"I'm Leaving It Up to You" | ||||
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Single by Dale & Grace | ||||
from the album I'm Leaving It Up to You | ||||
B-side | "Stop and Think It Over" | |||
Released | September 1963 | |||
Recorded | 1963 | |||
Genre | Doo-wop [1] | |||
Length | 2:13 | |||
Label | Montel | |||
Songwriter(s) | Don F. Harris, Dewey Terry | |||
Producer(s) | Sam Montel | |||
Dale & Grace singles chronology | ||||
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"I'm Leaving It Up to You" is a song written by and originally performed by Don Harris and Dewey Terry in 1957. [2] It was later popularized in 1963 by the American duo Dale and Grace, who took it to #1 on the Billboard Hot 100 chart. In 1974, Donny and Marie Osmond reached the top five on the US Hot 100 chart and peaked at #1 on the Billboard Hot Adult Contemporary chart with their cover.
"I'm Leaving It Up to You" first became popular when recorded by the duo Dale and Grace in 1963. Their version became a #1 hit in the United States on the Billboard Hot 100 for two weeks in late 1963, replacing "Deep Purple" by Nino Tempo & April Stevens but ending up one position lower than that record on the 1963 end-of-the-year chart. [3]
The single also spent two weeks atop the easy listening chart. It was the #1 song on the Billboard Hot 100 chart when President John F. Kennedy was assassinated in Dallas, Texas. Dale and Grace were in Dallas on the day of the murder. The duo was scheduled to perform that night as part of Dick Clark's Caravan of Stars (with Bobby Rydell, Jimmy Clanton, and Brian Hyland) and had waved to the president's motorcade from a vantage point near their hotel, moments before the assassination. [3] Needless to say, Dick Clark's Caravan of Stars was cancelled that night, as was the next night in Oklahoma. [4]
"I'm Leaving It (All) Up to You" | ||||
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Single by Donny and Marie Osmond | ||||
from the album I'm Leaving It All Up to You | ||||
B-side | "The Umbrella Song" | |||
Released | July 1974 | |||
Recorded | Country pop, bubblegum pop [9] | |||
Length | 2:51 | |||
Label | MGM | |||
Songwriter(s) | Don F. Harris, Dewey Terry | |||
Donny and Marie Osmond singles chronology | ||||
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In 1974, "I'm Leaving It Up to You" (released and noted as "I'm Leaving It (All) Up to You") again became a chart-topping hit in the US when brother and sister duo Donny and Marie Osmond covered it in September, it reached #4 on the Hot 100 and #1 on the easy listening chart. [10] It also reached #2 in the UK. Their version became a gold record, as did the album from which the title track was taken. [11]
Weekly charts
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Certifications
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"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song—written and produced by regular Gaye/Terrell collaborators Ashford & Simpson—became a hit within weeks of release eventually peaking at number eight on the US Billboard Hot 100 and number one on the Hot Soul Singles chart, the first of the duo's two number-one R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"True Love" is a popular song written by American songwriter Cole Porter, published in 1956. The song was introduced by Bing Crosby and Grace Kelly in the musical film High Society. "True Love" was nominated for the Academy Award for Best Original Song. Kelly's contribution on the record is relatively minor, duetting with Crosby on only the final chorus. Nonetheless, the single is co-credited to her.
"Deep Purple" is a song and the biggest hit written by pianist Peter DeRose, who broadcast between 1923 and 1939 with May Singhi as "The Sweethearts of the Air" on the NBC radio network. The British rock band Deep Purple named themselves after the song.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"Why" is a hit song recorded by Frankie Avalon in 1959. It reached No. 1 on the U.S. Billboard Hot 100 chart published on the week of December 28, 1959. It was Avalon's second and final No. 1 hit.
"Too Much, Too Little, Too Late" is a song performed by singers Johnny Mathis and Deniece Williams, written by Nat Kipner and John Vallins. The single was a comeback of sorts for Mathis, because his last U.S. top 10 hit had been 1963’s "What Will Mary Say" and his last U.S. #1 hit had been 1957's "Chances Are."
"Make the World Go Away'" is a country pop song composed by Hank Cochran. It has become a Top 40 popular success three times: for Timi Yuro (1963), Eddy Arnold (1965), and the brother-sister duo Donny and Marie Osmond (1975). The original version of the song was recorded by Ray Price in 1963.
"I Won't Last a Day Without You" is a song by The Carpenters with lyrics written by Paul Williams and music composed by Roger Nichols. The writing duo had previously contributed "We've Only Just Begun" and "Rainy Days and Mondays" to the Carpenters.
