The Supacell star on channelling his South London roots into a rising career.
“Wolverine is definitely hard to kill,” says Tosin Cole.
He’s been mulling over this. Cole is speaking to Empire during a morning off from filming mystery comedy thriller Three Bags Full: A Sheep Detective Movie (written by The Last Of Us’ Craig Mazin), in which he stars alongside Hugh Jackman. For the past few weeks, alongside shooting that, Cole has been promoting his Netflix super-powered drama Supacell while Jackman has been promoting Deadpool & Wolverine. So: the super-fight is on.
Cole doesn’t fancy his chances. “Michael ain’t got no offensive skills,” he says of Supacell’s time-manipulating lead. “Wolverine’s all offensive. Michael’s a very logical person, he’d be like, ‘He’s got three knives in each hand, he can heal himself, he’s very aggressive.’ So I think I’d just run away.
“Wolverine is definitely hard to kill,” says Tosin Cole.
He’s been mulling over this. Cole is speaking to Empire during a morning off from filming mystery comedy thriller Three Bags Full: A Sheep Detective Movie (written by The Last Of Us’ Craig Mazin), in which he stars alongside Hugh Jackman. For the past few weeks, alongside shooting that, Cole has been promoting his Netflix super-powered drama Supacell while Jackman has been promoting Deadpool & Wolverine. So: the super-fight is on.
Cole doesn’t fancy his chances. “Michael ain’t got no offensive skills,” he says of Supacell’s time-manipulating lead. “Wolverine’s all offensive. Michael’s a very logical person, he’d be like, ‘He’s got three knives in each hand, he can heal himself, he’s very aggressive.’ So I think I’d just run away.
- 8/8/2024
- by Alex Godfrey
- Empire - TV
Throughout the ages women have been forced to make themselves smaller, more demure and slot themselves into a male-dominated world but what happens when this behaviour takes place under the watchful eye of another? Hazel McKibbin’s sophomore film, She Always Wins, made during her Mfa at Columbia University follows what should be a joyous occasion as sisters reunite with a new boyfriend in tow to celebrate the burgeoning new relationship under a hazy, languorous summer’s day. McKibbin immerses us in the tussle played out between this trio as power dynamics shift and morph, and we see the fragility of a male ego rocked by the subtle but overwhelmingly strong bond between the two sisters, crystallized with the introduction of a supposedly innocent table game of backgammon. She Always Wins speaks volumes in the words that are not uttered, drawing its audience into the action plays of micro glances,...
- 8/1/2024
- by Sarah Smith
- Directors Notes
“The Eternal Daughter” filmmaker Joanna Hogg is returning to the Venice Film Festival, this time, as the jury president for the 21st edition of Giornate degli Autori, also known as Venice Days.
Hogg directed “The Souvenir,” “The Souvenir Part II,” and “The Eternal Daughter,” which debuted in competition at Venice in 2022. She previously served on the 2020 Venice Film Festival jury when Cate Blanchett was president. Now, Hogg succeeds Portuguese filmmaker João Pedro Rodríguez in the role of Giornate degli Autori jury president.
The 2024 Venice Film Festival celebrates the 10th anniversary of the GdA Director’s Award, bestowed to one of 10 films in its competition. The winning film will receive a 20,000 euro cash prize, which will be split equally between the director and the international distributor who will use the 10,000 euro to promote the film.
“What could be more fun and stimulating than watching films and sharing ideas with a jury of young cinephiles,...
Hogg directed “The Souvenir,” “The Souvenir Part II,” and “The Eternal Daughter,” which debuted in competition at Venice in 2022. She previously served on the 2020 Venice Film Festival jury when Cate Blanchett was president. Now, Hogg succeeds Portuguese filmmaker João Pedro Rodríguez in the role of Giornate degli Autori jury president.
The 2024 Venice Film Festival celebrates the 10th anniversary of the GdA Director’s Award, bestowed to one of 10 films in its competition. The winning film will receive a 20,000 euro cash prize, which will be split equally between the director and the international distributor who will use the 10,000 euro to promote the film.
“What could be more fun and stimulating than watching films and sharing ideas with a jury of young cinephiles,...
- 7/26/2024
- by Samantha Bergeson
- Indiewire
Acclaimed British filmmaker Joanna Hogg (The Souvenir, The Eternal Daughter) will head up the jury of the Giornate degli Autori (GdA) sidebar at the upcoming 2024 Venice Film Festival. Hogg will oversee a jury of 27 young European film fans judging the movies of the parallel section, which runs alongside the Venice festival from Aug. 28 to Sept. 7. The jury will pick the section’s GdA Director’s Award.
“Throughout her cinematic journey, Hogg has examined the human soul, family and sentimental relationships with rare precision, psychological depth and authenticity,” said GdA artistic director Gaia Furrer. “Hers is an implosive cinema, as Martin Scorsese, who produced Hogg’s last three films, defined it: A cinema capable of bringing to light truths that are often uncomfortable or unspeakable.”
Hogg is best known for her pair of autobiographical dramas, The Souvenir (2019) and The Souvenir: Part II (2021), the first of which premiered in Sundance, the second in Cannes.
“Throughout her cinematic journey, Hogg has examined the human soul, family and sentimental relationships with rare precision, psychological depth and authenticity,” said GdA artistic director Gaia Furrer. “Hers is an implosive cinema, as Martin Scorsese, who produced Hogg’s last three films, defined it: A cinema capable of bringing to light truths that are often uncomfortable or unspeakable.”
Hogg is best known for her pair of autobiographical dramas, The Souvenir (2019) and The Souvenir: Part II (2021), the first of which premiered in Sundance, the second in Cannes.
- 7/26/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
UK filmmaker Joanna Hogg is to be president of Venice parallel section Giornate degli Autori, running from August 28-September 7.
The jury consists of 10 former participants of the European young cinephile 27 Times Cinema programme. Jury heads in recent years have included João Pedro Rodrigues, Céline Sciamma, Mina Mileva, Vesela Kazakova and Nadav Lapid.
The jury decides the winner of a cash prize of €20,000, to be split equally between the filmmaker and the film’s international distributor.
Once again, the jury sessions will be coordinated by Karel Och, artistic director of the Karlovy Vary Film Festival.
The Quay Brothers’ Sanatorium Under The Sign Of The Hour Glass,...
The jury consists of 10 former participants of the European young cinephile 27 Times Cinema programme. Jury heads in recent years have included João Pedro Rodrigues, Céline Sciamma, Mina Mileva, Vesela Kazakova and Nadav Lapid.
The jury decides the winner of a cash prize of €20,000, to be split equally between the filmmaker and the film’s international distributor.
Once again, the jury sessions will be coordinated by Karel Och, artistic director of the Karlovy Vary Film Festival.
The Quay Brothers’ Sanatorium Under The Sign Of The Hour Glass,...
- 7/26/2024
- ScreenDaily
UK director and screenwriter Joanna Hogg has been announced as jury president of Venice parallel section Giornate degli Autori (GdA), running from August 28, to September 7.
She will preside over a jury of 27 young European cinephiles attending GdA under the auspices of the 27 Times Cinema program, a joint initiative organized by the independent sidebar, the European Parliament’s Lux Audience Award and Europa Cinemas
This jury decides the GdA Director’s Award, the sidebar’s only official prize, under the coordination of Karlovy Vary International Film Festival (Kviff) director Karel Och.
The €20,000 cash prize is split equally between the director and the international distributor, who commits to using the sum received to promote the film.
“What could be more fun and stimulating than watching films and sharing ideas with a jury of young cinephiles” said Hogg, “I thank the Giornate degli Autori for inviting me to what I anticipate will be...
She will preside over a jury of 27 young European cinephiles attending GdA under the auspices of the 27 Times Cinema program, a joint initiative organized by the independent sidebar, the European Parliament’s Lux Audience Award and Europa Cinemas
This jury decides the GdA Director’s Award, the sidebar’s only official prize, under the coordination of Karlovy Vary International Film Festival (Kviff) director Karel Och.
The €20,000 cash prize is split equally between the director and the international distributor, who commits to using the sum received to promote the film.
“What could be more fun and stimulating than watching films and sharing ideas with a jury of young cinephiles” said Hogg, “I thank the Giornate degli Autori for inviting me to what I anticipate will be...
- 7/26/2024
- by Melanie Goodfellow
- Deadline Film + TV
Gugu Mbatha-Raw and Sam Worthington have joined Aaron Taylor-Johnson on the cast of David Mackenzie’s heist thriller ‘Fuze.’
Also joining the cast alongside the previously announced Theo James are Elham Ehsas and Honor Swinton-Byrne.
