Commemorating the anniversary of the 1938 pogrom in Hamburg, on the former site of the Bornplatz Synagogue, in November 2018.
Axel Heimken/DPA/picture alliance via Getty Images
Questions about how to represent German Jews, past and present, have complicated plans to rebuild the destroyed temple.
A man looks at object 26, a statue of King Ghezo.
Courtesy of MUBI
The film restores the agency of the objects at the heart of the Dahomey restitution case by transforming them into a living culture.
Tim Burton at the opening of the exhibition.
Design Museum/Matt Crossick
Some of the most thrilling items are the most personal, from teen fan art to scribbles on table napkins and university lecture notes.
The Centre Pompidou will have to close its doors for renovation work between 2025 and 2030.
Shutterstock
An iconic building in the heart of Paris, the Centre Pompidou is set to close its doors for a five-year renovation. Before the closure, let’s take a look at its economic model.
Families of Israeli hostages held by Hamas in Gaza hold their pictures in a protest.
Abir Sultan/AAP
War is escalating in the Middle East and continuing in Ukraine, Sudan and Myanmar. Gun violence in the US is ballooning, too. How do our cultures nurture violence? And can we change?
A vandalised Queen Victoria monument in Melbourne, January 2024.
Diego Fedele/AAP
The War Against the Past is sometimes convincing, but prompts larger questions about history, culture, education and morality.
The London Museum’s new logo.
London Museum
The pigeon was chosen because it has remained for a thousand years ‘an impartial and humble observer of London life’.
A stupa from the Mahabodhi Temple, with a seated Buddha, in Bodh Gaya, Bihar, India.
David Cumming/IndiaPictures/Universal Images Group via Getty Images
In asking how Buddhism gained such a vast material presence, the course helps students understand how a religion manages to survive over time.
Design Museum
Barbie’s houses, fashions, vehicles and even her face, hair and body can be seen as a pink-tinted reflection of western culture.
The Singapore Stone.
Antony Souter/Alamy Stock Photo
Despite its name, this sandstone slab is not a simple stone. It was once part of a monument, an ancient epigraph measuring three by three metres carrying about 50 lines of text.
The Parthenon Marbles in the British Museum.
EWY Media/Shutterstock
The marbles are a physical manifestation of what it meant to be Athenian during the 5th century BC.
Zoologist Elizabeth Morrison receives the Jamaican giant galliwasp from Mike Rutherford, a curator at the University of Glasgow, on April 22, 2024.
Jane Barlow/PA Images via Getty Images
Not all reparations involve money. Returning unique scientific resources is also a way of showing respect and righting past harms.
The Maya used mirrors as channels for supernatural communication. In this image, a supernatural creature speaks into a cracked, black mirror.
K2929 from the Justin Kerr Maya archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C.
Broken mirrors can be associated with bad luck, but for the ancient Maya, a cracked mirror was often desirable.
Sia Duff / South Australian Museum
Experts say the ‘reimagining’ of the South Australian Museum will destroy its crucial contributions to science.
Enzo Mari in front of his works, The Nature Series. Left is No. 1: La Mela with Elio Mari and right, No. 2: La Pera (1961).
Ramak Fazel/Danese Milano/Design Museum
The exhibition is a once-in-a-generation opportunity to get close to Mari’s design process.
A dinosaur eggshell cross section, as imaged under fluorescence microscopy.
Evan Saitta
Calcite, the material making up fossilized eggshells, may preserve amino acids better than bone.
Indigenous artifacts from the northwest coast of North America on display at the American Museum of Natural History in New York City.
(AP Photo/John Minchillo)
U.S. laws on the repatriation of Indigenous artifacts and remains still uphold inequities in the relationships between Indigenous people and the agencies holding their materials.
The ruins of a church in Bohorodychne, Donetsk district, Ukraine, on Jan. 27, 2024.
Ignacio Marin/Anadolu via Getty Images
In addition to destroyed buildings, there’s an entire underground world – filled with untold numbers of artifacts, bones and ruins – that are exposed and damaged by the digging of trenches.
Women donning gorilla masks pose in front of the original Guerilla Girls posters, as part of the ‘Disobedient Objects’ exhibition at the V&A in 2014.
Eric Huybrechts/Wikimedia
Notwithstanding the proliferation of exhibitions devoted to women, the question that feminists asked in the 1980s is more relevant than ever.
An installation in the Cute exhibition at Somerset House.
David Parry
The show is divided into sections which all valiantly attempt to define “cute”. But the word is resistant to definition.