Metacritic reviews

Masina gives one of her most expressive performances.

Sometimes the cinema is just heavenly, and this is one of those times.

Remains a timeless, major work of a master.

A mad, resplendent peacock of a film, a cinematographic riot of color and sensuality that evokes its era -- the swinging mid-'60s -- as much as any movie made during those giddy years.

Above all, the film is just wonderfully ... well, Fellini-esque. It looks like nothing the cinema has seen since then.

Invites you to contemplate the symbolic vibration of every hue in its teeming, overcrowded canvas.

Fellini has put together an imperial-sized fantasy of a physical opulence to make the old Vincente Minnelli Metro musicals look like army training films.

Flopped on its initial release, and it is a somewhat decadent and overlong production. But Masina's performance is, as always, engaging, and Fellini's glee at launching into color filmmaking is palpable.

Juliet is never less than eye-catching, but is rarely more.