Also in news – Tom Ellis, Richard E. Grant & more join Netflix’s ‘The Thursday Murder Club’
Written by Ben Hopkins, the project opens on the discovery of an unexploded World War II bomb in a London construction site, sparking a mass evacuation – the perfect cover for a heist.
Producers for the feature include Gillian Berrie for Sigma Films and Sebastien Raybaud and Callum Grant for Anton. Giles Nuttgens joins Mackenzie’s creative team as director of photography after previously collaborating on ‘Hell or High Water.’
Filming commenced in London this week.
Sky will release the film theatrically in the UK and Ireland.
The post Gugu Mbatha-Raw & Sam Worthington join David Mackenzie’s heist thriller ‘Fuze’ appeared first on HeyUGuys.
Also joining the cast alongside the previously announced Theo James are Elham Ehsas and Honor Swinton-Byrne.
Also in news – Tom Ellis, Richard E. Grant & more join Netflix’s ‘The Thursday Murder Club’
Written by Ben Hopkins, the project opens on the discovery of an unexploded World War II bomb in a London construction site, sparking a mass evacuation – the perfect cover for a heist.
Producers for the feature include Gillian Berrie for Sigma Films and Sebastien Raybaud and Callum Grant for Anton. Giles Nuttgens joins Mackenzie’s creative team as director of photography after previously collaborating on ‘Hell or High Water.’
Filming commenced in London this week.
Sky will release the film theatrically in the UK and Ireland.
The post Gugu Mbatha-Raw & Sam Worthington join David Mackenzie’s heist thriller ‘Fuze’ appeared first on HeyUGuys.
- 7/10/2024
- by Zehra Phelan
- HeyUGuys.co.uk
Tosin Cole has already been part of two of the best-known sci-fi franchises around.
Sure, the American-born British actor admits his turn as starfighter pilot Lieutenant Bastian in “Star Wars: The Force Awakens” was perhaps a little “blink-and-you’ll miss it” (although it could have been a lot more — he got down to the final few auditioning for John Boyega’s role of Finn but “it just didn’t work out” and J.J. Abrams offered him this part instead). But in BBC cult series “Doctor Who,” however, across seasons 11 and 12, he played the main character of Ryan Sinclair, companion to Jodie Whittaker’s Time Lord. It all gives him some solid bragging rights.
“You know, I can tell my grandkids, ‘Your granddaddy was in this show!,’” he exclaims.
But now there’s another sci-fi that he hopes could also become something to tell the grandchildren about in years to come.
Sure, the American-born British actor admits his turn as starfighter pilot Lieutenant Bastian in “Star Wars: The Force Awakens” was perhaps a little “blink-and-you’ll miss it” (although it could have been a lot more — he got down to the final few auditioning for John Boyega’s role of Finn but “it just didn’t work out” and J.J. Abrams offered him this part instead). But in BBC cult series “Doctor Who,” however, across seasons 11 and 12, he played the main character of Ryan Sinclair, companion to Jodie Whittaker’s Time Lord. It all gives him some solid bragging rights.
“You know, I can tell my grandkids, ‘Your granddaddy was in this show!,’” he exclaims.
But now there’s another sci-fi that he hopes could also become something to tell the grandchildren about in years to come.
- 6/26/2024
- by Alex Ritman
- Variety Film + TV
Tom Burke knows how to play a toxic character, as proven by his work in films like “The Souvenir” and “Mank.” One might think playing a nice guy would come as an enjoyable change of pace for him, but when that nice guy is in a film like “Furiosa: A Mad Max Saga,” keeping up with the pace can be its own separate challenge. In a recent interview with GQ, Burke recalls how, despite excitement around the possibility, he initially thought the role of Praetorian Jack — mentor to Furiosa — wouldn’t be one that fit him all that well.
“I thought, I’m not going to get that job,” said Burke, “but wow, that sounds amazing. Cut to my manager saying, ‘George Miller wants to have a chat with you.’ And I was like, ‘When? What’s he seen? ‘Souvenir?’’ I mean look, I’m proud of ‘Souvenir,’ I’m proud of ‘Mank,...
“I thought, I’m not going to get that job,” said Burke, “but wow, that sounds amazing. Cut to my manager saying, ‘George Miller wants to have a chat with you.’ And I was like, ‘When? What’s he seen? ‘Souvenir?’’ I mean look, I’m proud of ‘Souvenir,’ I’m proud of ‘Mank,...
- 5/26/2024
- by Harrison Richlin
- Indiewire
Fan-favorite “Mad Max: Fury Road” character Furiosa gets her story expanded with the prequel film “Furiosa: A Mad Max Saga.” Anya Taylor-Joy takes the reins from Charlize Theron as the title character but there are many new and familiar faces popping up throughout the movie. Let’s meet them all.
Here’s the official logline: “As the world falls, young Furiosa (Taylor-Joy) is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. She will spend the rest of her life battling to get back home.”
Anya Taylor-Joy as Furiosa “Furiosa” (Warner Bros.)
Anya Taylor-Joy takes over the role of Furiosa from Charlize Theron in this prequel. In “Furiosa,” the titular character struggles to escape after being kidnapped by a warlord and falling in with Dementus’s biker hoard.
Taylor-Joy’s career has exploded in the last few years.
Here’s the official logline: “As the world falls, young Furiosa (Taylor-Joy) is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. She will spend the rest of her life battling to get back home.”
Anya Taylor-Joy as Furiosa “Furiosa” (Warner Bros.)
Anya Taylor-Joy takes over the role of Furiosa from Charlize Theron in this prequel. In “Furiosa,” the titular character struggles to escape after being kidnapped by a warlord and falling in with Dementus’s biker hoard.
Taylor-Joy’s career has exploded in the last few years.
- 5/24/2024
- by Jacob Bryant
- The Wrap
Yes, there were more flame-throwers, but working on Furiosa was pretty similar to starring in Joanna Hogg’s The Souvenir, says the actor. So how does he duck the crossfire that comes with playing Jk Rowling’s Strike?
When Tom Burke was cast in Furiosa: A Mad Max Saga, the prequel to the crash-bang spectacular Mad Max: Fury Road, he sat his 77-year-old mother down in front of the television and showed her the previous film in that post-apocalyptic series, just to give her some idea of what he was letting himself in for. Afterwards, she looked concerned. “Will you be mainly inside or outside?” she asked.
Any parent would worry. As Praetorian Jack, he helps the young Furiosa (Anya Taylor-Joy) take revenge against the pharaoh-like warlord (Chris Hemsworth) who killed her mother. Jack’s job is to sit at the wheel of the War Rig, one of those whopping...
When Tom Burke was cast in Furiosa: A Mad Max Saga, the prequel to the crash-bang spectacular Mad Max: Fury Road, he sat his 77-year-old mother down in front of the television and showed her the previous film in that post-apocalyptic series, just to give her some idea of what he was letting himself in for. Afterwards, she looked concerned. “Will you be mainly inside or outside?” she asked.
Any parent would worry. As Praetorian Jack, he helps the young Furiosa (Anya Taylor-Joy) take revenge against the pharaoh-like warlord (Chris Hemsworth) who killed her mother. Jack’s job is to sit at the wheel of the War Rig, one of those whopping...
- 5/17/2024
- by Ryan Gilbey
- The Guardian - Film News
George Miller keeps a photo on his phone. Taken somewhere in the ’70s, it’s a picture of Craig Hemsworth — back when the father of Chris Hemsworth hung out with the same gang of motorbike riders that appeared in the original “Mad Max.” He even knew Wonder Dog, that film’s cycle-riding canine. And of course, the younger Hemsworth is a dead ringer for his dad.
“[Chris] dug deep,” Miller told IndieWire of his “Furiosa: A Mad Max Saga” star. “He is highly considered on anything and everything, multi-dimensional. And he has wisdom. He is just 40. Now, at that age, if I only had half his understanding of the world at large, his place in it, the connection to family and the way he wants to conduct his life!”
We’re in Cannes and it’s the day before the festival’s out-of-competition world premiere of “Furiosa,” the fifth installment of his 45-year-old franchise.
“[Chris] dug deep,” Miller told IndieWire of his “Furiosa: A Mad Max Saga” star. “He is highly considered on anything and everything, multi-dimensional. And he has wisdom. He is just 40. Now, at that age, if I only had half his understanding of the world at large, his place in it, the connection to family and the way he wants to conduct his life!”
We’re in Cannes and it’s the day before the festival’s out-of-competition world premiere of “Furiosa,” the fifth installment of his 45-year-old franchise.
- 5/14/2024
- by Anne Thompson
- Indiewire
Alexander Skarsgard and Harry Melling are set to lead the cast of “Pillion,” described as a “fun and filthy romance with heart” and being produced by multi-Oscar-winning powerhouse Element Pictures.
