hellraiser7

This is another volume in my series of "Personal Favorite Video Game Store". I love that this game is based on one of my favorite films of all time, doing this feels like someone is making games for me. It makes sense as "Willow" was a big hit in the 80's so it was inevitable there would be games made for it, thankfully it was made by Capcom as their one of the best companies in making licensed video games. I'll admit seeing this arcade game just blew my mind when I was a kid. I remember playing this at "Godfather's Pizza" in Yakima, WA. I loved the game then and still do.

I really love the graphical presentation, which is the kind you would expect for arcade games from Capcom and I wouldn't have it any other way as they just fit like a glove for this game. The game is a platform action game that like "Ghouls and Ghosts" but also a little of "Mega Man" and "Rolling Thunder".

I really like the level format as we see it does follow the movie but of course there are some extra things added to make the game longer but most importantly interesting. Yeah, certain things in the game were never in the movie but it's always fun to think that it could've, which to me adds to the gaming experience.

One of the things I like about the game is that you get to play as both Willow and Mad Martagon, which makes sense as both are the main heroes of the film. But you play as each of them at different levels of the game, and it makes sense not just considering the film, but it helps in giving the game it's variety. Both characters as we see play differently as they have their strengths and weaknesses.

Willow he can shoot out magic bolts giving him a strong offensive attack as the bolts can reach mid-to-long range. Mad Martagon he swings his sword much like in the game "Strider" which produces an arc, this gives him strong defense and even offense, but his offense is only good when he comes into range. And there are some power ups to give you a leg up in the game, one of them is having the option function which are in the form of the Brownies that throw out spears. But one highlight for both characters having a charge function, where you hold down the attack button and then let go making your characters unleash a strong attack. This predated the Mega Buster which didn't show up till the latter volumes of the "Mega Man" series.

Another thing in the gameplay is in the platform action where you simply go from point A to B. But you also can jump up and climb up the platforms much like in "Rolling Thunder" which is interesting. However, what makes this gameplay more interesting is in the level format, where in each level there is a bit of a nonlinear element as you can explore the level a bit and there are some secrets around the game. The levels are divided into stages which are each different so there is never a dull moment in the game and causes you to adjust and adapt quickly; like one of my favorites is the cart chase like the film which is cool I always love those moving levels, as it's fast hitting action but also causing you to think on your feet faster.

There are also different bosses from the two headed dragon from the movie, but also a giant rat dog which is obviously by its nature the giant robot dog from "Mega Man 2". Yet it was still cool to see all the same and there was a little difference in it's attacks, so that boss isn't a total pushover, or at least not at first anyway. Then there is the RPG element where you can use the money you collected from felled enemies to purchase items to help you on your quest or level yourself up.

And of course, there is the music which is just fantastic as there are a lot of memorable tracks, they sound like the kind of tunes you hear from any Capcom arcade game, but some of them were inspired by James Horner's soundtrack, which is part of why the music fits so well. Along with the sound like hearing those rat dogs howl which sounds cool as it feel like it can be heard for miles though also sends a bit of a chill as those rat dogs are nasty.

This licensed video game classic has plenty of magic for fun.

Rating: 4 stars.

This game is one of my favorite video games of all time, and it's my favorite beat em up and video game for the "Sega Genesis" console. This game back then really took both the console but also the genre by storm. From not just having a beat em up on a console that was just pitch perfect but also taking the genre to new heights. Even by today's standards the game is still an awesome play, and sure there have been plenty of games in the genre afterward that have probably surpassed this sequel and taken the genre to heights as well, but this game was one of the inspirations for them; let alone was one of the first and is still one of the best.

The first game that I reviewed was good, but this sequel no doubt surpassed it and made this franchise a permanent edition to the beat em up Mount Rushmore three of them in my book "Double Dragon", "Final Fight", and "Teenage Mutant Ninja Turtles". I know there may 'be some others in highest regard but this is mine, you can always make and have your own version. None the less this game is one of the prime examples that showed the "Beat em Up" genre is here to stay.

The plotline isn't really anything special, but it feels right as this game came out when the action genre was still booming in the 90's and even comic book franchises were on the rise. And like all beat em ups, we're all here for the action.

Graphic presentation is great, it looks a lot better than in the first game, as it's a little more colorful, detailed, let alone look bigger. This game has a lot of hits from the fact you have four characters to choose from, each have their strengths and weaknesses. Personally, I always like choosing Axel and Blaze as their more balanced, let alone both are pretty much the main man and woman of the franchise.

I like the fact that each of the characters have not just the emergency only move, like with Axel where he gets to unload rapid fire punches about as fast as Kenshiro from "Fist of the North Star". But you also have some power moves when you press forward twice and the attack button, from Axel with the fiery uppercut and Blaze with what looks like a hadoken. Both these things really give you a step up in the game, really help level the playing field when things get harry or you just need to speed up the process. But of course, with the power you must execute and hit your enemies at the right time and place. Also, like all the emergency-only moves you have a limited amount, you can refill it, but refills are few and far between, so don't waste them.

One of the things that made this game stand out and revolutionary at the time was in level format transitions and variety. With the leveling format you still went from point A to B but your character didn't just go in a straight line but also up and down diagonally, this gave the levels in the game almost a three dimension making it feel not static. I really like the transitions as the levels are divided into stages but each of the stages is short lengths which is great as you don't feel you've overstayed your welcome.

But also help in keeping the momentum of the game going and keeping the game fresh as each of the stages are always something different. Though also it gives the game sort of a comic book feel, as progress though each stage feels like going from one comic book panel to another. And each of the levels and stages are memorable, my favorites are the fight in the Amusement Park, Amusement Parks are always one of my favorite arenas of action as there are so many places to go and do. The other is the Baseball stadium, it's just cool as it's sort of an ironic as it's supposed to be a place where friendly games take place, only you're playing for keeps.

Speaking of different stages really like how each of them there is a good variety of enemies but also really like the sub to main bosses that are colorful and a good challenge. Like one boss whom you can say is sort of "The Rocketeer" or "The Mandalorian" but if he was evil. Or another which is this giant animatronic snake who is creepy and looks like a boss for a shoot em up franchise like "Gradius".

And of course there is the music, this game has some of the best music tracks ever that are still being played to this day. From remixes, parties, though for me I play some of the tracks while I'm practicing my martial arts. Each of the tracks sort of have that hip hop style which makes sense as hip hop was a big style of music on the rise in the 90's. It fits the game since most to all the action in the game takes place on the streets, but also just really pumps you up for ongoing and coming action.

This vintage classic still beats to the beat.

Rating: 4 stars.

This is another volume in the under the radar series. It's another one of those run and gun that just ran past our sights. It's not quite a heavy hitter in my book but it's one of those ones that at least hit the target if not the bullseye.

The plotline of the game is really out of wack but I don't mind as it was at least being different as it was a mix of both fantasy and action. But like all these run and guns were all really in it for the action and this game has plenty of it.

The graphical presentation is solid, as both the background and characters are designed well. Music is good/decent, nothing that hard hitting but it's serviceable for the nature of the game. But of course, what really makes this game is its gameplay, which is solid. It's like a lot of those other run and guns like "Wild Guns", "Dynamite Duke" (Both also under the radar games, one I already reviewed and another a story for another time). Where you pretty much have a character you control with a crosshair cursor, it's not quite a novel concept, but there is one thing that really makes it stand out.

In this game you not just shoot in the background but also the foreground. This was an interesting concept because in these kinds of game, you never had to watch behind your back but this time you really must, as enemies do come from behind you, so you not just have to worry about enemies from the front but from behind.

You do have cover which you provided with, which shields you from enemy fire. However, this cover is only effective depending on which side it faces, your backside is always exposed so either dodge to get to other cover and as usual with these kinds of games you must nail them before they nail you. There are some capsules that come out depending on the enemy/s you offer; each of these capsules contain something useful like health and best of all weapons.

I like there is a good amount of variety in the enemies, also the levels are always different which helps keep the game fresh. Along with some of the bosses who are some strange contenders.

The only misfires of the game are that the difficulty can be cheaply difficult as there are sometimes bunches of enemies that can rush in faster than you can shoot. But the other is that it's a little redundant in places. Though these are just minor misfires that you can easily get past as these are fundamental problems with the genre that are sometimes to be expected.

"Riot" is a game that hits the target, if not a bull's eyes. This is a game for any enthusiasts for the genre that are in search of something different; it's worth a shot as it's a riot of fun.

Rating: 3 stars

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This is one of my favorite video games of all time, run and gun games, licensed games, and Alien/Aliens video games. This game is also a childhood gem of mine as I played this game when I was about nine years old, it was at the old arcade "Silver Coin" in "South Center Mall" in Tukwila, WA which is now "Westfield Mall", though also at a "Pizza Hut" in my second hometown Auburn, WA. Back then I honestly didn't even know this game was even based on a movie at all, but this game is what truly got me into the "Alien/Aliens" franchise; it was the first in its long line of games and it still one of the best.

I really love the graphical presentation, it's pretty much the well detailed 90's goodness you'd expect from any arcade game from Konami. But what makes it great is that it captures the look and feel of the original film. Seeing this final frontier world in its gothic glory as we see despite futuristic it's also slightly old and worn down. What you sense has once been a thriving colony is now a colony that holds evil, from all the alien decorations you see where they're all organic, weird and all messed up.

I really like the character designs, though the main stars of them are the Xenomorph's themselves who are accurate to the H. G. Giger designs. But one of the things that make them awesome is the fact we see different kinds of Xenomorphs which were never in the movies, which makes sense being a licensed video game, liberties are expected, and I love that because it gives the game the opportunity to expand on the lore. These other Xenomorphs are cool, from a flying xenomorph, xenomorph zombies, and more to see to believe. Expanding on the rogue gallery and possibilities I'm hoping we'll have for the future movies (as long as their good); though this recently the "Alien Romulus" movie which is a solid entry and my third favorite alien film for the record.

The gameplay is awesome, it's unique for the run and gun genre as it's something I rarely see. What makes it unique is that the game, instead of the standard one plane that you would move back and forth on, it was a wider plane. This wider plane format was used mainly for the beat em up games that you would have like with the arcade games "Teenage Mutant Ninja Turtles", "X-Men" (both games I review), and many more, but this time this game is used for running and gunning. You still must go from point A to B without stopping for a second, but this time you have more room to maneuver. You can dodge your enemies and have more opportunities to take them out before they take you out. However, they also have plenty of opportunities to take you down as more space also means increased danger, so always stay frosty.

