When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.
- Awards
- 2 nominations
Nati Abascal
- Yolanda
- (as Natividad Abascal)
Miguel Ángel Suárez
- Luis
- (as Miguel Suarez)
René Enríquez
- Diaz
- (as Rene Enríquez)
Tigre Pérez
- Perez
- (as Tigre Perez)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSylvester Stallone appears uncredited as a subway thug. This was one of his earliest film roles, not a cameo. According to website Every Woody Allen Movie, "Allen initially sent Stallone back to the casting agency after deciding he wasn't 'tough-looking' enough. Stallone pleaded with him and eventually convinced him to change his mind".
- GoofsWhen Mellish accidentally injects everyone with sodium pentothal during an abduction on a street in San Marcos, there is a blue station wagon parked in front of them with a New York State license plate.
- Quotes
Nancy: You're immature, Fielding.
Fielding Mellish: [whining] How am I immature?
Nancy: Well, emotionally, sexually, and intellectually.
Fielding Mellish: Yeah, but what other ways?
- Crazy creditsIn the opening credits, the credits flash in time to the music. Additionally, the cards are shot with machine gun fire.
- ConnectionsFeatured in The Dick Cavett Show: Woody Allen (1971)
- SoundtracksQuiero La Noche
Words and music by Marvin Hamlisch
Sung by The Yomo Toro Trio
[Played during the opening titles and credits]
Featured review
I went to see "Bananas," in the early 1970s with three of my high school buddies, in our local theater. And, it remains -- three decades later -- one of the most memorable and one of my most talked about movie-going experiences ever. So much of it was comprised of absolutely hysterical scenes which I've told countless people about through the years, and still tell people about.
Watching this movie today, it seems as if it had been somewhat haphazardly written. I get the feeling that Woody Allen had kept a journal in which he noted the funniest sights he'd witnessed and the cleverest one-liners he'd heard, over a period of years, and then set about mixing all of these totally unrelated funny things into one script. It's like he was saying to himself, "I think I'll throw in the bit about the guy trying to discreetly buy a sex magazine in a quiet neighborhood store and getting embarrassed, and then the snake bite bit later on. But first before the next plot turn, I think I'll put in the bit in which a guy gets out of his car and falls into an open manhole.", etc. You feel at times like you're watching a Benny Hill-type comedy show, or a TV variety show with a series of comedy skits that have nothing at all to do with each other. Somehow, Woody blended it all together into a fairly coherent story. There are also a few scenes which feature "Airplane"/"Naked Gun"-style tongue-in-cheek humor. But, this movie had been made *long* before those were even thought of. There's a message in that: This movie was ahead of its time. There's a segment of "Bananas," early on, which is just one outrageously funny bit after another after another.
I guess the movie doesn't really have a point . . . except maybe that maniacal dictators are crazy, dangerous and should be driven from power . .. or maybe that freedom is worth fighting for . . . or maybe that some causes are worth laying down your life for. Obviously, there's relevance in all of that for us, today. Or maybe the whole point of this movie could simply be that Woody Allen knows how to make people laugh.
Later, Art
Watching this movie today, it seems as if it had been somewhat haphazardly written. I get the feeling that Woody Allen had kept a journal in which he noted the funniest sights he'd witnessed and the cleverest one-liners he'd heard, over a period of years, and then set about mixing all of these totally unrelated funny things into one script. It's like he was saying to himself, "I think I'll throw in the bit about the guy trying to discreetly buy a sex magazine in a quiet neighborhood store and getting embarrassed, and then the snake bite bit later on. But first before the next plot turn, I think I'll put in the bit in which a guy gets out of his car and falls into an open manhole.", etc. You feel at times like you're watching a Benny Hill-type comedy show, or a TV variety show with a series of comedy skits that have nothing at all to do with each other. Somehow, Woody blended it all together into a fairly coherent story. There are also a few scenes which feature "Airplane"/"Naked Gun"-style tongue-in-cheek humor. But, this movie had been made *long* before those were even thought of. There's a message in that: This movie was ahead of its time. There's a segment of "Bananas," early on, which is just one outrageously funny bit after another after another.
I guess the movie doesn't really have a point . . . except maybe that maniacal dictators are crazy, dangerous and should be driven from power . .. or maybe that freedom is worth fighting for . . . or maybe that some causes are worth laying down your life for. Obviously, there's relevance in all of that for us, today. Or maybe the whole point of this movie could simply be that Woody Allen knows how to make people laugh.
Later, Art
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Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross worldwide
- $136,200
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