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In this Issue

Table of Contents

  1. Traumatic Spectacles: Recent Latin American Drama and Performance
  2. Sarah M. Misemer
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/scr.2013.0023
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  1. Absence and Pain in the Work of Doris Salcedo and Rosemberg Sandoval
  2. Gastón Alzate, Marcia Olander
  3. pp. 5-20
  4. DOI: https://doi.org/10.1353/scr.2013.0025
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  1. It's Still Life: Trauma and Performance in Eduardo Adrianzén's Respira
  2. Gail A. Bulman
  3. pp. 21-39
  4. DOI: https://doi.org/10.1353/scr.2013.0027
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  1. Remapping Memory Discourses: Villa+Discurso by Guillermo Calderón
  2. Paola S. Hernández
  3. pp. 61-82
  4. DOI: https://doi.org/10.1353/scr.2013.0029
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  1. A Malvinas Veteran Onstage: From Intimate Testimony to Public Memorialization
  2. Brenda Werth
  3. pp. 83-100
  4. DOI: https://doi.org/10.1353/scr.2013.0030
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  1. Staging Trauma in La persistencia by Griselda Gambaro
  2. Sharon Magnarelli
  3. pp. 101-124
  4. DOI: https://doi.org/10.1353/scr.2013.0022
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  1. Tragedy and Trauma: Antígona oriental de Marianella Morena
  2. Sarah M. Misemer
  3. pp. 125-142
  4. DOI: https://doi.org/10.1353/scr.2013.0024
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  1. Finding Peace by Chile's Troubled Waters: Breaking the Dam of Memories in Ariel Dorfman's Widows
  2. Michael "Raúl" Brown
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/scr.2013.0028
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  1. Notes on Contributors
  2. pp. 143-144
  3. DOI: https://doi.org/10.1353/scr.2013.0026
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