, sir. The Starling file.

00:31:31 All right, thanks. No, don't go.

00:31:34 Sort through that. Find addresses of those people.

00:31:37 And check with records in case anyone's moved.

00:31:39 -Give me my home. -They found the Buick. They found it in the old milltop quarry.

00:31:44 -What? -County thinks it's the same place they were going to have the tossing games.

00:31:47 So that's why they switched.

00:31:50 -I want that fingerprint report the moment it comes through. -Of course.

00:31:52 I've got a job for you.

00:31:54 Now, that's a list of Don Starling's main contacts just before he was sentenced.

00:31:58 Starling, eh? He's first degree murder now.

00:32:00 Your job is to make sure that every one of those people know that sheltering or assisting him makes them accessories after the fact.

00:32:05 It'll take you most of the day, but make sure you cover them all.

00:32:07 Lovett and Roach.

00:32:08 Yeah, they've got a garage and a private taxi service. They're part of the same sleazy mob.

00:32:12 Chloe Hawkins, that's Gus Hawkins' wife.

00:32:14 Before that, she was anybody's wife, including Don Starling's.

00:32:17 You never know, might be a contact.

00:32:19 -Now, she'll try furniture steal first. -York Road, eh?

00:32:22 Yeah, it's an old man who's got a furniture warehouse.

00:32:25 It was through his information we got Don Starling.

00:32:27 -Well, he's not likely to harbour an assist. -He might, under duress.

00:32:30 Starling's got nothing to lose now, you know.

00:32:32 This is all completed now, sir. Shall I drive it here?

00:32:34 No, check it with records first. Now, you go with it.

00:32:35 Right.

00:32:36 What's your next move, sir?

00:32:38 Oh, that's up to fingerprints. I want to know the story of that Buick.

00:32:41 Now, get a car and get moving.

00:32:42 Hello?

00:32:45 Oh, hello, Julia.

00:32:48 Look, um...

00:32:49 I may be a little late tonight.

00:32:52 Well, I didn't want you to wait up for me.

00:32:57 (DOORBELL RINGS)

00:32:58 Yeah. Oh, yes, I'm sorry about lunch, Julia.

00:33:01 I was busy. I was very busy.

00:33:03 Oh, so busy.

00:33:04 Such an important man.

00:33:06 Couldn't spare one moment in all the live long morning to phone his wife.

00:33:10 Well, of course, Devery phoned. He's not so important as you. He has time.

00:33:13 Now, look, Julia, a young girl has been murdered and 4,000 pounds have been stolen.

00:33:16 I'm not enjoying it, you know.

00:33:18 How do you think I like it?

00:33:20 Sitting at home, spending Saturday evening waiting to wash up after somebody.

00:33:23 (DOOR OPENS)

00:33:24 (KNOCKING)

00:33:31 Yes?

00:33:33 Fingerprint report on the Buick.

00:33:37 What have we got?

00:33:38 Nothing of any use, I'm afraid.

00:33:40 Plenty of smears, but nothing definite. It was well wiped.

00:33:43 You're a bloody dead end.

00:33:45 Give me a cigarette, will you?

00:33:47 (CAR ENGINE REVVING)

00:33:48 (PHONE RINGING)

00:34:01 Next stop, Laurie Lovett's taxi service. You might as well turn around.

00:34:08 -Did you ring... -Can I ban?

00:34:12 -Oh, Mr. Steele? -Yes?

00:34:14 I'm Detective Constable Devry, Mr. Steele. Could we talk for a few minutes?

00:34:17 Yes.

00:34:19 -Well? -It's about Don Starling.

00:34:23 Oh, yes. I've read in the papers.

00:34:26 -He's caught the swing now, isn't he? -He is.

00:34:29 He won't be saying, "Thank you, my lord," this time.

00:34:31 Huh?

00:34:32 Oh, yes, love.

00:34:34 Look, we're in the middle of supper. Do you mind talking in the kitchen?

00:34:37 -Have a seat. -Oh, thank you.

00:34:40 -This is Silver, my granddaughter. -Oh, good evening.

00:34:44 You'd like something to eat?

00:34:46 I'm sure Silver could lay something on.

00:34:48 No, thank you. I'd like to, but I've got some more calls to make.

00:34:51 -Don Starling caught yet? -Not yet.

00:34:54 Then he should be. I don't like him being loose.

00:34:57 He's a dangerous man. I thought you police were reckoned to be very clever.

00:35:00 We'll get him. Every policeman in England is looking out for him.

00:35:03 Oh, thank you.

00:35:05 One, please.

00:35:07 Is Inspector Martin who worried about Starling?

00:35:10 Martin can handle him.

00:35:12 He can only handle a bullet in the back.

00:35:14 Look, sir, what I have to talk to you about is...

00:35:17 Well, I think it might be better if we went in the other room.

00:35:19 I won't keep you a moment.

00:35:20 No need to worry about Silver. She's deaf and dumb.

00:35:23 Deaf and dumb?

00:35:26 Since birth.

00:35:28 She can't even lip-read unless you're facing her.

00:35:31 I'm sorry.

00:35:34 Well, you shouldn't be. She isn't.

00:35:36 She's a bloody Saint-Helper than any of us.

00:35:40 Oh, yes, thank you. It's...

00:35:41 What about Starling?

00:35:45 Well, Martin thinks he might try and contact you here.

00:35:48 Here? He's got more sense.

00:35:50 I'm sure I don't have to tell you about accessories after the fact.

00:35:53 Listen.

00:35:54 Five years ago, Don Starling came here, as nice as pie.

00:35:59 Said he wanted a sideboard.

00:36:02 Well, he looked around my furniture.

00:36:04 I even showed him my antiques upstairs.

00:36:06 Then he said he'd think about it.

00:36:09 That night he came and broke in.

00:36:11 The cops nabbed him right here in this building.

00:36:14 And then you warned me about being an accessory.

00:36:17 Well, I assure you it's only routine, Mr. Steele.

00:36:19 Oh, no, thank you. I must go.

00:36:25 Okay.

00:36:29 Hello?

00:36:30 What?

00:36:31 Is this the police?

00:36:33 Yes, it is.

00:36:34 What?

00:36:35 Is this Furniture Steele speaking?

00:36:38 Who's that?

00:36:39 You may remember me.

00:36:40 This is Don Starling.

00:36:42 You got me into a lot of trouble five years ago.

00:36:45 I got you into nothing. You made your own trouble.

00:36:48 I've got you in my book anyway.

00:36:50 But I'm giving you a chance to put yourself right.

00:36:52 I'm all right as I am. To hell with you!

00:36:54 Well, thanks for the tea.

00:36:59 You're welcome.

00:37:01 See myself down. Don't bother.

00:37:03 And it was only a routine warning.

00:37:05 Good night, Silver.

00:37:07 Good night.

00:37:13 Good night.

00:37:32 Now listen to me, Furniture.

00:37:33 Don't you ever hang upon me again. Do you hear?

00:37:36 Answer me!

00:37:37 I am answering you, Starlings. Well, listen carefully.

00:37:40 There's a young man just gone down the stairs. He's a detective.

00:37:43 If you don't ring off this minute to help me, I'll call him back.

00:37:46 I don't think you will, because I haven't finished yet.

00:37:49 The fact that I could have you bashed up probably doesn't bother you.

00:37:53 But what about that shapely kid of yours?

00:37:55 Something not so nice could happen to her,

00:37:58 and she wouldn't be able to scream.

00:38:00 You twisted murderer.

00:38:02 Better do what I want, Furniture. It's only a small thing.

00:38:05 I want a place for the night.

00:38:07 Now listen here, don't, Starling.

00:38:09 Anyone around here will tell you I'm a man of my word.

00:38:12 I've got a gun, and I'm not too old to use it.

00:38:15 So you keep away from here.

00:38:17 And another thing.

00:38:18 I'm staying right close to Silver till you're caught, and that won't be long.

00:38:22 Yes, I'm threatening you.

00:38:24 If you or any of your pals come anywhere near my grand chail,

00:38:28 I--I--God, I'll shoot you.

00:38:30 So you won't frighten, old man.

00:38:32 I like your guts.

00:38:33 Since you're a man of your word, I'll make a bargain with you.

00:38:36 You'll forget this call, and I'll leave you and your kid alone.

00:38:38 A deal?

00:38:39 It's a deal.

00:38:40 I'll keep my word, and the gun will be handy in case you don't keep yours.

00:38:44 [gunshot]

00:38:45 I--I know, lass.

00:38:53 I talk too much.

00:38:56 [phone ringing]

00:38:58 Lacey Arms. Good evening.

00:39:07 Who's there?

