CritiqueCraft

This series felt like a bunch of real-life psychopaths gathered together, driven solely by lust and greed, which was revolting to witness. The story was not just disappointing but also outright trash, offering little more than a parade of depravity that left me questioning the creative intentions behind it. Rather than providing a thought-provoking or meaningful narrative, it seems the creators were more interested in shocking the audience for the sake of it, without any deeper message or artistic merit.

At its core, this series appears to glorify the worst aspects of human nature, focusing on selfish desires and immoral actions. There is nothing wrong with exploring dark themes in media when done responsibly, but here, it feels like the darkness exists just to be edgy.

As someone who has followed SEVENTEEN's journey from their early days, the concert film brought back a flood of memories and emotions. Seeing it again in cinemas felt like being reunited with old friends, and it was every bit as electrifying as I remembered.

The film captures SEVENTEEN in their element-on stage, pouring their hearts into every performance. From the meticulously synchronized choreography to the powerful vocals, each member's talent and charisma shine brightly. The group's chemistry is palpable, and their energy is infectious, making it impossible not to sing along or tap your feet to the beat.

The cinematography is top-notch, with dynamic camera angles and close-ups that allow fans to feel like they're right there in the front row. The sound quality is also excellent, immersing the audience in the concert experience. For those who couldn't attend the tour in person, this film is the next best thing, and for those who did, it's a beautiful way to relive the magic.

If there's any downside, it's that the film leaves you wanting more-more songs, more performances, more of the members just being their authentic selves. But perhaps that's intentional, a way of keeping fans eagerly anticipating what's next for SEVENTEEN.

Overall, this is a must-watch for Carats and K-pop enthusiasts alike. It's not just a concert film; it's a celebration of everything that makes SEVENTEEN one of the most beloved groups in the industry today.

Impossible Heir, touted as a captivating drama, disappoints with its disjointed narrative and shallow character development. The series squanders potential with Kang Inha's inexplicable 360-degree turnaround, which feels abrupt and poorly integrated into the storyline. Instead of adding depth, his sudden shift in demeanor comes across as a careless decision by the writers, leaving viewers puzzled and disconnected from his character journey.

Similarly, So Han Taeho's betrayal of Inha lacks adequate justification, especially given his shameless behavior towards his best friend's girlfriend. This inconsistency in character motivations detracts from the overall credibility of the plot, leaving viewers questioning the integrity of the storytelling. Additionally, Kang Seoung Ju's unexpected decision to abandon everything at the last minute feels rushed and devoid of meaningful context, further highlighting the series' struggle with coherence and depth.

Furthermore, the romantic dynamic between Han Taeho and Heeju feels forced and underdeveloped. Despite attempts to establish chemistry between the characters, their relationship lacks authenticity and emotional resonance. The absence of Heeju during pivotal moments, such as Taeho's imprisonment and his mother's funeral, exacerbates the disconnect between the characters, making their sudden change of heart seem implausible and out of place.

I don't even want to talk about the main female lead so overall, Impossible Heir fails to deliver on its promise of intrigue and suspense, succumbing to poor character development and narrative inconsistencies. Despite its potential, the series ultimately falls short, leaving viewers disappointed and longing for a more compelling viewing experience.

Not a single thing in this drama made sense. You're totally wrong if you think that all the things happening with the main leads have any kind of deep connection.

1. Why was tattoo transferred to Dohee? Ans: No Reason!

2. Why did the tattoo come back to the demon? Ans: No Reason!

3. What was the meaning of their past life love story? Literally nothing, maybe writer wanted to show how he became demon but seriously why the rest of the village didn't turn into one?

4. What was even the role of diety? Nothing! One more nonsense role who was there to make a fool of herself.

5. Why did the the demon disappear when he did nothing? No reason at all!

6. Why Dohee tried to save demon when he can't die? Yes, you guessed it: for no freaking reason at all.

In essence, the series was just not as good as other fantasy shows out there. The storyline lacked depth, and character development felt flat. It didn't quite capture the magic and excitement that make other fantasy series stand out. Overall, it ended up being underwhelming.

Despite my deep affection for the show, the editing has significantly detracted from my overall enjoyment. Following each dialogue, there's a relentless onslaught of montages or flashbacks, and I genuinely mean after every dialogue. Take episode 7, for instance, where the street's bustling montage is replayed about 7-8 times. The excessive use of repetitive flashbacks and montages is becoming a major hindrance. It's high time to put a halt to this; I yearn to experience more of the original content without these constant interruptions. In doing so, the show can reclaim its narrative rhythm and deliver a more immersive viewing experience. A more judicious approach to editing would undoubtedly enhance the storytelling and keep viewers more engaged. Besides this, I really love the show and the cast.

Escape of 7 sticks to the writer's usual style, offering a story that feels too familiar. The plot is filled with ridiculous twists, making it hard to take seriously. Unfortunately, the characters don't grow or change throughout, leaving much to be desired. The constant attempts to expose each other in the media become repetitive, and the awkward product placements turn intense moments into unintentional comedy. Overall, it's a missed opportunity for something fresh and engaging.

As the narrative unfolds, it becomes painfully evident that the writer relies heavily on a formulaic approach. Each dramatic twist feels like a recycled version of previous works, creating a sense of predictability that hampers any hope for genuine surprise or excitement.

Character development, a crucial element in any drama, is sorely lacking in Escape of 7. Viewers are left yearning for a more profound connection with the characters, as their actions and motivations become increasingly difficult to empathize with. The opportunity for personal growth or introspection is squandered, leaving the audience detached from the emotional core of the story.

One of the most glaring issues lies in the writer's persistent reliance on sensationalism through media exposure. While the initial attempts to expose characters to the public eye may provide some intrigue, the repetitive nature of these plot devices quickly wears thin. It becomes apparent that this is a narrative crutch, a convenient tool used to manufacture conflict without the need for genuine, character-driven storytelling.

In conclusion, Escape of 7 is a disappointment for anyone seeking a fresh and compelling drama. The lack of originality, character development, and the intrusive product placements collectively contribute to a film that falls short of its potential. While there are moments of fleeting entertainment, they are overshadowed by the broader issues plaguing the narrative. This serves as a reminder that even a star-studded cast and a promising concept cannot salvage a film when hindered by a predictable plot and lackluster execution.

"Strong Girl Nam Soon" takes a nosedive in recent episodes, particularly in the handling of the main character's police work. Despite being a cop, he bypasses legal procedures and jumps to conclusions without solid proof. In a recent incident, the assumption that Ryu Shi Oh was the culprit lacked proper investigation, leading to an unjustified media frenzy.

The once enjoyable humor in the show has devolved into exaggerated character portrayals. The characters, including the grandmother, mother, and Nam Soon herself, now border on overacting. The subtlety and charm that once defined their interactions have been replaced by forced and unrealistic behaviors.

Moreover, the narrative suffers from a lack of coherent storytelling, evident in the absurdity of the father asking about an alleged boyfriend at a funeral. The overall tone has shifted, leaving viewers questioning the direction the show has taken.

"Strong Girl Nam Soon" needs a serious reevaluation of its plot and character dynamics to regain the audience's trust. A return to a more grounded approach and a focus on logical storytelling could potentially salvage the series from its current downward spiral.