When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.
- Awards
- 1 win & 6 nominations
Hamid Djavadan
- Reza
- (as Hamidreza Javdan)
Emy Lévy
- Tour Guide
- (as Emy Levy)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis was the first ever production that secured permission from the French government to film in the catacombs. The film utilizes a set of narrow, winding tunnels of the Paris catacombs, complete with real mint skeletons creepily arranged centuries ago.
- GoofsThe poem on Flamel's stone shouldn't rhyme in English.
- Crazy creditsOn the last seconds of the end credits, you can hear a character saying "The only way out is down", followed by some of the noises heard on the catacombs earlier in the film.
- ConnectionsFeatured in FoundFlix: As Above So Below (2014) Ending Explained + Analysis (2017)
- SoundtracksSur La Planche 2013
Written by Sacha Got and Marlon Magnée
Performed by La Femme
Courtesy of Musique En Societe S.A.R.L.
By arrangement with Hyperion Music Services
Featured review
Horror movies are rarely called 'great.'
When was the last critically acclaimed horror movie released? You'd be hard-pressed to find anything since The Ring in 2002.
I haven't seen The Conjuring, Mama or Oculus but people say they've got potential. I thought Drag Me to Hell was pretty good from 2009.
But the last great one I caught in theaters was Devil from 2010.
Which is also directed by John Dowdle. He wrote Quarantine (2008), as well – another solid semi- recent horror.
As Above/So Below is the best horror movie I've seen in a long time.
First of all, it's shot on-location in Paris, which is a delight for any fan of that city. Favorite sights like Notre Dame and Sacre-Coeur are featured throughout.
The filmmakers use almost every shooting style. AA/SB is a mockumentary about Scarlett (played by Perdita Weeks) a young archaeologist searching for the philosopher's stone. Therefore much of the footage is first-person, shot via headlamp GoPro cams.
Although I'm sick of 'found footage' it works better here. For obvious reasons, the budget can't be massive, so this filmmaking style is particularly suited to horror.
The story is also good, co-written by the director and his brother, Drew.
There's more nuance than usual. The main characters use deductive reasoning and historical analysis in order to solve riddles and navigate the labyrinthine catacombs.
There's a lot of rebirth imagery, but I wonder just how far the metaphor goes. Are the ribbed tunnels supposed to be reminiscent of a vaginal lining?
Dichotomies drawn between light and dark, and up and down, are intriguing and thought provoking.
The cast of unknowns delivers strong performances. It's tough to get through a whole scary movie without poor acting or cheesy moments.
Apparently I'm in the minority because AA/SB is getting 13% amongst top critics and 57% amongst the users on Rotten Tomatoes.
But I would encourage an open mind, because it's a cut above the rest.
If you're looking for a decent flick this weekend, especially if you dig horror, you can do a lot worse than As Above/So Below.
When was the last critically acclaimed horror movie released? You'd be hard-pressed to find anything since The Ring in 2002.
I haven't seen The Conjuring, Mama or Oculus but people say they've got potential. I thought Drag Me to Hell was pretty good from 2009.
But the last great one I caught in theaters was Devil from 2010.
Which is also directed by John Dowdle. He wrote Quarantine (2008), as well – another solid semi- recent horror.
As Above/So Below is the best horror movie I've seen in a long time.
First of all, it's shot on-location in Paris, which is a delight for any fan of that city. Favorite sights like Notre Dame and Sacre-Coeur are featured throughout.
The filmmakers use almost every shooting style. AA/SB is a mockumentary about Scarlett (played by Perdita Weeks) a young archaeologist searching for the philosopher's stone. Therefore much of the footage is first-person, shot via headlamp GoPro cams.
Although I'm sick of 'found footage' it works better here. For obvious reasons, the budget can't be massive, so this filmmaking style is particularly suited to horror.
The story is also good, co-written by the director and his brother, Drew.
There's more nuance than usual. The main characters use deductive reasoning and historical analysis in order to solve riddles and navigate the labyrinthine catacombs.
There's a lot of rebirth imagery, but I wonder just how far the metaphor goes. Are the ribbed tunnels supposed to be reminiscent of a vaginal lining?
Dichotomies drawn between light and dark, and up and down, are intriguing and thought provoking.
The cast of unknowns delivers strong performances. It's tough to get through a whole scary movie without poor acting or cheesy moments.
Apparently I'm in the minority because AA/SB is getting 13% amongst top critics and 57% amongst the users on Rotten Tomatoes.
But I would encourage an open mind, because it's a cut above the rest.
If you're looking for a decent flick this weekend, especially if you dig horror, you can do a lot worse than As Above/So Below.
- stephenlovelette
- Aug 29, 2014
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Así en la Tierra como en el infierno
- Filming locations
- Catacombes of Paris, Paris, France(Whole set)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $21,321,100
- Opening weekend US & Canada
- $8,632,820
- Aug 31, 2014
- Gross worldwide
- $41,898,409
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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