00:39:08 I'm sorry to trouble you on Saturday night.

00:39:10 I wonder if I might speak with one of your barmaids, Mrs. Lusk.

00:39:14 Yes, it is rather important.

00:39:16 This is Mr. Lusk, her ex-husband, on urgent family business.

00:39:20 Oh, all right. I'll get her.

00:39:23 Phone, Lucky, and make it quick.

00:39:25 For me? Who is it?

00:39:26 You really want what you say in front of the customers?

00:39:28 So who am I ashamed of?

00:39:29 It's your ex-husband.

00:39:30 What? That article? I haven't heard from him in three years.

00:39:33 Says it's urgent business.

00:39:34 Oh, you know what that means. He's hard up.

00:39:36 Don't go away, handsome.

00:39:38 You know what?

00:39:40 If you played your cards--

00:39:41 I don't play cards, Doug.

00:39:43 I don't even toss coins.

00:39:45 In fact, I'm a bit of a square.

00:39:47 [chuckles]

00:39:48 Hello, Chris.

00:39:49 Hello, Lacey.

00:39:50 [chuckles]

00:39:51 Hello, Chris.

00:39:52 Mention no names, honey. This is Don, your dream man.

00:39:55 What?

00:39:56 What do you want from the gym?

00:39:58 What do you want?

00:40:00 You must be mad calling me here.

00:40:02 You let me worry about that.

00:40:04 I want a place for tonight, Lucky. Leave the back door open.

00:40:07 Now, listen to me. I need help.

00:40:10 And old friends who won't help will get carved.

00:40:12 I mean carved, Lucky. You know?

00:40:14 Why sort me out?

00:40:16 I can't help you.

00:40:19 I can't.

00:40:20 Because--

00:40:22 Because I'm being watched.

00:40:24 Yes, I'm the house.

00:40:26 There's one here now.

00:40:29 Oh, you lying bitch.

00:40:31 Well, it better be.

00:40:32 And you'd better forget this if you still want that swan-like neck.

00:40:35 Just keep away from me. That's all I ask.

00:40:38 I'm not your woman, and I never was.

00:40:40 [chatter]

00:40:43 [chatter]

00:40:45 Two pints of bitter, Lucky.

00:40:50 Right.

00:40:51 Two pints of bitter, Doug.

00:40:53 Bad news?

00:40:56 Ex-husbands are always bad news.

00:41:01 Two pints of bitter.

00:41:02 Ever meet the lazy blighter?

00:41:09 Her ex? No.

00:41:11 Always drunk at gambling. She never knew where to find him.

00:41:14 Oh, that's the trouble with gamblers.

00:41:16 You think you know where they are, then suddenly they switch.

00:41:18 Here you found the Buick. Any fingerprints?

00:41:22 Some of the best specimens we've ever had.

00:41:23 So long as they don't match any of these, then.

00:41:26 No, they're too well kept, Doug.

00:41:28 Give me another drink.

00:41:31 [music]

00:41:33 Good night.

00:41:44 Can't we have any time tomorrow?

00:41:45 Now he's getting greedy.

00:41:48 Well, Monday.

00:41:49 Chloe will call him.

00:41:50 She's got to go now.

00:41:52 Oh, no.

00:41:55 No, I've just fixed them.

00:41:58 Off you go. Quick.

00:42:00 [music]

00:42:02 [music]

00:42:04 [music]

00:42:06 [music]

00:42:08 [music]

00:42:10 [music]

00:42:13 [music]

00:42:15 [MUSIC PLAYING]

00:42:18 [MUSIC PLAYING]

00:42:21 [MUSIC PLAYING]

00:42:25 [MUSIC PLAYING]

00:42:53 Hello, Chloe.

00:42:55 Don.

00:42:56 Very touching little scene out there.

00:42:58 What are you doing here?

00:43:00 I came to see you, of course.

00:43:02 We're old friends, don't you remember?

00:43:03 No. No, Don.

00:43:04 You can't stay here. The police are after you.

00:43:06 They haven't caught me yet, have they?

00:43:07 Oh, Gus will come home.

00:43:08 Gus is dining at the Midland.

00:43:10 I checked.

00:43:11 No, really, Don. You can't stay here.

00:43:12 It's not fair.

00:43:13 Do you want money?

00:43:14 I haven't got very much, but--

00:43:14 Money, Chloe?

00:43:16 The moment I want you, I've been in a monastery for five years.

00:43:19 No, Don. For God's sake.

00:43:22 All right, but afterwards, afterwards will you go?

00:43:26 What is this?

00:43:27 Am I a leper or something?

00:43:28 Everywhere I go, people want me to keep going.

00:43:30 Gus.

00:43:34 Don't open that.

00:43:35 Don't open that.

00:43:37 Upstairs.

00:43:38 [DOORBELL RINGS]

00:43:40 Come on, Gus.

00:43:41 Come on.

00:43:45 [DOORBELL RINGS]

00:43:48 It's the police.

00:44:07 No, that's not a police car.

00:44:10 Looks like I botched one of your dates, my love.

00:44:12 Don, that is not one of my dates.

00:44:14 Who is it?

00:44:17 What are you doing?

00:44:18 Does this gadget still work?

00:44:21 No, please. No, please.

00:44:22 You can't stay here.

00:44:23 I'll be somewhere tonight.

00:44:24 I'll be as quiet as a mouse, and you know I don't snore.

00:44:26 Don, please.

00:44:27 Remember the time Gus came home too soon?

00:44:28 I stuck her 12 hours up there for your sweet sake.

00:44:30 Please. You said you'd go with me.

00:44:31 And so I will in the morning, as soon as Gus has gone out.

00:44:34 Relax, Chloe.

00:44:38 Relax.

00:44:41 I wish you're not as tensed up with your other boyfriends.

00:44:43 What's all this on your hands?

00:44:50 I don't know.

00:44:51 Paint or something.

00:44:52 Who cares?

00:44:53 I can't.

00:44:53 All over my sheets.

00:44:54 Who's going to touch the sheets?

00:44:55 They must have gone on to a club or something.

00:45:01 What do we do?

00:45:01 Wait?

00:45:02 Well, we've covered all the others.

00:45:04 [ENGINE RUMBLING]

00:45:07 Hello. What are you doing here?

00:45:15 I'm sorry to bother you, Mr. Sower.

00:45:18 Wait.

00:45:19 What did you do?

00:45:20 Keep that mouth button up, because if I'm

00:45:22 caught here, baby, I've got a lot to sing about, haven't I?

00:45:24 Oh, I can't do it.

00:45:25 Oh, please.

00:45:26 I can't do it.

00:45:27 Oh.

00:45:27 Right.

00:45:32 Push them up.

00:45:33 Chloe.

00:45:33 Come on.

00:45:34 Chloe.

00:45:41 I don't have enough troubles.

00:45:47 All this and Starling too.

00:45:48 Apart from a few bets, I hardly knew the man.

00:45:50 Why should he show up here?

00:45:51 Oh, well, the man's desperate, sir.

00:45:53 If he thought you kept money here, well--

00:45:55 well, Mr. Marthenau thought he might try and break you

00:45:56 when your wife was here.

00:45:57 And-- oh, good evening, Mrs. Hawkins.

00:46:01 Good evening.

00:46:02 Well, that doubles the matter with you.

00:46:04 Oh, nothing.

00:46:04 I must have fallen asleep on the bed.

00:46:06 We woke you.

00:46:07 I do apologize.

00:46:08 Well, we won't keep you good people up any longer.

00:46:10 Many thanks, Mr. Hawkins.

00:46:12 You're welcome.

00:46:14 Tell Marthenau he's off his rocker.

00:46:16 Well, where the hell have you been?

00:46:24 Been?

00:46:25 Yeah, where did you go after we dropped

00:46:26 you here this morning?

00:46:27 Nowhere.

00:46:28 I've been trying to get you.

00:46:29 There was no reply.

00:46:30 Who was that, you?

00:46:31 Who the hell do you think it was?

00:46:33 I-- I was having a bath.

00:46:35 We're having a bath this afternoon and this evening,

00:46:37 too.

00:46:38 No, um, no, I went to the pictures, as a matter of fact.

00:46:41 I went to the rocks.

00:46:44 Said you went there the other day.

00:46:46 Not only seen half the other pictures, so I went again.

00:46:49 You're always out when I want you.

00:46:50 [DOOR OPENS]

00:46:53 [DOOR CLOSES]

00:46:57 [DOOR OPENS]

00:47:00 What's this, a dinner party?

00:47:09 No, I-- I wasn't very hungry.

00:47:10 I just had a snack.

00:47:11 I thought coffee kept you awake.

