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The Black Stallion Returns
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Additional Blu-ray options | Edition | Discs | Price | New from | Used from |
Watch Instantly with | Rent | Buy |
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Genre | Drama |
Format | Color |
Contributor | Ferdinand Mayne, Teri Garr, Robert Dalva, Allen Goowitz, Jodi Thelen, Vincent Spano, Kelly Reno, Woody Strode See more |
Language | English |
Number Of Discs | 1 |
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Product Description
Robert Dalva, the editor of 1979’s acclaimed The Black Stallion, returns as director of The Black Stallion Returns (1983), a lively sequel following the further adventures of Alec Ramsay (Kelly Reno) and his stunning Arabian steed, the Black. When the horse is stolen, Alec leaves the peaceful farm where he lives with his mother (Teri Garr) to hie off to Morocco; there, warring Arab tribes are determined to run the Black under their own divergent standards in a legendary desert race.
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : G (General Audience)
- Package Dimensions : 7.09 x 5.43 x 0.59 inches; 2.93 ounces
- Director : Robert Dalva
- Media Format : Color
- Actors : Woody Strode, Kelly Reno, Teri Garr, Allen Goowitz, Vincent Spano
- Subtitles: : English
- ASIN : B01KW3DTFM
- Number of discs : 1
- Best Sellers Rank: #121,962 in Movies & TV (See Top 100 in Movies & TV)
- #7,806 in Drama Blu-ray Discs
- Customer Reviews:
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These movies literally changed my life.
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Casablanca had to be used as an intermediate location due to maintain the historical accuracy of the era of Farley's narrative, and as entrance into the vast sahara -stretching from western sahara (still under Spanish control) across North Africa of which Algeria has more than the lion's share. The fortress scenes where The Black was held captive is in Djanet, Algeria, and the desert scenes with the huge dark boulders is south of Tamanrasset, as were some of the interior rooms where Alec and the young Touareg daughter of Ben Ishak plotted to 'save' the Black from he father. The oasis and date palmeries were classic Algeria with the luscious baskets of deglet nour dattes (dates in English). Alec's clothing were Touareg -from his flowing turban to the blue of his gandoura.
Coppola's genius is the attention to detail he gives to any of his productions and directorial works. Case in point in the scene where Alec invites Ben Ishak's daughter into his room, and she demurs by remaining in the hallway in keeping with the tradition of the Berbers then as now. The use of very typical Berber-Arabic discussions and ultra politeness was and is the epitome of the difference between the too casualness of the West and the polite structure and nuance of North Africa. Even the set dressings with the wall hangings ands the divans and low beds were perfectly used to showcase the Berber culture. and using just a soupçon of the languages of Southern Algeria gave the western audience a taste of the real north Africans as opposed to the western media's focus of violence and mayhem. Pay attention to the scene of Alce and his friend being found by Raj's father and companions---when Raj spies his father he shouts 'Abouyia! Abouyia!' Father! Father! When Alec wins the race and Ben Ishak assesses the horse of the loosing riders he comes upon Raj... and in typical Berber-Arabian fashion says: Your fiend's horse is spared!
The then Algerian Minister of Culture and Tourism and his staff worked hand in hand with Coppola's staff to showcase Algeria's beautiful desert and land as well as her people.
A few criticism are that the names of the non-western characters were not authentic and a few of the props were not appropriate-like the hand of Fatima is never used to invoke a malediction as it was in this movie.
The Black Stallion Returns does justice to the Saharans and their culture as it retains the theme of Walter Farley's book f the same name. the scenery is beautifully filmed, the script is superb, the camerawork exquisite, and the direction marvelous in perfect cadence to the hoof beats of the horses racing thru the sands of the Sahara.
I have always loved horses, but watching this struck me so deeply. The relationship between human and horse was so beautiful.
I knew at that young age that I wanted to ride, train, work with horses.
Now as an equine professional I am still struck by the relationship these movies portray. Every rider dreams of having a relationship like thag with a horse. Most never get it. I was lucky enough to have have had it with a Thoroughbred. I was a pre-teen when I met him. And he chose me as his human. It really was like a story. So to honor Rev I am now writing a novel about our years together. It's a true story, and I am honored to have had this experience to share.
So thank you Walter Farley for your stories of The Black. And thank you to those who made these movies. For touching my life as a young child. The beauty of each horse is to be cherished. I will be forever grateful to a Thoroughbred whose registered name was Potlatch, but we called him The Reverend.
Reviewed in the United States on February 7, 2018
I have always loved horses, but watching this struck me so deeply. The relationship between human and horse was so beautiful.
I knew at that young age that I wanted to ride, train, work with horses.
Now as an equine professional I am still struck by the relationship these movies portray. Every rider dreams of having a relationship like thag with a horse. Most never get it. I was lucky enough to have have had it with a Thoroughbred. I was a pre-teen when I met him. And he chose me as his human. It really was like a story. So to honor Rev I am now writing a novel about our years together. It's a true story, and I am honored to have had this experience to share.
So thank you Walter Farley for your stories of The Black. And thank you to those who made these movies. For touching my life as a young child. The beauty of each horse is to be cherished. I will be forever grateful to a Thoroughbred whose registered name was Potlatch, but we called him The Reverend.