I really like the variety of the levels as each of them are different, which keeps the game fresh. There are some memorable levels, like one where you're on a vehicle and you're constantly shooting down all Xenomorphs that come your way. Another where you're on an elevator and as your going down floors you're constantly shooting at any Xenomorphs that try to enter the sides, but also protect your elevator as there are some up top trying to make your trip dead short; that I thought was cool reminds me of the arcade game "Elevator Action" only with aliens. And of course, near the end where you get to control the Power Loader which is cool, and it makes the game almost into a beat em up as you are beating the crap out of aliens and even bosses with it.

And of course, the last best highlight is the music, it's just awesome, there are many memorable tracks but all of them just fit like a glove as they sound like extra tunes that could've been in the original film. But the music is awesome because it just pumps you up, gives you that feeling and sings out alien butt kicking action.

Just like the film franchise, this is a vintage classic that is timeless.

Rating: 4 stars.

This game is another of my favorite run and gun games of all time. This is also what you can say is another wheel greaser game as it's not really anything new, but that's what makes it good. Like all wheel greaser games, it just makes the wheel move faster, smother and keeps the genre going; and this game does just that but with a little forward momentum.

Yes, that game does take cues from the "Contra" franchise as I said it's a wheel greaser game; and that was the intention. For fans of the franchise or just of the run and gun genre this game was a real treat, nothing new but hits in all the right places.

Really like the graphical presentation, there pretty much the retro graphic style that you would see from the Contra series, which is what makes veteran fans appreciate it even more. And the gameplay is what you would expect from the run and guns, moving forward or back, jumping and shooting and even the ability to pick out your collected weapons, level them up by collecting the same weapon again but also fighting to keep them.

But there are things in this game that make the game slightly unique. For one thing the gore effects, this game wasn't called "Iron Meat" for nothing, you can say the game finally answers that notion of the want for gore effects to be in a run and gun game where throughout the years the genre never really got them; ok they actually did for some games like "Metal Slug" has a slight blood effect but never for the "Contra" games. This game you can say is that violent step up "Contra" sequel we never had. The gore effects are nothing squeamish though, they're just simple blood splats and water hosing all in the right places and times, which I like as it's that fine balance of delivering on the gory goods but not going too far to remain tasteful.

The other thing is the game is on the medium hard side, in the game you have a load of lives up to 16. If you think that makes you unstoppable, think again you have that amount because all the levels are a long length which means many more possibilities of death are open. So, you better make every life you play count because they could run low faster than you can shoot.

I really like the designs of the levels as each of them are different and despite the long length of the levels their not boring as they're not repetitive they do keep things interesting as the levels are always a step ahead of you, so be alert for any new surprises up ahead.

The game difficulty no doubt like all run and gun games does ramp up a little as you progress but what I like is that it fair, it doesn't feel unreasonable as most of the time when you die it's really because you were a microsecond slow, made a simple misstep, just you common human error. So yeah, it's one of those games where you can't expect to get it right the first time around as there may 'be some levels that might take some practice to get though, but they can be done.

Then there are the homages, the game does homage not just the game "Contra" but other sci-fi video games and movies. Like John Carpenter's "The Thing" and the video game "Dead Space" from the designs of a few of the aliens. And there are other homages; however, this game also homages "MTV Liquid Television". Though I don't know if that's intentional or not, but some parts of the game remind in fact the game does almost play out like it could be another one of that show's short films, because like that show you see some really weird and wild stuff; that would make you wonder what the hell went through the creators mind, but also gives the game a sense of humor as it clearly doesn't take itself too seriously. From those cut scenes you see at the intro of the game which look like another "MTV Liquid television" animated short; but also those bosses like a train that is a snake, or even a bus that looks like it could be another of the giant crab monster from a Guy Smith horror novel, and other weird and wild things you must see to believe.

And there is the music which is another of the highlights of the game and the most important part in every run and gun. There are a lot of memorable tracks, the music fits as their a lot of heavy metal and rock and roll tunes which just really pump you up for action or to go even further than before.

For anyone that wants their "Contra" or just run and gun fix, "Iron Meat" hits the bloody target.

Rating: 3 and a half stars.

This is one of my favorite episodes of the show and ironically, it's based on one of my favorite stories in the book series. In a way the whole story could almost be a "Silent Hill" tale as the story reminds me a little of that game. You can say this story sort of pertains to fear, every kid has about moved though you can even count adults, as the thought of moving to another location can be stressful, nerve racking and discomforting. It's always the notion of living in unfamiliar foreign territory and that you might hate it because you know something about the place isn't right, this story shows the possibility of that feeling being correct.

The only bad thing about the episode is, I don't like how the protagonist get rid of one advantage of theirs. I know that in horror and suspense thrillers stakes must be raised, but I can't swallow that the protagonists would let themselves get so easily manipulated by people they hardly know; other than that, everything else is fine.

I really like how the story from beginning to end just gives you that feeling of utter doom and dread, just like the kids you already don't like the place as it's practically got signs of danger written all over it, the town is called Dark Falls after all a clear bad sign.

The town itself is just unsettling and creepy, everything about it just feels off and wrong. Just dirty, grimy, most of the building structures look like they haven't been living in for years, as we see the homes look that they haven't been cleaned nor fixed up to keep up with the times. Even the people are off, from the kids as you notice, their clothing looks like yesteryears fashion, not that that's a big deal but it's one of those small details that can really tell you a lot. But also, what bothers me the most is just the sheer isolation and quiet, which we know is the sound of danger.

The suspense throughout the episode is solid as we see the more time they spend in that house and town, the more the danger grows. From this you're hoping the kids will figure it all out on time and get themselves along with their parents to evacuate immediately before they become permanent residents.

Rating: 3 and a half stars.

This is one of my favorite beat em ups of all time, it's also another entry in the under the radar video series. This is another entry in Konami's series of beat em ups this game wasn't a hit as it was overshadowed by others at the same time. But as time went on this game became a cult gem that continues to grow. This really is a unique kind of beat em up, in a way this could've almost have been a sequel to the video game "Altered Beast" we never had, if they decided to go the beat em up route. Or you could even say a video game adaptation of the "Anamorphs" book series (which is something that still hasn't happened), well not quite but for now it's the closest we'll get.

I like the premise which is a beat em up in the fantasy category which is something I don't see much in beat em up as most in the beat em up genre are more based in the action genre; seeing this take place in fantasy I thought was a nice change of pace and once again shows how a genre can do more.

I really love the graphical presentation of the game which is just stunning even by today's standards. It looks almost like this could have been based on some animated show or anime from the 90's. From the amount of color, detail from the character but even the backgrounds as well, they just look so lively and beautiful, at times you almost forget your playing a video game and you feel like you are a kid again (either decade is fine) that just came downstairs to watch your favorite animated/anime program.

The gameplay is solid, it's what you'd expect from a beat em up, where you punch, kick, jump. There are no weapons in the game, but you don't need them due to your metamorphic ability. Each of the characters is unique as they have their strengths and weaknesses depending on your preference. Though personally I chose the characters that change into a white werewolf and a black panther as both are more balance, let alone cool.

I like how each of them has unique attack patterns and combos. From when you are human but also when you're in beast mode. When you're human you're still an efficient fighter but not as strong, but when your in beast mode you have a bit more power and speed. It is cool being in beast mode and practically going to town on anyone that dares cross your path. Other things in beast mode are when you collect the gold statue again you become invincible for a moment, as you like "The Flash" going at super speed and clearing the screen of hostiles.

Two other things are when you knock some guys down on the ground you can beat them down while they're lying down, which helps in reducing the odds. But also, your beast has a special move when you press both the jump and attack button. However, there is a catch, as this can only work when you beast energy meter is high, let alone you lose a little energy once you use the special move so only use for emergencies only. Also, if your beast energy meter runs out you turn back into a human or you die depending on how much time it takes on your health meter. Speaking of that, your health is constantly ticking down, though you can replenish it with energy items, but all the same you can't afford to waste time so as you go through the levels remember to work and act fast.

There are a lot of unique monsters in this game, really love the designs on them as their all unique and looks like the kind that could of easily of been monsters for the "Monster in my Pocket" toy line. There are lizard men, frog men, porcupine men and all other creatures you must see to believe. I like there are always different kinds of monstrous threats as you go on in the game which keeps the game a little fresh.

And of course, one of the highlights is of course the music which is just great, there are a lot of memorable tracks and really like that there are all guitar rocking tunes which fit the game perfectly.

This cult beat em up classic, is a force to be reckoned with.

Rating: 3 and a half stars.

This is my favorite anthology horror of all time. This film really is something special for me as it was the very first anthology horror movie I've seen, the very first film from one of my favorite movie directors George Romero, and best of all this film came out on my birth year. This film really was a phenomenon because it helped reawaken the Anthology subgenre in horror and every other genre that deals in it as that subgenre was in hiatus for the longest time.

After this film of course there were plenty of horror anthologies from the movies like "Tales from the Hood", "Trick or Treat" (both films I reviewed); along with the TV shows "Are you Afraid of the Dark", "Goosebumps", and "The Haunting Hour" (shows I reviewed). Also this film took on a life of it's own as years later this film became a anthology TV series for the "Shutter" network which will be a review for another time. But also had a comic book series of its own from "Image Comics" which is actually pretty good. Things like that show that anthology horror will never die.

Not just do I really love this anthology for the corn a copia of stories we have, sure maybe not every one of them will make everyone's best of the best story list but sometimes that the beauty of the anthology, as long as there are stories or enough of them that I enjoy and are satisfying, no one really loses.

But I like the fact that the film in a way is a love letter to both the horror anthology and the horror anthology comic books most notably the "E. C. Comics" without both these things we wouldn't have the famous writers, directors, actors and even just your everyday fans as these things have touched and inspired a lot of lives mine included and continue to even now, which once again show the immortality of the horror genre and even the anthology in general.

I remember as a kid I honestly thought this film was based on a comic book series (ironic I say it as it became one latter on) but it wasn't. The film really gives you the feeling that your watching a comic book come to life. It's a little like with the "Batman 66" TV series in some scenes with some of the colorful graphic framing and lighting that just suddenly just pops up as if your watching a comic book panel come to life. But also really like we see some of those beginning story transitions where we see a brief animated sequences of the comic book page turning and it goes to the other story. Those moment really put me in suspense, as I wanted to know what the next story will be and simply what's going to happen next.

