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Articles on Museums

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Zoologist Elizabeth Morrison receives the Jamaican giant galliwasp from Mike Rutherford, a curator at the University of Glasgow, on April 22, 2024. Jane Barlow/PA Images via Getty Images

Returning a 170-year-old preserved lizard to Jamaica is a step toward redressing colonial harms

Not all reparations involve money. Returning unique scientific resources is also a way of showing respect and righting past harms.
The Maya used mirrors as channels for supernatural communication. In this image, a supernatural creature speaks into a cracked, black mirror. K2929 from the Justin Kerr Maya archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C.

For the ancient Maya, cracked mirrors were a path to the world beyond

Broken mirrors can be associated with bad luck, but for the ancient Maya, a cracked mirror was often desirable.
Indigenous artifacts from the northwest coast of North America on display at the American Museum of Natural History in New York City. (AP Photo/John Minchillo)

Updated U.S. law still leaves Indigenous communities in Canada out of repatriations from museums

U.S. laws on the repatriation of Indigenous artifacts and remains still uphold inequities in the relationships between Indigenous people and the agencies holding their materials.
The ruins of a church in Bohorodychne, Donetsk district, Ukraine, on Jan. 27, 2024. Ignacio Marin/Anadolu via Getty Images

The Russia-Ukraine War has caused a staggering amount of cultural destruction – both seen and unseen

In addition to destroyed buildings, there’s an entire underground world – filled with untold numbers of artifacts, bones and ruins – that are exposed and damaged by the digging of trenches.
Women donning gorilla masks pose in front of the original Guerilla Girls posters, as part of the ‘Disobedient Objects’ exhibition at the V&A in 2014. Eric Huybrechts/Wikimedia

Do women have to be naked to get into museums? Why female artists continue to be underrepresented in the art world

Notwithstanding the proliferation of exhibitions devoted to women, the question that feminists asked in the 1980s is more relevant than ever.

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