Entr'acte
- 1924
- 22m
IMDb RATING
7.3/10
4.3K
YOUR RATING
An absolute dada movie. Somebody gets killed, his coffin gets out of control and after a chase it stops. The person gets out of it and let everybody who followed the coffin dissapear.An absolute dada movie. Somebody gets killed, his coffin gets out of control and after a chase it stops. The person gets out of it and let everybody who followed the coffin dissapear.An absolute dada movie. Somebody gets killed, his coffin gets out of control and after a chase it stops. The person gets out of it and let everybody who followed the coffin dissapear.
Inge Frïss
- La ballerine
- (as Mlle Frïss)
Man Ray
- Un joueur d'échecs
- (as Man-Ray)
Marcel Achard
- Un homme qui suit le corbillard
- (uncredited)
Georges Auric
- Un homme qui suit le corbillard
- (uncredited)
Georges Charensol
- Un homme qui suit le corbillard
- (uncredited)
Georges Lacombe
- Un homme qui suit le corbillard
- (uncredited)
Roger Le Bon
- Un homme qui suit le corbillard
- (uncredited)
Jean Mamy
- Un homme qui suit le corbillard
- (uncredited)
Rolf de Maré
- Un homme qui suit le corbillard
- (uncredited)
Erik Satie
- Un homme qui charge le canon
- (uncredited)
Pierre Scize
- Un homme qui suit le corbillard
- (uncredited)
Louis Touchages
- Un homme qui suit le corbillard
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe ballet "Relâche" ("Theatre Closed") premiered at the Théâtre des Champs Elyseés in Paris on December 4, 1924. Based on a book and with settings by Francis Picabia, it was a ballet in two acts commissioned and staged by the Ballets Suédois of Rolf de Maré, with choreography by Jean Börlin. As the title "Entr'acte" implies, this film was shown between the two acts, with music by Erik Satie.
- GoofsObvious stand-in for the close-up of Rolf de Maré getting kicked in head, which sends him (via reverse motion) flying back into the end title. The "kick" itself is clearly achieved through reverse motion.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl (2 Films on a single DVD). The film has been re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsEdited into Avant Garde Cinema (1960)
Featured review
Entr'acte is a light-hearted example of Dada cinema of the 1920's. The tone is consistently playful and silly and you can just tell that the film-makers are having a laugh throughout. I'm certainly not too convinced that there is any particular message here. The emphasis of the film is using the cinematic medium to showcase inventive and surreal imagery in an amusing way. The narrative, such as it is, has us follow a funeral march. Although seeing as this is a Dada film, it's not exactly an ordinary march. For one thing it's led by a camel, and for another, the people in the procession bound around in slow motion for no discernible reason other than it looks funny.
The film itself was conceived as something to be shown in an intermission between other films. It clearly was never meant to be taken too seriously, and it's quite obvious that it was made in a way that allowed some of the leading proponents of the Dada/Surrealist movement to have fun and go for laughs. Surrealism was often an art-form with a sense of humour in any case, as anyone familiar with Salvador Dali's work could attest. Like most art films from the 20's Entr'acte has aged remarkably well and like others displays a sensibility that would be replicated many decades later in avant-garde cinema of the 60's and pop videos of the 80's and beyond. All-in-all a fun film to see.
The film itself was conceived as something to be shown in an intermission between other films. It clearly was never meant to be taken too seriously, and it's quite obvious that it was made in a way that allowed some of the leading proponents of the Dada/Surrealist movement to have fun and go for laughs. Surrealism was often an art-form with a sense of humour in any case, as anyone familiar with Salvador Dali's work could attest. Like most art films from the 20's Entr'acte has aged remarkably well and like others displays a sensibility that would be replicated many decades later in avant-garde cinema of the 60's and pop videos of the 80's and beyond. All-in-all a fun film to see.
- Red-Barracuda
- Sep 13, 2010
- Permalink
Details
- Runtime22 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
Contribute to this page
Suggest an edit or add missing content