00:47:14 Did she stay out late and make the big boss man jealous, hmm?

00:47:19 [DOOR OPENS]

00:47:22 I'm sorry.

00:47:27 I've had a terrible day.

00:47:28 Yes, I know.

00:47:29 Poor Cecily.

00:47:31 Her parents are in a bad state.

00:47:32 Yes, of course.

00:47:34 She's a tired darling.

00:47:37 Be caught cold when she wasn't in.

00:47:40 She's a bad girl.

00:47:42 Oh, is that matter?

00:47:43 Went out to supper?

00:47:45 Yes, well, nobody blames him for staying

00:47:47 out after a day like this.

00:47:50 Now, now, you must go and sit down.

00:47:53 And Chloe will bring him a nice cup of coffee, hmm?

00:47:55 That's what he wants, isn't it?

00:47:56 The boy's got bad concussion.

00:48:03 The doctor says he'll be all right.

00:48:04 I hope so.

00:48:06 Never can tell with a crack on the head.

00:48:08 No.

00:48:11 Who is the man, Gus?

00:48:12 He's one of Martino's boys.

00:48:16 Oh, what, uh, what does he want?

00:48:20 He's got some mad idea that Don Starling might show up here.

00:48:22 Here?

00:48:26 Well, why should he come here?

00:48:28 That's what I said.

00:48:30 You know what they're like when somebody kills a policeman

00:48:32 and turn the whole town upside down.

00:48:34 Hey, have you seen this picture of me in the paper?

00:48:35 Starling killed a policeman?

00:48:38 Well, a warder, it's the same thing.

00:48:40 It's obvious you haven't read the papers.

00:48:42 Gus Hawkins robbed of 4,000 pounds.

00:48:45 That's not a bad picture, that.

00:48:46 That was two cadets from last year, do you remember?

00:48:48 This is terrible, Gus.

00:48:49 Oh, you don't want to upset yourself.

00:48:51 I admit 4,000 is quite a smack, but still, I can afford it.

00:48:55 No, it's Cecily and, uh, and the boy I'm worried about.

00:49:01 Hey, have you been putting one of your sleeping

00:49:04 pills in my coffee?

00:49:06 No.

00:49:07 You have?

00:49:08 I can taste it.

00:49:10 I'm not that worried about Cecily.

00:49:11 I have to be put to sleep.

00:49:12 [SOBBING]

00:49:15 Oh, I'm sorry, baby.

00:49:20 I know you did it for my sake.

00:49:22 Go on, it's time you went to bed.

00:49:25 I'm sorry.

00:49:27 Now, stop crying.

00:49:29 You'll be all right in the morning.

00:49:30 [MUSIC PLAYING]

00:49:34 [MUSIC PLAYING]

00:49:37 [MUSIC PLAYING]

00:49:41 [DOG BARKING]

00:49:52 [COUGHING]

00:50:00 [SNIFFLING]

00:50:03 [SNIFFLING]

00:50:15 [SNIFFLING]

00:50:18 [COUGHING]

00:50:44 [COUGHING]

00:50:47 Gus?

00:51:04 [MUSIC PLAYING]

00:51:08 Gus?

00:51:09 I'm here, I'm here.

00:51:11 What are you doing?

00:51:12 [MUSIC PLAYING]

00:51:14 Oh, there's a panic here.

00:51:15 There's something in the attic.

00:51:17 In the attic?

00:51:17 Most likely a bird.

00:51:19 I told you not to leave the window open.

00:51:21 They always fly.

00:51:22 Oh, Gus, don't be like this.

00:51:23 I better let the poor little thing out.

00:51:24 The last one was dead when we got him.

00:51:25 You remember?

00:51:25 Oh, you don't have to bother about it.

00:51:28 Oh, come back.

00:51:29 [THUD]

00:51:30 Oh, no.

00:51:31 Oh, no.

00:51:32 No.

00:51:33 [SOBBING]

00:51:35 You little lousy cat, you told him.

00:51:37 Has he gone before you?

00:51:38 No, I didn't.

00:51:39 No.

00:51:40 No, please.

00:51:41 No, no.

00:51:42 No.

00:51:43 I'll kill the life out of you.

00:51:45 No.

00:51:46 Please.

00:51:47 [CAR DRIVING]

00:51:50 [DOOR OPENING]

00:51:53 Morning, sir.

00:51:54 Morning.

00:51:55 I asked Terry to come down with you.

00:51:56 He went out, sir.

00:51:57 Out?

00:51:58 About an hour ago.

00:51:59 Anything new come in?

00:52:00 There's been a report from county

00:52:01 about the Wainwright job.

00:52:02 They found a shepherd who saw a black car driving

00:52:04 over some rough ground onto the main road near Moortop

00:52:07 about 11 AM Saturday morning.

00:52:09 Well, the time's right.

00:52:10 Have you sure of it? Did you get a number?

00:52:11 No, sir, but he thinks it was a taxi.

00:52:13 He thinks.

00:52:14 That's a great help.

00:52:15 County thinks it might have been the switch car.

00:52:17 Oh, it's brilliant of them.

00:52:18 Where did he go to?

00:52:18 Onto the main Doncaster Road and joined the race traffic.

00:52:21 The one with 500 other black taxis.

00:52:23 All we've got to do is to find the one with broken springs.

00:52:25 Morning, sir. - Where have you been?

00:52:26 Over at Gus Hawkins' house.

00:52:28 They've just taken him to hospital.

00:52:29 Hawkins? What happened?

00:52:30 Seems he fell down the attic steps.

00:52:32 Doctor reported it to us.

00:52:33 Why us?

00:52:34 Well, apparently he lives opposite them.

00:52:35 Mrs. Hawkins phoned him, and while he was actually

00:52:37 taking the call, he saw a man leaving the house.

00:52:39 Anything stolen?

00:52:40 Not that we know of.

00:52:41 Somebody been in the attic.

00:52:42 I hasn't been there lately.

00:52:43 Only Chloe Hawkins, I have to say.

00:52:45 She blew her top when we arrived.

00:52:47 Said it was ridiculous there hadn't been a man in the house.

00:52:49 Her husband had got up to let a bird out of the attic

00:52:51 and slipped.

00:52:52 He was in quite a state.

00:52:53 Did she actually see him fall?

00:52:54 She seemed pretty confused about the whole thing.

00:52:57 Before that, she told the doctor she was asleep

00:52:59 and the fall woke her up.

00:53:00 You get anything else?

00:53:01 Nothing but a lot of prints.

00:53:01 Who's over there now?

00:53:02 Harmon and Cassidy.

00:53:04 Has Gus seriously hurt?

00:53:05 I don't know.

00:53:06 Still unconscious when they took him away.

00:53:08 You know, I think I'd like to be there when he wakes up.

00:53:13 Come on.

00:53:14 You can come with me.

00:53:15 Take it to Inspector Martin, I want to see Gus Hawkins.

00:53:24 Oh, oh yes, sir.

00:53:25 Drive me to ward three on the second floor.

00:53:27 Oh, sister, Mr. Martin over for Mr. Hawkins.

00:53:29 Is he stable?

00:53:30 Well, just five minutes, but don't get him worried or excited.

00:53:33 He's just a social visitor.

00:53:35 Hello, Gus.

00:53:36 What the hell do you want?

00:53:38 Well, we heard you had a sore head.

00:53:39 We thought we'd come and see you.

00:53:40 I noticed you haven't brought me no grapes.

00:53:42 I've never known a copper pot with anything yet.

00:53:44 He's peevish.

00:53:45 He must be getting better.

00:53:46 Game over.

00:53:47 You can't kid me.

00:53:48 What do you want?

00:53:49 Gus, did you see what hit you?

00:53:51 No, I never saw a thing.

00:53:52 It felt like the whole house was coming in on me.

00:53:54 Well, why were you going to the attic?

00:53:55 I thought maybe we had another starling trapped up there.

00:54:01 What?

00:54:02 A bird.

00:54:03 We had a bird fly in.

00:54:05 It couldn't find its own way out, and it died.

00:54:07 Now, you tell me what hit me.

00:54:09 The missus tells me that the police haven't said anything to her.

00:54:12 Well, it was some sort of an accident.

00:54:13 Was it a beam or something?

00:54:15 Well, I'm not really on the case.

00:54:16 I'll send the officer concerned to see you.

00:54:18 You'll do that.

00:54:19 You're not holding anything back, are you?

00:54:21 Now, Gus, would I be asking you what hit you if I knew?

00:54:23 You really must go now, sir.

00:54:24 Yeah, all right.

00:54:25 I'll get better soon, Gus.

00:54:27 You send that man along.

