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Citadel: Honey Bunny, an Indian spinoff in Amazon Prime Video's Citadel universe, attempts to build on the espionage-thriller foundation set by its parent series. With Raj & DK at the helm and a promising cast led by Varun Dhawan and Samantha Ruth Prabhu, the series holds some potential but ultimately misses its mark. Raj & DK bring their signature style to the direction. After the intriguing setup, the plot progresses in a way that's more expected than exciting, failing to bring the fresh, high-stakes energy audiences might anticipate from a spy drama.

The series oscillates between two timelines, 1992 and 2000, following Honey and Bunny, played by Varun Dhawan and Samantha Ruth Prabhu, who portray the parents of Priyanka Chopra's character from the original series. Initially, Citadel: Honey Bunny offers well-crafted backstories for the lead characters, drawing viewers into their world with a strong start. However, as the story unfolds, it becomes sluggish and predictable, lacking the twists and depth essential for an engaging espionage thriller. One area where Citadel: Honey Bunny shines is its action. The sequences are well-choreographed. John's cinematography captures the action sequences effectively, adding a layer of visual appeal that complements the series' ambitious themes.

Varun Dhawan impresses with his portrayal, particularly in the emotional scenes. Samantha Ruth Prabhu is equally gripping as Honey, delivering a performance full of intensity. Together, they execute the heavy-duty action scenes with commendable skill. The supporting cast offers additional highlights. Shivankit Singh Parihar is impressive. Kay Kay Menon is outstanding. Kashvi Majmundar performance is both adorable and impressive. While the performances are praiseworthy, the show's sluggish pacing and predictable plot make it a less-than-thrilling watch. Only action sequences and cinematography are notable highlights.

Raj and DK bring style, but the story feels predictable and lacks the edge you'd expect in a spy thriller. Impressive performances by Varun & Samantha, plus great action and cinematography, bring some excitement, but the sluggish pacing holds it back.

Direction 3/5 Acting 3/5 Action 3/5 Story 2.5/5 Screenplay 2/5.

Singham Again is the latest addition to the Cop Universe, but sadly, it proves to be the weakest link in the Singham series & Cop Universe. Attempting to intertwine the world of action with themes from the Ramayana, the film struggles with forced symbolism, resulting in an experience that falls short of the franchise's previous energy. The movie's major misstep lies in its overdone integration of the Ramayana. The connection between the characters and Ramayana is predictable, making the plot feel rushed. Ravi Basrur and Thaman S' music disappoints. The background score rarely enhances the action or drama, with no memorable themes to elevate pivotal scenes.

While Rohit Shetty manages the multi-starrer cast effectively, the story and character arcs lack depth. His direction here feels average, lacking the punch and inventiveness he's known for. The first half of the film is notably weak, with predictable storytelling and uninspired action sequences. However, Ranveer Singh's entry as Simmba post-intermission does bring a welcome burst of energy. His punchlines offer some much-needed comic relief. Some of the action sequences do stand out in second half.

When it comes to performances, Singham Again is a mixed bag. Ajay Devgn delivers a solid but standard portrayal of Singham. Deepika Padukone, stepping in as Lady Singham, fails to make an impression, as her character is underutilized with only a few select scenes. Ranveer Singh, in contrast, brings his usual flair, overshadowing the ensemble with his comic timing. Akshay Kumar makes his expected helicopter entry and sticks to his typical action-packed style. Tiger Shroff is mostly limited to action sequences with minimal dialogue. Arjun Kapoor as the villain lacks the menace required, failing to deliver a convincing antagonist. Kareena Kapoor Khan, Shweta Tiwari, and Dayanand Shetty, all deliver average performances. The movie's ending, featuring a cameo from Salman Khan as Chulbul Pandey, is one of the few moments that generate genuine excitement, hinting at more crossovers in Shetty's Cop Universe.

Fans might enjoy the star-studded ensemble and action scenes, but for anyone looking for a substantial story or compelling character development, Singham Again might just be a disappointment.

Direction 2.5/5 Acting 2.5/5 Action 3/5 Story 2/5 Screenplay 2.5/5.

The third installment in the Bhool Bhulaiyaa series, Bhool Bhulaiyaa 3, misses the mark, delivering a story that lacks freshness, thrill, and charm. Unfortunately, the film does little to live up to the legacy of the original Bhool Bhulaiyaa or even its recent sequel, Bhool Bhulaiyaa 2. Despite a promising premise, the screenplay is weak and fails to engage the audience effectively. Despite the cast and franchise name, this film ends up being a forgettable addition that lacks the soul and charm of Bhool Bhulaiyaa 1.

