The Cannes Film Festival is about to get even more fashionable, as two short films – including Pedro Almodóvar’s highly anticipated “Strange Way of Life” – will debut next month from the newly formed Saint Laurent Productions, a film production banner led by its artistic director Anthony Vaccarello.
Saint Laurent Productions is being described as the first production banner operated by a fashion house, the new outfit is also developing projects by a wide range of diverse filmmakers including Paolo Sorrentino, David Cronenberg, Abel Ferrara, Wong Kar Wai, Jim Jarmusch and Gaspar Noé. The second short film hitting Cannes hasn’t been announced yet; let the speculation begin. The plan is produce two or three films each year, with a possible expansion after that.
Vaccarello became the artistic director of Saint Laurent in 2016. In 2019 “Lux Æterna,” a strobe-heavy 51-minute film directed Noé, premiered at Cannes. Vaccarello was one of the credited...
Saint Laurent Productions is being described as the first production banner operated by a fashion house, the new outfit is also developing projects by a wide range of diverse filmmakers including Paolo Sorrentino, David Cronenberg, Abel Ferrara, Wong Kar Wai, Jim Jarmusch and Gaspar Noé. The second short film hitting Cannes hasn’t been announced yet; let the speculation begin. The plan is produce two or three films each year, with a possible expansion after that.
Vaccarello became the artistic director of Saint Laurent in 2016. In 2019 “Lux Æterna,” a strobe-heavy 51-minute film directed Noé, premiered at Cannes. Vaccarello was one of the credited...
- 4/13/2023
- by Drew Taylor
- The Wrap
François Truffaut is back with another Hitchcock-influenced adaptation of a Cornell Woolrich murder thriller, with stars Catherine Deneuve and Jean-Paul Belmondo as lovers – criminals – fugitives, and partly filmed in a remote French island in the Indian Ocean. It’s a tale of a mail-order bride, larcenous deception, and irrational amor fou run amuck. The things we do for love sometimes obey no logic. Also starring Michel Bouquet.
Mississippi Mermaid
Blu-ray
Kl Studio Classics
1969 / Color / 2:35 widescreen / 123 110 min. / La Sirène du Mississippi / Street Date February 14, 2023 / available through Kino Lorber / 24.95
Starring: Jean-Paul Belmondo, Catherine Deneuve, Michel Bouquet, Nelly Borgeaud.
Cinematography: Denys Clerval
Production Designer: Claude Pignot
Deneuve dresses: Yves Saint-Laurent
Film Editor: Agnès Guillemot
Original Music: Antoine Duhamel
Screenplay by François Truffaut based upon the novel Waltz into Darkness by William Irish (Cornell Woolrich)
Produced by Marcel Berbert
Directed by François Truffaut
François Truffaut was the least radical of the official New Wave directors.
Mississippi Mermaid
Blu-ray
Kl Studio Classics
1969 / Color / 2:35 widescreen / 123 110 min. / La Sirène du Mississippi / Street Date February 14, 2023 / available through Kino Lorber / 24.95
Starring: Jean-Paul Belmondo, Catherine Deneuve, Michel Bouquet, Nelly Borgeaud.
Cinematography: Denys Clerval
Production Designer: Claude Pignot
Deneuve dresses: Yves Saint-Laurent
Film Editor: Agnès Guillemot
Original Music: Antoine Duhamel
Screenplay by François Truffaut based upon the novel Waltz into Darkness by William Irish (Cornell Woolrich)
Produced by Marcel Berbert
Directed by François Truffaut
François Truffaut was the least radical of the official New Wave directors.
- 3/11/2023
- by Glenn Erickson
- Trailers from Hell
François Truffaut’s ode to Hitchcock and Cornell Woolrich is an ice-cold femme revenge tale. Jeanne Moreau exacts retribution from five men who made her a widow on her wedding day. Truffaut winds it as tightly as a mousetrap, leaving Ms. Moreau’s psychology a mystery — feminists can debate whether the film is misogynistic. Raoul Coutard’s color cinematography is deceptively warm and inviting; the film’s biggest boost comes from Bernard Herrmann’s powerful music score.
The Bride Wore Black
Blu-ray
Kl Studio Classics
1968 / Color / 1:66 widescreen / 107 min. / Street Date February 14, 2023 / La mariée était en noir / available through Kino Lorber / 24.95
Starring: Jeanne Moreau, Michel Bouquet, Jean-Claude Brialy, Charles Denner, Claude Rich, Michael Lonsdale, Daniel Boulanger, Alexandra Stewart, Sylvine Delannoy, Luce Fabiole, Michèle Montfort.
Cinematography: Raoul Coutard
Production Designer: Pierre Guffroy
Film Editor: Claudine Bouché
Original Music: Bernard Herrmann
Written by François Truffaut, Jean-Louis Richard from the novel by William Irish...
The Bride Wore Black
Blu-ray
Kl Studio Classics
1968 / Color / 1:66 widescreen / 107 min. / Street Date February 14, 2023 / La mariée était en noir / available through Kino Lorber / 24.95
Starring: Jeanne Moreau, Michel Bouquet, Jean-Claude Brialy, Charles Denner, Claude Rich, Michael Lonsdale, Daniel Boulanger, Alexandra Stewart, Sylvine Delannoy, Luce Fabiole, Michèle Montfort.
Cinematography: Raoul Coutard
Production Designer: Pierre Guffroy
Film Editor: Claudine Bouché
Original Music: Bernard Herrmann
Written by François Truffaut, Jean-Louis Richard from the novel by William Irish...
