Although the home of cabinet minister Arthur Bennett is a hotbed of spies, moles, and double agents, no one knows the true identity of notorious German spymaster Strendler.Although the home of cabinet minister Arthur Bennett is a hotbed of spies, moles, and double agents, no one knows the true identity of notorious German spymaster Strendler.Although the home of cabinet minister Arthur Bennett is a hotbed of spies, moles, and double agents, no one knows the true identity of notorious German spymaster Strendler.
- British Intelligence Agent
- (uncredited)
- Miss Risdon - Bennett's Secretary
- (uncredited)
- Under Officer Pfalz
- (uncredited)
- Capt. Lanark
- (uncredited)
- German Officer
- (uncredited)
- Von Ritter
- (uncredited)
- Milkman
- (uncredited)
- German Junior Officer
- (uncredited)
- Otto Kurtz
- (uncredited)
- Brigadier General
- (uncredited)
- German Soldier
- (uncredited)
- Cabinet Minister
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn the vestibule of Bennett's home hangs a well-known [reproduction] painting by Rembrandt, called 'An Old Man in Military Costume.' Dating from c.1631, it is a portrait of an old man posing in an outfit featuring a metal breastplate and a plumed hat. The original has been owned by the Getty Center in Los Angeles since 1978.
- GoofsWhen in London in a taxi, Helene says to Henry Thompson "Wasn't there a son?" Thompson replies "Frank, I think his name is. He's in France in the Air Force." The Royal Air Force did not come into existence until 1st April 1918 and was at that time The Royal Flying Corps.
- Quotes
Helene Von Lorbeer, aka Frances Hautry: [hoping to meet Strendler] I'm so anxious to meet him, his work, his methods - a genius!
Valdar, aka Karl Schiller: No! A symbol of blind duty!
Helene Von Lorbeer, aka Frances Hautry: Or a complete patriot?
Valdar, aka Karl Schiller: Perhaps he has no soul, no conscience, nothing! He'd kill you or me - for duty!
- Crazy creditsThe swelling of the end title music cuts off the end of Colonel Yates's final line. However, as he has just said "We will fight on" and is simply repeating "and on, and on, and on," it was likely not a mistake.
- ConnectionsEdited from The Dawn Patrol (1930)
On Aug. 23, 1939, the Nazis and Soviets signed a non-aggression agreement. And, after Germany invaded Poland, the Soviet Union moved into Poland from the east.
All of this history helps put into perspective this and other movies that Hollywood was making at the time related to war. And, it may help one understand some of the studios reasoning. Did they foresee the real likelihood of America soon going to war? A couple of other reviewers noted that this film seemed to be a combination of a WWI movie and a prophecy of WW II. Of course, as already noted, WW II was well underway when this film came out.
The production qualities of this film seem to suffer some. Some of the sets seem very stagy (it is based on a stage play). The dirigible bombing of London seems amateurish. The bombing scenes appear to have been made with a table model. Antiaircraft lights appear to be white strips of paper pasted on a black background.
But it is an interesting story of espionage and a good look at early British security efforts. The plot is very good and suspenseful. In the opening, it has some good use of WWI film footage. None of the cast are exceptional, but all do a good job. Boris Karloff is toned down in his menacing, monster-like glares, so he is believable as a refugee butler, Valdar. Margaret Lindsay is good as Helen von Lorbeer.
I don't think this is as much a propaganda film as it is a cinematic warning to Americans. And, it's wrapped in a cloak of espionage for entertainment. Perhaps it tweaked minds of audiences back then about what to expect in another world war.
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Details
- Runtime1 hour 1 minute
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1