Anees Bazmee's direction is surprisingly average for a filmmaker known for his comedic timing and experience in the genre. One of the major disappointments is the humor quotient. The film's predecessors balanced horror and comedy. For a franchise that thrives on blending spookiness with laughter, the lack of effective humor is a letdown. The climax of Bhool Bhulaiyaa 3 does bring an unpredictable element to the table, which might catch a few viewers by surprise. However, many might find it a forced attempt to inject drama, falling short of leaving a memorable impact.

The film's greatest waste lies in its talented supporting cast. With seasoned comedians like Vijay Raaz, Rajpal Yadav, Ashwini Kalsekar, Sanjay Mishra and Rajesh Sharma on board, one would expect sharp wit and unforgettable moments. Yet, the script doesn't give them much to work with. Kartik Aaryan, reprising a similar role, delivers a standard performance that lacks variation from his previous work. Madhuri Dixit and Triptii Dimri's presence adds little to the story, as they are unable to make a significant impact. Vidya Balan, however, stands out as one of the few who brings genuine effort to her role, though even her talent feels somewhat restricted by the weak script.

Direction 2.5/5 Acting 2.5/5 Dialogues 2/5 Story 1.5/5 Screenplay 1.5/5.

Vicky Vidya Ka Woh Wala Video is a film that starts with promise but fizzles out due to weak storytelling and direction. It tries to be a complete fun entertainer but falls short of delivering a consistently entertaining experience. While it starts off on a high note with funny dialogues and one-liners, the film suffers from a lack of story and a sloppy screenplay, making it a tale of two halves-one that entertains and one that irritates. The makers' attempt to include horror-comedy scenes, especially the homage to the hit film "Stree," was a major letdown. What should have been a clever nod turned out to be a sequence that didn't quite fit and left the audience disappointed.

Writer-director Raj Shandilya, who made a name for himself with comedy hits like "Dream Girl" and "Dream Girl 2," demonstrates his knack for humor in the first half of this film. The opening half is a riot-every joke lands, the punchlines hit the mark. The dialogue is sharp, and the chemistry between the lead characters is fun to watch. However, the fun doesn't last long. As soon as the second half begins, the film loses its charm. The plot centers around the search for 'that CD,' but after a while, this chase becomes repetitive and boring. The film could have easily been cut by 15 minutes with some tighter editing.

Rajkummar Rao shines in the comic sequences, his impeccable timing elevating the humor. Triptii Dimri supports him well, but her character feels underdeveloped. She had the potential for more, but the script fails to give her enough depth. One of the brighter spots in the film is Mallika Sherawat, making a brilliant comeback. Vijay Raaz and Tiku Talsania, did their best to inject life into their roles and bringing genuine laughs. Rakesh Bedi and Archana Patel are terrific in their respective roles. It's a treat to see Mast Ali, famous for his Hyderabadi comedy films, in a Hindi movie. He adds a unique flavor to the comedy. However, even all these strong performance can't save the film from its weak narrative.

Direction 2.5/5 Acting 3/5 Dialogues 3/5 Story 2/5 Screenplay 2/5.

Directed by Vasan Bala, Jigra centers around the powerful bond between a sister and her brother, with the sister, played by Alia Bhatt, willing to go to any lengths to protect him. While this emotional core keeps the film anchored, it struggles with ambiguity in the storyline and an unsatisfactory stretched climax. The mismatch between content and execution in the second half weakens the overall impact of the film.

One of the film's strongest aspects is its cinematography. The screenplay is engaging for the most part, especially in the first half. Vasan Bala's direction keeps you invested as the film consistently maintains its tone. However, there are several loose ends and narrative gaps that undermine the storytelling. The linear nature of the plot also restricts the film from exploring its full potential, making it feel one-dimensional despite its emotional depth.

Alia Bhatt once again delivers a standout performance, fully embodying the role of a protective sister. Her portrayal is intense, emotional, and nuanced, making it easy for the audience to connect with her character's struggles. She particularly shines in the emotional scenes, demonstrating once again why she is considered one of the best actresses of her generation. Vedang Raina is standing out with a performance that complements Alia's. He shines throughout the film, proving himself to be a talent to watch in the future. Manoj Pahwa, as expected, is dependable and adds gravitas to his supporting role. Vivek Gomber is terrific as villain. Others are fine in their respective roles.

Direction 3/5 Acting 3/5 Dialogues 2.5/5 Story 2.5/5 Screenplay 2.5/5.

Despite stylish direction and good performances, Yudhra is let down by poor writing, forgettable music, and weak storytelling. It falls flat due to weak screenplay and a lack of coherence in its execution. Directed by Ravi Udyawar, the movie starts with promise but quickly devolves into a long, bumpy ride that leaves viewers dejected and exhausted by its 142-minute runtime. While the action is visually engaging, it can't save the lackluster script, which lacks depth and clarity.