The makeup and special effects are great as they're all practical and done by one of my favorite effects artists, Tom Savini. And I even like the music, which is also memorable really love that theme sone which is one of my favorite horror themes as it puts you in the right mood, letting you know your in for a horror treat.

I'll talk a little about each of the stories, be as brief as I can be. Personally I think their all good in their own way and most importantly true to the "E. C. Comics" spirit; but three of them are my favorites.

Hold your Breath: This is my third favorite story, and we see two familiar faces in this one from Ted Danson way before "Cheers", "CSI", and other projects, he's known for; and this film of course was one of his first roles which is ironic as most stars have got their start from horror and horror anthology TV shows. He's the protagonist you feel sympathy for. Lesile Nielsen is great at playing a villain you love to hate, I'll admit as a kid it was surprising seeing him play the bad guy role which he rarely does as he's of course known as one of the parody film kings. His character is just a ruthless psychotic scumbag, what really cements it is the deathtrap he puts Ted Danson's character in, but also the fact he is videotaping the death and enjoying it like it's another TV program. In a way the deathtrap pertains to the fears we all had of being buried alive, drowning, and even isolation.

Of course, this all pays off as we see the ghost zombies, their really cool looking as both are unique. From the fact that both came from the water which is a rare thing to see as the only zombie films where their were zombies underwater were Luigi Fulci "Zombie" and "Shock Waves". Just the kelp and seaweed on them, to the turquoise coloring, but also just their voices which send chills as it sounds like water is still in their mouths making them sound inhuman. For the guilty they better pray they can hold their breath.

The Crate: My second favorite story, really like two of the leads from Hal Holbrook whom is a slight alumni to horror, but he's a protagonist of sympathy as he's a husband suffering from psychological and verbal abuse from his rotten wife played well by Adriane Barbeau also a horror alumni but also ironically in one episode of the TV show "Creepshow". You can tell from the look on Hal, like he's a smart person that made one of the worst mistakes of his life. The other lead is Fritz Wever whom is a horror anthology alumi, he does a good job as the friend but I really like how he acts scared of that crate monster which makes us emphasize with him more as we would and should also be scared of that monster.

I really like the crate monster, which is this mutant baboon or bigfoot with just those long teeth, giant hands, and those eyes that are just purely manic evil. It kind of reminds me of the Belial monster from the 80's film "Basket Case" which ironically came out the same year. Just like that monster it pretty much a Jack in the Box, that attacks only at the right time or if someone gets too close (or too stupid). And the blood effects are great as we see the blood and guts fly but shows this monster spares no one. In a way the crate monster is a metaphor for not just Hal's repressed anger and id complex, but you can say it was just the bad marriage itself that has become destructive and dangerous. Ironically you can say , there is emotional baggage that is long overdue for dumping.

1. Their Creeping on You: This one is my favorite story which is no surprise. The antagonist Upton Pratt is played well by E. G. Marchall which is ironic as he's known for being a horror host for the anthology audio play program "CBS Mystery Radio Theater" (personal favorite audio play program of mine). Pratt is a villain you just love to hate, as this guy is clearly scum to the core of his being.

His fear and hate of the bugs are obviously metaphor for his fear and hate toward minorities and anyone not in the same social economic class as he is. The story is suspenseful as you just see the cockroaches just appearing just about everywhere and clearly outnumber him.

I think what makes this story even more creepy is how it can get under your skin, when we discover all the different kind of places they appear, it's that common fear of that happening in our own homestead. What also adds to the suspense is there is a sense of isolation, from his apartment that looks like something from a Kubrick film with all the white, the fact that he's unable to call for help due to certain conditions, but just simply a prisoner of his own deranged psyche. The ending let's just say will really make your skin crawl and make you never look at bugs the same again.

In the words of R. L. Stine "Beware you in for a scare." Rating: 4 stars.

This is another of my favorite episodes of the show. It's an interesting one as it tackles a concept on the conscious mind, which is something I don't see that much in sci-fi. In a way this episode sort of predates the film "Source Code", if you've seen the film, you know what I'm talking about. I really like the concept of the conscious mind and cyberspace being linked; it wouldn't be far off for medical science to think of using cyber tech to help in neurological debilitation somewhere along the line. Sidenote, love the fact this episode takes place in my hometown Seattle, Washington, so yeah appreciation from both a fan and a Washingtonian.

The whole thing is sort of a maze puzzle, it's both intriguing and suspenseful because we know like all mazes it's not going to be that easy. But also, we know that the girl actually does have the key to leaving, the problem is she can't find the door which we know will access her conscious mind to reawaken; so it's up to Fiona and the rest to guide her to the exit.

I really like how not just Fiona but also her mom and even brother and friend all have a hand in helping Kamilah. Even like the fact there isn't any skeptical blow holes around to hinder their progress, which is good as most of them their just extra obstacles or filler by their nature anyway. Really like how they go about it, which makes sense as they need Fiona mom to tell them what the city of Seattle was like from yesteryear. And we have Jack and Clu being the scouts to relay what the city looks like in the present as a lot can change in even the smallest amount of time. While Fiona runs communications to provide directions to where needs to go next.

You get a good feeling for the girl Kamilah, being in her state is awful not so much just from the inability to wake up but just how much time you lose. We see in the present how much she's grown into a teen, but we see from her conscious state she's still a little girl, which makes sense as she fell into a coma at that time, which means her mind never developed beyond that point. That really sucks and is just wrong, because it means she never got to experience years of her life, be able to grow up naturally and make natural transitions from child to teenager.

This just even more makes you want Fiona and the rest to win because it matters. May Fiona and the rest succeed and for Kamilah to come back home.

Rating: 4 stars.

Warning don't read unless seen episode.

This is one of my favorite episodes of the show, it's pretty much the haunted house concept but what I like is that this does something different with the old hat concept by incorporating science and mathematics into the mix. Though the only bad thing is that the physics of the whole containment field chamber doesn't make sense or are just inconsistent as a lot isn't explained. But being the kind of show, this is it might have been too complicated, and since this is pulp sci-fi/fantasy you just simply roll with it; so yeah, I can let this slide.

Really like how the episode utilizes mathematics as it introduces us to the Fibonacci sequence, this was also utilized in the sci-fi film "PI" but that's a different story. And this of course is the key for Fiona to uncover the late scientist's secret.

Like the design of some of the interior of the building Fiona is in, which is a little dirty and grimy which just adds to the unsettling atmosphere of danger the place carries. One design I like was the hallway Fiona was in, which looks like one of the hallways from the "Resident Evil" games, there was a creep factor as we see Fiona running as there are lots of ghostly faces that are just stretching out from rubber blocking their way.

Of course, Fiona's venture soon takes her to the containment field chamber, and of course Fiona encounter Patterson who is in the field, however we see he's not alone as there are plenty of other souls that are with him. Really like the interplay, which is suspenseful, I already knew Paterson couldn't be trusted from what he says and his facial expressions you can easily see red flags; this guy is clearly self-serving scum. He built the containment field, not to benefit mankind but to benefit himself, to inflate his own ego by playing God.

It then come to one moment just as Fiona sees though him, Paterson then plays the Devil's deal card when he makes the offer to bring her father back. This I know is a raw deal because for one thing we don't know for sure if Fiona's father truly died as his body was never found, Paterson I know won't keep his word due to his nature which is untrustworthy, and finally we don't know the full function of his machine as there might be some sort of unforeseen catch. Will Fiona make the right choice; you'll just have to wait and see.

Rating: 3 and a half stars.

This is another film from one of my favorite actors, Vincent Price, no surprise there about number seven in my book. It's also one of my favorite remakes of all time if you can believe that. I watched this film on TCM (Turner Classic Movies) as it premiered most of the time in October.

Yes, this film was an actual remake to a horror film from yesteryear (I know strange thing to say now) "The Mystery of the Wax Museum" which I also saw on TCM, personally I thought it was ok but it wasn't great, had a great idea but the execution misses the mark a bit for me. This film in a way is one of those prime examples of remakes done the right way, as it's an opportunity to give a great concept a second shot and make it better than before by correcting the mistakes that held it back and utilizing and maximizing things that make the concept work.

Like that the film is set in the early 1900s, which fits setting as crime at that time was beginning to grow rampant at that time and even more dangerous; it also gives the film sort of that Victorian horror and gothic feel. I even like the set pieces which are all practical, they successfully give you the feeling of seeing an era long gone. But what's even more impressive is of course the museum itself, which of course is all well put together as each of the wax figures you see are all real.

The supporting characters are decent, they serve their functions. Though there is one supporting player that stands out is the deaf-mute assistant who of course played by one of my favorite action stars Charles Bronson. I'll admit it was to me a little surreal seeing him in a horror film, especially one with Vincent Prince; but then again, a lot of stars have been sometimes on a lot of projects not in their normal wheelhouse. But he does a good job in that classic mad scientist assistant/flunky archetype who is always crippled in one sense or another but is always able to provide in one way or another, with him building the wax figures and providing the muscle Jarrod lacks.

But of course, were all really here for Vincent himself whom as usual carries out the film. It's true it's kind of Vincent doing his thing and that's a good thing, and he doesn't repeat himself as in each film he's in there is always something different with the villains he plays. Jarrod is a solid villain, I wouldn't say he's quite one of my favorite horror/suspense thriller villains in my book, don't get me wrong, he's good but just fall short of making the cut on my list anyway.

But back to business, as usual with Vincent there is that charismatic charm with that oozing sinister villainy. I like that we see Jarrod as a bit of a sympathetic character (I said a bit not totally) as he was simply an innocent artist that just wanted to bring good and beautiful things into the world, but it was all taken all because of one scumbag's greed.

Though he does bounce back but not as before, and the recent theme he has for his house of wax reflects his now demented psyche as it's of course murder and crime themed. I really like the makeup for his burnt hands and even the face that we see near the end of the film, which makes him look monstrous but also shows how the good man he use to be truly died in that fire, or at least his psyche anyway.