00:54:28 Yeah, I'll be back.

00:54:29 You send that man along.

00:54:31 Yeah.

00:54:32 It was quite a moment, wasn't it?

00:54:36 A starling in the attic.

00:54:37 Yeah.

00:54:38 Look, I know this is not my case, but I've got to see Chloe Hawkins.

00:54:41 I'll get back in the office.

00:54:42 I'm out somewhere. You don't know where.

00:54:43 Give me an hour.

00:54:44 All right.

00:54:45 Who's on the phone?

00:54:54 Only Mrs. Hawkins, sir.

00:54:55 I'll be back in a minute.

00:54:56 All right.

00:54:57 I'll be back in a minute.

00:54:58 I'll be back in a minute.

00:54:59 I'll be back in a minute.

00:55:00 I'll be back in a minute.

00:55:01 I'll be back in a minute.

00:55:02 I'll be back in a minute.

00:55:03 I'll be back in a minute.

00:55:04 I'll be back in a minute.

00:55:05 I'll be back in a minute.

00:55:06 I'll be back in a minute.

00:55:07 I'll be back in a minute.

00:55:08 I'll be back in a minute.

00:55:09 I'll be back in a minute.

00:55:10 I'll be back in a minute.

00:55:11 I'll be back in a minute.

00:55:12 I'll be back in a minute.

00:55:13 I'll be back in a minute.

00:55:14 I'll be back in a minute.

00:55:15 I'll be back in a minute.

00:55:16 I'll be back in a minute.

00:55:17 I'll be back in a minute.

00:55:18 I'll be back in a minute.

00:55:19 I'll be back in a minute.

00:55:20 I'll be back in a minute.

00:55:21 I'll be back in a minute.

00:55:22 I'll be back in a minute.

00:55:23 I'll be back in a minute.

00:55:24 I'll be back in a minute.

00:55:25 I'll be back in a minute.

00:55:26 I'll be back in a minute.

00:55:27 I'll be back in a minute.

00:55:28 I'll be back in a minute.

00:55:29 I'll be back in a minute.

00:55:30 I'll be back in a minute.

00:55:31 I'll be back in a minute.

00:55:32 I'll be back in a minute.

00:55:33 I'll be back in a minute.

00:55:34 I'll be back in a minute.

00:55:35 I'll be back in a minute.

00:55:36 I'll be back in a minute.

00:55:37 I'll be back in a minute.

00:55:38 I'll be back in a minute.

00:55:39 I can't see any man.

00:55:40 Oh, here's your telephone.

00:55:41 Oh, yes, yes, of course.

00:55:42 It's, um, down here on the table.

00:55:43 Hello, Martin here.

00:56:04 Give me the CID.

00:56:05 Uh, I want to talk to Cassidy, please.

00:56:07 Hello, Cassidy Martino.

00:56:08 Those fingerprints you found in Gus Hawkins' attic.

00:56:10 Now, get out Don Starling's, Vince, and compare them.

00:56:12 Yes, Starling's.

00:56:13 Yeah, and call me back here.

00:56:14 Uh, Rush Room 6203.

00:56:17 Right.

00:56:20 Harboring an escaped murderer is a very serious offense,

00:56:22 Mrs. Hawkins.

00:56:25 I should sit down.

00:56:28 Of course, if you were intimidated or blackmailed

00:56:30 and you told us the whole story, well,

00:56:31 that would put a different complexion on the matter.

00:56:34 You know, without your help, we're going to have

00:56:35 to make persistent inquiries.

00:56:36 It's often very embarrassing with the people concerned.

00:56:39 And we get to know all sorts of things.

00:56:42 I didn't harbor him.

00:56:43 He was here when I came back.

00:56:44 I didn't harbor him.

00:56:45 You are referring to Don Starling, of course.

00:56:47 Yes.

00:56:50 Look, he said if-- if I didn't hide him,

00:56:52 he'd tell Gus all sorts of lies about me, you see.

00:56:54 Well, I was alone.

00:56:55 I was afraid of him.

00:56:56 So you hid him in the attic.

00:56:57 This morning, Gus found him.

00:56:58 Did you see him hit Gus?

00:56:59 No.

00:57:00 What was he wearing?

00:57:01 Um, he was wearing, um, a dark shirt and a light tie.

00:57:05 And he had a check coat on.

00:57:06 Was he very hungry?

00:57:07 No, no.

00:57:08 He had some bread and cheese.

00:57:09 Did he ask you for money?

00:57:10 No, I thought he'd come for some money.

00:57:11 But he said he didn't want any.

00:57:12 Well, a man on the run, and he doesn't need money.

00:57:13 Hello, Martino.

00:57:14 Get me Devery as soon as you can, will you?

00:57:16 Now, did you notice anything unusual about his appearance?

00:57:18 No, no, I don't think so.

00:57:19 Was he unshaven?

00:57:20 Well, no.

00:57:21 He-- he-- he needed a shave.

00:57:22 But it wasn't--

00:57:23 Yes, Devery.

00:57:24 Yes, it was Starling.

00:57:25 Now, get out of circle at all crime areas.

00:57:26 Yes, get him moving at once.

00:57:28 Now, tell me about his hands.

00:57:29 His hands?

00:57:30 Yeah, were they dirty?

00:57:31 Were the nails broken?

00:57:33 I didn't notice his hands.

00:57:34 So they look clean and well cared for,

00:57:36 as clean as mine, for instance.

00:57:38 Well, no, they weren't as clean as yours.

00:57:39 They had, um-- they had paint on them or something.

00:57:42 What color paint?

00:57:43 Green.

00:57:44 You sure about the color?

00:57:45 Yes, I'm quite sure.

00:57:46 Green.

00:57:47 Like the green on your husband's hands?

00:57:48 Yes, that's right.

00:57:49 Oh, none any more.

00:57:50 All right, thank you, Mrs. Hawkins.

00:57:53 Well-- well, Gus will have to know about this.

00:57:55 Well, that depends on you, doesn't it?

00:57:57 I mean, if you told us everything,

00:57:58 we needn't ask Gus, need we?

00:57:59 Oh, uh, if headquarters ring back,

00:58:02 tell them I've gone, would you?

00:58:04 You mad at her, man?

00:58:12 Yes, sir.

00:58:13 I'll watch her.

00:58:14 She's a man-eater.

00:58:15 [chatter]

00:58:23 [music playing]

00:58:27 [chatter]

00:58:30 Yeah, I'm watching you, Bill Bragg.

00:58:42 You gonna do any penny there?

00:58:44 Never mind about what you mean.

00:58:46 Your eyes open for the cops.

00:58:48 [music playing]

00:58:51 [motorcycle engine]

00:58:54 [chatter]

00:58:57 All right, all right, all right.

00:59:13 All right.

00:59:14 Right.

00:59:17 Better for four.

00:59:18 One head, one tail.

00:59:23 Three stroke.

00:59:24 Two heads.

00:59:33 He's made it.

00:59:35 I'll have him for eight.

00:59:36 Eight?

00:59:37 The bet's eight.

00:59:38 I'll take three.

00:59:39 Right, three.

00:59:40 Five to go.

00:59:41 All right, over there.

00:59:42 One, two-- all right, three to go.

00:59:44 Three to go.

00:59:45 Have you done it twice?

00:59:46 Yeah.

00:59:47 All right, three to go.

00:59:48 I'll have one.

00:59:49 You want one?

00:59:50 All right, Bragg.

00:59:51 One for Bragg.

00:59:52 Two for Joe.

00:59:53 I'll have two.

00:59:54 Well, wait a minute.

00:59:55 Whose money am I going to take?

00:59:56 Mine.

00:59:57 I was first.

00:59:58 You damn well weren't.

00:59:59 I was first.

01:00:00 I'll spin a coin for it.

01:00:01 No, you'll put a buck on it.

01:00:02 Well, look, do something, you bitch of maluck.

01:00:04 [cheering]

01:00:05 All right.

01:00:07 I'll split it.

01:00:08 Well, if you're so keen, you'll let Tech the last one.

01:00:10 We'll see what happens, eh?

01:00:11 [laughter]

01:00:13 All right, the book's closed.

01:00:14 Book's closed.

01:00:15 Right, head 'em for eight.

01:00:17 Come on, Joe.

01:00:18 [cheering]

01:00:20 Two tails.

01:00:21 [laughter]

01:00:23 All right, don't scuff.

01:00:24 You'll all get it.

01:00:25 I'll head them for 10.

01:00:27 Come on, you'll all get paid.

01:00:29 You'll what?

01:00:30 I'll head 'em for 10.

01:00:31 Give us your money.

01:00:33 I'll take 10.

