IMDb RATING
6.9/10
1.9K
YOUR RATING
A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.
Louise Beavers
- Elite Club Attendant
- (uncredited)
Wade Boteler
- Police Sergeant at Reformatory
- (uncredited)
Bobby Caldwell
- Ruby & Eddie's Son
- (uncredited)
Nora Cecil
- Miss Campbell
- (uncredited)
Jack Cheatham
- Policeman
- (uncredited)
G. Pat Collins
- Phil Dunn
- (uncredited)
Nell Craig
- Miss Willard - Reformatory Matron
- (uncredited)
Storyline
Did you know
- TriviaWhen Eddie is looking around Ruby's apartment, waiting for his clothes to dry, he spots a pennant on the wall that says "Albany Night Boat." That refers to the steamships that would depart New York City in the early evening for an overnight trip up the Hudson River to Albany. The ships had hundreds of staterooms and often were used---as the film's contemporary audience would know---for romantic getaways or illicit affairs. The pillow Eddie sees next also may have been a souvenir from the ship, as it's inscribed, "We're here to-day/To-morrow we're through/So let's be gay/It is up to you." Such trips peaked in the early 20th century, but started to decline in the 1930s when less costly, speedier, and more efficient modes of transportation by rail and automobile came to the fore. By the 1940s, the Albany Night Boat had virtually ceased to exist.
- GoofsWhen Eddie slams the door after tossing Aubrey Mitchell out of the apartment, the wall shakes.
- ConnectionsFeatured in Bombshell (1933)
- SoundtracksHold Your Man
(1933) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on a record and sung by Harriet Lee
Reprised by Jean Harlow, playing piano and singing
Featured review
One of the great mysteries of life, suffered from daily, is why nice girls so often are more interested in the jerks and heels than in the nice guys.
Worse, when the nice guys even want to marry those girls, the girls STILL prefer the jerks and heels, even after the jerks and heels have shown their contempt, have shown they're just interested in using the girls.
Stu Erwin is the nice guy, who continues to be nice after being lied to and cheated and even after losing the girl completely.
Clark Gable is the jerk, and he is perfect in the role, rather a sad note to his fans.
Jean Harlow comes across as a more slender Mae West, even sounding like La West in some of her cynical throwaway lines.
Somewhat puzzling is that so many of the other characters, intended to be bad guys -- I mean, heck, they're locked up, so they must be -- are so obviously nice people.
In fact, there are lots of nice people here, people who, in a lesser film or story, would be snarling and back-stabbing but here go out of their way to help someone else.
So, maybe the story is rather clichéd, at least by modern standards, but ultimately the viewer will be glad to have watched.
The biggest complaint I have is that so many really good actors are not given credit. Once again, we can say a fervent "Thank You" to IMDb.com.
Worse, when the nice guys even want to marry those girls, the girls STILL prefer the jerks and heels, even after the jerks and heels have shown their contempt, have shown they're just interested in using the girls.
Stu Erwin is the nice guy, who continues to be nice after being lied to and cheated and even after losing the girl completely.
Clark Gable is the jerk, and he is perfect in the role, rather a sad note to his fans.
Jean Harlow comes across as a more slender Mae West, even sounding like La West in some of her cynical throwaway lines.
Somewhat puzzling is that so many of the other characters, intended to be bad guys -- I mean, heck, they're locked up, so they must be -- are so obviously nice people.
In fact, there are lots of nice people here, people who, in a lesser film or story, would be snarling and back-stabbing but here go out of their way to help someone else.
So, maybe the story is rather clichéd, at least by modern standards, but ultimately the viewer will be glad to have watched.
The biggest complaint I have is that so many really good actors are not given credit. Once again, we can say a fervent "Thank You" to IMDb.com.
- morrisonhimself
- Apr 19, 2009
- Permalink
- How long is Hold Your Man?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Black Orange Blossoms
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $266,000 (estimated)
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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