Though some would say Jarrod always had a demented psyche, it just took a terrible incident to finally get it out and magnify it tenfold. As we see in the beginning as he gives a tour, what he is expressing isn't just artistic passion but an almost unhealthy obsession mainly with the beautiful figures from the Joan of Arc and his favorite Marie Antoinette. This makes him sort of a hedonist and we see this hedonistic obsession becomes one of his main drives as he not just wants revenge but to reclaim his lost art in the worst way possible.

The suspense in the film is good from the sequences which are almost you can say proto slasher as we see the killer getting to work like chasing down the main heroine on the streets which are completely deserted in a good or decent chase sequence, like in all those you're hoping the heroine will get far enough away.

The wax museum itself as we it in its closing hours, which I'll admit is creepy, it's hard to say maybe it's because of the darkness, the figures looking almost a little too real and accurate, but mainly from what we discover or already know about the figures which is deeply unsettling as it's that line between reality and fantasy completely blurred.

But of course, the final minutes in the end which are one of my favorite suspense sequences, as we see the main heroine in one of the most dreaded death traps that could make even "MacGyver" nervous (not that he isn't already in most episodes). Just simply the thought of how awful it can be and its consequences. Remember first time seeing it, being on the edge of my seat, hoping the good guys will be able to save her on time; will that or won't they you just have to find out for yourself.

Like any well made and preserved wax figure, this is a horror classic worth a look.

Rating: 3 and a half stars.

This isn't a favorite episode of mine, but a good one. The problem with the episode for me is that it's not very exciting, not really any thrill to be had. I also wish they could of deepened the chemistry between both Jack and Callie so I could of got a better feel for both, but due to this being a half hour episode it couldn't be helped so oh well; other than that everything else is fine.

I really like the premise of the episode on having Greek Mythology inducted into our modern-day reality. I even like that this is an episode where Jack is more the main hero for once, ok almost Fi helped but she second string in this episode.

The Siren/Callie played well by Jewel State whom of course I remember from "Firefly" and another of my personal celeb crushes. Her performance is solid as you get a feel despite how young she looks, there is a sense of maturity that she's wise beyond her years. I like there is a degree of suspense as your not sure about what her all her plans are.

One thing I like is that we see she's a character of sympathy, from her enslavement dilemma but also as she states how her singing ability to attract men isn't really a blessing but a curse; because despite how she can allure and sway the opposite sexes hearts, she knows in her heart the feelings they give her are false because they were caused by her powers. In a way that's kind of a commentary on the flip side to celeb and even vanity culture, how most fans would be attracted and have dreams of loving a celeb or who looks beautiful on the outside without knowing who they really are inside. It really sucks for her because it creates a sort of isolation, even her songs reflect this as their all-sad songs; but worst of all lose faith in the concept of love.

The chemistry between both Jack and Callie is decent. Despite Jack under the spell and being a little naïve, I do think his feelings are pure and they're not all because of her spell. I like one thing Jack said about love, on how it can make someone feeling things they felt in the past and never even thought of feeling, which I feel is true about real love.

The ending is bittersweet and really makes me wish there was a follow up had there been a proper season 3, but oh well we'd have to settle for fanfic for this to happen. Though it was also hopeful as it shows spelled or not, what matters is as long as you believe in love then it is truly real.

Rating: 3 stars.

This is another of my favorite anthology horror films of all time, but also, it's one of my favorite Halloween holiday horror films since the whole film takes place during that time. Really love the format of the film which makes the anthology unique. It's a bit similar with "Pulp Fiction" well almost, but like that film we see the film follow different characters. The whole film has that feel of E. C. Comics horror come to life, even the beginning pays homage to them in about the same fashion as the film "Creepshow" (which is a story for another time). Just like in E. C. comics fashion, in each of the tales the guilty all get their just deserts, not just because of moral wrong but also because each of them has disrespected the holy Halloween tradition and like in Greek Mythology and Folklore, those that defy it will be punished.

Like all the stories as each of them are good in their own way but I'll just talk a little about three of them. Little Red Riding Hood: This on is a simple modern version and twist on the famous Grimm's Fairy Tale, though also on Greek Mythology on the Sirens. Not much to say on this one, it was cool as we see Anna Paquin (who looks great in the Red Riding Hood get up) character ironically named Laurie, contrasted from her friends, seems like that typical innocent/virginal girl horror archetype we've see dozens of times, but like in E. C. comics fashion things never go the way you think.

Second is Sam the Pumpkin: This was your cool creature feature cat and mouse game as we see this creature is making it's moves on this nasty man. Like the design to the interior of the house which in a way reflects the nasty guy's psyche as we see it's not well taken care of as everything in the place just looks dark and rotted.

It also gives the whole place sort of an oppressive evil atmosphere which in a way is the perfect playground for Sam. I like that we see Sam's attack methods are sort of homages to a couple of urban legends, which makes sense as the holiday has always had plenty of urban legends blossom.

Like, this enigma to Sam, we never really know who he is, though personally I think he's one of the God's of the Halloween season. Which makes sense as in a way he by his nature is the horror host of this anthology. But seems like a person that is defending the holiday and is only punishing the defilers.

And my favorite story for me is pretty much your simple prank gone bad story or in Greek Mythology tempting fate. I really like the main protagonist Rhonda, she kind of looks like my wife when she was about her age. And like my wife is into Halloween as Rhonda carved all the pumpkins for her house and she's a hell of a carver as the designs on the Jack O Lanterns are all good. But also like the fact that she knows her Halloween lore. You really get a good feel for her, despite not a person that stand out in a crowd that's a good thing because it's part of what makes her interesting.

And she's just a friendly girl that just wanted to make and have friends in her life. You really feel bad as there is this group of three lead by this girl with the Angel costume which is ironic considering she's no angel. From her behavior you can tell she is just on this ego trip, and like anyone on that have this sadistic need to take people down just to trip longer and higher than before, or just to give themselves a disgusting laugh. But of course we all know in these kinds of stories it's always goes with the old saying, "the joke is on you."

This anthology is one big treat and Happy Halloween.

Rating: 4 stars.

This film is one of my personal favorites in the drama genre, a genre that's not my normal wheelhouse but one that I visit occasionally, if there's a film that's I fancy. But also, mystery genre as this film is also a mystery film. This is one of those films that is just timeless, film buffs even non buffs know about this film; heck there are reference jokes in numerous shows about this film from "The Simpsons" to an episode of "The Real Ghostbusters" which was part of how I heard about the film. I remember seeing this film during my senior year in "Auburn High School" in my Mass Media class, it really captivated me then and it still does now. It's one of those films that may require rewatches because sometimes you can uncover more that I sometimes never even knew was there, but just enhances my appreciation for the story even more.

It was truly unique and ahead of its time, in visual storytelling and how we do filmmaking in general, another prime example once again showing how you can take filmmaking beyond it's limits to tell the story you want to tell. But other than that, I really like the story, which is interesting and intriguing but also makes this one of the saddest films I've ever seen.

The film is kind of a cautionary tale, seeing this film now as an adult made me even more grateful for my life and how it's gone. Personally, I'm glad I never became this guy, I honestly never wanted to be the guy despite how much he had, because I also know how much he doesn't have and worst of all how much he's lost.

There isn't much I can say that hasn't already been said, let alone you could probably make an extremely long syllabus just writing about the film, so I'll just keep it as simple as possible and with a small analysis or two.

There are those visuals that stick out that show the old saying of a picture is worth a thousand words. Like near the final half of the film we see the interior of Kane's mansion as he's residing in it on what we know are his final days. I'll admit this is a mansion I wouldn't want to live in, I don't even think Bruce Wanye/Batman would even like to either. It's too spacious and sterile for my taste, but what really gets to me about the mansion is that there is no warmth, it just doesn't feel like home.

We see from how big the mansion is from every environment that Kane walks in, from the staircase he descends to even near fireplace where literally giant logs were being burned Kane just looks small. This reflects how truly lost he has become, that he's become a shadow of his own greatness, but also how spiritually empty Kane has let himself become.

This goes with this sad irony but also this contrasting parallel dynamic with his stepfather Thacher, which I'll get into more latter. Another visual that strikes me is when we see some records building that Thacher owns. As we see how big the interior is along with a self-portrait of Thacher and how big that journal book the unnamed reporter reads. You can say this reflects how egotistical he really is, but it also shows that the guy is nothing but one big empty shell of a man, despite how big the place is, it's just simply that a place. There is just nothing spiritually going on, nothing interesting about the guy as the place is just one big empty crypt. At least with Kane despite his mansion being his giant crypt, there were lots of things in it that made him interesting, that showed he at least did the best he can to live out his life to the fullest which is all any of us can ask for.

I really love the storytelling style, which was unique for its time and has been echoed throughout the years, but this film was one of the first and still one of the best of its kind. The film does have the format of a noir/mystery as we have the whole MacGuffin throughout the film on the unanswered question on what Rosebud is; much like how with the TV show "Twin Peaks" there the question of was "Who Killed Laura Palmer". But just like with that show I personally found myself not concerned with what Rosebud is, because the real mystery is who Charles Foster Kane is.

The storytelling style is realistic when you think about it, as putting together a news story or simply making a story in general is practically putting together a puzzle in order to get the whole big picture. From what you see and hear about him you do get a good feel for the guy, where at first, he seems like a good guy that was on the right track, and you'd almost want to ally and be friends with. But then as you learn more about what's happened to him as time went on, we see how much he's changed and not for the better. This makes you feel sad for the guy because as we see he's become the very thing he's never wanted to be, unhappy.

One of the other things about Kane at least for me is that this guy has a bit of a identity crisis and that was not just because he never really found what he really wants out of life but that he never really let it all find him. For example, his love life which wasn't great, like with his first marriage that occurred in less than a matter of weeks which isn't good. It just showed one of Kane's weaknesses which is trying to short cut his way to getting what he wants, and we all know that love, real love has no short cuts; in fact, when you do you cheat yourself out of it. As we see in a montage of his marriage with his first wife Susan, at first things are alright but slowly but surely as time goes on things of course start to sour to the point where we see despite both eating at the same table they're not together, and worst of all love is just gone. Had Kane given himself time by going thought the proper channels like dating Susan for a span of time, he would have seen better whether she was the one or not, let alone a better perspective on what true love really is, instead of winding up in bitter disappointment.

As I mentioned even though it's not a big part of the film, it's still there as there is almost this contrasting parallel between both Kane and Thatcher. Thatcher, we don't know a lot about, but we get a good idea on the kind of person he is, an elitest who only pursuit and purpose in life is to simply make more money. As time went on, he became bitter and miserly, but most of all seems to have this hatred toward Kane despite the fact he was his stepfather.