The cast delivers commendable performances, with Siddhant Chaturvedi standing out as a convincing action hero. His physicality and commitment to the role are apparent. Malavika Mohanan delivers a fine performance as well, particularly in the action scenes where she shines. Raghav Juyal, while stronger in his previous roles in "KILL" and the thriller series "Gyaarah Gyaarah," plays a terrific villain here, even though the film's writing doesn't do him justice. Supporting actors like Gajraj Rao, Raj Arjun, and Ram Kapoor are solid in their respective roles.

The dialogue feels forced and the screenplay is equally weak, meandering aimlessly without a clear sense of direction or purpose. Unfortunately, the editing does little to remedy this, and tighter cuts could have significantly improved the flow of the story. The music is another letdown. Quite forgettable, the songs fail to leave any lasting impact and feel out of place. With poor music and a sluggish script, the film struggles to find its rhythm.

Direction 2.5/5 Acting 2.5/5 Dialogues 2/5 Story 1.5/5 Screenplay 1.5/5.

After a long wait of nearly six years, Stree 2, the much-anticipated sequel to the 2018 horror-comedy Stree, has finally arrived in theaters, and it does not disappoint. The makers have successfully recaptured the magic of the original, blending humor and horror in the perfect ratio to deliver a thrilling and highly entertaining film. With its stellar performances, engaging story, and top-notch technical execution, the film sets a high standard for future installments in what promises to be an exciting cinematic franchise.

Niren Bhatt's story is the backbone of Stree 2, and he skillfully takes the tale of Stree forward. The narrative is well-constructed, filled with ample doses of comedy and unexpected twists that keep the audience hooked. Niren Bhatt's tight screenplay is one of the film's highlights, a clever blend of witty dialogues, humorous punchlines, and engaging character interactions. Amar Kaushik returns to direct the sequel and his direction is sharper & more confident this time. He skillfully blends elements of horror and comedy, a genre mix that's notoriously tricky to pull off. Kaushik ensures that the horror sequences have genuine chills, while the comedic moments land perfectly, often in the same breath.

Stree 2 runs for 149 minutes, and every second is packed with entertainment. Once again, the musical duo Sachin-Jigar has delivered chartbuster tracks. The songs are catchy. Justin Varghese's background score is apt for the genre, enhancing the suspenseful and spooky atmosphere. On the technical front, Digital Domain's VFX work is world-class, making the supernatural elements feel convincing and impactful. Hemanti Sarkar's editing ensures the film remains crisp, with no dull moments dragging the pace.

Rajkummar Rao reprises his role and the performance is once again the heart of the film, making his character both endearing and hilarious. Shraddha Kapoor with her effortless charm, seamlessly blends mystery with a hint of mischief. Pankaj Tripathi is a scene-stealer with his impeccable comic timing and witty one-liners. Aparshakti Khurana shines, especially in the first half, bringing his unique style of humor to the table. Abhishek Banerjee continues to excel in his role. The cameos by Akshay Kumar and Varun Dhawan are delightful surprises that hint at an exciting future for this developing "monsterverse."

For those eagerly waiting, be sure to stay until the end-there's not only a post-credits teaser but also two songs before the final credits roll. The monsterverse is just getting started, and if this sequel is any indication, we're in for a thrilling ride ahead.

Direction 4.5/5 Acting 4/5 Dialogues 4/5 Editing 3.5/5 Screenplay 4/5.

Gyaarah Gyaarah 11:11 blends mysticism, science, and mystery across different decades, creating a narrative that keeps viewers on the edge of their seats. The screenplay is one of the highlights, effectively weaving multiple storylines together without losing the audience. Despite spanning eight episodes, the series never feels slow or dragged out, thanks to the constant progression of the plot.

Umesh Bist's direction is a standout, handling the complex, non-linear storytelling with finesse. The series frequently shifts between different timelines, but Bist ensures that the narrative remains clear and engaging, never confusing the viewer. The sequences where Yug and Shaurya communicate through a walkie-talkie are particularly well-crafted, adding layers of suspense. The dialogues by are grounded and natural, contributing to the authenticity of the characters and their interactions.

Performance-wise, Raghav Juyal shines brightly, continuing his impressive streak after his impressive role in the film KILL. Kritika Kamra and Dhairya Karwa also deliver commendable performances, holding their own in this complex narrative. Brijendra Kala, Mukti Mohan, and Sachin Kumar offer some of their finest performances. Harsh Chhaya and the rest of the supporting cast also play their parts well.

