Lady Killers with Lucy Worsley

BBC

4.7 (424)
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Lucy Worsley investigates the crimes of Victorian women from a contemporary, feminist perspective.

4 DAYS AGO

The Reith Lectures 2024: Four Questions About Violence

Anita Anand invites you to listen to forensic psychiatrist Dr Gwen Adshead’s Reith Lectures about violence. In the series, Dr Adshead addresses the most pertinent questions she has faced in her work with violence perpetrators in secure psychiatric units and prisons.

7 min
DEC 2

40. By Hook or by Crook

Lucy Worsle digs into the lives of bold women who choose - by hook or by crook - to escape a life of poverty, misfortune and hardship. This episode highlights the fascinating tales of four invincible women. Sophie Lyons, a bank robber who, by the power of the American Dream, turns into a philanthropist. Madam Rachel, a beautician who combines fraudulent treatments with a deep understanding of women's insecurities to dupe an elite clientele. Ann Mary Provis, a bright artist who deceives the Royal Academicians, no less. And Fanny Davies, a cunning thief who uses her wit and charm to rob unsuspecting victims. Lucy is joined by in-house historian, Professor Rosalind Crone, and guest detective Baroness Ayesha Hazarika MBE, to discuss the motivations behind these women's choices and explore the broader implications of their swindles. We see them as mothers, as businesswomen, and simply as humans with faults, desires and dreams and we ask, does crime pay? Producer: Riham Moussa Readers: Clare Corbett and Jonathan Keeble Sound Design: Chris Maclean Executive producer: Kirsty Hunter A StoryHunter production for BBC Radio 4 If you're in the UK, listen to the newest episodes of Lady Killers first on BBC Sounds: https://bbc.in/3M2pT0K

28 min
NOV 25

39. Ann Mary Provis - Art Hoaxer

In this new series Lucy Worsley switches her attention from Lady Killers to Lady Swindlers - con women, thieves and hustlers. This time Lucy is investigating the case of Ann Mary Provis, an obscure young artist in Georgian London who has the leading painters of her day - including the President of the Royal Academy - eating out of her hand. She claims to know the ‘secret’ of how great Renaissance painters, like Titian, achieved intense colour and luminosity. But Ann Mary isn’t going to part with Titian’s ‘lost recipe’ unless the artists who want it pay up. And ultimately, in falling for her hoax, they lose a great deal more than their money. With Lucy to explore Ann Mary’s story is Rebecca Salter, the current President of the Royal Academy, and the first woman to hold that position. Lucy and Rebecca discover how Ann Mary, the poorly educated daughter of a servant, uses her femininity to dupe the great men of the Royal Academy. Lucy is also joined by historian Dr Jacqueline Riding at the Royal Academy in London to explore the humiliating denouement of Ann Mary’s hoax. When pictures using her ‘secret recipe’ are put on display they are ridiculed, and the whole episode is immortalised by the great 18th century satirist James Gillray. Lucy wants to know: how did an obscure young female artist pull off this extraordinary hoax? Why have so many female artists of the 18th century, like Ann Mary Provis, disappeared from view? And have women artists today finally achieved the same recognition as men? Producer: Jane Greenwood Historical consultant: Professor Rosalind Crone Readers: Clare Corbett and Jonathan Keeble Sound Design: Chris Maclean Executive producer: Kirsty Hunter A StoryHunter production for BBC Radio 4. If you're in the UK, listen to the newest episodes of Lady Killers first on BBC Sounds: https://bbc.in/3M2pT0K

28 min
NOV 18

38. Fanny Davies - Uncommon Thief

In this new series Lucy Worsley switches her attention from Lady Killers to Lady Swindlers - con women, thieves and hustlers. This is where true crime meets history - with a twist. Lucy and her team of all female detectives travel back in time to revisit the audacious and surprising crimes of women trying to make it in a world made for men. In this episode Lucy is investigating the life of Fanny Davies, a thief who will take everything you have, including your trousers. A pickpocket and prostitute, at the age of 20 in 1785 she pulled off the daring theft of a huge sum of money in an Essex pub which turned her into a national celebrity. Condemned to death for her crime, Fanny’s story was taken up by pamphleteers determined to profit from her story, and they embellished her life with tales of highway robbery and aristocratic seduction. With Lucy to explore Fanny Davies’ story is the Essex-born barrister Alexandra Wilson. They discuss the glamorisation of female criminals then and now. And consider the reasons why a woman such as Fanny turned to a life of crime, finding uncomfortable parallels with women in the criminal justice system today. Lucy is also joined by historian Rosalind Crone. They visit Southwark in South East London where Fanny grew up and learned her trade as a prostitute and pickpocket, and they travel to Tilbury in Essex where Ros reveals an extraordinary twist in Fanny’s tale. Lucy wants to know: why did Fanny’s story capture the 18th century public imagination so powerfully? How can we get behind the celebrity criminal to find out what Fanny Davies’ life is really like? And what does Fanny’s story tell us about the lives of female criminals today? Producer: Jane Greenwood Readers: Clare Corbett and Jonathan Keeble Sound Design: Chris Maclean Executive producer: Kirsty Hunter A StoryHunter production for BBC Radio 4. If you're in the UK, listen to the newest episodes of Lady Killers first on BBC Sounds: https://bbc.in/3M2pT0K

