User reviews

Álex de la Iglesia's Veneciafrenia, on paper, is a film right up my alley. It is one of those vacation-gone-awry films that works when it's being a pure slasher, and fails when it tries to be a lot more. As someone who lives on the other side of the world, the initial scenes centered around protests in Venice towards ocean liners (and the thousands of Instagram-happy tourists they bring) was news to me, which I had to Google more about. The concept is intriguing, and works fine for a slasher. The protagonists are your typical not-so-likeable tourists who'd do anything just to have a good time, and it was difficult to get behind any of their antics. At times, they're plain stupid. In a film like this, it's mostly the antagonists that you're eyeing. The creepy jester is a scary addition to that universe, and so are the rest of them in masks.

But I wish we didn't have to know so much about them. Retaining some level of mystery around these angry locals would have made it more enjoyable. There's a bigger conspiracy at play, and except for some of the jester's carelessly-yet-magnificently executed savagery, the thrills are lacking. Pablo Rosso's cinematography work captures Venice in darker tones, which is apt given the plot. The ending is also rather tame - you expect a BANG, but turns out, it's just a whimper!

But not so bad as some reviews points. Too many loose ends asking to be developed. Yet thinking if this is some critic to Italian police. Lots of murders but they´re always one step behind. An interesting movie about globalization.

The worst? It´s almost impossible an italian policeman speaks spannish. And so passive.

The best. The concept. Scary. Indeed. Make us think twice if we should visit Venice.

That's a big point in favour of this movie.

The Spanish director is very critical this time and he is fundamentally right: Venice, this jewel, has become an amusement park; it is the tragedy of mass tourism that is being targeted. Hence the idea of making Veneciafrenia, a slasher, this subgenre of horror in which the murderer, generally with well-founded reasons for having become one (or, at least, with some defense for his revenge), kills by the most savage methods young people who only think about having fun, fornicating, drinking and taking drugs, without looking for a moment at the environment in which they live or at the people or things that surround them. A slasher which, as the genre dictates, has the main aim of entertaining.

However, the film only half succeeds. The contrast between the classic Venice of the carnival, baroque, colorful and disproportionately brilliant, and the vulgar attitude of this gang of thirty-something Spaniards, three women and two men with youthful pretensions and adolescent stupidities, who stumble upon the worst journey of their lives, is too strong for us to believe it. Giallo's notes in the treatment of colors and the nuances of certain characters, confer a certain welcome ghostly vision to the whole with the obvious reference to the great "Don't turn around" by "Nicolas Roeg" from 1973, as a model to follow to present not a beautiful, sublime city, but a city that is frightening, because it is old, ugly and decadent.

"Veneciafrenia" ends up failing on both fronts: that of the rejoicing of terror, and that of the critical vision of the fact of society which was nevertheless an excellent starting point. This does not prevent some beautiful flashes like the opening credits, truly magnificent. The terror based on Opera with the excuse of the character of Rigoletto was also seen well. The black humor works at times but is poorly balanced with the terror of the Giallo. All of this lacks relevance and ambiguity: the general tone is strange due to the different parts that never really stick together (between the half-funny gore slasher and the satire-criticism with a certain message) and a disappointing ending.

It's well filmed, we recognize the touch of "De la Iglesia", but the film lacks a little this frenzy which, ironically, sometimes blurs certain works of this author. The protagonists are walking clichés. The villains much more interesting.

Barely an amusing film where we feel that "Veneciafrenia" is missing out on something that could have been memorable.

As a huge fan of Alex De La Iglesia, I've had this film on my radar ever since I saw the "coming soon" trailer for this in a theater in Valencia, Spain back in early 2022...I waited and waited, hoping it would drop on a streamer in the U. S.... Finally the digital showed up on sale and had to snag it..mannnn, its about time!

Though nowhere near as great as some of my fav Iglesia flicks, like Day of the Beast (1995), The Last Circus (2010) or The Bar (2017), this Cult-sploitation/Slasher film delivers on a capable cast, a perfectly recognizable location (gorgeous Venice), eerie old building locations & plenty of blood & gore! The opening credits and final shot is reminiscent of a 60s/70s Giallo film. One of the final kills was especially creative (no spoilers). Sure, you've seen plenty of "annoying young people getting killed one by one" before, and the final FINAL act goes on a little too long, but Iglesia manages to put a hip, stylistic flare that I still enjoyed! No regrets blind buying this one!

