Black Velvet (magazine)

A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there it was adopted by other communities.

Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical.

Maximumrocknroll, often written as Maximum Rocknroll and usually abbreviated as MRR, is a not-for-profit monthly zine of punk subculture. Based in San Francisco, MRR focuses on punk rock and hardcore music, and primarily features artist interviews and music reviews. Op/ed columns and news roundups are regular features as well, including submissions from international contributors. By 1990, it "had become the de facto bible of the scene". MRR is considered to be one of the most important zines in punk, not only because of its wide-ranging coverage, but because it has been a consistent and influential presence in the ever-changing punk community for over three decades. From 1992 to 2011, it published a guide called Book Your Own Fuckin' Life.

Profane Existence is a Minneapolis-based anarcho-punk collective. Established in 1989, the collective publishes a nationally known zine, as well as releasing and distributing anarcho-punk, crust, and grindcore music, and printing and publishing pamphlets and literature. Stacy Thompson describes the collective as “the largest, longest-lasting, and most influential collective in Anarcho-Punk so far.” The collective folded in 1998, although its distribution arm, then called Blackened Distribution, continued operating. It restarted in 2000. "Making punk a threat again" is the group's slogan.

Punk Planet was a 16,000 print run punk zine, based in Chicago, Illinois, that focused most of its energy on looking at punk subculture rather than punk as simply another genre of music to which teenagers listen. In addition to covering music, Punk Planet also covered visual arts and a wide variety of progressive issues — including media criticism, feminism, and labor issues.

Record Mirror was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the NME, it never attained the circulation of its rival. The first UK album chart was published in Record Mirror in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and Top of the Pops, as well as the US Billboard charts.

British small press comics, once known as stripzines, are comic books self-published by amateur cartoonists and comic book creators, usually in short print runs, in the UK. They're comparable to similar movements internationally, such as American minicomics and Japanese doujinshi. A "small press comic" is essentially a zine composed predominantly of comic strips. The term emerged in the early 1980s to distinguish them from zines about comics. Notable artists who have had their start in British small press comics include Eddie Campbell, Paul Grist, Rian Hughes, Jamie Hewlett, Alan Martin, Philip Bond and Andi Watson.

Donna Dresch is an American punk rock musician, perhaps best known as founder, guitarist and bass guitarist of Team Dresch.

Stealth Magazine was an independent hip-hop magazine from Sydney, Australia. Founded by Mark Pollard, it debuted in June 1999 with Arsonists on the cover. Its first three issues were zine-like in format. In 2000 it went full colour and had a bonus CD attached to it and was quickly picked up for distribution by Tower Records worldwide.

Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music, and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express themselves the same way men have been doing all along.