- 2/4/2023
- by Glenn Erickson
- Trailers from Hell
Legendary French stage and screen actor Michel Bouquet has died. He was 96. The César Award winner passed away today at a Paris hospital, his spokesperson confirmed to Afp. A tribute on the official website of the Elysée Palace did not cite a cause of death.
Hollywood & Media Deaths In 2022: Photo Gallery
Born in 1925, Bouquet began his film career in 1947 and went on to appear in more than 100 movies. In the 1960s and ’70s, he collaborated with New Wave directors François Truffaut and Claude Chabrol in such films as Truffaut’s The Bride Wore Black and Mississippi Mermaid and Chabrol’s The Unfaithful Wife and Just Before Nightfall, among others.
Later in his career, Bouquet won a European Film Award for Jaco Van Dormael’s Toto Le Héros (1991) and took two Best Actor Césars for Anne Fontaine’s How I Killed My Father (2001) and Robert Guédiguian’s The Last Mitterand...
Hollywood & Media Deaths In 2022: Photo Gallery
Born in 1925, Bouquet began his film career in 1947 and went on to appear in more than 100 movies. In the 1960s and ’70s, he collaborated with New Wave directors François Truffaut and Claude Chabrol in such films as Truffaut’s The Bride Wore Black and Mississippi Mermaid and Chabrol’s The Unfaithful Wife and Just Before Nightfall, among others.
Later in his career, Bouquet won a European Film Award for Jaco Van Dormael’s Toto Le Héros (1991) and took two Best Actor Césars for Anne Fontaine’s How I Killed My Father (2001) and Robert Guédiguian’s The Last Mitterand...
- 4/13/2022
- by Nancy Tartaglione
- Deadline Film + TV
The Criterion Channel’s February Lineup Includes Melvin Van Peebles, Douglas Sirk, Laura Dern & More
Another month, another Criterion Channel lineup. In accordance with Black History Month their selections are especially refreshing: seven by Melvin Van Peebles, five from Kevin Jerome Everson, and Criterion editions of The Harder They Come and The Learning Tree.
Regarding individual features I’m quite happy to see Abderrahmane Sissako’s fantastic Bamako, last year’s big Sundance winner (and Kosovo’s Oscar entry) Hive, and the remarkably beautiful Portuguese feature The Metamorphosis of Birds. Add a three-film Laura Dern collection (including the recently canonized Smooth Talk) and Pasolini’s rarely shown documentary Love Meetings to make this a fine smorgasboard.
See the full list of February titles below and more on the Criterion Channel.
Alan & Naomi, Sterling Van Wagenen, 1992
All That Heaven Allows, Douglas Sirk, 1955
The Angel Levine, Ján Kadár, 1970
Babylon, Franco Rosso, 1980
Babymother, Julian Henriques, 1998
Bamako, Abderrahmane Sissako, 2006
Beat Street, Stan Lathan, 1984
Blacks Britannica, David Koff, 1978
The Black Panthers: Vanguard of the Revolution,...
Regarding individual features I’m quite happy to see Abderrahmane Sissako’s fantastic Bamako, last year’s big Sundance winner (and Kosovo’s Oscar entry) Hive, and the remarkably beautiful Portuguese feature The Metamorphosis of Birds. Add a three-film Laura Dern collection (including the recently canonized Smooth Talk) and Pasolini’s rarely shown documentary Love Meetings to make this a fine smorgasboard.
See the full list of February titles below and more on the Criterion Channel.
Alan & Naomi, Sterling Van Wagenen, 1992
All That Heaven Allows, Douglas Sirk, 1955
The Angel Levine, Ján Kadár, 1970
Babylon, Franco Rosso, 1980
Babymother, Julian Henriques, 1998
Bamako, Abderrahmane Sissako, 2006
Beat Street, Stan Lathan, 1984
Blacks Britannica, David Koff, 1978
The Black Panthers: Vanguard of the Revolution,...
- 1/24/2022
- by Leonard Pearce
- The Film Stage
Above: detail from the Argentinian poster for Magnet of Doom. Artist unknown.Jean-Paul Belmondo, the great French movie star who died last week at the age of 88, had a marvelous face. He wasn’t a classic matinee idol like his friend and compatriot Alain Delon but with the combination of his soulful puppy-dog eyes, lopsided boxer’s nose, and luscious feminine lips he could play both hoodlums or heartthrobs (and in Breathless he played both at the same time). A classic tough guy best known outside France for art movies, he was initially synonymous with the angry alienation of the French New Wave and starred in films by Godard, Truffaut, Melville, Malle and Lelouch. But he could play comedy as well as action (he was renowned for doing his own stunts) and was for a while promoted as a French James Bond. By the ’70s and ’80s—when he was...
- 9/16/2021
- MUBI
Jean-Paul Belmondo, whose bad-boy presence in Jean-Luc Godard’s new wave masterpiece “Breathless” established him as the French idol of his generation, has died, Variety has confirmed. He was 88.
For more than a decade following the release of “Breathless,” Belmondo reigned as one of France’s top box office stars. The actor was likened alternately to James Dean, Humphrey Bogart and Marlon Brando for his brooding, charismatic persona, and he proved able to work in virtually any genre. After “Breathless,” the cult that formed around him was dubbed le belmondisme by the French media. Unlike Dean, who was a rebel without a cause, Belmondo’s antihero persona was more existential, detached and irredeemable. With such magnetism, an American career could have been his for the asking, but he largely resisted studio-made productions and later in life openly criticized Hollywood for overly dominating film screens in France.
Though most closely associated with Godard,...