In conclusion, "Gyaarah Gyaarah 11:11" is a unique and compelling series for fans of mystery and science fiction, offering a refreshing take on genre-blending storytelling.

Phir Aayi Hasseen Dillruba attempts to recapture the magic of its predecessor, "Hasseen Dillruba," but falls short in delivering the same level of thrill and intrigue. While the movie does offer its share of some twisted turns, it lacks the gripping intensity that made the first part so memorable.

The love story is even more twisted than before, but unfortunately, the script this time is more predictable. Kanika Dhillon's writing starts strong, drawing viewers in with an engaging beginning, but as the film progresses, the narrative loses its momentum. The second half of the movie, in particular, feels messy and lacks the sharpness needed to sustain interest.

However, the film does shine in the performances of its cast. Taapsee Pannu once again proves her mettle, delivering an impressive performance that anchors the film. Vikrant Massey, too, impresses with his fine portrayal. The addition of Sunny Kaushal is a pleasant surprise, as he delivers a strong performance that stands out. Jimmy Sheirgill, in a supporting role, is as dependable as ever.

Direction 2.5/5 Acting 3/5 Dialogues 2.5/5 Story 2.5/5 Screenplay 2/5.

Auron Mein Kahan Dum Tha, directed by Neeraj Pandey, is a film that unfortunately misses the mark on several fronts. Expectations from a director like Neeraj Pandey are undoubtedly high, but here they are disappointingly unmet. Despite having a big star cast, the movie turns out to be a slow and lackluster experience. The film's core revolves around a typical romantic narrative, intertwining the past and present in a slow-burn exploration of love and loss. However, the story lacks substance and novelty, leading to a predictable climax that fails to surprise or engage the audience. The major twist and crime revelation, which are supposed to be the high points of the film, offer nothing new and fall flat.

The screenplay is one of the weakest aspects of the film. Despite having a stellar cast, the actors are not given enough material to shine. Ajay Devgan, Tabu, and Jimmy Shergill are wasted in their roles. The dialogues, although deep, cannot salvage the film in the absence of a strong script. The film's length and editing are major drawbacks, with certain flashback scenes being shown repeatedly, irritating viewers and making the film feel unnecessarily repetitive. One of the standout elements of the film is MM Kreem's music and background score. The lyrics by Manoj Muntashir and the music by Keeravani are excellent, providing some respite in an otherwise tedious film.

Ajay Devgan, as always, tries his best with his expressive eyes and delivers a good performance. However, even his strong acting cannot save a weak story. Tabu delivers a mature performance, capturing the complexities of a woman haunted by her past. The chemistry between Ajay Devgan and Tabu adds some depth to the film's emotional core. Saiee Manjrekar also gives an equally good performance, while Jimmy Shergill, despite having a short role, leaves an impact. Jay Upadhyay is commendable in a supporting role.

"Auron Mein Kahan Dum Tha" is a film that suffers due to its weak screenplay, predictable storyline, and repetitive editing. Despite strong performances from its cast and a standout musical score, the film fails to engage or leave a lasting impression. This is one that even die-hard fans of the lead actors might find hard to sit through.

Sarfira is an engaging and inspiring tale that showcases Sudha Kongara's writing prowess as one of the major highlights of the film. Sarfira is a scene-to-scene rehash of the original "Soorarai Pottru,", with the primary location shifted from a village in Tamil Nadu and Chennai to a hamlet in Maharashtra and Mumbai. The character names have been changed accordingly, but everything else remains the same.

If you have seen "Soorarai Pottru," on Amazon Prime, "Sarfira" won't offer any new surprises. However, for those who haven't seen the original and are fans of Akshay Kumar, it is worth watching for its inspirational narrative and strong performances. The film is filled with entertaining and dramatic moments that maintain interest. However, it falters in places, especially in the second half. The film could have benefited from a tighter edit and fewer songs to keep the story's momentum intact.

Akshay Kumar carries the film with a heartfelt and emotional performance. Radhikka Madan shines with a strong and confident portrayal. Seema Biswas and Anil Charanjeett stand out with their remarkable supporting act. Paresh Rawal is exceptional as the antagonist, reprising his role from the original version. Despite their brief screen time, Ravi Khanvilkar, Prakash Belawadi, and R. Sarath Kumar make a notable impact. Saurabh Goyal, Krishnakumar Balasubramanian, Jay Upadhyay, and other supporting actors were fine. Suriya's cameo was superb.

Direction 3/5 Acting 3/5 Editing 2.5/5 Story 3.5/5 Screenplay 3/5.