01:00:35 All right, right, right.

01:00:36 Get 'em up.

01:00:37 Make it a good 'un.

01:00:41 He's headed 'em.

01:00:42 He's headed 'em.

01:00:43 [cheering]

01:00:44 All right, 20 you win.

01:00:46 Leave it in the ring.

01:00:47 All right, 20 to cover.

01:00:49 [chatter]

01:00:51 And he's covered.

01:00:53 Grab the money and get 'em up again.

01:00:54 That's it.

01:00:57 Good spin.

01:00:59 Beautiful.

01:01:00 He's done it again.

01:01:01 [cheering]

01:01:03 Now, 40 for you, boys.

01:01:05 No, let it ride.

01:01:07 And the bet's 40.

01:01:09 How about it, Tony?

01:01:11 If Tony had 40, he'd retire.

01:01:13 [laughter]

01:01:15 [cheering]

01:01:17 Won the pool.

01:01:18 His grandmother left him a fortune.

01:01:20 [cheering]

01:01:22 [laughter]

01:01:24 All right, get 'em up.

01:01:26 Bloody fool, he's gonna shop us.

01:01:28 Six, seven, eight.

01:01:30 Eight, five, this is 40.

01:01:32 Your bet's covered, Doug.

01:01:33 [chatter]

01:01:37 Spare him again.

01:01:39 Yes!

01:01:40 [cheering]

01:01:43 [chatter]

01:01:49 Put it away, you fool.

01:01:51 I'm not letting that swaggering blighter

01:01:52 get away with my dough.

01:01:53 Listen, you can't afford it.

01:01:54 Who can't afford it?

01:01:55 Who can't afford to flush all that money?

01:01:57 Somebody's going to ask.

01:01:59 [chatter]

01:02:05 I hated it.

01:02:06 I hated it.

01:02:07 [cheering]

01:02:09 160 pounds, it's all yours.

01:02:12 Come on, I'll skin the lot of you.

01:02:14 [cheering]

01:02:18 I can't do it again.

01:02:19 Yes, you can.

01:02:20 I've seen them headed eight and nine in a row.

01:02:21 I've got to bet.

01:02:22 I'm going to stop you for half the night, you saw.

01:02:24 Help me.

01:02:25 [cheering]

01:02:26 [chatter]

01:02:29 All right.

01:02:35 [whistling]

01:02:38 [whistling]

01:02:41 [chatter]

01:02:44 [whistling]

01:02:47 [chatter]

01:02:50 [whistling]

01:02:53 [chatter]

01:02:56 [whistling]

01:02:59 [chatter]

01:03:02 [music playing]

01:03:06 [tires screeching]

01:03:10 [tires screeching]

01:03:14 [tires screeching]

01:03:17 [tires screeching]

01:03:20 [tires screeching]

01:03:36 [tires screeching]

01:03:41 [tires screeching]

01:03:44 All right, all right.

01:03:45 [tires screeching]

01:03:51 Things are popping, aren't they?

01:03:58 I hope so.

01:03:59 They just brought in Doug Savage.

01:04:00 Doug Savage?

01:04:01 He's got the greenest fingers you ever saw.

01:04:03 Boy, I'm glad you're back.

01:04:08 What's this about Doug Savage with Stain Hans?

01:04:10 Oh, that's right.

01:04:11 County radioed a tossing school this morning.

01:04:12 They nabbed Savage, green fingers and all.

01:04:14 Since then, they've practically taken the lacy arms to pieces.

01:04:16 Has anyone questioned him?

01:04:17 Well, County had to go.

01:04:18 So did the super.

01:04:19 Got precisely nowhere.

01:04:20 What does Savage have to say about his stained fingers?

01:04:21 Well, he hasn't been asked, and I don't think he's even noticed.

01:04:23 All right, any call time with the super?

01:04:24 He's out.

01:04:25 He had to go over to the chief.

01:04:26 You know, a starling call started a minor riot here.

01:04:29 Where's Doug Savage now?

01:04:30 He's still down in the interview room.

01:04:31 Super said to hold him there for you to have a go.

01:04:34 Well, did he now?

01:04:36 Well, the great man himself.

01:04:38 How much longer am I going to be kept down here?

01:04:40 That's up to you, Doug.

01:04:41 So I'm booked for gambling.

01:04:42 Give me a summons and I'll--

01:04:43 I'm not interested in your gambling

01:04:44 or your illegal bookmaking.

01:04:45 What's this Gestapo stuff, then?

01:04:47 I'm interested in the brutal murder of a young girl

01:04:49 who never did a bit of harm to anybody.

01:04:50 So what's that got to do with me?

01:04:52 It's got this to do with you.

01:04:53 We now have evidence that involves you in the murder.

01:04:56 I should say so.

01:04:57 Come off it.

01:04:58 What kind of a story is this?

01:04:59 It's a true one, Doug.

01:05:00 For your own good, you'd better believe it.

01:05:01 I'm not going to believe it.

01:05:02 I'm not going to believe it.

01:05:03 What kind of a story is this?

01:05:04 It's a true one, Doug.

01:05:05 For your own good, you'd better believe it.

01:05:06 When the hell did a copper worry about what was

01:05:08 good for anyone but himself?

01:05:09 Not often.

01:05:10 I'm not worried now.

01:05:11 It's you who needs to worry.

01:05:12 An innocent man doesn't have to worry.

01:05:13 Not if you're prepared to maintain his innocence

01:05:14 and give a full account of his actions.

01:05:15 You've got an account.

01:05:16 I was at Doncaster.

01:05:17 You've already checked it.

01:05:18 Yes, we've checked it.

01:05:19 He left Tickets Passage in a Silver Line taxi at 9.30 AM.

01:05:22 Your bloodhounds have also interviewed the driver.

01:05:24 You always have a Silver Line to go to the races?

01:05:26 No, we usually have lorry lovers, but he let us down.

01:05:28 I've been over all this.

01:05:29 Good.

01:05:30 You've been here 12 hours.

01:05:31 What the hell for?

01:05:32 Because within the last 12 hours,

01:05:33 you have met and spoken with at least one of the murderers

01:05:35 of Cicely Wainwright.

01:05:36 Yeah, me sugar.

01:05:37 Within the last 12 hours, someone has deliberately

01:05:39 involved you in the murder.

01:05:40 So show me the evidence.

01:05:42 Not yet.

01:05:43 First, you'll answer some questions.

01:05:45 If there is any evidence, you've planted it.

01:05:48 Where did you go when you closed up last night?

01:05:50 To bed.

01:05:51 Before you went to bed, who did you meet?

01:05:53 What is this, a vice check?

01:05:54 I'm trying to help you, you idiot.

01:05:56 Oh, yes, you're trying to help me.

01:05:58 Well, how long have you known me?

01:06:01 Too long.

01:06:02 Have I ever tried to fix you for something you didn't do?

01:06:04 You've certainly walloped me a time or two.

01:06:05 I've walloped you when you've been a rough boy.

01:06:06 I've never laid a hand on you to make you admit to anything.

01:06:08 No.

01:06:09 Have I at any time ever exaggerated

01:06:10 the evidence against you?

01:06:11 No.

01:06:12 Well, I'm not exaggerating now.

01:06:14 When I talked to you in the bar last night,

01:06:16 the evidence that involves you wasn't there.

01:06:17 Now, get that clear, Doug.

01:06:19 It was between last night and this morning

01:06:20 that you were drawn into this case.

01:06:21 Now, if you're innocent, you can get yourself out.

01:06:23 Do you mean there's something at my pub?

01:06:24 Before you went to bed last night, who did you meet?

01:06:26 Nobody.

01:06:27 What the hell is this evidence?

01:06:28 You'll know when I get my men.

01:06:30 You'll also know who shopped you if you were shopped.

01:06:33 Let's move on to this morning.

01:06:34 You know damn well where I was this morning.

01:06:36 You handled a lot of money, didn't you?

01:06:38 How the devil do you know that?

01:06:39 Just a guess.

01:06:40 Now, who were you tossing with?

01:06:41 I wouldn't know.

01:06:42 Did you notice anybody abnormally flush with money?

01:06:43 I didn't notice any--

01:06:44 Good God, man.

01:06:45 It was at the tossing that someone involved you

01:06:46 in this murder.

01:06:48 Now, do you owe that person protection?

01:06:49 Who says I'm involved?

01:06:50 You do.

01:06:51 You talk a lot of guff about evidence and things,

01:06:53 and what do you show to back it up?

01:06:54 Not one bloody thing.

01:06:56 All right, Doug, you can go.

01:06:58 I'll get this another way.

01:06:59 Yes, persecute some other poor bastard.