The film — to be launched in Cannes by Cornerstone, which is handling worldwide sales — marks the feature debut of Harry Lighton, whose short “Wren Boys” was nominated for best British short at the 2018 BAFTAs, was nominated for a BIFA and had its U.S. premiere at the Sundance Film Festival.
“Pillion” follows Colin (Melling), a weedy wallflower letting life pass him by. That is until Ray (Skarsgård), the impossibly handsome leader of a motorbike club, takes him on as his submissive. Ray uproots Colin from his dreary suburban life, introducing him to a community of kinky, queer bikers and taking all sorts of virginities along the way. But as Colin steps deeper into Ray’s world of rules and mysteries,...
The film — to be launched in Cannes by Cornerstone, which is handling worldwide sales — marks the feature debut of Harry Lighton, whose short “Wren Boys” was nominated for best British short at the 2018 BAFTAs, was nominated for a BIFA and had its U.S. premiere at the Sundance Film Festival.
“Pillion” follows Colin (Melling), a weedy wallflower letting life pass him by. That is until Ray (Skarsgård), the impossibly handsome leader of a motorbike club, takes him on as his submissive. Ray uproots Colin from his dreary suburban life, introducing him to a community of kinky, queer bikers and taking all sorts of virginities along the way. But as Colin steps deeper into Ray’s world of rules and mysteries,...
- 5/8/2024
- by Alex Ritman
- Variety Film + TV
Tilda Swinton, Ken Loach and Brian Cox are among the British film and TV VIPs contributing to an online auction to raise money for humanitarian relief for Palestinians in Gaza.
Among the auction lots to bid on are an online bedtime story read by Swinton; tickets to Cox’s London stage performance of A Long Day’s Journey Into Night, including a meet and greet with the Succession star; and a walk-on part in the new film from Bend It Like Beckham director Gurinder Chadha.
Directors Mike Leigh, Asif Kapadia and Joanna Hogg, and actors including Harris Dickinson (The Iron Claw), Alison Oliver (Saltburn) and Aimee Lou Wood (Sex Education), are also taking part in the auction, which will raise money for Medical Aid for Palestinians (Map), a U.K.-based nonprofit that provides medical and humanitarian aid for Palestinians in Gaza.
The auction was set up by Cinema for Gaza,...
Among the auction lots to bid on are an online bedtime story read by Swinton; tickets to Cox’s London stage performance of A Long Day’s Journey Into Night, including a meet and greet with the Succession star; and a walk-on part in the new film from Bend It Like Beckham director Gurinder Chadha.
Directors Mike Leigh, Asif Kapadia and Joanna Hogg, and actors including Harris Dickinson (The Iron Claw), Alison Oliver (Saltburn) and Aimee Lou Wood (Sex Education), are also taking part in the auction, which will raise money for Medical Aid for Palestinians (Map), a U.K.-based nonprofit that provides medical and humanitarian aid for Palestinians in Gaza.
The auction was set up by Cinema for Gaza,...
- 3/27/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Personal Shopper Photo: Carole Bethuel Personal Shopper, 10.55pm, Great Movies, Monday, March 4, also on the same channel at 12.02am on Sunday, March 10
This left-field ghost story from Olivier Assayas is built around a pitch perfect performance from Kristen Stewart. Reteaming with the French director after Clouds Of Sils Maria, she plays clothes-buying gofer Maureen to insufferable A-lister Kyra (Nora Von Waltstätten), while also trying to come to terms with the death of her twin brother to a genetic condition she may share. Assayas maintains a cool and steady mood as Maureen begins encountering what she believes is the ghost of her brother. The writer/director employs that most commonplace of modern tools - the smartphone - as an unexpected conduit, while Stewart delivers a performance that takes you to the edge of your seat. Speaking after the Cannes premiere, Assayas said, "It's the closest I can get to a happy ending.
This left-field ghost story from Olivier Assayas is built around a pitch perfect performance from Kristen Stewart. Reteaming with the French director after Clouds Of Sils Maria, she plays clothes-buying gofer Maureen to insufferable A-lister Kyra (Nora Von Waltstätten), while also trying to come to terms with the death of her twin brother to a genetic condition she may share. Assayas maintains a cool and steady mood as Maureen begins encountering what she believes is the ghost of her brother. The writer/director employs that most commonplace of modern tools - the smartphone - as an unexpected conduit, while Stewart delivers a performance that takes you to the edge of your seat. Speaking after the Cannes premiere, Assayas said, "It's the closest I can get to a happy ending.
- 3/4/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
The Sundance queer drama “Sebastian,” directed by up-and-coming Finnish-British director Mikko Mäkelä, has been bought by Kino Lorber for U.S. distribution, along with a string of international buyers.
Represented in international markets by LevelK, the film made its world premiere in the World Cinema Dramatic Competition at this year’s Sundance Film Festival.
“Sebastian” follows Max (Ruaridh Mollica), a 25-year-old freelance writer and aspiring novelist who seems well on his way to success in London’s cultural spheres. Yet by night, he finds a different kind of exhilaration as a sex worker with the pseudonym Sebastian, meeting men via an escorting platform. Max uses his experiences as Sebastian to fuel his stories, and the worthy debut novel that he has been longing to write finally seems within reach. But Max increasingly struggles to remain in control of his double-life, leading him to reckon with whether Sebastian is merely a...
Represented in international markets by LevelK, the film made its world premiere in the World Cinema Dramatic Competition at this year’s Sundance Film Festival.
“Sebastian” follows Max (Ruaridh Mollica), a 25-year-old freelance writer and aspiring novelist who seems well on his way to success in London’s cultural spheres. Yet by night, he finds a different kind of exhilaration as a sex worker with the pseudonym Sebastian, meeting men via an escorting platform. Max uses his experiences as Sebastian to fuel his stories, and the worthy debut novel that he has been longing to write finally seems within reach. But Max increasingly struggles to remain in control of his double-life, leading him to reckon with whether Sebastian is merely a...
- 2/27/2024
- by Elsa Keslassy
- Variety Film + TV
It was never Suzy Bemba’s plan to become a professional actress. This year’s European Shooting Star from France had dabbled in performance — “10 years of ballet, maybe six years of singing classes,” she recalls. After a knee injury made it impossible to keep dancing, she switched to acting as “a new way of expression” and started trying out for open auditions, driving with her mother the two and half hours into Paris from their home in the French countryside. Her mother sent out inquiries to French talent agencies, and one agreed to sign Bemba after she graduated high school.
But when Bemba graduated, acting was the last thing on her mind. “I wanted to go to med school, that was always the dream, so when I graduated, that’s what I did,” she says. “I kind of forgot about the idea of acting.”
It was only after her freshman...
But when Bemba graduated, acting was the last thing on her mind. “I wanted to go to med school, that was always the dream, so when I graduated, that’s what I did,” she says. “I kind of forgot about the idea of acting.”
It was only after her freshman...
- 2/16/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Metrograph is expanding its theatrical distribution business and has hired former A24 executive David Laub as head of Metrograph Pictures.
Laub will reported to CEO Christian Grass and will assemble a team to build a slate of prestige theatrical releases covering independent, international, and documentary.
The company aims to acquire completed films and board projects at earlier stages to potentially provide financing, and is looking at projects with an aim to get up to 10 “robustly supported” releases per year.
Laub will attend Berlin next week to scour the festival and market for potential acquisitions.
Until Tuesday’s announcement the company,...
Laub will reported to CEO Christian Grass and will assemble a team to build a slate of prestige theatrical releases covering independent, international, and documentary.
The company aims to acquire completed films and board projects at earlier stages to potentially provide financing, and is looking at projects with an aim to get up to 10 “robustly supported” releases per year.
Laub will attend Berlin next week to scour the festival and market for potential acquisitions.
Until Tuesday’s announcement the company,...
- 2/6/2024
- ScreenDaily
Exclusive:f David Laub, a longtime distribution executive at A24, is joining Metrograph to build a new slate of theatrical releases as head of Metrograph Pictures, a label that’s been focused mainly on restorations of classic films.
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
Laub will consider American independent, international and documentary features, both finished films and earlier stage projects to potentially provide financing. The company is aiming to get to 10 releases a year.
“We are excited to work with a wide range of films and filmmakers, and be a robust new presence in the distribution landscape,” said Laub, who will hit the ground for Metrograph at the upcoming Berlinale and European Film Market next week.
It’s not an easy time for indie film distribution. Metrograph in is announcement said the industry “in dire need of fresh thinking and inventive distribution options.”
Laub will report to and work closely with Metrograph CEO Christian Grass, who joined...