For more than a decade following the release of “Breathless,” Belmondo reigned as one of France’s top box office stars. The actor was likened alternately to James Dean, Humphrey Bogart and Marlon Brando for his brooding, charismatic persona, and he proved able to work in virtually any genre. After “Breathless,” the cult that formed around him was dubbed le belmondisme by the French media. Unlike Dean, who was a rebel without a cause, Belmondo’s antihero persona was more existential, detached and irredeemable. With such magnetism, an American career could have been his for the asking, but he largely resisted studio-made productions and later in life openly criticized Hollywood for overly dominating film screens in France.
Though most closely associated with Godard,...
- 9/6/2021
- by Richard Natale
- Variety Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Bad Boys For Life (Adil El Arbi and Bilall Fallah)
Much has been made in retrospect how quaint the original ‘95 Bad Boys plays in comparison to its ‘03 follow-up. It rode on the rapport of its leads through only a handful of gunfights and fisticuffs, culminating in an airport climax Bay had to front his own money to finish. The second installment contains not one but two extended car chases with trucks emptying obstacles onto our heroes, and an entire slum being obliterated by a Hummer with little regard for human life–all across a gratuitous two and a half hours. In short, eight years apart, the...
Bad Boys For Life (Adil El Arbi and Bilall Fallah)
Much has been made in retrospect how quaint the original ‘95 Bad Boys plays in comparison to its ‘03 follow-up. It rode on the rapport of its leads through only a handful of gunfights and fisticuffs, culminating in an airport climax Bay had to front his own money to finish. The second installment contains not one but two extended car chases with trucks emptying obstacles onto our heroes, and an entire slum being obliterated by a Hummer with little regard for human life–all across a gratuitous two and a half hours. In short, eight years apart, the...
- 4/3/2020
- by Jordan Raup
- The Film Stage
Spy Hard: Cristofer Returns with Faulty Noir
It’s been nearly twenty years since Pulitzer Prize winning scribe Michael Cristofer has developed a theatrical feature, last on hand with 2001’s steamy erotic thriller Original Sin, which featured Antonio Banderas and re-teamed the director with his Gia (1998) star, Angelina Jolie. He’s back with The Night Clerk, an original treatment which makes an unwieldy attempt at mining the grey zone of culpability with a lead protagonist who suffers from Asperger’s but has all the problematic voyeuristic tendencies of a Hitchcockian hero in peril.…...
It’s been nearly twenty years since Pulitzer Prize winning scribe Michael Cristofer has developed a theatrical feature, last on hand with 2001’s steamy erotic thriller Original Sin, which featured Antonio Banderas and re-teamed the director with his Gia (1998) star, Angelina Jolie. He’s back with The Night Clerk, an original treatment which makes an unwieldy attempt at mining the grey zone of culpability with a lead protagonist who suffers from Asperger’s but has all the problematic voyeuristic tendencies of a Hitchcockian hero in peril.…...
- 2/19/2020
- by Nicholas Bell
- IONCINEMA.com
The French movie star of French movie stars turns 75 today. She's won two prizes at Cannes, two at Berlinale, and two at the Césars (with 12 additional nominations) in her career that's been as lustrous as the famous golden hair. Catherine Deneuve hasn't been as celebrated in recent years as Isabelle Huppert (who is 10 years younger) but her list of classics, hits, and indelible experiments is long: Belle de Jour (BAFTA nomination), The Umbrellas of Cherbourg, The Young Girls of Rochefort, Repulsion, Mississippi Mermaid, Tristana, Donkey Skin, The Hunger, The Metro (César win), Indochine, East/West, Pola X, Dancer in the Dark, 8 Women, and Kings and Queen among them.
The last eight years have been quiet but it wasn't so long ago that the one-two-three punch of voice work in the Oscar-nominated Persepolis (2007 -- she voiced both the French & English versions), an amazing performance in Arnaud Desplechin's A Christmas Tale...
The last eight years have been quiet but it wasn't so long ago that the one-two-three punch of voice work in the Oscar-nominated Persepolis (2007 -- she voiced both the French & English versions), an amazing performance in Arnaud Desplechin's A Christmas Tale...
- 10/22/2018
- by NATHANIEL R
- FilmExperience
How did Kiss Me Deadly come to be restored? The real question should be, how did filmdom lose track of its original ending in the first place? Savant uncovers evidence that may explain when, and why, United Artists mutilated the finish of Robert Aldrich’s apocalyptic film noir.
(Note: The images below with text can be enlarged for reading, just click on them.)
Before home video the final home for Hollywood films was Television. Robert Aldrich’s 1955 Kiss Me Deadly never saw a theatrical reissue, and it dropped out of major TV visibility in 1962. I saw the documentation in United Artists’ legal folder on the film. To secure capital to launch more movies, Robert Aldrich sold all of his ‘Associates and Aldrich’ pictures back to UA after their original releases were concluded. More papers showed Kiss Me Deadly being included in at least two TV syndication packages, and then each time pointedly removed.
(Note: The images below with text can be enlarged for reading, just click on them.)
Before home video the final home for Hollywood films was Television. Robert Aldrich’s 1955 Kiss Me Deadly never saw a theatrical reissue, and it dropped out of major TV visibility in 1962. I saw the documentation in United Artists’ legal folder on the film. To secure capital to launch more movies, Robert Aldrich sold all of his ‘Associates and Aldrich’ pictures back to UA after their original releases were concluded. More papers showed Kiss Me Deadly being included in at least two TV syndication packages, and then each time pointedly removed.
- 5/13/2017
- by Glenn Erickson
- Trailers from Hell
Jason from Mnpp here - for this week's "Beauty vs Beast" we're celebrating what would have been the 85th birthday of one of the most important figures in cinema, the French critic turned director François Truffaut. What's your favorite Truffaut film? I know the "right" answer is The 400 Blows (or possibly Jules & Jim) (or maybe Day For Night) but I've always had a real soft spot for Mississippi Mermaid - Catherine Deneueve and Jean-Paul Belmondo all sweaty and sexy ? Sign me up.
