Antoine Doinel is 17, lives in a hotel and works in a factory making records; he loves music. He falls in love with a woman he meets at a concert. She sees him as a friend, but her parents l... Read allAntoine Doinel is 17, lives in a hotel and works in a factory making records; he loves music. He falls in love with a woman he meets at a concert. She sees him as a friend, but her parents love him.Antoine Doinel is 17, lives in a hotel and works in a factory making records; he loves music. He falls in love with a woman he meets at a concert. She sees him as a friend, but her parents love him.
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- TriviaThis short is a largely autobiographical work, based on 17-year-old François Truffaut's infatuation with the unconventional beauty Liliane Litvin. Truffaut met Litvin at the Cinémathèque Française and quit his job as a welder and moved to Paris to be near her. Like Antoine, he took an apartment across the street from hers so that he could monitor her activities. However, she ultimately was not interested in him nor in any of his friends. (She had attracted attention from Jean Gruault and Jean-Luc Godard.)
- Quotes
Radio Singer II: [film ends] The youth of the world, They fall in love, From east to west from north to south, Like a red apple, They bite into life, Its juice overflows from their mouth, Kisses and heartaches, Meet and then part, Give me your hand - here - take my heart, It might end in pain, It might end in joy, Tender and cruel, Youth's dreams are many, As two by two, Down life's beck'ning road, They sing their way, In Love At Twenty
- ConnectionsFeatured in Love at Twenty (1962)
But all the while, he felt like he hadnt said enough about the story of Antoine in 400 Blows - that film ends quite enigmatically, leaving the viewer wondering how that kid turned out. So, Truffaut decides to make the short-film 'Anotine & Collette' to pacify the eager fans with news of Antoine, that he's OK, he's alive, he's now a young adult, independent, working at Phillips making records to earn his living and not stealing typewriters and the like. Maybe he had always this concept in mind - to use the same actor for the role of the same character which is why he had to patiently wait for Jean-Pierre Leaud to age, to play the role of Antoine.
And if you've loved/liked the 400 Blows, then you must also surely remember his best-friend René, the guy who Antoine stays with after being expelled from school, to play poker, drink wine and smoke cigars. He has a small role to play in this film too - they're still good friends, talking about the good old times (scenes from the 400 Blows) And, he is still played by the same actor, Patrick Auffay, which shows a kind of progression, a continuation. Well, René was always the more confident and self-assured person, with loads of money to help, so he gets along well in life, has a good relationship going with a girl, which is expressed in those few scenes where they compare their 'amours' and René gives advice to Antoine to progress from 'the chase' to 'the attack' and get the girl.
But Collette does not have any interest in Antoine despite all his attempts to woo her with regular visits, concert-dates, and other 'moves' which i wont disclose. Antoine even follows René's strategy of writing letters, but that doesn't seem to work either. Now, once again the viewer is left in the middle of a stage in Antoine's life. What will become of Antoine, will he get to be with Collette, or will he get over her, will he find somebody new and will he actually succeed with this somebody new??? Stay tuned to the same Truffaut-channel, Antoine Doinel-time, for, about six years hence, will come Baisers Volés!
(TRIVIA - Collette played by Marie-France Pisier, makes a reappearance in Amour en Fuite, the last film in the series)
Lastly, the song, 'Love at Twenty' played at the end with those scenes in different parts of Paris, along the Seine, in the parks, and on the streets, is just beautiful!!
"It could end badly, or it could end well... ...but thats Love at the age of Twenty!"
- thebathroomsinger
- Apr 4, 2008
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Details
Box office
- Gross US & Canada
- $509
- Opening weekend US & Canada
- $11,206
- Apr 25, 1999
- Gross worldwide
- $509
- Runtime32 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1