The real reason for this hatred is that he actually envy Kane, and in reality hates himself. Despite Thatcher's success, he couldn't get the fame and attention that Kane was able to acquire as he was attaining his own success as we see Thatcher wasn't charismatic, he lacked imagination, too technical in his thinking, but worst of all just antisocial as he seems like he has no friends or even a love life, as least none I know about.

Really liked one thing the character Berstein said about Thatcher's success which is one of my favorite quotes believe it or not, "It's no trick to make a lot of money, if all you want is to make a lot of money." And it's true because that is the only think Thatcher is known for is in the money he's made. Thatcher is literally a caricature of himself as he literally has no life outside of his own business.

We see Kane has that same in fact outdoes the success that Thacher ever had. But sadly, just like with Thatcher he's become embittered mainly because just like him he's let himself get roped in by power and corruption, despite Kane trying to avoid it. Some say part of the reason Kane life has led to downfall and has become a broken old man is because he's never changed and that is part of the reason why he has changed.

Because he never let himself see the truth about what was really going on around him and the truth about what really matters in life in general. Like in one scene when we see Kane rip up a declaration, he created for himself a long time ago; seeing this shows Kane has betrayed himself and worst of all his own dreams and ideals. Though he admits this in one scene when he says another memorable quote "I could have become a great man." and he's right as we see from his whole life it felt like he came close but never made it. Finally, like with Thatcher, his mansion in a way is a crypt on it's own, even though it has just this giant assortment of things they might as well be nothing, because none of them really added up to anything, except for one thing of real value which is revealed in the end.

The ending reveal is true by today's standards probably doesn't have the same impact as it does anymore as it's not that big a secret anymore, it's one of those things where you had to of been there when it happened. But it's still one of the best reveals ever because of the weight it carries that makes it even more haunting and tragic. Because it shows how much a corrupt heart can lose his/her soul and can never get it back. But also reminds me of the old saying "you can have everything your heart desires, but not the way it used to be".

Rating: 4 stars.

This is another for the shelves in the "Under the Radar Video" series. Believe it or not this is another of my favorite Adam Sandler movies and one of my favorite remakes. I know this would be a strange pick for the series as the film wasn't necessarily overlooked, it was a hit for it's time, but as time went on it's become forgotten.

And I know that most people are put off by remakes but just like sequels not all of them are bad; just like with orchard trees there are going to be plenty of bad oranges but also plenty of good oranges and the ones that count. Yes, I remember the original Frank Capra film, I've seen it and even did a review on it and yeah, this film doesn't top the original but that's a good thing because it's not trying to. Like any good remake it walks that fine balance of retelling the story but at the same time being its own thing.

One thing about Adam Sandler is that he doesn't repeat himself as each of his films is different and there's something slightly different to the characters he plays. You could say in a way this could be like if Adam Sandler was ever in a Halmark film it would be this, and the strange thing is this film is a lot better than most of them.

You do see the usual Sandler humor that you would see in most of his films, there is some memorable visual and even verbal humor, won't say too much as I don't want to give to much away. Like one scene where it's a fire rescue, in a way Deeds could also be a comic book hero as we see him just scale that building like one wall crawler we know and love. Another is the fight in Deeds pizza place which is funny as it has one of my favorite one liner from the film and I'll just say never knew Wynonna had it in her for action. Another is the Tennis game, who'd of thought Tennis could be a violent sport.

The supporting characters are solid and memorable, from Julio played well by John Turturro whom of course is a Sandler alumnus. He's helpful but odd in a funny but harmless way. One thing I love about him is he has a superpower as he's like "The Flash" since he goes from point A to B in a blind of any eye.

Wynonna Rider one of my favorite actresses and another of my celeb crushes. I really like the character arc she has throughout the film and of course Wynonna is a capable comedic actress as she has that dry charisma and humor to her. There's this interesting character arc with her throughout the film. Babe, I don't think is a bad person, as we hear when she was young, she use to have the ambition to be a good journalist reporter. But somewhere along the line probably when starting out working for that new company she let herself get roped in by the greed, fame and corruption going on in that company which make her lose touch with her own identity. I like the fact her character despite a liar isn't' very good, as you can easily see the obviousness of them. But that's because she doesn't like to, deep down it's not in her nature and her sense of ethics still exists.

Of course, we're here for the main man Deeds played well by Adam Sandler. I really like his performance in this because it feels like he's playing himself. He's the kind of guy I could easily be friends with. From his easy-going mannerism you can easily see how he's able to make friends and even win but also help Babe rediscover her heart. I really love that he's a guy that doesn't take crap from anyone, doesn't give a damn what anyone thinks, beats to a different drummer and is willing to do the right thing.

One of the things I like about the film is on its satire. One of the key issues it satires is on Sensationalism and Information Manipulation and Misappropriation, just as it was an issue back then it's become a lot worse now as it's become an epidemic from the advancement in our tech which has made info more available and accessible than ever before, and how unfortunately most people have misused it all.

We see how deliberately misleading the news program in the film is, from the new clips that even a novice film school student or non-student can easily see the edits from each of the stories; let alone even an amateur can do a better job as those news clips look like their done by a dollar store editor. I remember thinking "How stupid do they think everyone is?" But this rings true as most news stories we hear about the bad situation but nothing about any of the emergency workers involved in correcting the situation or any heroism.

We have the two villains though out the film from Cedars who is a rich millionaire and McGrath a news mogul. Cedar and McGrath have two things in common, both are clearly people that want more than enough or where more is never enough. Both are also by their nature losers as they are ethically and spiritually bankrupt. For Cedar his goal is to simply get those funds that Deeds possesses power as well over the companies controlled, all just to make himself richer and may 'be even help cover up whatever trouble he got himself in, which I have a feeling may 'be illegal; not even caring who get hurt or destroyed.

McGrath it's to simply reinforce the high and mighty image by putting someone else down, despite not even knowing the guy. He's also not even really a person, he's literally a caricature as he literally has no life outside the news company at least not one that's wholesome anyway. However, his goal is in everlasting fame, but we know this goal is impossible because no matter how much you acquire it will never last, like a well it dries up faster than it gets filled.

Deeds we see truly has advantage over because he does have a life even before he had the money. As we see he lives in a town called Mandrake Falls which is like "Mayberry" from "The Andy Griffith Show" or "Wellsville" from "The Adventures of Pete and Pete"; heck from the residents and what goes on in that town it easily could've been a TV show itself.

But anyway, what I like about the place is that everyone beats to a different drummer but there is a strong sense of community, and we see how Deeds reinforces that from his friendly nature, friendship with them but also treating everyone there with respect and likewise with them. They may 'be all be oddballs along with himself but their all-human beings and with dignity. And of course, there is the pizza restaurant that he runs which I like because having and running a business of your own isn't easy. Just looking at that place I'd love to have pizza there as I love pizza, though even the "Teenage Mutant Ninja Turtles" would be interested as some of the pizzas are strange combinations. But we see how this business he runs help reinforcer this sense of community and his connection with it.

The other advantage as I mentioned is that he beats to a different drummer. This is a good thing because most to all people that do are the ones that are true to themselves. Despite all the negative things that happen in the city, he always stayed true to himself. From never wearing anything fancy except just his regular wear. And simply being himself, which really did touch the lives of many in such a small span of time from his serving staff to Babe, because in a way he was that missing part of their lives they were never able to find and vitally needed.

The film also has some good messages and even watching the film again there are plenty more but I'll just state two. How being a good person can be hard but it's still the best kind of person to be because of how many people's lives you touch which can make the biggest differences.

And of course, like with most romance stories is simply letting the love flow. I do like the romance between both Deeds and Babe which is solid, we see how Deeds truly is good for Babe. As for one thing he's not a toxic guy; but most importantly as we see the more both interact, just as Deeds opens a little to her, she starts to in return and her lies grow small. And we see from her stirred feelings she starts to change and become her best self, which is part of what romance is about, for two helping and being their best selves.

Doing good deeds and having a good heart can really get you far in life and possibly even love.

Rating: 3 and a half stars.

This is one of my favorite video games of all time as well as run and guns. I got into this game as I was a fan of the "Dick Tracy" film, I personally felt if that film ever had a game in the arcades, it would have been this game. This is truly a unique type of run and gun, you can say it's a combination of both "Punch Out" and "Operation Wolf", both make a truly beautiful combination.

I really love the graphical presentation as everything looks and feels big in scale. Really like the backgrounds which capture the look and feel of 1920's America, which is a setting I rarely see used in video games. Really love how in the game you get to see some background damage from the shots you discharge, it's just wreckage beauty. But of course, I really like the character models as we see a lot of the bad guys. Each of the criminals along with bosses are unique, each have variation in strength, power and attack patterns. Even like the music, which is solid, as the music gives that feel of 1920's gangster/noir action.

But of course, it's the gameplay that is the true strength of the game. The control and first-person viewpoint are the same as in the arcade game "Punch Out" only you have more freedom of movement, as you can go up, down, left and right as much and as far as you can. Each of the levels you fight in are different as they all take place in different locations which mean different kinds of formats.

You have crosshairs in which you get to move it as you move to nail any that come in your sights. But of course, it's not that easy, as you see your assailants shoot back, you do have a warning indicator where you character turns from yellow to red which means danger is near and about to shoot right back at you, let alone you will get hit when exposed too long. Your only methods of safety are to get behind cover, dodge and keep moving so you avoid and possibly receive minimal hits, and simply nailing your assailants before they nail you.

Another catch is a quota where you must bag enough enemies along with eliminating the boss before passing to the next level, so make sure you meet your quota. You also have a couple of weapons from a shot gun which has minimum bullets, a tommy gun which gives you temporary invincibility as it shoots at rapid fire once you pick it up, but the ammo goes dry fast so make the shots count. You can also pick up grenades to refill the grenades you have that are always useful in dealing bigger, faster damage or when things get harry.

"Dead Angle" is the right angle that hits the target.

Rating: 3 and a half stars.

This is one of my personal favorite films of all time and my favorite film from one of my favorite horror film directors Mario Bava. I remember seeing this film during my sophomore year in PLU (Pacific Lutheran University); after seeing that film it made me a permanent fan of Mario Bava and Italian Horror, and one of my inspirations in horror filmmaking.

