The Year I Started Masturbating

The film begins on a promising note, offering some genuinely humorous moments. However, as it progresses, it becomes increasingly predictable, relying on repetitive humor scenarios in which the central character, Hanna, finds herself in embarrassing situations.

One of the central questions raised by the film is its underlying message. Initially, Hanna is depicted as a character with significant flaws - she neglects her family's needs, makes major financial decisions unilaterally, and appears emotionally distant. Towards the film's conclusion, she declares that she won't change who she is, and others should accept her for it.

This choice is somewhat perplexing, as it misses an opportunity for a more intriguing reversal of stereotypes, where a female character could be portrayed as a workaholic instead of the traditional male figure. Moreover, it departs from the common theme found in many films that emphasize the importance of family. In this case, the movie conveys a somewhat contradictory message, suggesting that individual desires should take precedence, and others should unquestioningly accept one's behavior. This message strikes an unusual and somewhat perplexing chord, at least in my interpretation.