But it's a different sexy pair I'm going to focus in on for this week's contest -- namely the director himself with his seminal book (recently turned documentary) Hitchcock / Truffaut, which linked him forever with the "Master of Suspense" himself. That's right - I found a way to make this series about Hitchcock again! Life finds a way, you guys.
Previously Last week Dario Argento's candy-colored...
But it's a different sexy pair I'm going to focus in on for this week's contest -- namely the director himself with his seminal book (recently turned documentary) Hitchcock / Truffaut, which linked him forever with the "Master of Suspense" himself. That's right - I found a way to make this series about Hitchcock again! Life finds a way, you guys.
Previously Last week Dario Argento's candy-colored...
- 2/6/2017
- by JA
- FilmExperience
Arnaud Desplechin shows off Film4Climate bracelet from Anne-Katrin Titze Photo: Anne-Katrin Titze
Brian De Palma, Wes Anderson, De Palma directors Noah Baumbach and Jake Paltrow, along with Hitchcock/Truffaut and Festival Director Kent Jones, joined Arnaud Desplechin on the red carpet of the New York Film Festival North American premiere of My Golden Days (Trois Souvenirs De Ma Jeunesse) at Alice Tully Hall for a boys on film moment.
Roman Polanski's Tess d'Urbervilles, a Chekhovian scene, François Truffaut's autobiographical Mississippi Mermaid, Strindberg in Paris, and a theory from our previous conversation including the Under Capricorn complex come into play in our conversation.
Desplechin hero Paul Dédalus (Mathieu Amalric)
Paul Dédalus is Mathieu Amalric in adult form and a teenage Paul (Quentin Dolmaire) has always had an affinity for plaid. Fabric samples are everywhere in Esther's (Lou Roy-Lecollinet) family home and a great big green neon sign in...
Brian De Palma, Wes Anderson, De Palma directors Noah Baumbach and Jake Paltrow, along with Hitchcock/Truffaut and Festival Director Kent Jones, joined Arnaud Desplechin on the red carpet of the New York Film Festival North American premiere of My Golden Days (Trois Souvenirs De Ma Jeunesse) at Alice Tully Hall for a boys on film moment.
Roman Polanski's Tess d'Urbervilles, a Chekhovian scene, François Truffaut's autobiographical Mississippi Mermaid, Strindberg in Paris, and a theory from our previous conversation including the Under Capricorn complex come into play in our conversation.
Desplechin hero Paul Dédalus (Mathieu Amalric)
Paul Dédalus is Mathieu Amalric in adult form and a teenage Paul (Quentin Dolmaire) has always had an affinity for plaid. Fabric samples are everywhere in Esther's (Lou Roy-Lecollinet) family home and a great big green neon sign in...
- 10/10/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Arnaud Desplechin of My Golden Days (Trois Souvenirs De Ma Jeunesse) directs Anne-Katrin Titze Photo: Sara Sampson
Mathieu Amalric, André Dussollier, Lou Roy-Lecollinet, Quentin Dolmaire, Antoine Bui, Cécile Garcia-Fogel, Olivier Rabourdin, Irina Vavilova, Françoise Lebrun, Dinara Drukarova, Raphaël Cohen and Lily Taieb make My Golden Days burst with life.
How André Dussollier becomes a smiling Ernst Lubitsch devil out of Heaven Can Wait, location scouting in Roubaix, green Alfred Hitchcock scissors, New York Film Festival director Kent Jones's Hitchcock/Truffaut, Chekhov's Uncle Vanya, and Roman Polanski's Tess d'Urbervilles became part of my animated conversation with Arnaud.
Dédalus (Mathieu Amalric) questioned by agent (André Dussollier)
We spoke about François Truffaut's Mississippi Mermaid (La Sirène Du Mississipi), Esther’s siren song and Paul’s knightly mourning, how Stanley Cavell and John Ford make for a good epilogue, and why Arnaud no longer writes small talk but does dance choreography.
Mathieu Amalric, André Dussollier, Lou Roy-Lecollinet, Quentin Dolmaire, Antoine Bui, Cécile Garcia-Fogel, Olivier Rabourdin, Irina Vavilova, Françoise Lebrun, Dinara Drukarova, Raphaël Cohen and Lily Taieb make My Golden Days burst with life.
How André Dussollier becomes a smiling Ernst Lubitsch devil out of Heaven Can Wait, location scouting in Roubaix, green Alfred Hitchcock scissors, New York Film Festival director Kent Jones's Hitchcock/Truffaut, Chekhov's Uncle Vanya, and Roman Polanski's Tess d'Urbervilles became part of my animated conversation with Arnaud.
Dédalus (Mathieu Amalric) questioned by agent (André Dussollier)
We spoke about François Truffaut's Mississippi Mermaid (La Sirène Du Mississipi), Esther’s siren song and Paul’s knightly mourning, how Stanley Cavell and John Ford make for a good epilogue, and why Arnaud no longer writes small talk but does dance choreography.
- 10/6/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
This week on Off The Shelf, Ryan is joined by Brian Saur to take a look at the new DVD and Blu-ray releases for the week of May 26th, 2015, and chat about some follow-up and home video news.
Subscribe in iTunes or RSS.
Episode Links & Notes
News
Masters Of Cinema & Eureka in August: Cruel Story Of Youth, Medium Cool, the Town That Dreaded Sundown
Screen Archives Entertainment have some new and exclusive Code Red Blu-ray titles, available now. Guy Magar’s Retribution, Tobe Hooper’s Spontaneous Combustion and Shakma.