There is so much I love about the film as this film is just beautiful as it's all well-crafted and practical set design pieces, the dark gothic atmosphere and black and white just give it it's all spookiness and dark beauty. There are just a lot of good dark decorations and set pieces that look and could feel like something you've seen from a gothic painting or even levels from the video games "Castle Vania" and "Dark Souls"; from the big castle that you see in the film and its interiors, the cemetery with all those old tombstones and twisted trees, but also the crypt. Each of these things just have danger painted all over them.

There is some good cinematography from the black and white cinematography, but also in certain close ups. But of course, the other things powering the film are the suspense and music. This film has a beautiful orchestral score which really fits in places of the film where it's dark and scary where the tunes are menacing and scary. But also, there are other tunes which are romantic which I think are beautiful and tunes that I play to relax too. Also, in its suspense and this film has a lot of good and memorable moments that really bring out a sense of doom and dread as throughout the film you feel an evil oppressive force is coming and growing and safety is almost nonexistent; but also really love the pay offs in certain things you know will happen and do, which is something most Italian horror movies are known for never shying away and going that extra mile.

From the beginning which is one heck of a start as you see our main villains being condemned to death as we see a hot prod as well as that dreaded spiked devil mask, hurts me still to watch those terrible devices being used; but also shows how evil deeds truly have terrible consequences. Another is seeing the regeneration and resurrection of Asa which is just such an impressive sequence as you just see effects work at their best, but also seeing this happen adds to your building dread knowing that evil is coming.

I even like the story which is dark fantasy horror which I always love; in a way you can say the film is a Grimms Fairy Tale but for adults. It's true it's rather simplistic but that's why it works, once again showing how simple is most of the time the best way to go. Like with any of the fairy tales we have the location, the castle and the residents, the mystical evil forces, a hero and princess, along with a romance, all healthy ingredients to make a delicious dish of fantasy.

I wouldn't say there are character that are deep which is also common in the Italian horror films as were all really in it for the atmosphere, style, and suspense. Much like in the Grimms Fairy Tales they all serve their functions, but they do it all so well.

Barbra Steele who is a favorite actress of my and of course an alumnus in horror. She of course is another of my celeb crushes (no surprise there) as I personally think she's one of the hottest women on the planet. Barbra's also one of the main reasons we're here for this film; she' s a very solid actress, I really love her performance in the duo roles.

From the evil witch/vampire/zombie Asa Vajada, despite not really being in the film that long you really believe she is a menacing force of evil that you really feel casts a shadow of doom throughout the film. But of course, I even like her in the role of Princess Katia where she's the aura of innocence. As we see she is intellectual as she plays the piano well and seems to have dreams and ambitions of her own beyond where she lives.

Things like that you get a good feel for her character along with the good young doctor Andrej Gorobec (John Richardson) who is the common fantasy hero archetype, usually an outsider. Really like how he's a person despite one of science is open minded as he knows from everything that's happening, he can't deny the strangeness of it all that defies his realm of science. Like that he can hold his own against danger as he's not afraid to fight against evil when he should and his life along with Katia's depending on it.

Even like the romance between both, yeah also the common Fairy Tale trope but it's a good one as you do get a good feel for both as they genuinely interact. May not be the greatest romance but I'll take them over any crappy rom com or romance film from Halmark any time. From this it even more makes you want Andrej to win, let alone just hope both he and Katia make it out alive.

Just as Sunday has its beautiful mornings, it's also the same for it's evenings which can be even more beautiful.

Rating: 4 stars.

This is another of my favorite in the Giallo horror subgenre. Lamberto Bava is the son of Mario Bava, made a solid Giallo horror film that of course became both a memorable Giallo horror classic but also another memorable horror for the 80's era. It's a shame he didn't have more or at least more hits, probably because he was another Giallo horror director that came late in the game like Michale Soavi, but just like him at least he help the Giallo horror subgenre finish strong.

I really love the movie theater which is another of my favorite arenas of horror that isn't utilized much. The only other horror film that I know that took place in a movie theater is "Popcorn" an under the radar gem and story for another time. Movie theaters to me were always magical places where they offer escapism but also felt like dreams became reality. Also, for its format the theater had plenty of places to run and hide in, also the contained dark atmosphere just adds to the tension in the film.

In a way this film is a Giallo horror movie for the MTV generation which is cool and feels right as most Giallo horror films do sometimes play out like a music video. I really love the premise which in a way predates the film's "Scream" and "Last Action Hero" as it's kind of a movie within a movie.

In the film we're watching along with the audience some film that pretty much looks like a knock off "The Evil Dead" which is ironic as this film takes a cue or two from that film. But other than that, ironically that film is about inadvertently summoning demons and of course the same thing happens in the real world; so, it's double the trouble. I just think that premise is cool as it's so creative and simple, which is all you need and personally all I want for my horror movies; basically, the whole film is almost one big fourth wall break.

The film, like all the Giallo horror, is style overtopping substance which makes sense as it's really the style of the film that is the main star. The use of color in the film is great, giving it that sense of danger but also fun. One of the contributions to the color is on outfits characters wear like this pimp character in what could almost be a suit you'd see from the TV show "Miami Vice" (sort of) but looking at it now reminds me of the 80's decade and the fun it offered. The lighting, most notably the strobe lighting in some places of the movie. And of course, there is the use of red which is a stable in most Giallo horror.

The gore effects are great as they're all practical and done well and there are some solid kills. The Demons' main weapon is of course their long razor-sharp fingernails. Can't help but be a little squeamish every time I see them use them, as it just looks so painful seeing those nails dig in and cut deep. But also, the designs of the Demons don't disappoint as they are knarly and scary, with a lot of those razor sharp and crooked teeth. The drooling and primal noises they made. Though what gets me the most are those eyes, which have rainbow-colored pupils; they radiate lunacy and evil.

There is good suspense and a lot of memorable scenes and visuals, one favorite visual is pretty much the poster of the film itself, as you just see this army of demons with their eyes glowing, walking down a hallway and even the shadows above them grow. It just gives me a chill as it's a horde of evil that is growing and closing in to seal your doom.

Another of my favorite scenes and an honorable mention in favorite battles of all time is seeing the main hero on a bike and swings the katana like a Samurai, just slicing, dicing, lobing off Demon heads with some gore effects like a few gushers; it's just plain awesome.

And of course, the other main star of the film is the music, this film has one of the best horror movie tracks of all time. There are songs from a lot of well-known artists like Motley Crue, Billy Idol, etc. And a lot of original tracks like the theme song which is both spooky and cool as there is both this tone that is fun but also sings out ominous danger at the same time, which perfectly fits the film.

So, grab a popcorn, take a seat and enjoy for this demon movie night is one hell of a good time.

Rating: 3 and a half stars.

This is one of my favorites in both the Slasher and Giallo subgenres of Horror. This was the second film from one of my favorite horror directors Michele Solvi and of course is part of the Mount Rushmore of Giallo Horror in my book (Argento, Bava, and Fulci being those faces). Despite a director coming late in the game, he came just in time to help the Giallo and even Slasher sub genres to finish strong as both along with the 80 era were closing the curtain.

The premise, like all slashers, is the same Cat and Mouse format but it's the execution that makes it stand out. I really love the fact that it all takes place in a playhouse which is cool, I love playhouses considering the fact Theater was my minor at PLU (Pacific Lutheran University) but also I'm an actor myself and I've acted in several plays at several playhouses. It's one of my favorite arenas of horror that isn't utilized much, because there are always plenty of places to run and hide; let alone opportunities for danger to happen.

I just like the atmosphere of the place that is a positive one, I don't know maybe it's just me it's just in playhouses there are always so much things to do to make the production you create reality and from all the hard work put in, there is this magic that comes with it as everything just comes together to make it all just have a life of its own; which is the irony considering the film itself.

Characters serve their functions, if there is any character that stands out it's of course the girl Alicia. Being the main heroine in the film you can easily guess things just might go well for her, I say might loosely. Her character you do feel a sense of sympathy for as she is relatable in a sense; she's a struggling actress trying to both make ends meet but also at the same time make her dreams on stage and possibly beyond it come true. Which is understandable being an actor myself we all have been though the motions on that.

Also, some of the crap she is taking, mainly from the director and producer who is clearly abusing his position of power which I always hate as it always seems like those positions just breed blowholes. Unfortunately, in the world of horror we all know what happens to people that brew bad karma. But also, all those things from the theater pressures to the pressures of the killer, both things combined just makes you even more want Alicia to win.

There are plenty of suspenseful moments with all the style and music in its Italian Horror goodness. I really love the use of the theater space from the stage to the backstage. Really like the urban city setting for the dance and play their rehearsing. It looks cool as it's just this neo noir setting which is fitting as the world of noir is a world of danger, just as the world of slashers are. Like in noir there is no one you can really trust except yourself and no matter where you run and hide death is never far behind. Even like there is this parallel as the play their rehearsing is one that is on the fascination and attraction toward danger, just as we watch a horror/slasher film despite how scary it is you just can't help but have those feelings let alone like a well done play you can't take your eyes off it.

Of course, there are some good gore effects and memorable kills, I don't want to give too much away as part of the joy is in seeing all of this for yourself. One favorite kill of mine is where, one character I won't say who, but this person gets split in half, how the killer did it I don't know, and I don't want to, some things are best left unknown. Another is one that involves a power drill, I'll admit sometimes that power tool can sometimes make me nervous, always afraid that something could go wrong, that drill bit would penetrate me if it happens; and of course from this film what could happen involving that power tool does/ The other star of the film of course is that music, which is just fantastic, Giallo horror always have the best tracks. I really love the beginning track Aquarius which almost just makes you want to dance. It just has this jazzy and almost noirish vibe, which vibes both fascination and danger. Really like that play with it their rehearsing, makes me which it was really as I would love to see it, since it seems to be based on horror ironically.

"Stage Fright" is frighting fun.

Rating: 3 and a half stars.

Yeah, I was a kid from the 80's and early 90's so I've heard about the "After School Specials". Though I was too young to watch them as I was in elementary school at the time, I got out of school later, but that meant that I missed them when they premiered; let alone was probably too busy watching afternoon animated shows like "The Real Ghostbusters" and others. However, I have seen some of the commercials on a few of their films that were upcoming. But also, at the elementary schools I've attended we would have a movie day and sometimes my teachers would show a VHS recording of one of those films.