Wild Wild Punjabi is a decent entertainer that delivers on its promise of wild humor. It offers a good dose of laughter and entertainment, thanks to its talented cast and humorous dialogues. The film's title accurately reflects the chaotic journey it portrays, but while the comedy shines, the script leaves much to be desired. The dialogues are only a saving grace here. The film excels in creating a few laugh-out-loud moments that keep the audience engaged.

The direction by Simarpreet Singh manages to capture the wildness of the characters' journey. The plot follows a group of friends on a maddening road trip across Punjab, from Patiala to Pathankot, with the mission to help Khanne move on from his ex-girlfriend by crashing her wedding. Their goal is to dramatically declare, "I am over you," to Khanna's ex, who is now marrying their boss.

Varun Sharma stands out with his impeccable comic timing. His delivery of dialogues and punches are spot-on, making him the highlight of the film. Sunny Singh adds to the madness with an impressive performance, while Manjot Singh also shines with his mature performance. Jassie Gill, Patralekha and Ishita Raj deliver decent performances. Gopal Datt and Rajesh Sharma are hilariously entertaining.

Direction 2.5/5 Acting 3/5 Dialogues 3/5 Story 2.5/5 Screenplay 2.5/5.

Kill may not be suitable for the faint-hearted but those who appreciate visceral and raw cinema will find the movie to be an unforgettable cinematic experience. One of the standout features of the film is its action choreography, masterfully executed by Se-Yeong Oh and Parvez Shaikh. The brilliantly executed action choreography and camera movement keep you hooked.

The movie is gripping and its intense action sequences hold your attention from start to finish. Nikhil Nagesh Bhat has crafted a film that pushes the boundaries of the genre on Indian screens. From the beginning, the film grabs your attention with a fast-moving storyline. The sheer brutality and rawness of the action make "Kill" a unique viewing experience.

Lakshya makes a confident debut, establishing himself as a convincing action hero. He delivers a standout performance, particularly excelling in the film's demanding action sequences. Raghav Juyal also impresses with solid performance. Tanya Maniktala shines with her screen presence. Known for her cuteness and good acting, she continues to impress. Abhishek Chauhan, Ashish Vidyarthi, and other supporting actors played their parts well.

Direction 3.5/5 Acting 3.5/5 Action 4.5/5 Dialogues 2.5/5 Screenplay 2.5/5.

Kalki AD 2898 is one of the most anticipated projects of the year, combining Indian mythology with futuristic filmmaking to create a unique concept of mythological science fiction. Directed by Nag Ashwin, the film ambitiously explores this genre fusion but ultimately falls short of being a groundbreaking film. While the music could have been better, the background score is undeniably impactful. The screenplay struggles to maintain momentum, though the editing is good, and the VFX are top-notch. Despite its flaws, Kalki AD 2898 offers a unique and compelling experience, unlike anything seen in Indian cinema, leaving the audience eager for the next installment.

With a runtime of 181 minutes, the first half is dedicated to setting up the story. Unfortunately, it drags with many dull scenes and lacks high points, making it slow and boring. Most of the attempted humor falls flat, and many portions appear stretched. However, the second half improves, culminating in a strong 20-minute climax. The visuals are extraordinary, and the action sequences between Prabhas and Amitabh Bachchan are brilliantly choreographed, forming the highlight of the film. Their face-off in the climax are delight for action lovers.

Prabhas delivers an impressive performance, showcasing his real potential. However, it is Amitabh Bachchan who truly shines. As Ashwatthama, the oldest human alive from the Kurukshetra war, Bachchan's screen presence, dialogue delivery, and overall performance are outstanding. Kamal Haasan's limited screen time is impactful, while Deepika Padukone, Saswata Chatterjee, and Anil George perform well. Disha Patani's role feels wasted, and while some cameos are good, others could have been better.

Direction 3/5 Acting 3.5/5 VFX 3.5/5 Story 2.5/5 Screenplay 2.5/5.

Chandu Champion is more than just a sports biopic. It is a celebration of resilience, determination, and the human spirit. The film is an inspiring tale of an extraordinary individual, Murlikant Petkar, India's first-ever Paralympics gold medallist and a Padma Shri recipient. With its pacy narrative, engaging screenplay, and heartwarming scenes, Chandu Champion is undoubtedly a must-watch. This film is a touching tribute to a true champion.

Directed by Kabir Khan, who has a knack for extracting the best out of his actors, Chandu Champion stands out as another testament to his directorial prowess. Just as he brought out stellar performances from Salman Khan in Bajrangi Bhaijaan and Ranveer Singh as Kapil Dev in '83, Kabir Khan has masterfully guided Kartik Aaryan in portraying Petkar. The film vividly brings to life the three sporting arenas that shaped Petkar's journey - a village wrestling pit, a Military Games boxing ring, and a Paralympic swimming pool.