01:07:01 Yeah, we'll see you in the pub tonight.

01:07:02 You can help us question some of the customers.

01:07:04 Hey, now, wait a minute.

01:07:05 You're not coming officially.

01:07:06 I've got no alternative, have I?

01:07:08 You'll scare off my trade.

01:07:09 To hell with your trade.

01:07:11 This is a murder hunt.

01:07:14 If I give you the tossing school,

01:07:16 will you let my pub alone?

01:07:17 I won't come near the place.

01:07:18 But when you interview--

01:07:19 Not in your pub, and they won't know who gave the names.

01:07:21 Swear?

01:07:22 I swear.

01:07:23 They won't know who gave the names.

01:07:24 Swear?

01:07:25 You got my word, Doug.

01:07:26 All right.

01:07:31 There was Tony Jakes, Cloggy Roach, Lurrie Lovett.

01:07:40 (truck rumbling)

01:07:43 Lurrie Lovett.

01:07:57 What's up now?

01:07:59 Oh, one or two things.

01:08:00 I'm looking for Don Starling.

01:08:02 I'm also looking for his mates in yesterday morning's little job.

01:08:05 Why come to me?

01:08:07 You're a taxi man.

01:08:09 You get around.

01:08:10 Plenty of other taxi drivers.

01:08:12 They get around too.

01:08:13 Yeah, that's so.

01:08:15 But your name gets mentioned.

01:08:16 Who by?

01:08:17 By your friends.

01:08:18 One in particular.

01:08:19 You usually do business with him.

01:08:21 You should know who I mean.

01:08:22 How the hell do I know?

01:08:24 Hey, you got a warrant to search this place?

01:08:26 Not yet.

01:08:27 Then get out.

01:08:28 This is private property.

01:08:29 (truck rumbling)

01:08:35 (man grunts)

01:08:37 Morning. Any orders come in?

01:08:39 No, get off back to the rank.

01:08:41 Yeah, right.

01:08:42 Just a minute.

01:08:44 I want to work with you.

01:08:45 Who are you?

01:08:46 You know who I am. Come here.

01:08:48 What's your name?

01:08:53 (bell ringing)

01:08:54 Roach.

01:08:55 Bogger Roach, eh?

01:08:57 You work here?

01:08:58 Yes, he works here.

01:08:59 You ought to be on the rank.

01:09:00 I'm afraid the rank will have to wait.

01:09:03 You're both to come to headquarters with me.

01:09:04 About what?

01:09:05 About what you were doing yesterday for a start.

01:09:06 I went to the races.

01:09:07 Together?

01:09:08 No.

01:09:09 Well, who did you take?

01:09:10 My kid brother.

01:09:11 I see.

01:09:13 You can't arrest me. I've done nothing.

01:09:15 You can't arrest me when I've done nothing.

01:09:17 You're not being arrested.

01:09:18 You're being asked to come to the station.

01:09:21 You can wash your hands first.

01:09:23 How did you make out at the tossing school?

01:09:28 What tossing school?

01:09:31 You coppers don't seem to realize the manage you're living to make.

01:09:35 Who's going to have to repay all this business we've dropped?

01:09:37 I brought you a member of parliament about it.

01:09:39 I've changed my mind. I'm not coming with you. I'm too busy.

01:09:42 I'll have to take on more copper jobs.

01:09:44 I've changed my mind.

01:09:48 I'm sending you in first. Go on, put him in the car.

01:09:50 You mean you're not taking him?

01:09:51 I'm spitting you up.

01:09:53 Now that he hasn't washed his hands yet.

01:09:55 Tell the driver to come back as soon as he's taken him.

01:09:57 Come on, you two.

01:09:59 Freshen up for tea.

01:10:01 You've no right snooping around here without a warrant.

01:10:23 If I did everything as you ordered, I'd arrest you here on the spot.

01:10:25 Go on, walk.

01:10:27 Committing a felony.

01:10:29 What felony, for instance?

01:10:30 Murder, for instance.

01:10:32 Take him outside.

01:10:34 Take your hands off me. I've read about you coppers.

01:10:38 Only read about us, clogger.

01:10:40 (Groans)

01:10:42 (Engine starts)

01:10:45 (Groans)

01:10:47 (Engine stops)

01:10:49 (Engine starts)

01:11:08 (Engine stops)

01:11:10 Your hiding place wasn't good enough, was it?

01:11:30 I don't know what you're talking about.

01:11:32 I think you do.

01:11:33 And I think this is a quarter share of the money that was taken from a 19-year-old murdered girl.

01:11:36 I'm taking you into custody, Roach.

01:11:38 This isn't my garage. I only work here.

01:11:40 It was you, Don Starling, and Lordy Lovett. Now, who's the fourth?

01:11:42 I don't know what you're talking about.

01:11:44 All right, you'll have plenty of time to think it over.

01:11:46 Use the telephone.

01:11:47 Get them to send some men over here and take this place apart.

01:11:49 All right, come on.

01:11:51 All right, show him in.

01:12:01 Lovett.

01:12:04 (Door slams)

01:12:06 Where's Clogger Roach?

01:12:07 Don't worry about Clogger Roach.

01:12:08 He's sitting down, thinking what he ought to say next.

01:12:10 Sit down.

01:12:17 Cigarette?

01:12:22 No, I'm going to get the soft treatment.

01:12:24 To begin with, yes.

01:12:26 You know, statements by accused persons are often a nuisance at a trial.

01:12:31 I don't think I need yours.

01:12:33 I think I got you right without any words from you.

01:12:36 You were the driver of that Buick, the murder car.

01:12:39 You know, you all made a good job of wiping that Buick, but you forgot one thing.

01:12:48 You forgot the driving mirror.

01:12:50 Now, when you stole that car, you adjusted that mirror to your own height.

01:12:53 You left a lovely thumbprint, Lordy.

01:12:55 At least I'm betting it was yours.

01:12:59 Yours or your kid brother's.

01:13:01 What's my kid brother going to do with this?

01:13:03 I don't know yet. We only just brought him in.

01:13:05 You've got nothing against that kid. Nothing.

01:13:08 You see how nicely it fits?

01:13:09 I've got four men.

01:13:10 Starling, Clogger Roach, you, and your kid brother.

01:13:13 I'm admitting nothing, but I'll tell you this.

01:13:15 That kid's innocent. Absolutely innocent.

01:13:17 Then who was the fourth man, Lordy?

01:13:18 How do I know?

01:13:19 You mean you can't tell me without admitting you were there?

01:13:21 We know you were there, man.

01:13:22 You'll get nothing out of me.

01:13:25 (GULPS)

01:13:26 Now, look, Robert. There were four men on this job, and I want four men.

01:13:37 If I don't get the fourth man, I'll get your kid brother.

01:13:39 And don't think I can't get him.

01:13:41 Now, offering no inducements,

01:13:45 but your kid might not even have to go through the grilling we got waiting for him

01:13:48 if I got the fourth man.

01:13:52 You bastard cop.

01:13:55 Who was the fourth man, Lordy?

01:13:56 Tony Jakes.

01:14:00 That the lot?

01:14:01 Yeah.

01:14:02 Right.

01:14:04 You better go and sit down quietly and think up the name of a good lawyer.

01:14:07 You're certainly going to need one.

01:14:21 What's this for?

01:14:22 You can't take me without telling me what for!

01:14:25 Now, shut up, Tony. You're embarrassing us.

01:14:27 Number three, sir.

01:14:30 You've no right to keep someone waiting around like this without a charge.

01:14:33 What's the charge if there is a charge?

01:14:35 The charge could be murder.

01:14:39 And you've been kept waiting because we've been busy with your friends.

01:14:41 What friends? I've got no friends.

01:14:43 You could be right.

01:14:44 Now, listen, Jakes.

01:14:45 I've got two statements already, so you watch your step.

01:14:48 I'll watch, Miss...

01:14:50 Oh, yes.

01:14:51 I've been shot, haven't I?

01:14:53 Who was it? I'll give you a guess.

01:14:54 Lorrie Lovett.

01:14:55 I could have got away and he shot me.

01:14:57 What did he say about me? I can't tell you what anybody said.

01:14:59 If he said I did it, he's a liar.

01:15:00 I never laid a finger on that girl. I never touched her.

01:15:02 Starling had her in the back. He was the one who croaked her.

01:15:05 And you were in the front seat with Lorrie Lovett?

01:15:07 Yes.

01:15:08 I never said I was there, did I?

01:15:12 You were there, all right.

01:15:13 We've got the lot of you now.

01:15:14 Except Don Starling. Now, where is he?

01:15:16 I don't know. None of us knows. He must have told you something.

