IMDb RATING
8.3/10
5.1K
YOUR RATING
Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.Life at home changes when a house-wife from a middle-class, conservative family in Calcutta gets a job as a saleswoman.
- Awards
- 4 wins & 1 nomination
Madhavi Mukherjee
- Arati Mazumder
- (as Madhabi Mukherjee)
Jaya Bachchan
- Bani
- (as Jaya Bhaduri)
Sefalika Devi
- Sarojini (Subrata's Mother)
- (as Shephalika Devi)
Haradhan Bannerjee
- Himangshu Mukherjee
- (as Haradhan Banerjee)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFifteen-year old Jaya Bhaduri's (later known as Jaya Bachchan) film debut and her only film with Satyajit Ray.
- GoofsWhen Priyogopal (Subrata's father) goes to visit his student Anupam Roychowdhury to ask for money he is shown having a conversation with Anupam in his office. When he is explaining his circumstance the camera shows him only sitting on a chair with his walking stick. In the very next scene when all the three characters are shown (third one being Anupam's wife ) the top of his walking stick has changed direction. The round bit on top was towards the right before and is turned to the left in the very next scene.
- Quotes
Arati: You wouldn't recognize me on the job.
Subrata Mazumdar: What about at home? Would I recognize you at home?
Arati: You don't recognize me? Tell me honestly.
[Subrata shakes his head no]
Arati: Why not?
Subrata Mazumdar: It all feels a bit unfamiliar. It feels a bit...
Arati: What about this?
[points at her cheek]
Arati: You don't recognize my mole? I'm still the same housewife.
- ConnectionsReferenced in Creative Artists of India: Satyajit Ray (1964)
Featured review
I found the movie exhilarating. This a movie where a Bengali housewife's actual stand in the eyes of those near to her comes to life. The house wife Aarati takes up the load of a job only to care for her family. While other family members gradually accept her new role, mostly because of the dire need of money, its her closest ally in the family, her husband, who isn't very warm to her new role. It first of all hurts his pride to accept her contribution, and he also resents her new found confidence, more than her independence. At the same time, Its the housewife Aarati who passes every test, as she copes with every challenge thrown at her, at home, at work and in her relationships with every individual. Personally i think thats what women are groomed to be, from birth, brave to take on the world whenever necessary. Its the husband who falters and learns to accept her after a big fight within himself.
Satyajit Ray, in Mahanagar, made a movie where ( in terms of cinematography and story-telling) not a single frame is wasted in anyway. Every movement of the actors, every hint relates to something or the other, while the story-telling is still simple enough for the ordinary to follow the story. I would recommend this to anyone.
Satyajit Ray, in Mahanagar, made a movie where ( in terms of cinematography and story-telling) not a single frame is wasted in anyway. Every movement of the actors, every hint relates to something or the other, while the story-telling is still simple enough for the ordinary to follow the story. I would recommend this to anyone.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- The Big City: Mahanagar
- Filming locations
- RN Mukherjee Rd, Calcutta, West Bengal, India(closing shot: view of the city)
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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