Kartik Aaryan delivers award-winning and his career-best performance. He completely immerses himself in the character of Murlikant Petkar, delivering an outstanding performance. His physical transformation for the role is commendable, and he brings an emotional depth that resonates with the audience. Vijay Raaz gives a powerful performance. His emotional portrayal during Petkar's climactic win might leave you with moist eyes. Rajpal Yadav adds a touch of humor with his lighthearted moments. Yashpal Sharma, Bhuvan Arora, Shreyas Talpade, and other supporting actors also deliver impressive performances.

Direction 4/5 Acting 4.5/5 Dialogues 3/5 Story 4.5/5 Screenplay 4/5.

Mr. & Mrs. Mahi is a film that positions itself as a family-friendly offering with a story that aims to appeal to a wide range of audiences. A film with an interesting story on paper that fails to translate into a compelling cinematic experience. While the premise promises an engaging blend of sports and relationship drama, the execution leaves much to be desired, resulting in a movie that feels half-hearted and unsatisfying.

One of the film's few saving graces is its cast. Rajkummar Rao delivers a natural and convincing performance. Janhvi Kapoor, though not outstanding, puts in a commendable effort, with her dedication to her role and the sport of cricket evident on screen. Zarina Wahab also manages to shine in her limited screen time. Kumud Mishra and Rajesh Sharma were fine in their roles.

The story, though brimming with potential, suffers from a screenplay riddled with loose ends. The movie becomes predictable, juggling between cricket and jealousy without fully committing to either. However, the cricket sequences lack the necessary thrill and excitement, falling flat and failing to capture the intensity of the sport. Musically, the film falls short of delivering chart-topping hits, but the songs are well-integrated into the narrative.

Direction 2.5/5 Acting 3/5 Music 2.5/5 Story 3/5 Screenplay 2.5/5.

Munjya, the latest entrant in the horror-comedy universe, offers a blend of spooky thrills and light-hearted moments, though it falls short of the standards set by "Stree" and "Bhediya." But, it still manages to be a marginally better watch than "Roohi." Munjya is not the perfect horror comedy, but it brings something new to the table. A blend of horror and comedy is well supported by some effective CGI work that brings the ghostly elements to life.

Directed by Aditya Sarpotdar, who is known for his impressive work in Marathi cinema, "Munjya" stands out with its unique script and engaging narrative. The film's story, while intriguing, is somewhat let down by its uneven execution. The first half has a few loose ends that might leave audiences scratching their heads, but the second half picks up the pace, delivering a captivating experience. Saurabh Goswami's cinematography successfully creates a spooky atmosphere that complements the film's tone. The background music score and VFX are other highlights.

The cast of Munjya delivers commendable performances, despite the film's weaker star power compared to its genre counterparts. Abhay Verma shines as Bittu, convincingly portraying the character's fear. Sharvari impresses with her acting too. Sathyaraj, as the quirky godman, delivers an amusing performance, and Taranjot Singh provides many laughs as well. Mona Singh, though given limited screen time, is effortlessly impactful in her scenes. One of the film's highlights is its end-credit scene, following the Taras song. Do not miss it!

Direction 3/5 Acting 3/5 Cinematography 3.5/5 Story 3/5 Screenplay 2.5/5.

Srikanth is a cinematic gem that deserves to be seen and celebrated. Srikanth embarks on a heartfelt journey that resonates deeply with its audience. The film not only entertains but also enlightens, shedding light on the challenges faced by individuals with disabilities in a society rife with obstacles. Directed by Tushar Hiranandani, the narrative effortlessly navigates through the highs and lows of Srikanth's life, leaving an indelible mark on viewers.

The first half sets the stage, immersing us in Srikanth's world as he defies odds and pursues higher education in US. The portrayal of his struggles, especially against the backdrop of an unforgiving education system, strikes a chord. In the second half, the film delves deeper into the harsh realities of the job market for the physically disabled. The incorporation of a political twist adds layers to the narrative. While the film's music may not reach the heights of its other aspects, the background score effectively enhances the emotional resonance of key moments.

Rajkummar Rao's portrayal of the titular character deserves an award, showcasing his versatility and acting prowess. His nuanced performance captures the essence of Srikanth's journey, earning him accolades and applause. Jyothika shines as Devika, Srikanth's teacher & mentor. Alaya F and Jameel Khan was decent. Sharad Kelkar impresses as Ravi Mantha, the investor who believes in Srikanth's vision.

Direction 3.5/5 Acting 4/5 Dialogues 3/5 Story 3.5/5 Screenplay 3.5/5.