28 min
NOV 11

37. Madame Rachel - Beauty Scammer

In this new series Lucy Worsley switches her attention from Lady Killers to Lady Swindlers - con women, thieves and hustlers. This is where true crime meets history - with a twist. Lucy and her team of all female detectives travels back more than a hundred years to revisit the audacious and surprising crimes of women trying to make it in a world made for men. This time Lucy is in London telling the story of Madame Rachel - Sarah Rachel Russell - an utterly ruthless Victorian beauty scammer and blackmailer who promises her clients she will make them ‘beautiful for ever’. Madame Rachel’s exotic salon in Bond Street attracts the rich, and the posh, and – so she claims – the royal family. Her beauty products sell for outlandish prices. But when she turns to extortion and blackmail the full extent of her swindles are revealed. With Lucy to explore Madame Rachel’s story is the journalist and beauty editor Anita Bhagwandas, author of Ugly: Giving us back our beauty standards . They discover how Madame Rachel preys on the insecurities of women to sell her products, and how her notoriety fuels debates in Victorian England about the immorality of cosmetics and how much control women should have over their finances. Lucy is also joined by historian Professor Rosalind Crone. They visit the site of Madame Rachel’s salon in Bond Street, and London’s Central Criminal Court, the Old Bailey, where Madame Rachel’s career ended in disgrace – and where the truth about what was actually in her beauty products was finally revealed. Lucy wants to know: is Madame Rachel a pioneering Victorian businesswoman or is she the biggest beauty scammer of her day? And why are women today still in thrall to the beauty industry selling them promises of youth and beauty? Producer: Jane Greenwood Readers: Clare Corbett and Jonathan Keeble Singer: Olivia Bloore Sound Design: Chris Maclean Executive producer: Kirsty Hunter A StoryHunter production for BBC Radio 4. If you're in the UK, listen to the newest episodes of Lady Killers first on BBC Sounds: https://bbc.in/3M2pT0K

29 min
NOV 4

36. Sophie Lyons - Crime Doesn't Pay

In this brand new series Lucy Worsley switches her attention from Lady Killers to Lady Swindlers - con women, thieves and hustlers. This is where true crime meets history - with a twist. Lucy and her team of all female detectives travel back more than 100 years to revisit the audacious and surprising crimes of women trying to make it in a world made for men. In this episode Lucy is exploring Sophie Lyons, pickpocket, blackmailer and conwoman extraordinaire, known as the infamous Queen of the Underworld. Born in Germany in the late 1840s, aged 8 Sophie moves to New York, USA. She is taught from an early age to steal and pickpockets, and is in jail from the young age of 12. She becomes a career criminal, constantly crafting new schemes and disguises to make money. But in her later years, Sophie has a change of heart and encourages others to stay away from a life of crime such as hers. She even writes a book: ‘Why Crime Does Not Pay’. With Lucy to explore Sophie’s story is Guest Detective, Evy Poumpouras, former NYPD officer, criminal investigator, interrogator, and ex special agent with the US Secret Service. Being a first-generation American herself, Evy discusses Sophie’s experience as an immigrant in underworld New York and how women are drawn into crime to survive. Lucy is also joined by biographer Barbara Gray, who is writing a book on Sophie. Barbara visits the site of Sophie’s childhood home to tell us about what life was like as an immigrant in 1850s New York. And she explores the veracity of Sophie’s memoirs, asking the question - how much can we trust her? Lucy wants to know: is Sophie’s reform genuine, or just another scheme to make money? Can a career criminal ever truly give up crime? Producer: Hannah Fisher Readers: Laurel Lefkow and Jonathan Keeble Sound Design: Chris Maclean Executive producer: Kirsty Hunter A StoryHunter production for BBC Radio 4. If you're in the UK, listen to the newest episodes of Lady Killers first on BBC Sounds: https://bbc.in/3M2pT0K