- 2/6/2024
- by Jill Goldsmith
- Deadline Film + TV
Lesley Manville, most recently seen as Princess Margaret in the final seasons of “The Crown,” is to lead “Winter of the Crow,” now shooting in Warsaw, Poland.
Ahead of the European Film Market in Berlin, HanWay is launching worldwide sales on the feature, based on the short story by Olga Tokarczuk, a Nobel Literature Prize and International Booker Prize winner and one of the most critically acclaimed and successful authors of her generation in Poland.
Alongside Manville, soon to be seen in “Back to Black,” the sporting cast includes Tom Burke, Zofia Wichłacz (“World on Fire” and a European Shooting Star winner at the Berlin Film Festival in 2017) and Andrzej Konopka.
From award-winning director and storyboard artist Kasia Adamik (winner of the Silver Bear at the Berlin Film Festival in 2017 for “Spoor”), “Winter of the Crow” is a Cold War thriller set in the surreal and cinematic world of 1981 Warsaw.
Ahead of the European Film Market in Berlin, HanWay is launching worldwide sales on the feature, based on the short story by Olga Tokarczuk, a Nobel Literature Prize and International Booker Prize winner and one of the most critically acclaimed and successful authors of her generation in Poland.
Alongside Manville, soon to be seen in “Back to Black,” the sporting cast includes Tom Burke, Zofia Wichłacz (“World on Fire” and a European Shooting Star winner at the Berlin Film Festival in 2017) and Andrzej Konopka.
From award-winning director and storyboard artist Kasia Adamik (winner of the Silver Bear at the Berlin Film Festival in 2017 for “Spoor”), “Winter of the Crow” is a Cold War thriller set in the surreal and cinematic world of 1981 Warsaw.
- 1/30/2024
- by Alex Ritman
- Variety Film + TV
Honor Swinton Byrne (“The Souvenir”) and Greta Bellamacina (“Tell That To The Winter”) are set to star in Jaclyn Bethany’s upcoming feature film “All Five Eyes.”
Co-written by Bethany and Bellamacina, the film tells the story of Marion (Swinton Byrne) and Cecily (Bellamacina) as they care for their disabled younger sister Willa. It is set to shoot in the U.K. in August.
Set in a small English village in 1967, liberated Marion is exploring the new social freedoms enjoyed by women in the late 1960s while conscientious and self-conscious Cecily runs the local girls school and is Willa’s main carer.
“Their differences reach a boiling point over their relationship with Willa, which leads to each sister making their own decision on what it means to have a life worth living,” reads the logline.
The screenplay was informed by Bellamacina’s own experience of caring for a child with autism.
Co-written by Bethany and Bellamacina, the film tells the story of Marion (Swinton Byrne) and Cecily (Bellamacina) as they care for their disabled younger sister Willa. It is set to shoot in the U.K. in August.
Set in a small English village in 1967, liberated Marion is exploring the new social freedoms enjoyed by women in the late 1960s while conscientious and self-conscious Cecily runs the local girls school and is Willa’s main carer.
“Their differences reach a boiling point over their relationship with Willa, which leads to each sister making their own decision on what it means to have a life worth living,” reads the logline.
The screenplay was informed by Bellamacina’s own experience of caring for a child with autism.
- 1/24/2024
- by K.J. Yossman
- Variety Film + TV
From her striking debut to The Souvenir and new release The Eternal Daughter, the British film-maker circles around loss, memory and rebirth in dramas of piercing intensity
Joanna Hogg’s latest film, The Eternal Daughter (in cinemas now), is a ghost story; a tale of a mother and daughter – both played by Hogg’s longtime collaborator Tilda Swinton – who stay in a remote hotel where the spectres of the past are everywhere. It’s a wonderfully atmospheric piece, imbued with Hogg’s signature understated strength, and inflected with the same matter-of-fact eeriness that defined Jonathan Miller’s timeless 1968 Mr James TV adaptation Whistle and I’ll Come to You.
It was Hogg’s executive producer Martin Scorsese who encouraged her to make a ghost story, believing that she was at the right point in her life and career to do so. But Hogg’s films have always been haunted by ghosts,...
Joanna Hogg’s latest film, The Eternal Daughter (in cinemas now), is a ghost story; a tale of a mother and daughter – both played by Hogg’s longtime collaborator Tilda Swinton – who stay in a remote hotel where the spectres of the past are everywhere. It’s a wonderfully atmospheric piece, imbued with Hogg’s signature understated strength, and inflected with the same matter-of-fact eeriness that defined Jonathan Miller’s timeless 1968 Mr James TV adaptation Whistle and I’ll Come to You.
It was Hogg’s executive producer Martin Scorsese who encouraged her to make a ghost story, believing that she was at the right point in her life and career to do so. But Hogg’s films have always been haunted by ghosts,...
- 12/2/2023
- by Mark Kermode
- The Guardian - Film News
‘Tis the season to be streaming. And if you’re going to be streaming, consider streaming some independent films.
With the holidays approaching, streamers are predictably focusing their energy on stocking their libraries with Christmas and family films. As a result, there’s less great non-seasonal indies coming to Netflix, Hulu, Max, and the other major platforms this month than usual. That’s not to say there aren’t a few classics from yesteryear coming our way; Netflix is complimenting its new original “May December” with “Black Swan,” another film that sees Natalie Portman at her scariest. Paramount+ offers up two late ’90s and early ’00s gems with Sofia Coppola’s debut “The Virgin Suicides” and scrappy football charmer “Bend It Like Beckham.” On Prime Video, you can enjoy one of the 2010s best comedies, Andrew Bujalski’s “Support the Girls.” And on Max, you can check out “The Souvenir,...
With the holidays approaching, streamers are predictably focusing their energy on stocking their libraries with Christmas and family films. As a result, there’s less great non-seasonal indies coming to Netflix, Hulu, Max, and the other major platforms this month than usual. That’s not to say there aren’t a few classics from yesteryear coming our way; Netflix is complimenting its new original “May December” with “Black Swan,” another film that sees Natalie Portman at her scariest. Paramount+ offers up two late ’90s and early ’00s gems with Sofia Coppola’s debut “The Virgin Suicides” and scrappy football charmer “Bend It Like Beckham.” On Prime Video, you can enjoy one of the 2010s best comedies, Andrew Bujalski’s “Support the Girls.” And on Max, you can check out “The Souvenir,...
- 12/1/2023
- by Wilson Chapman
- Indiewire
A24 are delivering a special gift to Max this December, as Leo Reich’s acclaimed stand-up show Literally Who Cares?! hits the streamer. The comedian has already won over the Edinburgh Fringe Festival and Off-Broadway with runs of the show, but this performance was taped at EartH in London. Consider checking it out – if A24 got involved in the project, you know you’ll definitely see something weird and special.
But if you’re looking for something more serious, add the new three-part documentary series Murder In Boston: Roots, Rampage & Reckoning to your watch list this month. The upcoming series delves into the fallout from the investigation into Charles “Chuck” Stuart’s 911 call reporting that he and his pregnant wife, had been shot in Boston’s Mission Hill neighborhood in 1989.
Here’s everything coming to (and leaving) HBO and Max this month…
HBO and Max New Releases – December 2023
December...
But if you’re looking for something more serious, add the new three-part documentary series Murder In Boston: Roots, Rampage & Reckoning to your watch list this month. The upcoming series delves into the fallout from the investigation into Charles “Chuck” Stuart’s 911 call reporting that he and his pregnant wife, had been shot in Boston’s Mission Hill neighborhood in 1989.
Here’s everything coming to (and leaving) HBO and Max this month…
HBO and Max New Releases – December 2023
December...
- 12/1/2023
- by Kirsten Howard
- Den of Geek
From terrifying audiences in Kill List to squaring up to Elba in airline thriller Hijack, the actor has made his name playing a host of wrong’uns. Now he’s leaving the baddies behind to direct a Belgium-based whistleblower drama
If you know Neil Maskell as an actor, you might fancy you’d know him as a film-maker, too. And you’d be right. But you’d also be very wrong. “I think if you see Klokkenluider it’s not really the work of … ” Maskell pauses to determine where his directorial film debut diverges from his onscreen persona. “I was gonna say a ‘tough guy’, but that’s not very fair, because I know some very intelligent tough guys. But it’s not the work of, like, a thug.”
In fact, the title alone – a Dutch word meaning “whistleblower” – sets Klokkenluider above the violent Brit-flicks Maskell once starred in. He is calling today from Antwerp,...
If you know Neil Maskell as an actor, you might fancy you’d know him as a film-maker, too. And you’d be right. But you’d also be very wrong. “I think if you see Klokkenluider it’s not really the work of … ” Maskell pauses to determine where his directorial film debut diverges from his onscreen persona. “I was gonna say a ‘tough guy’, but that’s not very fair, because I know some very intelligent tough guys. But it’s not the work of, like, a thug.”