Love, Sex Aur Dhokha 2 attempts to capture the essence of modern-day struggles through three interconnected narratives set in the age of social media. However, despite its unique premise, the film miserably failed to deliver an engaging storyline, resulting in a tedious and disappointing viewing experience. LSD 2 isn't a film, it's a joke. It's so bad that no matter how hard you try, you won't be able to sit through the whole thing.

Divided into three segments - Love (Like), Sex (Share), and Dhokha (Download) - the film follows the lives of individuals grappling with validation and identity in the digital era. From the story of Noor, a transwoman navigating the pitfalls of reality TV, to Kulu, a transgender sex worker striving for acceptance, and a YouTuber obsessed with subscriber counts, the film explores varied themes but fails to weave them into a cohesive narrative.

LSD 2 is an exhausting watch, with all three segments failing to sustain interest or engagement. Director Dibakar Banerjee's vision feels weak, unable to effectively translate the potential of the premise onto the screen. Despite the efforts of the cast, the film's terrible execution falls flat. The screenplay is convoluted, leaving viewers bewildered and struggling to follow the disjointed plotlines.

Direction 1/5 Acting 1.5/5 Editing 0.5/5 Story 1.5/5 Screenplay 0.5/5.

Do Aur Do Pyaar attempts to navigate the complexities of modern marriages. While the film ambitiously delves into the realities of relationships teetering on the brink, it falls short of delivering a compelling narrative. The dragged screenplay blends realism with humor and drama, which falters in the second half.

The movie offers glimpses of brilliance, particularly in its performances and initial setup, but its inability to sustain momentum and pacing issues ultimately relegate it to mediocrity. Despite the promising premise, pacing issues hinder the overall viewing experience. The film struggles to maintain engagement, with scenes often overstaying their welcome.

In terms of performances, Vidya Balan shines with her portrayal, delivering a nuanced and emotive performance. Pratik impresses as well, showcasing palpable chemistry with Balan. Ileana D'Cruz handles her role with ease, although the same cannot be said for Sendhil Ramamurthy, whose portrayal comes across as average.

Direction 2/5 Acting 3/5 Dialogues 2/5 Story 2.5/5 Screenplay 2/5.

Maidaan is a riveting sports drama that brings to light the untold story of Syed Abdul Rahim, the man behind India's triumph at the Asian Games. Director Amit Sharma masterfully guides the audience through the world of football in India during the 1950s and 1960s. The cinematography and AR Rahman's evocative background score add to the overall charm of the movie.

While the movie starts at a slightly leisurely pace, it quickly picks up momentum as we delve into the game strategies and discussions between Syed and the Football committee. Although the film's runtime could have been shortened, it is essential for the comprehensive build-up and understanding of the football scenario in India back then. The second half is an exciting ride, with the last 45 minutes being particularly captivating and elevating the film to new heights. The football match sequences are undoubtedly the best part of the film, and they are executed with precision and excitement.

Ajay Devgn delivers an outstanding, award-worthy performance as Syed Abdul Rahim, capturing the essence of the character with ease. Priyamani was decent. Gajraj Rao also impresses with his portrayal of the supporting character. The young actors playing the football players, including Chaitanya Sharma, Amartya Ray, Tejas Ravishankar, Aaman Munshi, and Davinder Gill, among others, deliver remarkable performances that bring authenticity to the film. The movie concludes on a high note of sentimentality, with the end credit scenes featuring the real-life players adding an emotional touch to the narrative.

Direction 4/5 Acting 4.5/5 Editing 3.5/5 Story 4/5 Screenplay 4/5.

Madgaon Express is not just a movie, it's a whirlwind of madness that takes you on a thrilling journey through the chaotic yet amusing world of drugs, the mafia, and the police. Directed by Kunal Kemmu, this film is a mass entertainer that promises non-stop fun for the entire family. His direction deserves applause for keeping the film's energy levels high and ensuring that the laughter never fades away.

The film's plot revolves around our protagonists getting entangled in a web of drugs, mafia, and law enforcement, setting the stage for a series of hilarious escapades. The screenplay is peppered with witty dialogues that keep the audience in splits throughout the film. There's never a dull moment as the narrative unfolds with one uproarious scene after another.

The stellar cast, led by Divyenndu, Pratik Gandhi, Avinash Tiwary, Upendra Limaye, and Chhaya Kadam, delivers brilliant performances. However, Nora Fatehi remains merely an eye candy, while Remo D'Souza's supporting role adds a decent touch to the ensemble. This film will leave you with a smile on your face and a desire to hop aboard the "Madgaon Express" once again.