Twilight Time new releases for June will go live for pre-order Wednesday, May 27the st 4 Pm Eastern: Absolute Beginners (1986), State Of Grace (1990) , Mississippi Mermaid (1969), The Young Lions (1958) , The Night Of The Generals (1967) the approximate street date is June 9th.
New Releases
Ballet 422 Cannibal Ferox The Confession Da Sweet Blood of Jesus Double Indemnity Empire Of The Ants / Jaws Of Satan...
Subscribe in iTunes or RSS.
Episode Links & Notes
News
Masters Of Cinema & Eureka in August: Cruel Story Of Youth, Medium Cool, the Town That Dreaded Sundown
Screen Archives Entertainment have some new and exclusive Code Red Blu-ray titles, available now. Guy Magar’s Retribution, Tobe Hooper’s Spontaneous Combustion and Shakma.
Twilight Time new releases for June will go live for pre-order Wednesday, May 27the st 4 Pm Eastern: Absolute Beginners (1986), State Of Grace (1990) , Mississippi Mermaid (1969), The Young Lions (1958) , The Night Of The Generals (1967) the approximate street date is June 9th.
New Releases
Ballet 422 Cannibal Ferox The Confession Da Sweet Blood of Jesus Double Indemnity Empire Of The Ants / Jaws Of Satan...
- 5/27/2015
- by Ryan Gallagher
- CriterionCast
Today's MPAA ratings bulletin brings a couple of notable titles beginning with Brad Bird's Tomorrowland starring George Clooney, which has scored a PG-rating, which isn't exactly a surprise, but an interesting rating given this era of PG-13 blockbusters as there is clearly a hope of appealing to the family audience with this one. Also from the Disney ranks comes the latest animated Pixar feature, Inside Out, which also scored a PG-rating while the short film Lava that will play in front of the film received a to-be-expected G-rating. Fox Searchlight's Sundance acquisition Me and Earl and the Dying Girl landed a PG-13 rating while the R-ratings were reserved for the likes of Russell Crowe's directorial debut The Water Diviner, the upcoming thriller Unfriended, Noah Baumbach's latest with Greta Gerwig Mistress America, and Ryan Fleck and Anna Boden's latest, Mississippi Grind. This week's complete bulletin is included below,...
- 3/24/2015
- by Brad Brevet
- Rope of Silicon
This month, Criterion marches out a little know title from Francois Truffaut, 1964’s The Soft Skin. Technically his fifth feature, and following behind the monolithic success of Jules and Jim and the 1962 short “Antoine and Colette,” (which served as the second segment in what would flourish into his Antoine Doinel series), the feature did not receive a celebrated reception. Playing in competition at the 1964 Cannes Film Festival (marking the second and last time Truffaut would compete at the festival), the title has since lapsed into a sort of oblivion, which is not surprising considering the winner of the Palme d’Or that year was Jacques Demy’s musical confection, The Umbrellas of Cherbourg (launching Catherine Deneuve in stardom, younger sister of Truffuat’s headlining actress, Françoise Dorleac, already a celebrity). Described by its creator as ‘an autopsy of adultery,’ it’s a cold, bitter film about a rather unappealing affair.
- 3/3/2015
- by Nicholas Bell
- IONCINEMA.com
François Truffaut was a big fan of Luis Buñuel films; he had always admired him as one of the greatest auteurs of cinema and in fact they managed to meet each other many times, starting in 1953. But before talking about their meetings, let’s see what Truffaut has said and written about Buñuel.
In his book The Films in My Life, Truffaut wrote: “Luis Buñuel is, perhaps, somewhere between Renoir and Bergman. One would gather that Buñuel finds mankind imbecilic but life diverting. All this he tells us very mildly, even a bit indirectly, but it's there in the overall impression we get from his films.”1
Truffaut also met Buñuel in 1957 when he and Jacques Rivette were doing a series of interviews. In addition to that interview request letter, Truffaut wrote letters, or at least one, to him dated 1963 and closed it as follow:
“I have heard from Jeanne Moreau...
In his book The Films in My Life, Truffaut wrote: “Luis Buñuel is, perhaps, somewhere between Renoir and Bergman. One would gather that Buñuel finds mankind imbecilic but life diverting. All this he tells us very mildly, even a bit indirectly, but it's there in the overall impression we get from his films.”1
Truffaut also met Buñuel in 1957 when he and Jacques Rivette were doing a series of interviews. In addition to that interview request letter, Truffaut wrote letters, or at least one, to him dated 1963 and closed it as follow:
“I have heard from Jeanne Moreau...
- 10/28/2014
- by Hossein Eidizadeh
- MUBI
Above: Us poster for Le Sauvage (Jean-Paul Rappeneau, France/Italy, 1975).
Since my column last week on the lesser-known posters of Jean-Luc Godard got so much attention, and since this week the great Catherine Deneuve turned 70 years old, I thought I’d do the same for the grand diva of French cinema. Deneuve—“the most beautiful woman in the world”—has graced well-known posters for numerous masterpieces, whether for Bunuel’s Tristana or Belle de Jour, Demy’s Umbrellas of Cherbourg or Donkey Skin, Truffaut’s Mississippi Mermaid or Polanski’s Repulsion, and when I was searching for a poster to mark her birthday last Tuesday, these were the films that kept popping up. But Deneuve has been making films for over 50 years and has appeared in over 110 of them so there should be a lot more to choose from. So that is what I want to focus on here to celebrate Ms.