In fact, the title alone – a Dutch word meaning “whistleblower” – sets Klokkenluider above the violent Brit-flicks Maskell once starred in. He is calling today from Antwerp,...
- 8/22/2023
- by Ellen E Jones
- The Guardian - Film News
Kelly Macdonald and Monica Dolan in Carol Morley’s Typist, Artist, Pirate King Photo: Courtesy of Glasgow Film Festival Following the special focus on The Souvenir director Joanna Hogg last time around, this year’s 34th edition of the Dinard Festival of British Cinema will explore the work of another highly individual female film-maker Carol Morley.
Besides some of her earlier titles Morley will present her latest film Typist Artist Pirate King, an affectionate imagining of the Sunderland-born artist, Audrey Amiss, whose career was hampered by mental illness. Until her death, aged 79, she continued to create and document original works of art, mostly drawn from her daily life.
Carol Morley is Dinard bound with four films Photo: Paul Marc Mitchell From this vast archival collection, Morley has created a snapshot tribute to Amiss (played by Monica Dolan), pasting scraps of artworks, diary entries and anecdotes into a fictionalised portrait of...
Besides some of her earlier titles Morley will present her latest film Typist Artist Pirate King, an affectionate imagining of the Sunderland-born artist, Audrey Amiss, whose career was hampered by mental illness. Until her death, aged 79, she continued to create and document original works of art, mostly drawn from her daily life.
Carol Morley is Dinard bound with four films Photo: Paul Marc Mitchell From this vast archival collection, Morley has created a snapshot tribute to Amiss (played by Monica Dolan), pasting scraps of artworks, diary entries and anecdotes into a fictionalised portrait of...
- 8/16/2023
- by Richard Mowe
- eyeforfilm.co.uk
[Editor’s note: The following story contains spoilers for “Talk to Me.”]
The teens in “Talk to Me” might be trapped in the spirit world, but the Australian horror movie’s franchise potential is alive and thriving. A24 has ordered a sequel to Danny and Michael Philippou’s feature directorial debut, the production company announced Tuesday.
The news comes just less than two weeks after “Talk to Me” had its theatrical release in the United States on July 28. In addition to announcing the sequel, A24 shared the film’s title card, revealing that, in the great tradition of “2 Fast 2 Furious” and “Scre4m,” the film will be titled “Talk 2 Me.”
The Philippous, two brothers best known for their popular horror comedy Youtube Channel RackaRacka, are set to return to direct the sequel. Danny Philippou will also reunite with Bill Hinzman, who he wrote the first film with, to work on the screenplay for the followup. Samantha Jennings and...
The teens in “Talk to Me” might be trapped in the spirit world, but the Australian horror movie’s franchise potential is alive and thriving. A24 has ordered a sequel to Danny and Michael Philippou’s feature directorial debut, the production company announced Tuesday.
The news comes just less than two weeks after “Talk to Me” had its theatrical release in the United States on July 28. In addition to announcing the sequel, A24 shared the film’s title card, revealing that, in the great tradition of “2 Fast 2 Furious” and “Scre4m,” the film will be titled “Talk 2 Me.”
The Philippous, two brothers best known for their popular horror comedy Youtube Channel RackaRacka, are set to return to direct the sequel. Danny Philippou will also reunite with Bill Hinzman, who he wrote the first film with, to work on the screenplay for the followup. Samantha Jennings and...
- 8/8/2023
- by Wilson Chapman
- Indiewire
Nobel Prize-winning writer Annie Ernaux has signed an open letter in support of Amber Heard, decrying “the vilification” and “ongoing online harassment” of the actress.
Ernaux won the Nobel Prize in Literature in October 2022 for her work charting the lives of women in France from the 1960s onwards, including abortion drama Happening, which formed the basis for Audrey Diwan’s 2021 Venice Golden Lion winner of the same name.
She is among a group of 68 French feminists and cultural figures to have signed the online letter in an initiative coinciding with the first anniversary of the actress’s defeat last June in a highly-mediatized defamation trial brought by ex-husband Johnny Depp.
Further signatories included actresses Ariane Labed and Zita Hanrot as well as actress-director Aïssa Maïga, screenwriter Caroline Deruas Peano (The...
Ernaux won the Nobel Prize in Literature in October 2022 for her work charting the lives of women in France from the 1960s onwards, including abortion drama Happening, which formed the basis for Audrey Diwan’s 2021 Venice Golden Lion winner of the same name.
She is among a group of 68 French feminists and cultural figures to have signed the online letter in an initiative coinciding with the first anniversary of the actress’s defeat last June in a highly-mediatized defamation trial brought by ex-husband Johnny Depp.
Further signatories included actresses Ariane Labed and Zita Hanrot as well as actress-director Aïssa Maïga, screenwriter Caroline Deruas Peano (The...
- 6/5/2023
- by Melanie Goodfellow
- Deadline Film + TV
Arlo Parks has released her full-length follow-up to 2021’s Collapsed in Sunbeams, My Soft Machine. Stream it via Apple Music or Spotify below.
In a statement, the London-based singer-songwriter revealed the inspiration behind her sophomore LP as well as its title, which she lifted from the 2019 Joanna Hogg film, The Souvenir. “The world/our view of it is peppered by the biggest things we experience — our traumas, upbringing, vulnerabilities almost like visual snow,” she shared. “This record is life through my lens, through my body — the mid-20s anxiety, the substance abuse of friends around me, the viscera of being in love for the first time, navigating P.T.S.D. and grief and self-sabotage and joy, moving through worlds with wonder and sensitivity — what it’s like to be trapped in this particular body.”
For the origins of the album’s title, Parks identified a quote by Tom Burke...
In a statement, the London-based singer-songwriter revealed the inspiration behind her sophomore LP as well as its title, which she lifted from the 2019 Joanna Hogg film, The Souvenir. “The world/our view of it is peppered by the biggest things we experience — our traumas, upbringing, vulnerabilities almost like visual snow,” she shared. “This record is life through my lens, through my body — the mid-20s anxiety, the substance abuse of friends around me, the viscera of being in love for the first time, navigating P.T.S.D. and grief and self-sabotage and joy, moving through worlds with wonder and sensitivity — what it’s like to be trapped in this particular body.”
For the origins of the album’s title, Parks identified a quote by Tom Burke...
- 5/26/2023
- by Bryan Kress
- Consequence - Music
Twelve months ago, the UK industry drew a sharp intake of breath when Euphoria and Moonlight outfit A24 lured Piers Wenger and Rose Garnett to launch the studio’s London-based production division.
The splashy double hire of the BBC’s Director of Drama and Film, respectively, was seen by many as a major coup for A24 and a significant loss for the UK’s leading broadcaster.
Wenger and Garnett had spent the previous decade playing an influential role in making the UK a creative powerhouse, greenlighting significant productions and blooding future stars while at the BBC and Channel 4. I May Destroy You, Normal People, The Souvenir, The Favourite, and Three Billboards Outside Ebbing Missouri were all commissioned or developed on their watch. Steve McQueen and Michaela Coel are among the duo’s high-profile admirers.
But despite the initial UK shakeup and A24’s subsequent Oscar glory with Everything Everywhere All At Once,...
The splashy double hire of the BBC’s Director of Drama and Film, respectively, was seen by many as a major coup for A24 and a significant loss for the UK’s leading broadcaster.
Wenger and Garnett had spent the previous decade playing an influential role in making the UK a creative powerhouse, greenlighting significant productions and blooding future stars while at the BBC and Channel 4. I May Destroy You, Normal People, The Souvenir, The Favourite, and Three Billboards Outside Ebbing Missouri were all commissioned or developed on their watch. Steve McQueen and Michaela Coel are among the duo’s high-profile admirers.
But despite the initial UK shakeup and A24’s subsequent Oscar glory with Everything Everywhere All At Once,...
- 5/12/2023
- by Max Goldbart and Andreas Wiseman
- Deadline Film + TV
One thing most cinephiles can agree on is that Tilda Swinton is a mystifying gift to the film industry. In addition to delivering consistently excellent performances in almost every movie and cast she joins, the Oscar-winning actress has long been a champion of the sort of unique films that without her involvement might otherwise never get made.
From her repeat collaborations with auteurs like Wes Anderson and Bong Joon-ho to her risky roles in experimental projects like “The Souvenir” series, Swinton is an extremely familiar face for fans of arthouse cinema. She won the Academy Award for Best Supporting Actress for her performance in Tony Gilroy’s “Michael Clayton”: a crowd-pleasing George Clooney legal thriller from 2007. And yes, she scared the hell out of millennials as the White Witch in Disney’s “The Chronicles of Narnia.” Hell, she’s in the Marvel Cinematic Universe.