This anthology program I wouldn't say is on my favorites list, but I do like it, as I kind of have a soft spot for it. But most importantly what I really like and what makes this anthology truly unique is that it's an anthology program for the drama genre which is something I don't see much. This program is more special than ever because unfortunately it's become a lost gem as some but not all the movies never made it to DVD and Blu Ray, let alone VHS at the time. This is a real shame because I know there are plenty of fans of these films just waiting to be seen, hopefully somewhere along the line may 'be "Vinegar Syndrome" or some other company might think of making some Blu-ray box set volumes for these films, since their recently release box sets for made for TV horror films, why not the afterschool specials; a thought to consider anyway.

Now down to business, the after-school specials are an interesting beast indeed, as they were not just educational (in a good way) but entertaining. It can also be seen as a history lesson for kids now to learn a little about what the 70s-90s decades were like when they were their age; but for the adult to reminisce about times long gone.

It's true that not all the films are going to be winners, but that's just how it is with the anthologies their as I said like orchard trees, you going to find plenty of bad apples, peaches, or whatever else is grown but there are also plenty of good ones and they're the ones that count the most. And to me that's part of the joy in anthologies, anyway, finding those stories that truly stick with you.

There are many reasons as to why a lot of us really liked these specials. For one thing all of them the main characters were usually kids and teenagers/young adults. Back then there really weren't that many or any TV programs and even movies where they were, so to be able to see anyone that young and the same age as you were a real treat.

One of the interesting things about the specials is the cast, which some consists of future stars or familiar faces from TV and movies. It's interesting seeing how some of them began, let alone how young they were at the time; and realizing how far they truly came from back then.

Really like that intro which is one of my favorite intros and music of all time in my book. The 70's version is my favorite as we see this strange animated sequence which just consists of this mish mash of a lot of strange and colorful things, all items and things kids would do. But that music is what really did it for me, as it just has this comforting and optimistic feeling to it Like all anthologies this program went in a lot of directions where some were clearly by their nature educational but in a good way. And personally, I honestly don't mind educational programing if it's something that retains my interest and teaches something that's useful because of the issues being real.

Another reason why watching these specials is interesting is that most to all the issues they were tackling are more relevant today as their still happening. It really shows how people of the past back then had to deal with the same things were dealing with now. But also, that being a kid back then wasn't easy just as it's not easy now; so, there was that sense of relatability which made us feel less alone, but also helped in warning us that each of these issues can happen to anyone. That we should always seek out solutions to our and others' problems otherwise nothing will ever get better.

Like any good fable, Afterschool Specials will always have a place in my heart for the kid in me; they're important now as they were then.

Rating: 3 and a half stars.

This is part two of the season finale and it thankfully sticks to the landing. One thing I really like about the episode is this time Supergirl is kind of the main hero, hence the title of the episode.

At the beginning things aren't going well as we see unfortunately our only chances against Brainiac are pinned down, no thanks to Luthor's Metalos overridden and controlled by Brainiac. It's sort of ironic, as in the case of Amanda and Luthor it became a self-fulfilled prophecy as the security they created was our own doom which may have destroyed our only chance against the other worldly threat they wanted to protect themselves from. Like this one where we see where both stand in things, for Amanda she will stay and fight because of her sense of honor. For Luthor he runs like the sniveling coward he always was.

From how bad have become I remember thinking "someone better call the Justice League". And of course, we do get the Justice League though this version is different as it consists of characters from the first and second season which makes sense. But I like that fact that the team consists of characters that use to be on the wrong side of the fence; the fact their helping Clark and Kara shows that they have a strong sense of honor, there is good in them, but also how Clark truly did make a difference in their lives. It's just epic just seeing Superman, Kara and the rest all working together to save their home.

At midpoint unfortunately we see Brainiac he unleashes his ace up his sleeve as he has some sort of backup program that once again puts Kara under his control. We see Kara is just in Berserker mode as she is just giving Clark the beat down. Clark isn't fighting back be we know he better do something because if he doesn't, he'll be grounded permanently along with Earth. Really like how in part of the battle Brainiac shoots these missiles that look like coffins which implicates irony. I remember hoping Clark can destroy these missiles, even though they wouldn't kill Kara and Clark they still carry a mean punch and can devastate a heavy populace.

I really like how once again we see the power of love once more as we see Clark, Lois, and Jimmy fight for Kara's soul. From Clark love for her as a sibling, Lois as a friend, and Jimmy also as a friend and maybe even more, all these factors can break through Brainiac's lies and influence; for love is powered by truth. Their love comes through to her, and Kara can break Brainiac's control, really love the emotion as you hear her cry out from that you feel the deep anguish she has endured throughout the years. But we also see as she turns to normal, Clark, Lois, and Jimmy, all hugging her, it shows that Kara finally has a family.

We then see the final scuffle between Superman, Kara and Brainiac as they take it in space. Brainiac is trying to deliver his final moves, from the moment he was about to discharge a big Kryptonian laser he then gives his death warrant proclamation on the total annihilation of all of Krypton's children, basically everything that's good. But also, that bomb when we discover he is the sole cause of the destruction of Clark and Kara's home. That moment shows "Brainiac" is no Kryptonian, nor a father or God; he was just lousy imitation that never came close, a b...... mistake and like all mistakes must be corrected.

Both Clark and Kara get hit badly and it look like their going to die but as we see they both get healed as they get close to the sun and it's the first time both realize their power comes from the sun. We see both come in and what happens next is like the Phenix myth as we see Kara in the sun and then emerge out of it and we see like the Phenix she is reborn as Supergirl; this shows Kara is now whole.

It's fitting that Kara is the one that gives Brainiac the death blows as he stolen years of her life and ruined it; and you can say what happens with Brainiac is poetic justice as his story pertains to the myth of Icarus. Like Icarus, Brainiac flew too close to the sun because he flew too high with pride, and he got burned and fell hard. And we see the final minutes which are touching as we see Kara now has a life on Earth, but also, we see Lois has made her fateful decision and it's a fitting decision as she wants to make a name for herself but most importantly her home is with Clark.

Rating: 4 stars.

Warning do not read unless seen episode.

"If it's time for us we've got to take it, take the chance the chance to make it now." Kyla and Jerome John Hughes

This is part one in the season finale to "My Adventures with Superman" and this is one of my favorite episodes of the show, but most importantly season finales of all time; both in my book anyway.

The story is nothing new, it's kind of similar to the series (or should I say season finale) episode for "G Gundam" but what makes it stand out is in it's execution and most importantly the characters in it. We see Lois has dove into the mind of Clark whom is unfortunately under the spell of the counterfeit Krypton from Brainiac's making. I kind of like that throughout the first half of the episode Lois kind of is the main heroine as we see her trying to talk to Clark to snap him out of it. But of course, much like in "Groundhog Day" style she fails and fails again.

I know Lois is really trying her hardest, but we know she's going about the whole thing all wrong; because she's failing to do one thing, telling him the truth about her true feelings for him. It's suspenseful as it's building up to this; I remembered a quote from Small Pete from "The Adventures of Pete and Pete" where he says, "You have one hour, to do one thing you've always wanted to do, so go do it nimrod." I personally believe that's true today as it was then, Lois already knows what to do, she just needs to do it.

And of course, she does and it's a touching and warm moment when we see Lois encounters Clark again, but this time is real with him. Really like one moment in that conversation when we see Clark brings something up about Lois which we know is a lie, mainly formed from terrible miscommunication. Lois then gets to her aggressive fiery side which I'll admit is a turn on for me, but anyway from all the truths she expresses to him it all spell out one word "love."

There is a great moment when we see Clark is in trouble as the counterfeit Jor El interrupts both of them and is about to give Clark a beat down or even kill him. Just as counterfeit Jor El is about to deliver the next blow, we then see it's blocked. And of course, the person blocking it is Lois, I'll admit that moment just made me, and my friends get up and cheer; especially when she delivers a blow to the fake Jor El, her way of saying "Frak you!" Being the dreamscape, it makes sense you make your own rules; but also, it's sort of a little homage to the graphic novel "All Star Superman" as well as some of the recent Superman comic book stories where Lois becomes superpowered. But it's just a beautiful moment as she does what any good girlfriend/significant other should do.

It then comes to a great moment which is yeah, an anime trope, where we see both Clark and Lois break the illusion barrier while at the same time monologuing. I always love these tropes/moments because it's pretty much the power of love, how it can true save the life of one, empower each other, and that it's a truth that can never be corrupted nor taken by anyone.

Lois in the episode says, "Love is not for cowards"; if the love between two people continues to be true, that in turn makes them brave.

Rating: 4 stars.

Warning do not read unless seen episode.

Sometimes in the back of our minds we think it couldn't happen to me. That's until it happens to us or somewhere close; we truly realize the hard-hitting reality of how wrong you truly were.

This episode is an honorable mention in my book, and I feel it is one of the underrated episodes. It's also one of the shows darkest episodes as it touches upon the subject of home robbery/invasion. This also you cand say reminds us of the flip side of the coin of the 80s decade as it wasn't all good and what happened then isn't different and is still happening now.

The first few minutes, I'll admit, were scary and surreal as this was probably at the time one for the first sitcom episodes where a break in occurred. Seeing and hearing about this happening with sitcom characters I'll admit at the time really took me aback but also was a reminder of the mortality of the Seavers that they still live in the real world, and what happened to them can happen to anyone.

We just see everyone go though the motions, from Mike and Ben proposing home defense by having guns which isn't an unreasonable request and from what's happened you must ask yourself what's more dangerous. Though you can say they have this request out of anger and fear, but you can't blame both on that as no one wants what's rightfully there's stolen but worst of all the very thought of an uninvited stranger violating your personal space that you once considered safe and secure.

And of course, there is Carol who for the first time has blown a circuit, where she proposes to prevent theft is to give up all possessions. She made this proposition because it's an easy way out, a way to get back her lost sense of security.

It gets into this group therapy session; Jason Seaver I felt was really at his best as we see the professional psychologist side meshing with the understanding comical side. I like that we even get a little into the psyches of everyone that is facing the aftermath blues of this incident.

One part of the therapy session I really liked was when Jason was drawing out Carol's idea. It's all funny until he gets to the end of that story which shows reality and how unpretty Carol's idea truly is because there is no security and worst of all has given up on living all together.

