A Native American travels around a resort town, murdering cops and rich people with a high-powered crossbow, while demanding that the town's richest residents pay him money to stop the killi... Read allA Native American travels around a resort town, murdering cops and rich people with a high-powered crossbow, while demanding that the town's richest residents pay him money to stop the killings.A Native American travels around a resort town, murdering cops and rich people with a high-powered crossbow, while demanding that the town's richest residents pay him money to stop the killings.
James Mitchum
- Tracker
- (as Jim Mitchum)
Shatka Bearstep
- Red Sky
- (as Shatka Bear-Step)
Julienne Wells
- Floozy
- (as Julian Wells)
Storyline
Did you know
- TriviaA year later Oliver Reed would work with James Mitchum's dad Robert in The Big Sleep.
- Alternate versionsWhen New World Pictures picked up the film for distribution, they added a prologue scene that had nothing to do with the actual movie. A masked gunman, who looks nothing like the Paul Koslo character, appears behind a convertible at a drive-in movie, where a couple are making out and groping each other. He takes his gun out and shoots both of them.
- ConnectionsFeatured in Paul Koslo on 'Maniac!' (2016)
- SoundtracksVictor's Theme: 'Shoot Him'
Performed and Written by Roger McGuinn and Patrick Ferrell
Produced by Roger McGuinn and Patrick Ferrell
Featured review
An American Indian named Victor (Paul Koslo, "The Stone Killer") is running around an Arizona town picking off people with his trusty crossbow. What he wants is for all the local fat cats to pay him a million to make him stop the killings. The richest jerk in the area, William Whitaker (Stuart Whitman, "The Comancheros"), hires a mercenary, Nick McCormick (Oliver Reed, "The Devils") to work on behalf of him and his peers. Since these particular fat cats are by and large a corrupt bunch, they would rather not use the regular legal channels. John Ireland ("I Saw What You Did") is the rather useless sheriff, Jim Mitchum ("Trackdown") a local hired for his tracking skills, and Deborah Raffin ("Death Wish 3") the reporter who takes a shine to gruff stranger-in-town Reed.
Directed by the late cult filmmaker Richard Compton ("Macon County Line"), "The Ransom" (also known as "Maniac!" and "Assault on Paradise") is decent entertainment, as far as it goes. There's nothing particularly interesting or different about it, it just tells a passable, routine story in capable fashion. It does have some good set pieces, whether they be vehicular chases or a stalking / suspense sequence set at Whitakers' estate. It is rather amusing, and ridiculous, how Victor is almost always way ahead of everybody else. He seems to have little trouble infiltrating defences and acquiring excellent vantage points. Nicely photographed (by Charles Correll) in scope, and scored (by Don Ellis), it moves along pretty well, but never gives us much info about, or insight into, the characters. Most of them are ciphers. And very little is done with many of the plot details.
Still, it's a treat to see Reed do just about anything, and here he gets to be moderately badass and try out an American accent. Raffins' reporter is a largely useless character, but Whitman is fun as the cranky moneybags who becomes increasingly frustrated over Victors' success and McCormicks' insistence on doing things his way.
Overall, a reasonable way to kill an hour and a half, with a fairly high body count but not much in the way of gore.
Six out of 10.
Directed by the late cult filmmaker Richard Compton ("Macon County Line"), "The Ransom" (also known as "Maniac!" and "Assault on Paradise") is decent entertainment, as far as it goes. There's nothing particularly interesting or different about it, it just tells a passable, routine story in capable fashion. It does have some good set pieces, whether they be vehicular chases or a stalking / suspense sequence set at Whitakers' estate. It is rather amusing, and ridiculous, how Victor is almost always way ahead of everybody else. He seems to have little trouble infiltrating defences and acquiring excellent vantage points. Nicely photographed (by Charles Correll) in scope, and scored (by Don Ellis), it moves along pretty well, but never gives us much info about, or insight into, the characters. Most of them are ciphers. And very little is done with many of the plot details.
Still, it's a treat to see Reed do just about anything, and here he gets to be moderately badass and try out an American accent. Raffins' reporter is a largely useless character, but Whitman is fun as the cranky moneybags who becomes increasingly frustrated over Victors' success and McCormicks' insistence on doing things his way.
Overall, a reasonable way to kill an hour and a half, with a fairly high body count but not much in the way of gore.
Six out of 10.
- Hey_Sweden
- Jul 7, 2018
- Permalink
- How long is The Ransom?Powered by Alexa
Details
- Runtime1 hour 30 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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