But it’s Swinton’s...
From her repeat collaborations with auteurs like Wes Anderson and Bong Joon-ho to her risky roles in experimental projects like “The Souvenir” series, Swinton is an extremely familiar face for fans of arthouse cinema. She won the Academy Award for Best Supporting Actress for her performance in Tony Gilroy’s “Michael Clayton”: a crowd-pleasing George Clooney legal thriller from 2007. And yes, she scared the hell out of millennials as the White Witch in Disney’s “The Chronicles of Narnia.” Hell, she’s in the Marvel Cinematic Universe.
But it’s Swinton’s...
- 3/21/2023
- by Christian Zilko
- Indiewire
Although he delivered quite a memorable performance as a director in Joanna Hogg’s The Souvenir series, it’s been a decade since Richard Ayoade actually last directed a film. Following 2010’s Submarine and 2013’s The Double, he’s now finally returning with a new feature and the first details have been unveiled.
Deadline reports Ayoade will direct, star in, and has co-written with George Saunders an adaptation of his New Yorker short The Semplica Girl Diaries. Also starring Ayoade’s wife Lydia Fox, with Ben Stiller, Jesse Eisenberg, and Sally Hawkins in talks to join the ensemble, the 2012 short story follows a suburban father who buys an elite status symbol outdoor decoration called Semplica Girls. It’s then revealed these “decorations” are actually poor young women from other countries.
See the full synopsis below for the project that will be sold by Cornerstone Films at EFM.
Family man Lloyd Turner...
Deadline reports Ayoade will direct, star in, and has co-written with George Saunders an adaptation of his New Yorker short The Semplica Girl Diaries. Also starring Ayoade’s wife Lydia Fox, with Ben Stiller, Jesse Eisenberg, and Sally Hawkins in talks to join the ensemble, the 2012 short story follows a suburban father who buys an elite status symbol outdoor decoration called Semplica Girls. It’s then revealed these “decorations” are actually poor young women from other countries.
See the full synopsis below for the project that will be sold by Cornerstone Films at EFM.
Family man Lloyd Turner...
- 2/13/2023
- by Jordan Raup
- The Film Stage
This year, women directors – and their women-centric subjects – swept the awards at Sundance Film Festival. Three women directors – Madeleine Gavin, Maryam Keshavarz, and Noora Niasari – won Audience Awards for their films on North Korea (“Beyond Utopia”), intergenerational motherhood (“The Persian Version”), and custody in diaspora (“Shayda”). Portraits of masculinity were also celebrated as well. First-time feature filmmaker Sing J. Lee won the Directing Award for his touching portrait of masculinity and fatherhood in “The Accidental Getaway Driver,” while Sauvnik Kaur’s intimate documentary on brotherhood “Against The Tide” took home a Special Jury Award. After two years of isolation and virtual festival-ing, it seems that stories of tenderness appealed over aggressive storytelling at Park City this year.
“This year’s Festival has been an extraordinary experience,” said Joana Vicente, Sundance Institute CEO. “The artists that comprise the 2023 Sundance Film Festival have demonstrated a sense of urgency and dedication to excellence in independent film.
“This year’s Festival has been an extraordinary experience,” said Joana Vicente, Sundance Institute CEO. “The artists that comprise the 2023 Sundance Film Festival have demonstrated a sense of urgency and dedication to excellence in independent film.
- 2/1/2023
- by Grace Han
- AsianMoviePulse
Archipelago (2010).On a pleasant afternoon in the Isles of Scilly, a family stand to have a photograph taken. Of the two grown-up children, their mother, and her friend, only the blond, curly-haired son has his face fully in the sunshine; he squints in the light. Edward, one of the central characters in Joanna Hogg’s second feature Archipelago (2010), is different from his mother Patricia and her sister Cynthia. He has “too much empathy,” according to his mother, and “always in an accusatory way,” his sister adds with a sneer. Virtuous Edward is about to go on a gap year to Africa, in that vague way that a gap year so often seems to be blithely to the continent rather than a particular place within it. Until then, he is spending some time with his family in an agreeably beige and blue country retreat, which is complete with a professional cook,...
- 1/23/2023
- MUBI
Sebastián Lelio's films have often dealt with the experiences of women on the edge or at a major crossroads in their lives. His characters are challenged by present difficulties and past traumas that appear directly in front of them all at once, and Lelio uses every tool possible to fill his movies with their subjective view of events. In his 2022 film "The Wonder," based on Emma Donoghue's book of the same name, that subjectivity becomes a core question: How can one know the experience of another?
Elizabeth (Florence Pugh), or Lib, has a rational view of things. Because of that, her arrival in a provincial Irish village for the purpose of taking care of (and observing) a seemingly mystical phenomenon is practically designed to push her out of her comfort zone. The character served as a nurse in the Crimean War, surrounded by death on all sides, and...
Elizabeth (Florence Pugh), or Lib, has a rational view of things. Because of that, her arrival in a provincial Irish village for the purpose of taking care of (and observing) a seemingly mystical phenomenon is practically designed to push her out of her comfort zone. The character served as a nurse in the Crimean War, surrounded by death on all sides, and...
- 1/6/2023
- by Anthony Crislip
- Slash Film
Following The Film Stage’s collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
It occurred to me in 2022 that the films of Steven Spielberg have been there my entire life. I watched the three Indiana Jones films, E.T. the Extra-Terrestrial, and Jaws, among others, on nearly every sick day. The opening of Jurassic Park on June 9, 1993, was a major event on my calendar as a 13-year-old. So was the opening of Schindler’s List later that year.
This lifetime of Spielberg-ia culminated in two key events in 2022. The first was seeing E.T. on the big screen over the summer with my 12-year-old son, during its recent re-release. I’ve seen E.T. countless times over the years, but at the cinema, it was a revelation. And my goodness: the final chunk is as emotionally overwhelming to me as a...
It occurred to me in 2022 that the films of Steven Spielberg have been there my entire life. I watched the three Indiana Jones films, E.T. the Extra-Terrestrial, and Jaws, among others, on nearly every sick day. The opening of Jurassic Park on June 9, 1993, was a major event on my calendar as a 13-year-old. So was the opening of Schindler’s List later that year.
This lifetime of Spielberg-ia culminated in two key events in 2022. The first was seeing E.T. on the big screen over the summer with my 12-year-old son, during its recent re-release. I’ve seen E.T. countless times over the years, but at the cinema, it was a revelation. And my goodness: the final chunk is as emotionally overwhelming to me as a...
- 12/30/2022
- by Christopher Schobert
- The Film Stage
After delivering their once-in-a-decade poll featuring the greatest films of all time, Sight and Sound have now focused on the current year in cinema. Unveiling their top 50 of 2022, Charlotte Wells’ debut Aftersun leads the pack, while Alice Diop’s narrative debut Saint Omer nabbed second place, and Park Chan-wook’s Decision to Leave came in third.
Sight and Sound Editor-in-Chief Mike Williams said, “Charlotte Wells is a major young filmmaking talent. Through assured direction and an astute screenplay she has reaped subtle, naturalistic performances from her stars, including a career-best turn from Paul Mescal and a remarkable first-time performance from Frankie Corio, making Aftersun a worthy winner. This marks the fourth year in a row that a British filmmaker has topped our annual poll with Wells joining previous winners Joanna Hogg and Steve McQueen. British cinema continues to move from strength to strength.”
See the top 20 below.
1. Aftersun (Dir Charlotte Wells,...
Sight and Sound Editor-in-Chief Mike Williams said, “Charlotte Wells is a major young filmmaking talent. Through assured direction and an astute screenplay she has reaped subtle, naturalistic performances from her stars, including a career-best turn from Paul Mescal and a remarkable first-time performance from Frankie Corio, making Aftersun a worthy winner. This marks the fourth year in a row that a British filmmaker has topped our annual poll with Wells joining previous winners Joanna Hogg and Steve McQueen. British cinema continues to move from strength to strength.”
See the top 20 below.