"Go Away Little Girl" is a popular song written by Gerry Goffin and Carole King. It was first recorded by Bobby Vee for Liberty Records on March 28, 1962. The lyrics consist of a young man asking a young attractive woman to stay away from him, so that he will not be tempted to betray his steady girlfriend by kissing her. The song is notable for making the American Top 20 three times: for Steve Lawrence in 1963, for The Happenings in 1966, and for Donny Osmond in 1971. It is also the first song, and one of only nine, to reach US number 1 by two different artists. Also notable in each of the solo versions is the similar double-tracked treatment of the singer's voice.
"Reunited" is a hit song for R&B vocal duo Peaches & Herb. As the second single release from their album, 2 Hot (1978), the song was a huge crossover smash, topping both the pop and soul charts. It spent four weeks at number one on both the R&B singles chart and the Billboard Hot 100 singles chart in 1979 and sold over two million copies. Billboard ranked it as the No. 5 song for 1979. In Canada, "Reunited" likewise reached number one and was the No. 9 song for the year.
"Paper Roses" is a popular song written and composed by Fred Spielman and Janice Torre. It first was a top five hit in 1960 for Anita Bryant. Marie Osmond recorded it in 1973 and took her version to number one on the US country chart.
"One Bad Apple" is a song by the Osmonds, released as a single on November 14, 1970. It debuted on the Billboard Hot 100 on January 2, 1971. It hit the top of the chart on February 13, 1971 and stayed there for five weeks. It also reached No. 6 on the R&B chart. Billboard ranked it as the No. 4 song for 1971. Both "One Bad Apple" and the Donny Osmond-credited single "Sweet and Innocent" are on the 1970 album Osmonds. It was certified Gold by the RIAA on February 4, 1971.
"C'mon Marianne" is a song composed by L. Russell Brown and Raymond Bloodworth and popularized by The Four Seasons in 1967. Produced by Bob Crewe, the single was the last Four Seasons single to reach the Top Ten of the Billboard Hot 100 chart in the 1960s, and their last Top Ten hit until "Who Loves You" in 1975.
Dale Houston was an American singer who in a duo with his performing partner, Grace Broussard, hit the Billboard chart as Dale & Grace with two rock and roll singles. The first was the No. 1 gold record "I'm Leaving It Up to You" in 1963. "Stop and Think It Over" reached No. 8 in 1964. In his later years, Houston was reunited onstage with Broussard on several occasions. Their recordings are highly regarded examples of the Louisiana-Texas style known as "Swamp Pop".
"She's Not You" is a 1962 song recorded by Elvis Presley and released as a single on RCA Victor.
"Could It Be I'm Falling in Love" is a 1972 song recorded by the American R&B vocal group The Spinners. It was co-written by Melvin and Mervin Steals, two songwriter brothers working for Atlantic, who were sometimes credited as "Mystro and Lyric." It was produced by Thom Bell, recorded at Philadelphia's Sigma Sound Studios and the house band MFSB provided the backing. Bobby Smith sings lead through most of the song, while Philippé Wynne handles vocal duties on the outro.
"I Knew You When" is a song written and composed by Joe South. It became a popular hit in 1965 when recorded by American pop and country singer Billy Joe Royal. There have also been several other hit cover versions of this song, including by Donny Osmond and Linda Ronstadt.
"How Much I Feel" is a 1978 song by American rock band Ambrosia. The song, written by the band's guitarist/vocalist David Pack, was released in the summer of 1978 as the lead single from their third album, Life Beyond L.A., peaking at position three on the Billboard Hot 100 chart and number two for three weeks on the Cash Box Top 100.
"Here Comes That Rainy Day Feeling Again" is a pop song composed by Tony Macaulay, Roger Cook, and Roger Greenaway. In 1971, it became the third U.S. top 40 hit for the Fortunes and their fifth in Canada.
The discography of American pop duo Donny and Marie Osmond contains seven studio albums, four compilation albums, one soundtrack album, one live album and 12 singles. Both siblings had previously had successful solo music careers before first collaborating in 1974; Donny was also a member of his brothers' band, The Osmonds. Their first single, "I'm Leaving It Up to You," reached number four on the Billboard Hot 100. Their corresponding debut album of the same name peaked at number 35 on the Billboard 200 chart in November 1974. The release certified gold in the United States for sales beyond 500,000 copies. Together, the duo had two more hits that reached both the top ten and 20 of the Hot 100: "Deep Purple" and "Morning Side of the Mountain."
Don & Dewey's version of "I'm Leaving It Up To You"...was a great song — a doo-wop plea to an indecisive lover...Dale & Grace's take on the song was deeply faithful to the original...