A conservative folk singer turns his hand to politics, running for the US Senate. He is not above dirty tricks and smear campaigns to gain an advantage over his opponent.A conservative folk singer turns his hand to politics, running for the US Senate. He is not above dirty tricks and smear campaigns to gain an advantage over his opponent.A conservative folk singer turns his hand to politics, running for the US Senate. He is not above dirty tricks and smear campaigns to gain an advantage over his opponent.
- Awards
- 4 wins & 3 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaA soundtrack album was due for release on Warner Bros. Records, but it was not released because Tim Robbins didn't want the songs played outside of the movie's context.
- GoofsIn a scene where Bob gets off the bus in "Harrisburg" a police barrier clearly says "City of Philadelphia."
- Quotes
Bob Roberts: Don't smoke crack. It's a ghetto drug.
- Crazy creditsAt the very end of the credits there is the screen-filling four-letter word 'VOTE'.
- ConnectionsFeatured in Siskel & Ebert: Sister Act/Encino Man/Alien³/Far and Away (1992)
- SoundtracksWhat Did The Teacher Tell You
Music and Lyrics by David Robbins & Tim Robbins
Produced and Arranged by David Robbins
Vocals by Novi Novog
Viola by Novi Novog
Robbins Egg Music (c) 1992, A.S.C.A.P.
Featured review
The focus of most of these comments has been on the film's perceived political commentary on American politics.
Let's make one thing clear: This film is a satire, not a commentary; in my opinion it's not about Republicans or Democrats, or conservatives or liberals; it is about the nature of democracies.
The point that the film, "Bob Roberts", makes can be summed up very clearly. Here is the nature of democracies: Voters choose winners over losers, champions over whiners, statements of power over statements of sacrifice. The list goes on; people prefer form over function, youth over age, presentation/entertainment over substance.
This film does transcend political lines; but in it's context, lets take a look at the specifics. Bob Roberts is electable because his message is just vague and occluded enough by his presentation, that he seems likeable. His message is not unique or original; he speaks to the elements that have always appealed to the more right-wing or fascistic elements of society; marginalization of the weak (in this case, the poor), empowerment of the common man, family values, etc.
Roberts' opponent, Paiste, is a textbook liberal; but this contest is not about left vs. right. Paiste is an educated man, and a career politician. He acknowledges the challenges in the American economy. He actually has answers to the issues; whether they are politically favorable or not is not significant. Roberts, on the other hand, says nothing about the real issues; he appeals only to the emotions of the mob, and because he uses the medium of folk music, he offends the sensibilities of liberals (both in the movie, and in its audience), because he uses the authenticity of the 60's and its messages of change, and "perverts" them to express his messages of reactionism and exclusion.
And it works.
Tim Robbins has a winner here, and this film gets overlooked because it gets dragged into these conversations about Robbins' own political views, and whether the film is making a statement about Republicans or Democrats. But Robbins says something far more universal with this film; democracies are not safe from tyranny or fascism; all it takes is a charismatic reactionary who can manipulate the interests of the press and the political interests to rise to power by appealing to the worst elements of our psyche, for entertainment, glamour, and exclusionism. Please remember that Hitler came to power by appealing to the worst aspects of the people of his nation, and was quite successful in creating much evil from that. Being part of a free nation comes with a huge responsibility; to carefully consider who we elect and what we value, and to allow those debates to have meaning. "Bob Roberts" shows us how easily we can neglect that responsibility, and how easily voters can be sold an offensive, exclusionary message, when it is wrapped up in something more attractive than what's real.
Let's make one thing clear: This film is a satire, not a commentary; in my opinion it's not about Republicans or Democrats, or conservatives or liberals; it is about the nature of democracies.
The point that the film, "Bob Roberts", makes can be summed up very clearly. Here is the nature of democracies: Voters choose winners over losers, champions over whiners, statements of power over statements of sacrifice. The list goes on; people prefer form over function, youth over age, presentation/entertainment over substance.
This film does transcend political lines; but in it's context, lets take a look at the specifics. Bob Roberts is electable because his message is just vague and occluded enough by his presentation, that he seems likeable. His message is not unique or original; he speaks to the elements that have always appealed to the more right-wing or fascistic elements of society; marginalization of the weak (in this case, the poor), empowerment of the common man, family values, etc.
Roberts' opponent, Paiste, is a textbook liberal; but this contest is not about left vs. right. Paiste is an educated man, and a career politician. He acknowledges the challenges in the American economy. He actually has answers to the issues; whether they are politically favorable or not is not significant. Roberts, on the other hand, says nothing about the real issues; he appeals only to the emotions of the mob, and because he uses the medium of folk music, he offends the sensibilities of liberals (both in the movie, and in its audience), because he uses the authenticity of the 60's and its messages of change, and "perverts" them to express his messages of reactionism and exclusion.
And it works.
Tim Robbins has a winner here, and this film gets overlooked because it gets dragged into these conversations about Robbins' own political views, and whether the film is making a statement about Republicans or Democrats. But Robbins says something far more universal with this film; democracies are not safe from tyranny or fascism; all it takes is a charismatic reactionary who can manipulate the interests of the press and the political interests to rise to power by appealing to the worst elements of our psyche, for entertainment, glamour, and exclusionism. Please remember that Hitler came to power by appealing to the worst aspects of the people of his nation, and was quite successful in creating much evil from that. Being part of a free nation comes with a huge responsibility; to carefully consider who we elect and what we value, and to allow those debates to have meaning. "Bob Roberts" shows us how easily we can neglect that responsibility, and how easily voters can be sold an offensive, exclusionary message, when it is wrapped up in something more attractive than what's real.
- brentbgerson
- Feb 28, 2004
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- El ciudadano Bob Roberts
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,900,000 (estimated)
- Gross US & Canada
- $4,479,470
- Opening weekend US & Canada
- $314,275
- Sep 7, 1992
- Gross worldwide
- $4,479,470
- Runtime1 hour 42 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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