1. Aftersun (Dir Charlotte Wells,...
- 12/20/2022
- by Jordan Raup
- The Film Stage
How did this emotional sketch become a movie? Tilda Swinton and Joanna Hogg, born on March 20, 1960 in London, England, UK and known for writing and directing The Souvenir (2019), The Souvenir: Part II (2021) and Unrelated (2007), all produced by Emma Norton of Jwh Films, are favored by the charmed circle of rich white seemingly heterosexual men like Martin Scorsese (Sikelia Productions), David Fenkel and Daniel Katz (A24), and British vet producer Ed Guiney (Element Pictures). This is all conjuncture on my part, as it was when I wrote about the deal behind Triangle of Sadness, but the sketchiness of this and the formulaic quality of Triangle, coupled with the stellar names of those involved in the production lead me to believe there was more to the making of the movie deal than there is to the movie itself. In The Eternal Daughter, these men have chosen to celebrate womanhood as expressed by a particular female filmmaker as she attempts to create a story about herself and her mother plus one kindly black bereaved man played by Joseph Mydell (there is a hint of something about slavery here) and a cold modern young woman played by Carly-Sophia Davies whose heart also melts at the pathos of the celebate and lonely filmmaker, who actually is not pathetic but apparently just creatively alive. Watch the trailer here and then watch the movie and judge for yourself: https://www.imdb.com/title/tt13874422/?ref_=fn_al_tt_1 Together these men must have brought the film to Kristin Irving of the BBC where it got made, somewhat along the same lines as highly touted The Souvenir which landed BBC Films with funds from BFI Film Fund and was also produced by Jwh Films, again in association with Scorsese’s incubator Sikelia. This time Protagonist Pictures was the international sales agent and A24 only distributed in North America. Its sequel, The Souvenir Part II stars real-life mother and daughter Tilda Swinton and Honor Swinton Byrne, a conceit which perhaps gave life to the idea of another mother-and-daughter movie in which both roles are played by Tilda Swinton and which was made by the same team plus Ed Guiney of Element Pictures. A24 has now taken on both international sales and US rights. All of these films must have made 2 cents at the box office. What’s up? What is Tilda Swinton herself up to these days? Her previous film Three Thousand Years of Yearning by stalwart filmmaker George Miler sold to more interternational distributors in 2021 and 2022 than the Jwh films did, but it still must not have fared much better at the box office. (Read my blon on that here.) The short by Almodovar, The Human Voice, was a little gem, showing off Swinton’s accomplished acting skills as she enacted the remake of Cocteau’s The Human Voice under strict Covid protocols. But none of these reaches the new heights always expected of her…We’ll see what her next four films The End (pre-production) by Joshua Oppenheimer, Asteroid City (post-production) by Wes Anderson, The Killer (post-production) by David Fincher, and an Untitled Julio Torres Project (post-production) bring to the audiences who eagerly await whatever she does (count me among them). The Eternal Daughter has been described as a mystery drama and as a ghost story about “a middle-aged daughter and her elderly mother who confront long-buried secrets when they return to their former family home, a once-grand manor that has become a nearly vacant hotel brimming with mystery.” But there are no ghosts nor is there much of a mystery beyond why a mother and daughter have an eternal and universal tension between them, as most mothers and daughters do. Nor is the nearly vacant hotel ever revealed to be the ancestral home, nor is there much of a mystery about a banging shutter which keeps Tilda the daughter up at night. And whence cometh the acclaim of Joanna Hogg? Perhaps it was Covid. Dare I argue with the top film festivals and critics whom Rotten Tomatoes scored at 95%? Who are these critics? How many males among them? All Swinton has to do is attach her name to a project and it will be made — with male money. The film does truly touch emotions felt by every daughter trying to hard to please a mother who cannot express her own desires or her own heartfelt love for her daughter. But this situation makes the daughter seem pathetic except in her own creative mind as she grapples with the dilemna of The Eternal Duaghter. But what is the story here? That a writer’s imagination trumps reality? Are we so starved for emotional experiences that such a sketch brings us to tears? Am I horribly out of touch with the universe? Another film which touches this same raw nerve is Charlotte Wells’ Aftersun. Where have I gone wrong? Compare this to Eo, a film with no ersatz emotion and created to produce an emotion the director Jerzy Skolomowski had not felt since he saw Au Hasard Balthazar in 1966. Read my blog and his quotations. I am longing for the days of Angelopoulos, of Terence Davies or even Peter Greenaway. Give me hard art, not oblique emotional sketches, playing like the little musical phrase that Proust’s Swann held so dear as a reminder of his lost love. Postscript: An interesting article by Carlos Aguilar appeared in the LA Times shortly after I published this. It explains the long friendship between Tilda Swinton and Joanna Hogg. At first I thought it negated my negative take on the deal, but on second reading, I decided that it only added another tier to the dealmaking process which is that Tilda swings her own weight and can bring in her friend to the circle of dealmaking whereas before, Hogg remained in the background of the art film world.
- 12/18/2022
- by Sydney
- Sydney's Buzz
Joanna Hogg’s The Eternal Daughter is, among other things, a spiritual sequel to her exquisite recent films The Souvenir (2019) and The Souvenir Part II (2021). Those movies studied a fledgling filmmaker named Julie Hart, who, bearing some autobiographical resemblance to Hogg herself, wound her way through memories of dating a charismatic, troubled drug addict, attending film school in England in the 1980s, and trying to carve out an artistic identity for herself under the conflicted but supportive eye of her parents and friends. In those movies, Julie was played by Honor Swinton Byrne.
- 12/14/2022
- by K. Austin Collins
- Rollingstone.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSGush.The lineup for the 2023 Sundance Film Festival has been announced. Before the festival begins in Park City on January 19, peruse the selection on Notebook—including new films from Ira Sachs, Deborah Stratman (The Illinois Parables), Mary Helena Clark (Figure Minus Fact), and Fox Maxy (F1ght1ng Looks Different 2 Me Now).Victor Erice has just wrapped production on a new film, Cerrar los Ojos, in Granada, Spain, ahead of a 2023 release. This will be his fourth feature, arriving 31 years after 1992’s Dream of Light.The legendary composer Angelo Badalamenti—one of David Lynch’s most important collaborators, and the architect of all of his atmospheres—has died at age 85. In addition to his music with Lynch, Badalamenti worked with artists like Nina Simone,...
- 12/14/2022
- MUBI
It would be easy to fill this column with worthwhile movies that recently played theaters or notable TV shows making their return, but there’s too much interesting stuff to waste space on the familiar. So let’s get that out of the way up top.
Netflix viewers will be able to catch up with Bardo, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, and White Noise, all of which arrive on the service after brief theatrical runs.
On the TV front, fans of South Side, Slow Horses,...
Netflix viewers will be able to catch up with Bardo, Glass Onion: A Knives Out Mystery, Guillermo del Toro’s Pinocchio, and White Noise, all of which arrive on the service after brief theatrical runs.
On the TV front, fans of South Side, Slow Horses,...
- 12/6/2022
- by Keith Phipps
- Rollingstone.com
With The Eternal Daughter, Joanna Hogg continues her method of cultivating an environment that allows dialogue to be discovered on set. A ghost story in a classical British sense it, provided complications to that long-standing working method—namely that Tilda Swinton plays both lead characters: mother and daughter duo, Rosalind and Julie. Refusing to employ camera tricks, the subsequent shot-reverse shot dynamic that dominates these dialogue-driven sequences meant the distinct possibility of “getting too bogged in the technicalities of it,” Hogg says. But they largely “managed to keep it in the air,” by having key crew members track those pesky technical details of who said what when, allowing Swinton and Hogg to zero in on the moment at hand—something so vital to Hogg’s on-set atmosphere of exploration.
Fans will recognize Julie and Rosalind as originating from her most recent collaborations with Swinton and Swinton’s daughter Honor Swinton Byrne...
Fans will recognize Julie and Rosalind as originating from her most recent collaborations with Swinton and Swinton’s daughter Honor Swinton Byrne...
- 12/5/2022
- by Caleb Hammond
- The Film Stage
Tilda Swinton in The Eternal Daughter Image: Sandro Kopp / Courtesy of A24 Writer-director Joanna Hogg opens her new film The Eternal Daughter with the screen awash in a misty fog. It’s dusk, obviously cold, and the disquieting music on the soundtrack adds to the eerie atmosphere. An old, gothic building appears in the distance,...
- 12/1/2022
- by Murtada Elfadl
- avclub.com
“The film possessed me.”
That is how Tilda Swinton described how she came to star in “The Eternal Daughter,” her third pairing with director Joanna Hogg, and a sequel to their two previous collaborations, “The Souvenir” and “The Souvenir: Part II.”
The actress’ choice of words is fitting, since the new film is a ghostly, mysterious tale of a filmmaker, Julie, who’s caring for her elderly mother, Rosalind, in their family’s grand home in the country. Swinton reprises her “Souvenir” role as Rosalind and also takes on the role of Julie, who was played in the previous movies by Swinton’s own daughter Honor Swinton Byrne.
During a visit to TheWrap and Shutterstock’s Interview and Portrait Studio at the Toronto Film Festival, Swinton and Hogg discussed “The Eternal Daughter” with TheWrap’s Editor in Chief, Sharon Waxman, explaining that the idea for the film came from a deeply personal place.