01:15:18 I'm telling you I don't know where he is.

01:15:20 He faded and I wish I had done the same.

01:15:21 Well, he can't stay in England. Did he talk of going abroad?

01:15:23 Not a word.

01:15:24 For God's sake, Inspector, give me a cigarette.

01:15:28 Where's he been hiding since his escape?

01:15:32 I don't know.

01:15:33 He only said one thing, "Keep moving."

01:15:35 That was his motto, "Keep moving."

01:15:37 Give me a light, Inspector.

01:15:39 All right, take him downstairs. I'll see him again later.

01:15:43 If I said I did it, he's a liar.

01:15:46 I never touched him. I swear to you I never touched him.

01:15:48 The three musketeers.

01:15:50 Yeah.

01:15:52 Where's the fourth?

01:15:54 Well, he can't hide forever, sir.

01:15:56 No, he's staying around to pick up that loot. I know it.

01:15:58 It's somewhere in this city.

01:16:00 If he can get it, it'll clear off.

01:16:02 Trouble is, he might have got it and cleared already.

01:16:05 Reports have been pouring in.

01:16:07 - Seen today's instalment? - No.

01:16:09 I wouldn't take your pick.

01:16:10 It's been seen all over Manchester, sometimes in two places at once.

01:16:15 Furniture steals.

01:16:16 Oh, yes.

01:16:17 A girl reported seeing someone like Starling on the fire escape next door.

01:16:20 Nothing to it, though.

01:16:21 How do you know there's nothing to it?

01:16:22 Well, I went round to Steele's and checked.

01:16:24 Did you check any of the others?

01:16:25 No, sir.

01:16:26 Just furniture steal.

01:16:27 Did I do wrong?

01:16:28 You told me. She's a very pretty kid.

01:16:30 - Don't think I went round... - My duty to warn you that anything you say...

01:16:33 All right, I'll confess.

01:16:34 And furthermore, I'd like to add, I've been invited round for breakfast.

01:16:37 And so have you.

01:16:38 Me?

01:16:40 Old man Steele wants to talk to you.

01:16:41 Yes?

01:16:43 Another Starling report in from D Division, sir.

01:16:45 All right, let's have it.

01:16:47 A postman who knows Starling alleges he saw him in Manfield Road, 2 o'clock this afternoon.

01:16:52 All right, go on.

01:16:54 He tried the door of the house and then hurried away.

01:16:57 He didn't knock, he just tried the door.

01:16:59 What number?

01:17:00 Number 230.

01:17:02 The house belongs to a Mrs. Lucretia Lusk.

01:17:04 You want a confirmation slip?

01:17:06 No, I've got it.

01:17:08 2 o'clock, she'd have been at the Lacey Arms.

01:17:10 Here.

01:17:11 And right now she's at home.

01:17:12 Right now she's at home.

01:17:14 [car engine]

01:17:17 [car engine]

01:17:19 [knock on door]

01:17:45 Oh, hello.

01:17:46 Wait a minute, I'll come down.

01:17:48 You come too late.

01:17:57 Ten minutes sooner and you'd have caught me in the bath.

01:17:59 Oh, what a thrill.

01:18:00 Come in.

01:18:01 Oh, you're making me sorry I am late.

01:18:04 No, I don't believe it.

01:18:06 You are human.

01:18:07 I want to ask you some questions, Lucky.

01:18:10 Oh.

01:18:11 Well, I came in a police car, you know.

01:18:14 We can't use those for private amusement.

01:18:16 Why not?

01:18:18 That makes it official.

01:18:20 You come sneaking around here with your hat over your eyes,

01:18:23 the neighbors are going to know you're up to no good.

01:18:25 You over.

01:18:26 If I made a pass at you, you'd be frightened to death.

01:18:28 Try it and see.

01:18:29 Yes, well, um, business before pleasure.

01:18:34 Oh, let's get the business over quick.

01:18:36 Well, you can sit down, can't you?

01:18:38 That's not against the law.

01:18:39 Lucky, how well did you know Don Starling?

01:18:43 Don Starling?

01:18:44 What about him?

01:18:45 Well, you used to know him quite well, didn't you?

01:18:47 Oh, yes, but that was years ago.

01:18:49 Long before I met my ex.

01:18:50 When I found out what he was really like,

01:18:52 I dropped him like a hot cinder.

01:18:53 Have you seen him?

01:18:55 Within the last couple of days?

01:18:56 Starling?

01:18:57 What could he want to see me for?

01:19:00 Money?

01:19:01 Oh, I should think so.

01:19:02 He'd never come to me for money.

01:19:04 Or anything else.

01:19:05 He could come to you for shelter.

01:19:07 I haven't set eyes on him.

01:19:09 Why?

01:19:11 I don't know.

01:19:12 He's been seen hanging around here.

01:19:14 He tried your door.

01:19:15 Tried my door?

01:19:18 When? When was that?

01:19:20 Early this afternoon.

01:19:22 Oh, my God.

01:19:23 Now, don't worry.

01:19:25 It's only a report. It might not even be true.

01:19:26 He might be here.

01:19:28 He could be listening to us.

01:19:29 He could have come in when I was upstairs.

01:19:31 I feel safe while you're here.

01:19:32 Don't go. Please don't go.

01:19:33 Has Starling been threatening you?

01:19:34 Please don't go until you make sure he's not here.

01:19:35 You tell me about Starling.

01:19:36 I dared.

01:19:37 He has been threatening you.

01:19:38 He said he'd lock me up if I talked.

01:19:40 You don't know what it's like

01:19:41 not to have a man of your own to protect you

01:19:43 against people like Don Starling.

01:19:44 Now, look, don't worry.

01:19:45 He won't get near you. I'll see to that.

01:19:47 You have to pretend to be hard and tough

01:19:48 just to keep your end up.

01:19:49 Hey.

01:19:51 Don't be such a softy.

01:19:54 I'll put a couple of men outside

01:19:57 if you make you feel any better.

01:19:58 Oh, why do you have to be married?

01:20:02 Yeah.

01:20:04 Well, I am married, Lucky.

01:20:06 And the both of us better remember that.

01:20:09 Nobody knows what's going on and what isn't.

01:20:11 I wish life was that easy, Lucky.

01:20:14 Oh, why can't it be?

01:20:17 You've got no children.

01:20:19 All's fair when a man has no children.

01:20:21 Well, there's no future, have you said?

01:20:24 I'll take a chance.

01:20:25 The other woman's chance.

01:20:28 I'll be back here by 11.

01:20:31 I can't make times, Lucky.

01:20:34 God knows where I'll be until 11.

01:20:35 It might be three in the morning before I'm away.

01:20:38 You could have a key.

01:20:39 I've never given any man a key.

01:20:41 Yeah.

01:20:43 Well, I'll phone you here if I can make it then.

01:20:46 No, don't do that.

01:20:48 Phone me if you can't make it.

01:20:53 You're a bad lot, Lucky, aren't you?

01:20:57 [music playing]

01:20:59 [music playing]

01:21:00 [music playing]

01:21:01 [music playing]

01:21:03 [music playing]

01:21:04 [music playing]

01:21:06 [music playing]

01:21:08 [music playing]

01:21:10 [music playing]

01:21:12 [music playing]

01:21:14 [music playing]

01:21:16 [music playing]

01:21:18 [music playing]

01:21:20 [music playing]

01:21:22 [music playing]

01:21:24 [music playing]

01:21:26 [music playing]

01:21:28 [music playing]

01:21:31 ♪ (dramatic music)

01:21:56 ♪ (ominous music)

01:22:10 ♪ (ominous music)

01:22:32 (door creaks)

01:22:34 ♪ (ominous music)

01:22:46 (glass shatters)

01:22:52 ♪ (ominous music)

01:23:06 - No more work...beddy bed.

01:23:09 At midnight?

01:23:11 Not in your sweet life.

01:23:13 ♪ (ominous music)

01:23:17 The morning's different as long as you don't wake me up.

01:23:21 (laughs)

01:23:23 ♪ (ominous music)

01:23:39 ♪ (ominous music)

01:23:46 (door closes)

01:23:49 (door creaks)

01:23:53 (door creaks)

01:23:56 (door opens)

01:23:58 (door closes)

01:24:00 (door opens)

01:24:02 (papers rustle)

01:24:05 (footsteps)

01:24:07 (footsteps)

01:24:09 (footsteps)

01:24:11 (footsteps)

01:24:13 (door opens)

01:24:15 (papers rustle)

01:24:19 (door closes)

01:24:21 (door closes)

01:24:23 (papers rustle)

01:24:27 (wind blows)

01:24:34 (wind blows)

01:24:36 (wind blows)

01:24:51 (door closes)

01:24:53 (wind blows)

01:24:57 (door opens)

01:24:58 ♪ (dramatic music)

01:25:01 - Steady Silver...I'm not going to hurt you.