Direction 3.5/5 Acting 3.5/5 Comedy 4/5 Story 3/5 Screenplay 3.5/5.

Swatantrya Veer Savarkar struggles to make a lasting impact despite the commendable performance by Randeep Hooda due to his mediocre direction and inconsistent execution. A biopic spanning over a century of India's history, the narrative ambitiously covers key events from Savarkar's life, from the pre to post-independence era.

The portrayal of Savarkar's endurance through years of torture in the cellular jail stands out as one of the film's most poignant aspects. Additionally, the depiction of his family's contributions to the freedom struggle, the formation of the secret society Abhinav Bharat, and the activities at India House are well-executed. Despite its ambitious scope, the film fails to do justice to the remarkable life of Veer Savarkar.

Randeep Hooda shines in his role, bringing depth and conviction to Savarkar's character. Amit Sial also delivers a passionate performance, as he consistently does in his roles. Russell Geoffrey Banks delivers a good performance. However, Ankita Lokhande's portrayal was average. All the other supporting actors were just fine in their roles.

The film suffers from several flaws in writing, pacing, and editing. Its excessive length of nearly three hours becomes a significant drawback, contributing to the sense of a never-ending saga. The second half, in particular, falters both in terms of narrative progression and direction. Another notable issue is the portrayal of the Congress Party and MK Gandhi, depicted solely in a negative light, which detracts from the film's historical accuracy and depth.

Direction 2/5 Acting 3/5 Editing 2/5 Story 3/5 Screenplay 2.5/5.

Crew is a lighthearted heist comedy that promises an enjoyable ride filled with laughter. Directed by Rajesh Krishnan, the film boasts a talented ensemble cast and an entertaining storyline that keeps audiences engaged. The screenplay keeps the momentum going, aided by good editing that ensures a seamless flow of events. Dialogues are good, although there's a missed opportunity for more humor to be injected into the script. While the story presents ample opportunities for comedic moments, the humor feels somewhat limited in the film.

Special mention must be made of the cinematography and soundtrack of "Crew," which contribute significantly to the film's overall appeal. The first half of the film takes off with a good pace, delivering laughs and building anticipation effectively. However, the second half suffers from rushed writing, with scenes appearing hurried to conclude the film within a specific time frame. Despite this, the movie maintains a balance between humor and a slightly serious tone in the latter half.

One of the highlights of the movie is its stellar cast. Tabu, Kareena Kapoor Khan & Kriti Sanon delivered confident impressive performances and they created a riot together on screen. Diljit Dosanjh and Rajesh Sharma deliver decent performances, while Trupti Khamkar shines with her hilarious portrayal. However, Saswata Chatterjee has little to offer, and Kapil Sharma's special appearance is just passable.

Overall, Crew is an enjoyable heist comedy that delivers laughs and entertainment, albeit with some missed opportunities for greater humor. With its talented cast and vibrant presentation, "Crew" is worth a watch for those needing a good laugh.

Direction 3/5 Acting 3/5 Music 3.5/5 Story 2.5/5 Screenplay 3/5.

"Bastar: The Naxal Story" is not for the faint-hearted. Director Sudipto Sen, known for his bold storytelling, delivers yet another hard-hitting narrative in Bastar. Following the success of his previous venture, "The Kerala Story," this time Sudipto didn't deliver his best but managed to dive deep into the complex and brutal world of Maoism in the Bastar region. The film grips you with its unflinching portrayal of terrorism, nationalism, and communism.

The first half opens with a chilling sequence depicting the Maoist leader Lanka's merciless act of chopping a man into pieces for hoisting the Indian flag. This sets the tone for the relentless brutality that unfolds throughout the narrative. The use of intense visuals ensures that sensitive viewers are left disturbed. The script is taut, the dialogue delivery is sharp, and the cinematography & editing work seamlessly to create a gripping narrative. From the harrowing depiction of the 2010 massacre of 76 CRPF Jawans in Dantewada to the chilling portrayal of Indian university students celebrating the atrocity, every frame is meticulously crafted to evoke a visceral response from the audience.

It is coupled with stellar performances, particularly from Adah Sharma, who showcases remarkable growth as a performer, and Vijay Krishna, whose portrayal of the menacing Maoist leader Lanka Reddy leaves a lasting impact. Supporting performances from Shilpa Shukla, Yashpal Sharma, and Indira Tiwari further elevate the film, with each actor delivering praise-worthy performances. Indira Tiwari, in particular, shines as she effortlessly navigates through a range of emotions, showcasing her versatility as a performer.

Direction 3/5 Acting 3.5/5 Dialogues 3.5/5 Story 3.5/5 Screenplay 3/5.