The session I felt wasn't just for the character but for all of us, questioning the concept of security, what it really is. How much or how little society is protecting us, but also the lengths we go in giving and reinforcing our sense of security.

The ending is haunting and sad, as we see in the final minutes Jason comes out of his house to get some air and is enjoying the beautiful day. But then gets a rude awakening as he suddenly hears a police siren from the distance. At that moment he has a look of deep sorrow and goes back into the house. What makes that t moment truly tragic is this is something that's happening every day.

Rating: 4 stars.

This is another edition to the "Under the radar Video Series". The film was a big hit at the time, but as time went on it's been forgotten. This is a film in the Cyber Thriller subgenre which is a subgenre that I feel is rarely touched upon in the Suspense thriller genre.

I really like the plotline which at the time was plausible but by today's standards is now probable because the things prophesized in this film are all happening today. It's true that computer technology is from the 90's, which may from a modern novice movie viewer perspective seems like any old technology an antiquity. But you must understand that in the mid 90's computer technology was on the rise, you can easily imagine how people back then were blown away by the concepts of the limitless capability and possibilities the computer can provide. Like buying plane tickets and ordering pizza online which is now a common norm but back then we all had to do it the old-fashioned way.

But what really made the plotline gripping and downright terrifying is the concepts of cyberterrorism and misinformation, which back then seemed a far way's away but now there more real than ever imagined. As we all log on, you can't help but have that subconscious fear of being targeted by cyber terrorists or criminals as we all run that risk of putting a certain amount of information out there; who's to say none of them are going to get their claws on that info and immediately take advantage and even downright destroy you.

Of course, the main heroine is played by one of my favorite actresses Sandra Bullick, this film is an honorable mention on my personal list. And of course, she's another of my celeb crushes ever since I was a kid, I honestly things she another of the hottest women on the planet. This was one of Sandra's films just when her career was gaining momentum, and this film of course was one of the ones that did it. Really like the character Angela she plays which is different from her usual norm.

As we see she's an introvert, passive aggressive, computer savvy, and not that this means much is a Captain America fan which is cool. I can relate to her character as I'm all those things too, in fact you can say I am her character in reality. Like all protagonists in suspense thrillers, they have that slight psychological Achilles heel.

As we see she's a little too attuned to her lone lifestyle as she clearly doesn't unplug from the computer enough. But from what we hear and see about here we understand why her life is that way and why she's the way she is. From a father abandoning her and her mother in her mid-teens; her mother's Alzheimer's which has made her lose her connection with her mom, to simply not finding the right guy.

This makes her character even more sympathetic because deep down she wants to connect but doesn't know the right way to. This also eliminates that element of having a number two, which is a common trope in suspense thrillers, which increases the jeopardy element as she becomes more isolated with few to no allies to trust nor turn to as the cyberterrorist could be anyone and anywhere.

The film has some good suspenseful sequences, from certain close calls to sticky situations. I really like how Angela's passive aggressive nature is truly her strength as we see the passive calm collective mannerism the bad guys take at face value is her mask which makes them easily underestimate her. It also gives her an element of surprise and a bit of unpredictability as we see she isn't afraid to take action when her life is on the line; or if there seems to be a moment where she's going do, she'll go down fighting. Let alone the fact that's she's a loner is also a strength as well because it means her self-reliance is strong, which is one of the basis for protagonists in suspense thrillers as the only true ally to rely on is yourself.

And of course, we have her computer savvy skills which come to playing in computer sequences. Normally I'm put off by those parts in movies and TV shows, because they're practically as non-exciting as card playing scenes. Here they replicate the feeling of being online, from the fast pace of the sequences. How the camera follows the windows Angela is accessing along with some of the sound effects and music that aid in the sequences. By their nature the computer sequences are time thrillers because we know the longer, she stays online, the more time the cyberterrorists will close in on her cyber trail. I remember being on the edge of my seat hoping Angela will be able to do what she must do and on time.

The film does have a good message on the danger of overreliance in technology, but also in the dangerous misuse and abuse of it. As fascinating and fun technology can be, we still need to make sure to tread carefully, but also make sure to unplug occasionally, so that we can live life, keep in touch with reality and most importantly ourselves.

In the dangerous world of the net, there is nowhere to hide.

Rating: 3 stars.

This is another of my favorite horror/action films of all time as well as favorites in the aquatic horror subgenre which doesn't get enough attention. I remember seeing this during my junior year of high school as I rented out a copy at "Hollywood Video" as I got curious as this was one of the under the radar film in that book from "Fangoria". I'll say I was pleasantly surprised and did make my junior year a little brighter and less crappy. Sidenote, this is one of my mom's favorite horror films despite the fact she's not a fan of the genre.

The film you can say is "Aliens"/"Tremors" but on a cruse liner which I think is a cool idea. Let alone the fact that you have action that takes place on a cruise liner which I honestly don't see much of, which is too bad as a cruise liner is another great arena for horror and action as there are so many places on that ship to go and do. Steven Sommers, whom I think is an underrated action/horror director who should've had a longer career; of course, he's known for the two "Mummy" films which I like and stories for another time, this film was his first and still one of his best.

The film was done on a big budget and done well; or as well as could be I know the one draw back of the film is some of the CGI effects are dodgy. But this was made in the 90's, what are you going to do. And you must realize that was a time when CGI was just on the rise, and they were beginning to discover more and all the different things they could do. This film I felt did utilize them well or as I said as well as can be.

I feel many of the things it does well and right the most is in the creature design which was of course by my favorite make up and effects artist Rob Bottin. The creature is basically a Kraken, but what I like about it is a bit like the Graboids from "Tremors" as it's a creature within a creature, as we see the giant tentacles are snakes that act as one or even individually. Really like how they make the tentacles move and behave as if there's a real intelligence behind them, you buy that this creature can exist. Also, it's not all CGI as there is a combination of practical effects as well, which I like because it helps give the creature weight. And for gore hounds there are a few gore effects to satisfy your smell, like one scene where we see the feeding ground of the creature which I'll just say no one eat or drink anything during that scene, though if you do don't say I didn't warn you.

Music is solid as it's done by my one of my favorite composers Jerry Goldsmith. I'll admit there aren't that many memorable tracks which is the other drawback but they solid listens that help move and fit the film. One track I really like is the one for Finnigan and Trillian's escape on the jet ski, just thought that was a fun almost electrifying track that made you feel like you are going at top speed with them.

The action is also solid, really like those machine guns of theirs which are Vulcan cannons but more handheld, the sound of them is just awesome I wanted one myself, let alone looks like it carries loads of ammo, so you don't have to worry about reloading too much, though sometimes. At times the film almost plays out like a live action light gun video game (yeah this is another movie that should had a video game made), as throughout the film they go from one place to another shotting the hell out of any of the tentacles that pop out. As well as other sticky situations in the film to give the film variety and non-repetitive, like the underwater swim from point A to B, jet ski chase, and others.

The film though does have good suspense and even moments that creep you out, like the moments that are quiet which are what get to me the most because I know that's the sound of trouble. Like in one of the early scenes, we see them go into the casino and party room, and it is completely empty, it's such an eerie and unsettling feeling remembering earlier that the place was vibrant and full of life and now has become nothing but a tomb. Of course, the first question on everyone's mind is what's happened of everyone, of course I was thinking "I don't know, and I don't want to stick around to find out." because I know the sound of silence is usually the sound of trouble. But just the fact the film just has this claustrophobic and unsafe atmosphere from beginning to end, even in the quiet and safe moments I just didn't feel safe because you know in the back of your mind that those tentacles are crawling all over the ship and can hit anywhere at any time, they want, questions are where and when.

There is also double layered suspense as the Aqua Force team Finnegan, Joey and Trillian at the same time are being held hostage by the mercs that double crossed them. And despite working together to survive, you know in the back of your mind it will only be a matter of time until one or all the mercs take the opportunity to turn on them, due to their untrustworthy nature. So, yeah, the good guys have a lot to worry about, but this even more makes you want the Aqua Force to win due to the fact we like them.

Of course, this film has a good cast, there are a lot of familiar faces you can spot.

Kevin O Connor is an actor on my personal list of underrated actors that I like. Really like his character Joey whom in a way is like a mix of Billy from "Power Rangers" and Shaggy Rogers from "Scooby Doo" at least for me. He is a bit of a comedy relief but is funny because the way he reacts is the way any of us would if ever in this situation. He's sympathetic because he gets kicked around the most but that even more makes us route for him to survive and win. But above all he is smart from his engineering and tech skills and despite ill confidant nor physically strong he can hold his own against danger.

Famke Janeen who is one of my favorite actresses I like and one of my celeb crushes as she is one of the hottest women on the planet in my book. Really like her character as she's sort of a Selena Kyle/Catwoman like character, yeah, this actress could've also played that role in the Joel Schumacher run of "Batman", that is if they didn't have that crappy second entry after "Forever". Anyway, back to business; her character I think is awesome which is why she's on my personal favorite list of female horror protagonists.

She's got a sharp and sly charisma and wit, she can make the best out of a bad situation, holds her own against dangers; and is extremely about as lucky as "Lupin the Third". I like the way the element of luck with her is handled because there is weight to it, as it hits at all the right times and feels likely to happen to anyone; and of course, it's a good thing she has this as she'll need all the luck she can get or steel in her case.

And of course, Treat Williams who is sadly no longer with us. Treat is another on my list of is under the radar actors that I like (another sidenote one of my mom's favorite actors). Really like the character he plays Finnigan (yeah just like with Trillian has an ironic name) who is one of my personal favorite horror protagonists of all time and one of the underrated. For one thing I like that he's male which is cool as we sorely need more of them in the horror genre sort of has that same rugged charm and charisma that reminds me of "Bruce Cambell" (who was considered for this role) and "Nathon Fillion".

Though also the video game icon character Nathan Drake, which kind of makes me wonder if the creator/s of the "Uncharted" series saw this film as his character does have the same outfit as Nathan. He has some of the best lines as well as bad as moments as he can really kick some ass and takes crap from no one. Even like the back and forth he has with his two other team members Joey and Trillian, which makes you buy how he can be friends with them and them wanting to be his friends, which to me is a good sign as it means a circle of trust which also means chances of survival increase.

This horror action classic, just like any cruse liner vacation is a voyage of fun and thrills.

Rating: 4 stars.