Since my column last week on the lesser-known posters of Jean-Luc Godard got so much attention, and since this week the great Catherine Deneuve turned 70 years old, I thought I’d do the same for the grand diva of French cinema. Deneuve—“the most beautiful woman in the world”—has graced well-known posters for numerous masterpieces, whether for Bunuel’s Tristana or Belle de Jour, Demy’s Umbrellas of Cherbourg or Donkey Skin, Truffaut’s Mississippi Mermaid or Polanski’s Repulsion, and when I was searching for a poster to mark her birthday last Tuesday, these were the films that kept popping up. But Deneuve has been making films for over 50 years and has appeared in over 110 of them so there should be a lot more to choose from. So that is what I want to focus on here to celebrate Ms.
- 10/26/2013
- by Adrian Curry
- MUBI
Catherine Deneuve: 2013 European Film Academy’s Lifetime Achievement Award recipient Catherine Deneuve has been named the recipient of the the European Film Academy’s 2013 Lifetime Achievement Award for her "outstanding body of work." And outstanding it is. Yesterday, I posted an article about Dirk Bogarde (Victim, Death in Venice, Despair), one of the rare performers anywhere on the planet to have consistently worked with world-class international filmmakers. The Paris-born Catherine Deneuve, who turns 70 next October 22, is another one of those lucky actors. (Photo: Catherine Deneuve at the Potiche premiere at the 2010 Venice Film Festival.) Deneuve’s directors have included an eclectic and prestigious list of filmmakers from various countries. Those include Belle de Jour and Tristana‘s Luis Buñuel; Le Sauvage and La Vie de Château‘s Jean-Paul Rappenau; The Hunger‘s Tony Scott; Un Flic‘s Jean-Pierre Melville; The Mississippi Mermaid and The Last Metro‘s François Truffaut...
- 9/25/2013
- by Andre Soares
- Alt Film Guide
Catherine Deneuve: Style, beauty, and talent on TCM tonight A day to rejoice on Turner Classic Movies: Catherine Deneuve, one of the few true Living Film Legends, is TCM’s "Summer Under the Stars" star today, August 12, 2013. Catherine Deneuve is not only one of the most beautiful film actresses ever, she’s also one of the very best. In fact, the more mature her looks, the more fascinating she has become. Though, admittedly, Deneuve has always been great to look at, and she has been a mesmerizing screen presence since at least the early ’80s. ‘The Umbrellas of Cherbourg’: One of the greatest movie musicals ever Right now, TCM is showing one of the greatest movie musicals ever made, Jacques Demy’s Palme d’Or winner The Umbrellas of Cherbourg (1964), in which a very blonde, very young, very pretty, and very dubbed Catherine Deneuve (singing voice by Danielle Licari...
- 8/13/2013
- by Andre Soares
- Alt Film Guide
Catherine Deneuve Catherine Deneuve, 68, will be the recipient of the Film Society of Lincoln Center's 39th Chaplin Award. The annual fundraising gala benefiting Lincoln Center programs will be held on Monday, April 2, at the Alice Tully Hall in New York. The evening will include films clips and a party. [Full list of Film Society of Lincoln Center (Fslc) Chaplin Award Honorees.] Catherine Deneuve's career spans more than five decades, from André Hunebelle's Les collégiennes / The Schoolgirls (1957), Jacques-Gérard Cornu's L'homme à femmes / Ladies Man (1960), and Michel Fermaud and Jacques Poitrenaud's Les Portes claquent / The Door Slams 1960) to her latest efforts: Christophe Honoré's Les Biens-aimés / The Beloved, shown at last year's Cannes Film Festival; Thierry Klifa's Les Yeux de sa mère / His Mother's Eyes; and Laurent Tirard's upcoming Astérix et Obélix: Au Service de Sa Majesté / Astérix et Obélix: On Her Majesty's Secret Service, as Cordelia, the Queen of England, opposite frequent co-star Gérard Depardieu and Edouard Baer.
- 1/11/2012
- by Andre Soares
- Alt Film Guide
Coffee has got many a movie made, and kept many a scene on the boil. From Michael Mann to Jean-Luc Godard, David Thomson filters the meaning of the key bean-related moments
There comes a night in Michael Mann's film Heat (1995) when the police detective (Al Pacino) decides he should have a little chat with the criminal he suspects is planning a major heist (Robert De Niro). Your first instinct may be to wonder: does every criminal enterprise in Los Angeles qualify for this friendly heart-to-heart where the law explains to the outlaw just how serious the crime and its consequences will be – is it a little like having your Miranda rights read to you? Or, is it simply that a big movie with Pacino and De Niro had to bring its firepower together, in the way Friedrich Schiller could not resist improving on history with a meeting between Queen...
There comes a night in Michael Mann's film Heat (1995) when the police detective (Al Pacino) decides he should have a little chat with the criminal he suspects is planning a major heist (Robert De Niro). Your first instinct may be to wonder: does every criminal enterprise in Los Angeles qualify for this friendly heart-to-heart where the law explains to the outlaw just how serious the crime and its consequences will be – is it a little like having your Miranda rights read to you? Or, is it simply that a big movie with Pacino and De Niro had to bring its firepower together, in the way Friedrich Schiller could not resist improving on history with a meeting between Queen...
- 11/4/2011
- by David Thomson
- The Guardian - Film News
We are here to continue with news from Cannes. We just learned that The Festival de Cannes will welcome Jean-Paul Belmondo on Tuesday 17 May with a special evening held in his honour. That definitely sounds great, and if anybody deserves to have a special night at this year’s Cannes, it’s Mr. Belmondo, I hope you all agree.
Since the late 1950s, Jean-Paul Belmondo has encapsulated the very best of popular cinema (Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray), ably blending this with the glorious art-house cinema of the ‘60s and ‘70s. (Jean-Luc Godard, Jean-Pierre Melville, François Truffaut, Claude Lelouch and Alain Resnais, not to mention Vittorio Sica and Alberto Lattuada).