01:25:04 ♪ (dramatic music)

01:25:14 Steady Silver...I'm going to tie you up, that's all.

01:25:18 ♪ (dramatic music)

01:25:31 ♪ (dramatic music)

01:25:50 (water splashes)

01:25:54 ♪ (dramatic music)

01:26:05 (glass shatters)

01:26:06 - Stop it!

01:26:07 (glass shatters)

01:26:08 (airplane roars)

01:26:10 - Stop it or I'll shoot!

01:26:11 (gunshot)

01:26:12 (airplane roars)

01:26:15 - Come on, come on there! Stand back please!

01:26:17 - Move please! - Leave yourselves wide open!

01:26:18 - What's up?

01:26:19 - There's somebody shooting upstairs there, sir.

01:26:21 - Silver? - Shooting from the top.

01:26:22 - Come on now, keep back there please!

01:26:24 You're leaving yourselves wide open as targets here.

01:26:26 Watch out, watch yourself! (gunshot)

01:26:28 (airplane roars)

01:26:29 - Right, get your men around this place.

01:26:31 Don Starling's up there, let everyone know he's armed.

01:26:33 - Right sir. - If we're not careful,

01:26:34 a good man might lose his life on this job.

01:26:35 Now come out of it!

01:26:37 (footsteps)

01:26:40 - From the back, he looks bad to me.

01:26:42 I'll put in an ambulance and come back.

01:26:43 Starling's on the roof! - Right sir.

01:26:45 (footsteps)

01:26:47 (door opens) - Did you see him?

01:26:49 - Yes sir, he was just disappearing up there.

01:26:50 The old man took a shot at him with us, but missed by a mile.

01:26:52 - Did Starling return the fire? - No sir, he raised his pistol

01:26:54 and for some reason changed his mind and scarpered.

01:26:56 - Well he's saving ammunition, that means...

01:26:58 he hasn't got a spare clip.

01:26:59 Now get informed the superintendent, tell him what's happened.

01:27:01 Tell him it's my urgent request that all the men surrounding this block

01:27:03 be issued with firearms, now! - Yes sir.

01:27:05 - What's wrong with him? - No!

01:27:07 Get across the road, get on the highest roof.

01:27:08 You can look down and tell me what's happening. Go on, move!

01:27:11 (footsteps)

01:27:14 (train rumbling)

01:27:21 (footsteps)

01:27:23 (train rumbling)

01:27:44 (train rumbling)

01:27:55 (train rumbling)

01:28:16 (train rumbling)

01:28:40 - He's in the next bay, behind the chimney stack!

01:28:43 (explosion)

01:28:45 - That's four, Don!

01:28:47 You should have six shots left!

01:28:49 He can't go further, there's a two-story dump to the next roof!

01:28:52 Do you hear that, Don?

01:28:54 Come on, I'm waiting for you!

01:28:56 - I'm not scared of you, you butcher!

01:28:58 - Of course you are!

01:29:00 You know I can always lick you!

01:29:01 - Sure, but the whole police force behind you!

01:29:04 - You're wrong there, Don!

01:29:06 If you want to have a go at me, you'll have to do it now!

01:29:09 There are more men coming, but at the moment it's only you and me on this roof!

01:29:13 Come on, let's see how good you are!

01:29:16 (thunder)

01:29:17 Prison must have softened you up, Don!

01:29:20 You frightened of one cop?

01:29:22 - Look out! Look out, he's coming!

01:29:25 (explosion)

01:29:27 (train whistle)

01:29:30 (train whistle)

01:29:32 (train whistle)

01:29:45 (train whistle)

01:29:47 (train whistle)

01:30:05 (train whistle)

01:30:32 - I got you, Mellons!

01:30:34 You go before I do!

01:30:36 - Help! Help!

01:30:40 Hold it! For God's sake, hold it!

01:30:42 Let me go! Let me go!

01:30:44 Let me go!

01:30:46 Let me go!

01:30:48 (grunting)

01:30:50 (dramatic music)

01:30:52 (children laughing)

01:31:11 (bell ringing)

01:31:19 (bell ringing)

01:31:21 (bell ringing)

01:31:25 (bell ringing)

01:31:28 (bell ringing)

01:31:32 (bell ringing)

01:31:35 - You haven't taken your pills. - I need a drink, Julia.

01:31:40 - But you know what the hospital said. - What the hell with the hospital?

01:31:44 - Are we going to have another day like yesterday? - I'm on edge, Julia. Can't you see I'm on edge?

01:31:48 - But this isn't the first time you've sent a man to the gallows.

01:31:51 You detested Starling. He deserved to hang.

01:31:55 - No, none of us are perfect.

01:31:57 - Where are you going? - I've got to headquarters.

01:32:00 - But you don't start till tomorrow. - I'm going to take a look at my new office.

01:32:03 - You just can't wait to get out of this house, can you? - Oh, for God's sake, Julia!

01:32:07 Try and understand. - I'm sorry, Harry.

01:32:11 I'll try.

01:32:13 Will you phone me if you're coming home for lunch?

01:32:16 I'll call you.

01:32:20 (phone clicks off)

01:32:22 (door closes)

01:32:28 - Harry Martineau!

01:32:48 - Hello, Lucky. - Why haven't you been to see me?

01:32:51 - Well, I've been the wounded hero, didn't you know? - Yes, I read.

01:32:54 - I thought perhaps you were mad at me. - Now why should I be mad at you?

01:32:58 Oh, I don't know. Because of what I said about...

01:33:01 - About us. - Well, we both should have known better.

01:33:05 You're a great girl, Lucky Lusk. You'll make some man a great wife.

01:33:09 But it'll have to be someone who likes kids.

01:33:12 - You want kids, Lucky? - Sure I do.

01:33:16 Oh, they'd fight and holler and scream and probably drive me up the wall.

01:33:20 But I'd love them. By the right man.

01:33:23 Oh, Harry, I...

01:33:27 - You'll miss your bus. - I think I already have.

01:33:31 You know where I am. If there's ever anything I can do...

01:33:38 - There's one thing you can do, Lucky. Call one of them Harry.

01:33:43 (BELL RINGING)

01:33:45 Where are you off to, love?

01:33:55 Won't finish the evening in style?

01:33:57 Sorry, dear, you've got the wrong customer.

01:34:00 Don't worry, love. I won't bankrupt you.

01:34:02 On your way. And think yourself lucky it isn't tomorrow.

01:34:05 - Come again? - I'm giving you advice. Beat it.

01:34:08 Well, there's no need to be...

01:34:10 Hey, you're Martineau.

01:34:13 - Hello, sir. - Hello, Devery.

01:34:17 - Anything wrong? - No, just a social disadvantage of being a prominent policeman.

01:34:22 - I'm glad to see you about again, sir. - So am I. How's Silver?

01:34:25 Oh, fine. They say she'll be sitting up before the end of the month.

01:34:29 I didn't come and see you in hospital because, well,

01:34:31 I look like lickspittle for a PC to visit a chief inspector.

01:34:34 - I understand. - Can we give you a lift?

01:34:37 No, I'm just walking. It's my last day of liberty, you know.

01:34:41 Bloody shame, a man like that is so alone.

01:34:47 Alone? He's married, isn't he?

01:34:49 You don't have to be on your own to be alone, copper.

01:34:52 M2CK calling K51. Are you receiving?

01:34:55 - Could we go again? - Over.

01:34:57 (SIREN WAILING)

01:35:00 (SIREN WAILING)

01:35:03 (SIREN WAILING)

01:35:05 (SIREN WAILING)

01:35:08 (SIREN WAILING)

01:35:11 (SIREN WAILING)

01:35:14 (SIREN WAILING)

01:35:17 (SIREN WAILING)

01:35:19 (SIREN WAILING)

01:35:22 (SIREN WAILING)

01:35:24 (SIREN WAILING)

01:35:27 (SIREN WAILING)

01:35:30 (SIREN WAILING)

01:35:32 (SIREN WAILING)

01:35:34 (SIREN WAILING)

01:35:36 (SIREN WAILING)

01:35:38 (SIREN WAILING)

01:35:40 (SIREN WAILING)

01:35:43 (SIREN WAILING)

01:35:46 (SIREN WAILING)

01:35:48 (SIREN WAILING)

01:35:50 (SIREN WAILING)

01:35:53 (SIREN WAILING)

01:35:55 (dramatic music)

01:35:58 (thudding)

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