A former pimp, released from prison, disregards his ex-cellmate's advice and reverts to criminal activities, this time involving a photographic model racket.A former pimp, released from prison, disregards his ex-cellmate's advice and reverts to criminal activities, this time involving a photographic model racket.A former pimp, released from prison, disregards his ex-cellmate's advice and reverts to criminal activities, this time involving a photographic model racket.
Larry Taylor
- 2nd Thug
- (as Laurence Taylor)
Storyline
Did you know
- TriviaJackie Collins was so tired of being referred to as "Joan Collins sister" that she used the name "Lynn Curtis" for this movie.
- ConnectionsReferenced in Piccadilly Third Stop (1960)
Featured review
There's something rewarding about discovering a solid but unknown film from the past... like finding $50 in the pocket of a suit you haven't worn since last summer. This British gangster exploitation flick is such a film. THE SHAKEDOWN is so much better than it ought to be that it's kind of amazing. It's hardly even listed in any major movie review books. Still, I'm not ashamed to say this is without question a minor low budget UK noir gem and absolutely worthy of any crime drama (or 50s British cinema) fan's time. I saw it last year at the American Cinematheque Film Noir festival in Los Angeles and it was the wrong print! They meant to screen the American noir called SHAKEDOWN, but the audience and myself are forever grateful for the error as this movie is edgier, pulpier and just plain better.
The plot concerns a con returning after a stretch in the pokey and finding his turf has been taken over. He adapts and finds some new angles with a photography / blackmail shoppe only to get embroiled in police intrigue and a bad gangwar. As plots go, this one hangs together well despite some seemingly calculated titillatory edges. There are some unexpected and enjoyable twists thrown in as well for good measure.
The best aspect of this movie is the tough guy lingo and no-nonsense characterization. There's something particularly enjoyable about the straight ahead narrative. No smoke and mirrors or flashcut editing or deep focus trickery here; just simple, reliable point-the-camera-and- shoot storytelling. But forget any deep analysis; this is at its heart a compelling man-against-the-system tale and finally a very enjoyable moviegoing experience. Seek it out... this one is great English fun!
The plot concerns a con returning after a stretch in the pokey and finding his turf has been taken over. He adapts and finds some new angles with a photography / blackmail shoppe only to get embroiled in police intrigue and a bad gangwar. As plots go, this one hangs together well despite some seemingly calculated titillatory edges. There are some unexpected and enjoyable twists thrown in as well for good measure.
The best aspect of this movie is the tough guy lingo and no-nonsense characterization. There's something particularly enjoyable about the straight ahead narrative. No smoke and mirrors or flashcut editing or deep focus trickery here; just simple, reliable point-the-camera-and- shoot storytelling. But forget any deep analysis; this is at its heart a compelling man-against-the-system tale and finally a very enjoyable moviegoing experience. Seek it out... this one is great English fun!
Details
- Release date
- Country of origin
- Language
- Also known as
- Der nackte Spiegel
- Filming locations
- Alliance Film Studios, St Margarets, Twickenham, Middlesex, England, UK(studio: made at Twickenham Studios, London, England.)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 32 minutes
- Color
Contribute to this page
Suggest an edit or add missing content