That is how Tilda Swinton described how she came to star in “The Eternal Daughter,” her third pairing with director Joanna Hogg, and a sequel to their two previous collaborations, “The Souvenir” and “The Souvenir: Part II.”
The actress’ choice of words is fitting, since the new film is a ghostly, mysterious tale of a filmmaker, Julie, who’s caring for her elderly mother, Rosalind, in their family’s grand home in the country. Swinton reprises her “Souvenir” role as Rosalind and also takes on the role of Julie, who was played in the previous movies by Swinton’s own daughter Honor Swinton Byrne.
During a visit to TheWrap and Shutterstock’s Interview and Portrait Studio at the Toronto Film Festival, Swinton and Hogg discussed “The Eternal Daughter” with TheWrap’s Editor in Chief, Sharon Waxman, explaining that the idea for the film came from a deeply personal place.
- 9/13/2022
- by Missy Schwartz
- The Wrap
Joanna Hogg concludes the story she began with "The Souvenir," and continued in "The Souvenir Part II", with the spooky "The Eternal Daughter." To be clear: this isn't quite a sequel to those films. But at the same time, it is. "The Souvenir" films were autobiographical works in which Honor Swinton Byrne, daughter of Tilda Swinton, played Julie, a fictionalized version of Hogg, while Swinton played Rosalind, a version of Hogg's mother. Now, with "The Eternal Daughter," Swinton is back and pulling double duty — she's playing both Julie and Rosalind this time ("The Souvenir" films were set in the 1980s, while "The Eternal Daughter" is set in the present, which explains while the Julie character is older now).
Once again, Hogg is getting personal. Instead of making a movie about herself, here, she's making a movie about her mother. Sort of. More accurately, she's interrogating herself and asking the question:...
Once again, Hogg is getting personal. Instead of making a movie about herself, here, she's making a movie about her mother. Sort of. More accurately, she's interrogating herself and asking the question:...
- 9/13/2022
- by Chris Evangelista
- Slash Film
Tilda Swinton won an Oscar for “Michael Clayton,” but that doesn’t mean she keeps up on the season. “Did the Oscars even happen last year?,” she asked IndieWire while sitting in the lobby of a hotel this week in Toronto. Then the fabled Slap came back to her. “Oh, right!,” she said. “Even I caught that. Well, all I can say is, whatever.”
Swinton has her reasons for focusing on other issues. The British actress went to Cannes in May for the premiere of George Miller’s fantasy romance “Three Thousand of Years of Longing,” and this month traveled from Venice to Toronto for the launch of Joanna Hogg’s “The Eternal Daughter.” In between, Swinton spent the summer off the grid in Scotland, and thinking about what she can do to support the movies on her own terms.
“I’ve often wanted the owner of a multiplex chain...
Swinton has her reasons for focusing on other issues. The British actress went to Cannes in May for the premiere of George Miller’s fantasy romance “Three Thousand of Years of Longing,” and this month traveled from Venice to Toronto for the launch of Joanna Hogg’s “The Eternal Daughter.” In between, Swinton spent the summer off the grid in Scotland, and thinking about what she can do to support the movies on her own terms.
“I’ve often wanted the owner of a multiplex chain...
- 9/12/2022
- by Eric Kohn
- Indiewire
Singer Taylor Swift brought ‘All Too Well: The Short Film’ to the Toronto International Film Festival for a discussion in front of scores of fans.
The talk, moderated by TIFF CEO Cameron Bailey, focused on Swift’s directorial process and considering her music from a visual angle. It was also coupled with the first 35mm screening of “All Too Well,” which she wrote, directed, produced and makes an appearance in, reports Variety.
Bailey asked if Swift would be interested in one day making feature films, and she said yes, if she could find the right material.
“I’d love to keep taking baby steps forward,” she said. “And I think that I’m at a place now where the next baby step is not a baby step. It would be committing to making a film. And I feel like I would just absolutely love for the right opportunity to arise because I just absolutely,...
The talk, moderated by TIFF CEO Cameron Bailey, focused on Swift’s directorial process and considering her music from a visual angle. It was also coupled with the first 35mm screening of “All Too Well,” which she wrote, directed, produced and makes an appearance in, reports Variety.
Bailey asked if Swift would be interested in one day making feature films, and she said yes, if she could find the right material.
“I’d love to keep taking baby steps forward,” she said. “And I think that I’m at a place now where the next baby step is not a baby step. It would be committing to making a film. And I feel like I would just absolutely love for the right opportunity to arise because I just absolutely,...
- 9/10/2022
- by Glamsham Bureau
- GlamSham
Taylor Swift fever hit the Toronto Film Festival on Friday night as the singing-songwriting superstar passed through with actress Sadie Sink to present her 10-minute directoral work All Too Well: The Short Film, followed by an hour-long In Conversation event with festival CEO Cameron Bailey.
Fans slept overnight on the pavement outside the TIFF Bell Lightbox theatre in the hope of getting a place via standby, while bars and eateries along the festival’s King Street hub, blasted her classic 2012 track ‘All Too Well’ – which inspired the short.
Taylor Swift fans are taking over #TIFF22 pic.twitter.com/N3bDxzMvTi
— Deadline Hollywood (@Deadline) September 9, 2022
For Swift, the event afforded her an opportunity to give the short work a public screening in its original 35mm format.
“It’s really meaningful to get to present the short film on 35mm because that was how it was originally shot,” Swift said ahead of the screening.
Fans slept overnight on the pavement outside the TIFF Bell Lightbox theatre in the hope of getting a place via standby, while bars and eateries along the festival’s King Street hub, blasted her classic 2012 track ‘All Too Well’ – which inspired the short.
Taylor Swift fans are taking over #TIFF22 pic.twitter.com/N3bDxzMvTi
— Deadline Hollywood (@Deadline) September 9, 2022
For Swift, the event afforded her an opportunity to give the short work a public screening in its original 35mm format.
“It’s really meaningful to get to present the short film on 35mm because that was how it was originally shot,” Swift said ahead of the screening.
- 9/10/2022
- by Melanie Goodfellow
- Deadline Film + TV
In the wake of winning the MTV Video Music Award for video of the year, Taylor Swift brought “All Too Well: The Short Film” to the Toronto International Film Festival on Sept. 9 for a discussion in front of scores of devoted fans. How devoted? The first group to line up arrived at midnight, the second group at 5 a.m. — and they didn’t even have tickets yet, but were hoping that will call would answer their prayers, or that they would catch a glimpse of Swift walking by.
The talk, moderated by TIFF CEO Cameron Bailey, focused on Swift’s directorial process and considering her music from a visual angle. It was also coupled with the first 35mm screening of “All Too Well,” which she wrote, directed, produced and makes an appearance in.
The headline news? Deep into the conversation, Bailey asked if Swift would be interested in one day making feature films,...
The talk, moderated by TIFF CEO Cameron Bailey, focused on Swift’s directorial process and considering her music from a visual angle. It was also coupled with the first 35mm screening of “All Too Well,” which she wrote, directed, produced and makes an appearance in.
The headline news? Deep into the conversation, Bailey asked if Swift would be interested in one day making feature films,...
- 9/10/2022
- by William Earl
- Variety Film + TV
A version of this review first ran during the 2021 Cannes Film Festival.
When you saw Joaquin Phoenix dancing down those outdoor steps toward the end of “Joker,” you probably didn’t think about Princess Elsa belting out “Let It Go” in the 2013 animated film “Frozen.” But Mark Cousins did –- and that’s the difference between him and you and me and the rest of the people who see Cousins make that juxtaposition in his documentary “The Story of Film: A New Generation.”
Cousins ties Joker and Elsa together because of the defiance at the heart of his dance and her song, and he does so at the start of “The Story of Film: A New Generation.” The documentary was an extraordinarily apt film to screen on the opening afternoon of the 2021 Cannes Film Festival, which came 14 months after the pandemic had forced the festival to cancel its 2020 edition. The...
When you saw Joaquin Phoenix dancing down those outdoor steps toward the end of “Joker,” you probably didn’t think about Princess Elsa belting out “Let It Go” in the 2013 animated film “Frozen.” But Mark Cousins did –- and that’s the difference between him and you and me and the rest of the people who see Cousins make that juxtaposition in his documentary “The Story of Film: A New Generation.”
Cousins ties Joker and Elsa together because of the defiance at the heart of his dance and her song, and he does so at the start of “The Story of Film: A New Generation.” The documentary was an extraordinarily apt film to screen on the opening afternoon of the 2021 Cannes Film Festival, which came 14 months after the pandemic had forced the festival to cancel its 2020 edition. The...
- 9/9/2022
- by Steve Pond
- The Wrap
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