I was fan of Alex De La iglesia since I was a kid, my favorites movies so far are "Perdita Durango" "El Día de la Bestia" and "Las Brujas de Zugarramurdi" all of them was fresh, and fun. Today: is a big letdown. The reason I watched the entire movie is because the locations and the costumes. I was intrigue about a slasher movie in Venice (sounds very exotic).

The characters are CHILDLISH and ANNOYING. The script is so poor that I was getting dizzy. Skip it at all cost.

Veneciafrenia works better when it leans into the slasher with the beautiful Venice and its costumes as backdrop, but falls hard when it tries to focus on the main conspiranoic plot of the film, becoming something completely different and far less interesting.

I watched this while having the flu. I dont know how I watched the whole movie, I think only because the fever.

I dont understand how the use actual money to make things like this, give me the money and i´ll plant some really good peppers and potatoes on a field.

Its terrible.

This is such a good film.

I'm not understanding why there's no many really bad reviews.

It feels like they're watching a completely different film from what I've seen.

The acting was great, sound quality was excellent, costumes were brilliant, the story was superb, the directing was faultless. It looks like a fair few quid was spent on this, yet even it's Gross has been low & I can't fathom why?

Ignore the bad reviews. If you want a really good original horror movie, this will be your bag.

I'll be recommending this movie to all my friends who love a good horror/slasher.

I will happily watch this film again & again.

Worst movie I've seen in a long time. Beware anyone to waste their time. There is no good acting, bad directing, and a very ridiculous story. Nothing good at all.

I watched a lot of his movies, and as I was watching this "thing", I was deeply injured by the quality, that his movies fallen. A lot of people recommended me to watch his movies, but I can't comprehend this anymore, I'm escaping all of his movies in the future for sure.

I even made this account to make this comment, because this movie was so bad, that It made me do this.

Actors are quite lazy in their acting, script was really poorly written, and even Venice atmosphere didn't make it plausible to watch.

Anyway, don't watch anything coming from Alex De La Iglesia in the future, don't waste your time.

I don't like to complain or hate slashers. I love mostly. Even the freaky ones. But this one is really "malo" aka bad.

I am Spaniard, so I know the director. In the 90's 00's he made a couple of interesting movies. So, consequently I was curious about this one. What can go wrong with a bunch of kids in Venecia, ready to be slaughtered?... The answer is easy. All.

First, acting is horrendous. Pretty bad choices even for a slasher. I was expecting everyone to die since minute 1, lol.

Second, the script is bad, really bad. Even for a slasher. Predictable, dumb and probably wrote by a 5 years old.

Last, skipt it. There is nothing good here. Better go for a walk or some exercise. Thanks.

Thoroughly enjoyable, fun and very dark film.

The film follows a bunch of young tourists from spain as they venture in the magic and mysterious streets of Venice.

The film will have you laughing quite a few times but also it'll have you rooting for the main characters, who will become very human and close to your heart.

The photography and production design is superb as well as its original soundtrack.

Cosimo Fusco, the main antagonist plays two different characters and it's just delicious.

This is a great film that seems half role play game and half slasher. Contains elements of classic Italian and Spanish horror films.

Date to watch it, I promise it won't bore you at all.

The movie was a surprise and a pleasant one at that.

Certainly little is offered that is actually new, kinda reminds a bit of hostel, with the friend disappearing and theothers unable to locate them and stuff...However the atmosphere is great, the setting too, and the acting is not bad. The notion that Venice folks may have it in for mass tourism is realistic, the execution here is quite flawlessly surreal, as if the events ocurred in parallel dimension, with weird beautiful masks all over the place and the sense of threat stemming from the possibility that any of them may be an enemy. Unrealistic is the fluency of the cop in Spanish, but that's a minor thing that does not detract from the serviceability of the movie overall.