That Man from Rio, Breathless, Pierrot le Fou, Léon Morin,Priest, Mississippi Mermaid, Le Magnifique, Stavisky and Borsalino are just a few examples of his extraordinary range.
Or, as Gilles Jacob and Thierry Frémaux...
Since the late 1950s, Jean-Paul Belmondo has encapsulated the very best of popular cinema (Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray), ably blending this with the glorious art-house cinema of the ‘60s and ‘70s. (Jean-Luc Godard, Jean-Pierre Melville, François Truffaut, Claude Lelouch and Alain Resnais, not to mention Vittorio Sica and Alberto Lattuada).
That Man from Rio, Breathless, Pierrot le Fou, Léon Morin,Priest, Mississippi Mermaid, Le Magnifique, Stavisky and Borsalino are just a few examples of his extraordinary range.
Or, as Gilles Jacob and Thierry Frémaux...
- 4/1/2011
- by Fiona
- Filmofilia
French New Wave cinema was full of memorable faces, but few were as instantly recognizable, timeless and just plain fucking cool as Jean-Paul Belmondo. The actor got his major break working opposite Jean Seberg in Jean-Luc Godard's sublime "Breathless" and from there, his star would rise. The 77-year-old actor has amassed an unbelievable resumé working with folks like Godard ("Pierrot le fou," "Une femme est une femme"), Jean-Pierre Melville ("Le doulos," "Leon Morin, Priest"), François Truffaut ("Mississippi Mermaid"), Claude Lelouch ("Les Misérables," "Itinerary Of A Spoiled Child," "Love Is A Funny Thing"), Alain Resnais ("Stavisky") and Vittorio de Sica ("Two…...
- 3/30/2011
- The Playlist
The Cannes Film Festival will honor Jean-Paul Belmondo on May 17 with a gala event celebrating the actor's career. French New Wave star Belmondo worked with directors Philippe de Broca, Henri Verneuil, Gérard Oury, Georges Lautner, Jacques Deray, Jean-Pierre Melville, François Truffaut, Claude Lelouch and Alain Resnais, Vittorio Sica, Alberto Lattuada, and - of course - Jean Luc Godard, whose 1960 Breathless helped launch his long career. Among his other credits are That Man from Rio, Pierrot le Fou, Léon Morin, Priest, Mississippi Mermaid, Le Magnifique, Stavisky and Borsalino. See photo gallery and video clips below. “We are delighted," say Cannes's Gilles Jacob and Thierry Frémaux. "His range and personal charisma, the precision of his acting, his cocky wit, the ease with which he carries ...
- 3/30/2011
- Thompson on Hollywood
The Festival de Cannes will welcome Jean-Paul Belmondo on Tuesday 17 May with a special evening held in his honour. “We are delighted that he has agreed to attend this gala evening in celebration of his talent and career. His range and personal charisma, the precision of his acting, his cocky wit, the ease with which he carries himself have made him, along with Jean Gabin and Michel Simon, one of the greatest French actors of all time, a fact to which many films bear ample witness. No doubt the entire panoply of French actors, headed by his Conservatory friends Jean Rochefort, Claude Rich, Pierre Vernier and Jean-Pierre Marielle, will want to walk up that Cannes staircase to celebrate ‘Bébel’ to the sound of the rapturous applause of his diehard fans,” say Gilles Jacob and Thierry Frémaux. The time has certainly come to celebrate this extraordinarily talented French actor. Since the late 1950s,...
- 3/30/2011
- by MIKE FLEMING
- Deadline
Dustbin Film Festival, Chipping Sodbury
As the awards seasons winds towards its climax, why not forget about all those prestige movies and red-carpet fashion trends and come to where the real action is? This resolutely glamour-free event, now in its 11th year, screens only salvaged 16mm footage of machinery in action – from out-of-date promotional reels for vintage agricultural equipment to archive footage of trams being scrapped, cranes being tested or the first flight of Concorde – "anything with a fuel tank", they say. Best of all is the programming process: there isn't one. You just fish a random reel out of the big dustbin (hence the festival's name) and they stick it on.
Town Hall, Sat
Civic Life, On tour
You could be forgiven for thinking Joe Lawlor and Christine Molloy were newcomers after their 2008 feature debut Helen – an unsettling work centred around a police reconstruction. In fact, they've been carving...
As the awards seasons winds towards its climax, why not forget about all those prestige movies and red-carpet fashion trends and come to where the real action is? This resolutely glamour-free event, now in its 11th year, screens only salvaged 16mm footage of machinery in action – from out-of-date promotional reels for vintage agricultural equipment to archive footage of trams being scrapped, cranes being tested or the first flight of Concorde – "anything with a fuel tank", they say. Best of all is the programming process: there isn't one. You just fish a random reel out of the big dustbin (hence the festival's name) and they stick it on.
Town Hall, Sat
Civic Life, On tour
You could be forgiven for thinking Joe Lawlor and Christine Molloy were newcomers after their 2008 feature debut Helen – an unsettling work centred around a police reconstruction. In fact, they've been carving...
- 1/29/2011
- by Steve Rose
- The Guardian - Film News
Francois Trauffat's engaging, mysterious and deadly 'Mississippi Mermaid' (1969), based on the book by Cornell Woolrich, will be playing tonight in the International Film Series at Muenzinger auditorium tonight at 7 and 9:15, on 35 mm. For a complete schedule of their upcoming films, click here. The delightful and sensual Jean-Paul Bolmodo, a Truffaut favorite, is the dashing Louis Mahe, a rich and successful cigarette factory owner on the island of Reunion off the eastern coast of Africa, who decides to meet a bride by placing a personal advertisement in the paper. ...