28 min
OCT 28

35. Women Who Dare

Lucy Worsley, historian Professor Rosalind Crone and author and journalist Helen Lewis, explore the lives of four notorious Lady Swindlers. They’ll be discussing underworld boss Tilly Devine, fake heiress Violet Charlesworth, queen of shoplifting Alice Diamond and fake Princess Mary Baker a.k.a. “Princess Caraboo”. These women - through cunning and bravado - carve out notorious reputations and leave unforgettable legacies that we’re still talking about today. Lucy and her guests imagine what our Lady Swindlers lives would look like now. Would they have become internet famous and built personal brands? Or would their audacity led to them being cancelled? They also discuss how our swindlers manipulate perceptions and navigate their world to live the lives they dreamed of, unapologetically. From Princess Caraboo's elaborate cosplay and Violet Charlesworth’s audacious lifestyle to Tilly Devine's criminal empire, the series paints a vivid picture of women who dared. Producer: Riham Moussa Readers: Clare Corbett and Jonathan Keeble Sound Design: Chris Maclean Executive producer: Kirsty Hunter A StoryHunter production for BBC Radio 4 If you're in the UK, listen to the newest episodes of Lady Killers first on BBC Sounds: https://bbc.in/3M2pT0K

29 min
OCT 21

34. Violet Charlesworth - Fake Heiress

In this episode of Lady Swindlers, Lucy Worsley meets Violet Charlesworth, an heiress with a taste for the high life. From her family home in North Wales, Violet drives the length and breadth of the country in her expensive motorcars, accompanied by pedigree pooches and dripping with diamonds. Lucy asks: is there more to her than meets the eye? She is joined by iconic crime writer Denise Mina (‘Garnethill Trilogy’, ‘Three Fires’) and Lady Swindlers in-house historian Professor Rosalind Crone to find out all about Violet’s prodigious spending habit and looming debts. The whole country is shocked when, late one night in January 1909, Violet loses control of her car on her way home from Bangor. It looks like she’s hit the wall that lines the coast road and shot through the windscreen and down the cliff face, but there is no sign of her body and her family are apparently unconcerned. Lucy’s investigative trio look at the wall-to-wall media coverage of Violet’s disappearance. They hear from Welsh historian Elin Tomos at the crash site, which is still known as Violet’s Leap, and at the Charlesworths’ house, Bôd Erw in the village of Llanelwy/St Asaph. They consider the new freedoms women were exploring at the beginning of the early 20th century and the idea of the New Woman – independent, educated and openly feminist. Together, they ask: what motivated this audacious woman? Can we sympathise with her? Was she, truly, a woman ahead of her time? Producer: Sarah Goodman Readers: Clare Corbett, Iwan Fôn and Jonathan Keeble Location Historian: Elin Tomos Sound Design: Chris Maclean Executive producer: Kirsty Hunter A StoryHunter production for BBC Radio 4. If you're in the UK, listen to the newest episodes of Lady Killers first on BBC Sounds: https://bbc.in/3M2pT0K

28 min

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HISTORY

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Lucy Worsley

Host

4.7

out of 5

424 Ratings

Feminist perspective 👍

Jul 6

KateJessie

Wonderful podcast. Folks, right in the description it describes this podcast as a “feminist perspective.” If that threatens you and creates upset in your fragile selves just skip it.
Elizabeth Taylor Serial Abortionist episode

Aug 16

ehfjejfjejd

I was enjoying this podcast until episode # 13. I don’t appreciate being labeled a white supremacist because I’m a white American and pro-life. We can all have differing opinions on many moral and political topics without resorting to false and inaccurate labels.
Presenter is terrible

Aug 7

oldjohnhall

Could not have chosen a worse presenter. The show is Impossible to listen to. The host Sounds like she’s an eleven year old with a mouthful of marbles, can’t understand a word. Just awful. Awful.
Have loved all but one.

Mar 24

Lol. Lol

I absolutely love this show except for the Alice Mitchell episode, which I couldn’t even finish. Please, please stick to having historians, forensic experts, and criminal attorneys etc. on. I was so disappointed that for an episode about a lesbian couple that you chose an activist. Her commentary was a complete opinion piece and strayed from your usual formula. She sounded unprofessional, and this seemed more like a political piece than an episode of Lady Killers.