This is another film from German sexploitation meister Walter Boos, one of the co-creators of the infamous German "report" films. But rather than being a series of vignettes centered around errant German school girls or housewives, this movie basically has a structure similar to the much later American indie classic "Slacker" as it randomly follows around any number of barely related characters who live and work around a certain apartment building. It's also in 3-D, of course, so there are lots of shots of things being thrown at or, um, thrust into the camera (including, but not necessarily limited to, the pendulous breasts of Swedish sexploitation star Christine Lindberg).
If this could be classified as a "report" film, it's definitely one of the sexier ones with little plot to get in the way of the non-stop sex scenes. A girl(Ingrid Steeger) is embarrassed by her very sexually active roommate. A young man picks up a sexy nude sunbather by locking the balcony door and using a fishing pole to steal her clothes thus forcing her to come into his room where, of course, hot sex ensues. A man in a restaurant picks up a beautiful Indian girl while his friend also scores with a well-endowed waitress ("chubby chasers" will no doubt really enjoy the latter scene). A repressed woman submits to a lesbian seduction, but ends up having trampoline-style sex with a man as they bounce wildly on the bed. But they save the best for last, as the incredible Christine Lindberg shows up for two of the most unabashed sex scenes of her career, intercut by scenes of her driving men on the street to distraction with her very abbreviated mini-skirts and criminally low cut blouses. Then it's back to Ingrid Steeger, who finally falls in love with a guy, and gives her horny female roommate a run for the money by having wild sex with him on the balcony, literally almost bringing the roof down.
This is one of several German sex films Euro-sexploitation legends Lindberg and Steeger appeared in together (not in the same scenes, of course, that would melt the celluloid in the camera). It is, unfortunately, only available in German, but I doubt fans of either actress will care (or perhaps even notice). It also might very well be Walter Boos best film, and it's certainly one of best German sex comedies I've ever witnessed (and I've witnessed quite a few).