- 9/16/2010
- by Eveningred9
- Examiner Movies Channel
Subject for further study: Jean Delannoy.
Object of current enquiry: Cornell Woolrich.
I love Woolrich's crime fiction, which is paranoid in almost a Philip K. Dick kind of way, and angst-ridden like Poe. Woolrich seems to have really lived the nightmare, roiling in misery his whole life, embittered, alcoholic and multi-dysfunctional. A natural for the movies.
Outside of the numerous film and TV adaptations in America, Woolrich found his fiction adapted in South America, Germany, Turkey, and especially France, where Truffaut adapted The Bride Wore Black (1968) and Waltz into Darkness (as La sirène du Mississipi, 1969).
Jean Delannoy, if he's remembered at all, is probably best known for the scathing review Truffaut wrote for his Chiens perdus sans collier (1955), a major salvo in the Cahiers du cinéma assault on the old guard of French filmmaking. Ironically, or at least coincidentally, the previous year Delannoy made Obsession, which was the last French...
Object of current enquiry: Cornell Woolrich.
I love Woolrich's crime fiction, which is paranoid in almost a Philip K. Dick kind of way, and angst-ridden like Poe. Woolrich seems to have really lived the nightmare, roiling in misery his whole life, embittered, alcoholic and multi-dysfunctional. A natural for the movies.
Outside of the numerous film and TV adaptations in America, Woolrich found his fiction adapted in South America, Germany, Turkey, and especially France, where Truffaut adapted The Bride Wore Black (1968) and Waltz into Darkness (as La sirène du Mississipi, 1969).
Jean Delannoy, if he's remembered at all, is probably best known for the scathing review Truffaut wrote for his Chiens perdus sans collier (1955), a major salvo in the Cahiers du cinéma assault on the old guard of French filmmaking. Ironically, or at least coincidentally, the previous year Delannoy made Obsession, which was the last French...
- 4/15/2010
- MUBI
London, March 26 – Hollywood actress Angelina Jolie, who dazed all by stripping off for an eye-watering romp with Antonio Banderas in her 2001 movie ‘Original Sin’, is going to stun fans even further with the upcoming Blu-ray release of the film.
In the movie, Jolie stars as a con artist who poses as a mail order bride in a bid to steal money from men in the flick, reports the Sun.
The film is based on the novel Waltz into Darkness by Cornell Woolrich, and is a remake of the 1969 Truffaut film Mississippi Mermaid.
Meanwhile,.
In the movie, Jolie stars as a con artist who poses as a mail order bride in a bid to steal money from men in the flick, reports the Sun.
The film is based on the novel Waltz into Darkness by Cornell Woolrich, and is a remake of the 1969 Truffaut film Mississippi Mermaid.
Meanwhile,.
- 3/26/2010
- by News
- RealBollywood.com
Jean-Paul Belmondo, the iconic star of Jean-Luc Godard’s Breathless (above, with Jean Seberg) and of numerous other French New Wave films, is in Los Angeles to accept the Los Angeles Film Critics Association’s career achievement award. Belmondo was also supposed to introduce a Los Angeles County Museum of Art screening of François Truffaut’s 1969 drama Mississippi Mermaid, in which he co-starred with Catherine Deneuve. Unfortunately, the actor had to bow out because he’s never fully recovered his health following a severe stroke a few years back. Mark Olsen reports in his Los Angeles Times blog that Mathieu Fournet, executive director of the film and TV office of the consulate general of France in Los Angeles, spoke to [...]...
- 1/17/2010
- by Andre Soares
- Alt Film Guide
Indie Roundup reviews the past week of news from the independent film community and provides a peek at what's coming soon.
Opening. Three indie flicks open on Friday: Jeffrey Levy-Hinte's terrific music doc Soul Power, Chris Nahon's live-action adaptation of anime horror thriller Blood: The Last Vampire, and a reissue of Francois Truffaut's 1969 crime romance Mississippi Mermaid, with Jean-Paul Belmondo and Catherine Deneuve. After a good start in New York and Los Angeles (see below), action thriller The Hurt Locker expands into 50 selected markets.
Deals / Articles of Interest. Our friends at indieWIRE reported on three recent acquisitions with upcoming theatrical releases planned: Chris Fuller's critically-acclaimed teen drama Loren Cass (Kino; July 24); Rebecca Miller's The Private Lives of Pippa Lee, with Robin Wright Penn and Alan Arkin (Screen Media, October); and Dror Zahavi's thriller For My Father (Film Movement, Winter 2010). Eugene Hernandez considers Chris Anderson's...
Opening. Three indie flicks open on Friday: Jeffrey Levy-Hinte's terrific music doc Soul Power, Chris Nahon's live-action adaptation of anime horror thriller Blood: The Last Vampire, and a reissue of Francois Truffaut's 1969 crime romance Mississippi Mermaid, with Jean-Paul Belmondo and Catherine Deneuve. After a good start in New York and Los Angeles (see below), action thriller The Hurt Locker expands into 50 selected markets.
Deals / Articles of Interest. Our friends at indieWIRE reported on three recent acquisitions with upcoming theatrical releases planned: Chris Fuller's critically-acclaimed teen drama Loren Cass (Kino; July 24); Rebecca Miller's The Private Lives of Pippa Lee, with Robin Wright Penn and Alan Arkin (Screen Media, October); and Dror Zahavi's thriller For My Father (Film Movement, Winter 2010). Eugene Hernandez considers Chris Anderson's...
- 7/9/2009
- by Peter Martin
- Cinematical
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.